1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x90855bee478690c759b95d540b141f77cb4a69d2ceaa1fc36b45e2e9ea501e49. Chain 2 (Bitcoin): anchored in block 954742 (2026-06-21T20:46:40Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/fe2a3bb4-c8d9-4b11-a63f-cdf6913e0b16.json and https://artists.proofprofile.net/proofs/artist/fe2a3bb4-c8d9-4b11-a63f-cdf6913e0b16.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison I
Sinfonie-Orchester Des Bayerischen Rundfunks
Bach, JS: Mass in B Minor, BWV 232: Credo in unum Deum
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen"
Theo Altmeyer/Franz Crass/Teresa Zylis-Gara/Julia Hamari/Nicolai Gedda/Hermann Prey/Hans Sotin/Süddeutscher Madrigalchor/Consortium Musicum/Wolfgang Gönnenwein
Bach, JS: Mass in B Minor, BWV 232: Christe eleison
Bach, JS: Mass in B Minor, BWV 232: Patrem omnipotentem
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 2, Rezitativ. "Da Jesus diese Rede vollendet hatte"
Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison II
Bach, JS: Mass in B Minor, BWV 232: Et in unum Dominum
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen"
Bach, JS: Mass in B Minor, BWV 232: Gloria in excelsis
Bach, JS: Mass in B Minor, BWV 232: Et incarnatus est
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4a, Rezitativ. "Da versammleten sich die Hohenpriester"
Bach, JS: Mass in B Minor, BWV 232: Et in terra pax
Bach, JS: Mass in B Minor, BWV 232: Crucifixus
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4b, Chor. "Ja nicht auf das Fest"
Bach, JS: Mass in B Minor, BWV 232: Laudamus te
Bach, JS: Mass in B Minor, BWV 232: Et resurrexit
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4c, Rezitativ. "Da nun Jesus war zu Bethanien"
Bach, JS: Mass in B Minor, BWV 232: Gratias agimus tibi
Bach, JS: Mass in B Minor, BWV 232: Et in Spiritum Sanctum
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4d, Chor. "Wozu dienet dieser Unrat"
Bach, JS: Mass in B Minor, BWV 232: Domine Deus
Bach, JS: Mass in B Minor, BWV 232: Confiteor
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4e, Rezitativ. "Da das Jesus merkete"
Bach, JS: Mass in B Minor, BWV 232: Qui tollis peccata mundi
Bach, JS: Mass in B Minor, BWV 232: Et expecto
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 5, Rezitativ. "Du lieber Heiland du"
Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris
Bach, JS: Mass in B Minor, BWV 232: Sanctus
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 6, Aria. "Buß und Reu"
Bach, JS: Mass in B Minor, BWV 232: Quoniam tu solus sanctus
Bach, JS: Mass in B Minor, BWV 232: Osanna in excelsis
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 7, Rezitativ. "Da ging hin der Zwölfen einer"
Bach, JS: Mass in B Minor, BWV 232: Cum Sancto Spiritu
Bach, JS: Mass in B Minor, BWV 232: Benedictus
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!"
Bach, JS: Mass in B Minor, BWV 232: Osanna repetatur
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9a, Rezitativ. "Aber am ersten Tage der süßen Brot"
Bach, JS: Mass in B Minor, BWV 232: Agnus Dei
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9b, Chor. "Wo willst du, dass wir dir bereiten"
Bach, JS: Mass in B Minor, BWV 232: Dona nobis pacem
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9c, Rezitativ. "Er sprach; Gehet hin in die Stadt"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9d, Rezitativ. "Und sie wurden sehr betrübt"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9e, Chor. "Herr, bin ichs?"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 10, Choral. "Ich bin's, ich sollte büßen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 11, Rezitativ. "Er antwortete und sprach"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 12, Rezitativ. "Wiewohl mein Herz in Tränen schwimmt"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 13, Aria. "Ich will dir mein Herz schenken"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 14, Rezitativ. "Und da sie den Lobgesang gesprochen hatten"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 15, Choral. "Erkenne mich, mein Hüter"
Parsifal, Act I: Vom Bade kehrt der König heim (Live)
Parsifal, Act II: Hier war das Tosen! Hier! Hier! (Live)
Parsifal, Act III: Wer nahet dort dem heil'gen Quell (Live)
Parsifal, Act I: He! Ho! Waldhüter ihr (Live)
Parsifal, Act I: Verwandlungsmusik (Live)
Parsifal, Act II: Komm'! Komm'! Holder Knabe! (Live)
Parsifal, Act III: Heil mir, dass ich dich wieder finde! (Live)
Parsifal, Act I: Seht dort, die wilde Reiterin! (Live)
Parsifal, Act I: Nun achte wohl und lass mich seh'n (Live)
Parsifal, Act II: Parsifal! Weile! (Live)
Parsifal, Act III: Zu ihm, des tiefe Klagen (Live)
Parsifal, Act I: Recht so! Habt Dank! Ein wenig Rast (Live)
Parsifal, Act I: Mein sohn Amfortas, bist du am Amt? (Live)
Parsifal, Act II: Dies alles - Hab' ich nun geträumt? (Live)
Parsifal, Act III: O Herr! War es ein Fluch (Live)
Parsifal, Act I: Nicht Dank! Ha, ha! Was wird es helfen? (Live)
Parsifal, Act I: Wehvolles Erbe, dem ich verfallen (Live)
Parsifal, Act II: Ich sah das Kind an seiner Mutter Brust (Live)
Parsifal, Act III: Nicht so! Die heil'ge Quelle selbst (Live)
Parsifal, Act I: O wunden-wundervoller heiliger Speer! (Live)
Parsifal, Act I: Enthüllet den Gral! (Live)
Parsifal, Act II: Wehe! Wehe! Was tat ich? (Live)
Parsifal, Act III: Gesegnet sei, du Reiner, durch das Reine! (Live)
Parsifal, Act I: Titurel, der fromme Held (Live)
Parsifal, Act I: Wein und Brot des letzten Mahles (Live)
Parsifal, Act II: Amfortas! Die Wunde! (Live)
Parsifal, Act III: Wie dünkt mir doch die Aue heut so schön! (Live)
Parsifal, Act I: Weh! Weh! - Wer ist der Frevler? (Live)
Parsifal, Act I: Was stehst du noch da? (Live)
Parsifal, Act II: Grausamer! Fühlst du im Herzen (Live)
Parsifal, Act III: Du siehst, das ich nicht so (Live)
Parsifal, Act I: Nun sag! Nichts weißt du, was ich dich frage (Live)
Parsifal, Act II: Prelude - Die Zeit ist da (Live)
Parsifal, Act II: Vergeh, unseliges Weib! (Live)
Parsifal, Act III: Mittag. Die Stund' ist da (Live)
Parsifal, Act II: Ach! Ach! Tiefe Nacht (Live)
Parsifal, Act III: Geleiten wir im bergenden Schrein (Live)
Parsifal, Act II: Ho! Ihr Wächter! Ho! Ritter! (Live)
Parsifal, Act III: Von dort her kam das Stöhnen (Live)
Parsifal, Act III: Ja, wehe! Weh' über mich (Live)
Parsifal, Act III: Nur eine Waffe taugt (Live)
Parsifal, Act III: Höchsten Heiles Wunder! (Live)
Peter Grimes, Op. 33 / Prologue: "Peter Grimes!"
Orchestra of the Royal Opera House, Covent Garden
1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x92be2ff518fefcc807482618cb100376f2e4d83b7d6f80c593a350d9621bfde3. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLA507610201.
Peter Grimes, Op. 33 / Act 2: "Fool to let it come to this!"
Chorus of the Royal Opera House, Covent Garden
Peter Grimes, Op. 33 / Prologue: "You sailed your boat"
Peter Grimes, Op. 33 / Act 2: "What is it?"
Peter Grimes, Op. 33 / Prologue: "Peter Grimes, I here advise you!"
Peter Grimes, Op. 33 / Act 2: "People!...No! I will speak!"
Peter Grimes, Op. 33 / Prologue: "The truth...the pity..."
Peter Grimes, Op. 33 / Act 2: "We planned that their lives"
Peter Grimes, Op. 33 / Prologue: Interlude I: On the beach
Peter Grimes, Op. 33 / Act 2: "Swallow! Shall we go"
Peter Grimes, Op. 33 / Act 1: "Oh, hang at open doors"
Peter Grimes, Op. 33 / Act 2: "Now is gossip put on trial"
Peter Grimes, Op. 33 / Act 1: "Hi! give us a hand"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x63e8eab2470575b869c3708198f8042bcacf5a7d870664df784dec3135d7aa14. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLA507610207.
Peter Grimes, Op. 33 / Act 2: "From the gutter"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xdd138a231250676b325500eedb0ab2f85cf9fc9e9cd5cc3028c06e1241ff8545. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLA507610229.
Peter Grimes, Op. 33 / Act 1: "I have to go from pub to pub"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9f6b54404479eaffdd8844ac418fedb74ff41b8cb4e6d68b7d89a0a5bc1892db. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLA507610208.
Peter Grimes, Op. 33 / Act 2: Interlude IV: Passacaglia
Peter Grimes, Op. 33 / Act 1: "Let her among you"
Peter Grimes, Op. 33 / Act 2: "Go there!"
Peter Grimes, Op. 33 / Act 1: "Look, the storm cone!"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8e152a4149181afd84aa631ccf6b0955a10dcf35b19b1a47ad721a6ecc5a5ac0. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLA507610210.
Peter Grimes, Op. 33 / Act 2: "Now!...Now!"
Peter Grimes, Op. 33 / Act 1: "And do you prefer the storm"
Peter Grimes, Op. 33 / Act 2: "Peter Grimes! Nobody here?"
Peter Grimes, Op. 33 / Act 1: "What harbour shelters peace"
Peter Grimes, Op. 33 / Act 3: Interlude V: Evening
Peter Grimes, Op. 33 / Act 1: Interlude II: The Storm
Peter Grimes, Op. 33 / Act 3: "Assign your prettiness to me"
Peter Grimes, Op. 33 / Act 1: "Past time to close!"
Peter Grimes, Op. 33 / Act 1: "We live and let live"
Peter Grimes, Op. 33 / Act 3: "Come along, Doctor!"
Peter Grimes, Op. 33 / Act 1: "Have you heard?"
Peter Grimes, Op. 33 / Act 3: "Embroidery in childhood"
Peter Grimes, Op. 33 / Act 1: "Now the Great Bear and Pleiades"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6dbff1cba208e1e24fbb713bd01f73e519fae7849b7f601746543285ba571bbe. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLA507610217.
Peter Grimes, Op. 33 / Act 3: "Mr.Swallow!"
Peter Grimes, Op. 33 / Act 1: "Old Joe has gone fishing"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9b995313a5650377ab5115d96e9e68174e7c3a8deec8707c209978420bb6729c. Chain 2 (Bitcoin): anchored in block 957122 (2026-07-08T03:39:04Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLA507610218.
Peter Grimes, Op. 33 / Act 3: "Who holds himself apart"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf64cdfb524c78e98c5386a83c27afb12900bbf33477d280c339e19c5042dce10. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLA507610240.
Peter Grimes, Op. 33 / Act 2: Interlude III: Sunday morning by the beach
Peter Grimes, Op. 33 / Act 3: Interlude VI: Fog
Peter Grimes, Op. 33 / Act 2: "Glitter of waves"
Peter Grimes, Op. 33 / Act 3: "Grimes! Grimes!"
Peter Grimes, Op. 33 / Act 2: "Let this be a holiday"
Peter Grimes, Op. 33 / Act 3: "Peter, we've come to take you home"
Peter Grimes, Op. 33 / Act 2: "This unrelenting work"
Peter Grimes, Op. 33 / Act 3: "To those who pass the Borough"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x93683937076162433d0526390acb50b25d57e8c49f13dcdf3620e968c7532160. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695281.
Bizet: Carmen: Sur la place chacun passe - Act One
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9facc9b83f38a6f8cbdca0e33951c7e13f8414108c96d7f9b690fc45ce063f1d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695282.
Bizet: Carmen: Les tringles des sistres tintaient: Danse Bohemienne - Act Two
Bizet: Carmen: Ecoute, ecoute, compagnon, ecoute! - Act Three
Bizet: Carmen: Avec la garde montate - Act One
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x92c65f7f82ef55bb96c51607dd28553c93c041a5f29bf994b7cac95d6ec06421. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695283.
Bizet: Carmen: Votre toast, je peux vous le rendre: Toreador Song - Act Two
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe97492e3b3e2f206383e1078731d03196bcebcf2f2c758dec2a0629e68cdc940. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695296.
Bizet: Carmen: Melons! Coupons! - Act Three
Bizet: Carmen: La cloche a sonne - Act One
Bizet: Carmen: Nous avons en tete une affaire! - Act Two
Bizet: Carmen: Voyons, que j'essaie a mon tour - Act Three
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9b3d50c49c2d27a1fea87ffc0673b12b17a78cdd30c403ce0e03ef2a0638210b. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695305.
Bizet: Carmen: Mais nous ne voyons pas la Carmencita! - Act One
Bizet: Carmen: Je vais danser en votre honneur - Act Two
Bizet: Carmen: quant au douanier, c'est notre affaire! - Act Three
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4b153c730187ce38731b22db49704460429d6b6f0755f83f7146a676c2cb88a1. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695306.
Bizet: Carmen: L'amour est un oiseau rebelle: Habanera - Act One
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8b46192bb2647928f76274976696a056cb283504b0590c5cfd98b7550286bdc7. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695286.
Bizet: Carmen: La fleur que tu m'avais jetee: Flower Song - Act Two
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9de0ee1ea0713cd31e58ebff21fafb9f84fc3284f71b8e034697912aa30ab1f2. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695299.
Bizet: Carmen: Je dis que rien ne m'epouvante - Act Three
Bizet: Carmen: Carmen! Sur tes pas nous nous pressons tous! - Act One
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9c90b0236ebd5ec22b03accbe6dfb113a50ce41f0d5419f9f79980add795bb97. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695287.
Bizet: Carmen: Non! Tu ne m'aimes pas! - Act Two
Bizet: Carmen: Je suis Escamillo, torero de Grenade - Act Three
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4856697eb52c5c56e0e6fedc9398b5e67effdf319bba3dc9e2d6664a593b0021. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695308.
Bizet: Carmen: Parle-moi de ma mere! - Act One
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4efb55cd471d39d0ffbf3bed61391e00cae1468728ab471a2e5ec8336e4d4b0f. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695288.
Bizet: Carmen: Hola! Carmen! Hola! Hola! - Act Two
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb1d35018272febdb29891719b94cae738c9cb2b123b0b4592f69d93b3b3dd1d1. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695301.
Bizet: Carmen: Hola! Hola! Jose! - Act Three
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x51fc95f71990cc2387e8fb08a6769768fafc7de4ceee4e7e86e17472f73ca81d. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695309.
Bizet: Carmen: Qui sait de quel demon j'allais etre la proie! - Act One
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1ed4a45e9deaa3df020f6ab873d59fdef2797257c29e32a5984ef0d51404a7b8. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695310.
Bizet: Carmen: Au secours! Au secours! - Act One
Bizet: Carmen: Avez-vous quelque chose a repondre? - Act One
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3f82883a429ede058bc437b23b1258e352a723061474ddc264021a593f0a372b. Chain 2 (Bitcoin): anchored in block 957075 (2026-07-07T18:50:38Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695291.
Bizet: Carmen: A deux cuartos! - - Act Four
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf064033f839b0c0d17e7345e6e8aa114bcf2273fa72086777c2c390bd64073a0. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695312.
Bizet: Carmen: Pres des remparts de Seville: Seguidilla - Act One
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x72e8123dcf1e6a31b11ccc9cd290e41576bcfc02807b6f0c1f0346bc8db263d2. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695292.
Bizet: Carmen: Si tu m'aimes, Carmen - Act Four
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x06f94d02f88308ce7a140064ebdd993a9d5049e9bcbddd2384dbadb29af0486d. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695313.
Bizet: Carmen: Voici l'ordre; partez, et faites bonne garde - Act One
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x00e7fb2262cf39d8f0fe47723df757d39d1ba2c5e066289a5d4e09d52b1ce412. Chain 2 (Bitcoin): anchored in block 956894 (2026-07-06T07:53:57Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695293.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe567a6a2c254bb9561b278a0fb737fa59f57e679afd59027691025ea51af8190. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/US89R0695314.
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato
Piano Concerto in A Minor, Op. 16: II. Adagio
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato
Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato – Largamente – Allegro moderato – Presto
Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto
Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto – Misterioso – Un pochettino largamente – Largamente assai
Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio – Vivace assai
Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante
Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto – Trio. Allegro molto
Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 1. Allegro con brio
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 2. Marcia funèbre (Adagio assai)
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 3. Scherzo (Allegro vivace)
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 4. Finale (Allegro molto)
Symphonie fantastique, H. 48: I. Rêveries – Passions
Symphonie fantastique, H. 48: II. Un bal. Valse
Symphonie fantastique, H. 48: III. Scène aux champs
Symphonie fantastique, H. 48: IV. Marche au supplice
Symphonie fantastique, H. 48: V. Songe d'une nuit du Sabbat
Carmen, GB 9, IGB 16, Act I: "Ouverture"
Carmen, GB 9, IGB 16, Act I: "Sur la place chacun passe" (Chœur, Moralès, Micaëla)
Carmen, GB 9, IGB 16, Act I: "Avec la garde montante" (Garçon, Moralès, José, Zuniga)
Carmen, GB 9, IGB 16, Act I: "La cloche a sonné" (Chœur)
Carmen, GB 9, IGB 16, Act I: "Mais nous ne voyons pas la Carmencita!" (Chœur, Carmen)
Carmen, GB 9, IGB 16, Act I: "L'amour est un oiseau rebelle" (Carmen, Chœur)
Carmen, GB 9, IGB 16, Act I: "Carmen! sur tes pas" (Chœur, José, Micaëla)
Carmen, GB 9, IGB 16, Act I: "Parle-moi de ma mère!" (José, Micaëla)
Carmen, GB 9, IGB 16, Act I: "Qui sait de quel démon" (José, Micaëla)
Carmen, GB 9, IGB 16, Act I: "Au secours!" (Chœur, Zuniga)
Carmen, GB 9, IGB 16, Act I: "Voyons, brigadier" (Zuniga, José, Carmen, Chœur)
Carmen, GB 9, IGB 16, Act I: "Près des remparts de Séville" (Carmen, José)
Carmen, GB 9, IGB 16, Act I: "Voici l'ordre, partez" (Zuniga, Carmen)
Carmen, GB 9, IGB 16, Act II: "Entr'acte"
Carmen, GB 9, IGB 16, Act II: "Les tringles des sistres tintaient" (Carmen, Frasquita Mercédès)
Carmen, GB 9, IGB 16, Act II: "Vous avez quelques chose à nous dire" (Zuniga, Lillas Pastia, Frasquita, Carmen, Mercédès, Chœur, Escamillo)
Carmen, GB 9, IGB 16, Act II: "Votre toast, je peux vous le rendre" (Escamillo, Chœur, Mercédès, Frasquita, Carmen, Zuniga)
Carmen, GB 9, IGB 16, Act II: "Eh bien quelles nouvelles?" (Frasquita, Dancairo, Carmen, Mercédès, Remendado)
Carmen, GB 9, IGB 16, Act II: "Je te dis qu'il faut le venir!" (Dancairo, Carmen, Remendado, José, Frasquita, Mercédès, Lillas Pastia)
Carmen, GB 9, IGB 16, Act II: "Je vais danser en votre honneur" (Carmen, José)
Carmen, GB 9, IGB 16, Act II: "La fleur que tu m'avais jetée" (José)
Carmen, GB 9, IGB 16, Act II: "Non, tu ne m'aimes pas" (Carmen, José)
Carmen, GB 9, IGB 16, Act II: "Holà! Carmen! holà! holà!" (Zuniga, José, Carmen, Remendado, Dancairo, Chœur)
Carmen, GB 9, IGB 16, Act III: "Entr'acte"
Carmen, GB 9, IGB 16, Act III: "Écoute, compagnon, écoute!" (Chœur, Carmen, Frasquita, Mercédès, José, Dancairo, Remendado)
Carmen, GB 9, IGB 16, Act III: "Nous allons nous arrêter ici" (Dancairo, José, Remendado, Carmen)
Carmen, GB 9, IGB 16, Act III: "Mélons! Coupons!" (Frasquita, Mercédès)
Carmen, GB 9, IGB 16, Act III: "Voyons, que j'essaie à mon tour" (Carmen, Frasquita, Mercédès)
Carmen, GB 9, IGB 16, Act III: "Eh bien? - Eh bien" (Carmen, Dancairo, Remendado, Frasquita, Mercédès, José, Chœur)
Carmen, GB 9, IGB 16, Act III: "Nous ici sommes - Je dis que rien ne m'épouvante" (Guide, Micaëla)
Carmen, GB 9, IGB 16, Act III: "Je ne me trompe pas" (Micaëla, Escamillo, José)
Carmen, GB 9, IGB 16, Act III: "Holà, holà, José!" (Carmen, Escamillo, Dancairo, José, Remendado, Chœur)
Carmen, GB 9, IGB 16, Act III: "Une femme!" (Carmen, Dancairo, José, Micaëla, Chœur, Escamillo)
Carmen, GB 9, IGB 16, Act IV: "Entr'acte"
Carmen, GB 9, IGB 16, Act IV: "A deux cuartos!" (Chœur, Zuniga, Frasquita, Mercédès)
Carmen, GB 9, IGB 16, Act IV: "Si tu m'aimes, Carmen" (Escamillo, Carmen, Chœur, Frasquita, Mercédès)
Carmen, GB 9, IGB 16, Act IV: "C'est toi! - C'est moi!" (Carmen, José, Chœur)
Carmen, GB 9, IGB 16, Act IV: "Où vas-tu?" (José, Carmen, Chœur)
Piano Concerto No. 23 in A, K.488: I. Allegro (cadenza by Mozart)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4258975ffa4ea6b4dc3b8bb6ae63b3b8394db89de2310a8552d7b270dd54c5b4. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9703454.
Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Adagio
Piano Concerto No. 23 in A, K.488: II. Adagio
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd0ced54f4be7ddf967dac1a96b2d037e1984d34335918813c937f9acfb9545bb. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9703455.
Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Finale - Allegro -
Piano Concerto No. 23 in A, K.488: III. Allegro assai
Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Allegro molto
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf3db13d6eae0e241711fea8b6f8c440f14a679b62838d47d56aabecee1cc6bf8. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBPFX0700142.
Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Adagio, ma non troppo
Piano Trio in G, K.564: II. Tema con variazioni: Andante
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0f7ab549db2a2ff2e4db9c6d0453a97669b483c700c81472a15f2b3fa9e9d67e. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBPFX0700143.
Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Marica, assai vivace - Allegro
Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Allegretto, ma non troppo (quasi Andante con moto) - Presto
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Thema : Allegretto
Jeux d'enfants (Petite Suite): Marche (Trompette et Tambour)
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation I
Jeux d'enfants (Petite Suite): Berceuse (La poupée)
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation II
Piano Concerto No. 1, Sz.83: Allegro moderato - Allegro - Allegro moderato
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation III
Preludes, Op.28: No. 4 in E minor (Largo)
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation IV
Piano Concerto No. 2 in B Flat Major, Op.83: III. Andante
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation V
Pavane Op. 50 (1887, orchestral version) - 1987 Digital Remaster
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1cc4b292c58653d45e90de3be317e92fdb306a2e653c8bc60228a27b5690420f. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC8703561.
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation VI
Te Deum: Te Deum laudamus (choir/solo quartet)
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation VII
Te Deum: Te ergo quaesumus (solo quartet)
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variaton VIII
Te Deum: Aeterna fac cum sanctis tuis (solo quartet/choir)
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation IX: Adagio
Te Deum: Salvum fac populum tuum (solo quartet/choir)
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation X: Allegro
Te Deum: In te, Domine, speravi (choir/solo quartet)
Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: (Tempo I)
Don Giovanni, K.527, Act I, Scena quarta: Tra quest'arbori celata (Zerlina/Don Giovanni/Masetto)
Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver corragio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni)
Don Giovanni, K.527, Act I, Scena quarta: Protegga il giusto cielo (Donna Anna/Don Ottavio/Donna Elvira)
Symphony No.41 in C, K.551 'Jupiter': IV. Finale (Allegro molto)
Bruckner: The Romantic Master - Symphonies & Masses
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (1886 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": II. Andante, quasi allegretto (1886 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell (1886 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": IV. Finale. Bewegt, doch nicht zu schnell (1886 Version)
Bruckner: Symphony No. 7 in E Major, WAB 107: I. Allegro moderato
Bruckner: Symphony No. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam
Bruckner: Symphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer
Bruckner: Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell
Bruckner: Symphony No. 9 in D Minor, WAB 109: I. Feierlich, misterioso
Bruckner: Symphony No. 9 in D Minor, WAB 109: II. Scherzo. Bewegt, lebhaft - Trio. Schnell
Bruckner: Symphony No. 9 in D Minor, WAB 109: III. Adagio. Langsam, feierlich
Bruckner: Symphony No. 9 in D Minor, WAB 109: IV Finale. Misterioso, nicht schnell (2012 Revised Samale-Mazzuca-Phillips-Cohrs Version)
Bruckner: Symphony No. 0 in D Minor, WAB 100 "Nullte": I. Allegro
Bruckner: Symphony No. 0 in D Minor, WAB 100 "Nullte": II. Andante
Bruckner: Symphony No. 0 in D Minor, WAB 100 "Nullte": III. Scherzo. Presto - Trio. Langsamer und ruhiger
Bruckner: Symphony No. 0 in D Minor, WAB 100 "Nullte": IV. Finale. Moderato - Allegro vivace
Bruckner: Symphony No. 00 in F Minor, WAB 99: I. Allegro molto vivace
Bruckner: Symphony No. 00 in F Minor, WAB 99: II. Andante molto
Bruckner: Symphony No. 00 in F Minor, WAB 99: III. Scherzo. Schnell - Trio. Langsamer
Bruckner: Symphony No. 00 in F Minor, WAB 99: IV. Finale. Allegro
Bruckner: Symphony No. 1 in C Minor, WAB 101 "Das kecke Beserl": I. Allegro (1877 Linz Version)
Bruckner: Symphony No. 1 in C Minor, WAB 101 "Das kecke Beserl": II. Adagio (1877 Linz Version)
Bruckner: Symphony No. 1 in C Minor, WAB 101 "Das kecke Beserl": III. Scherzo. Schnell (1877 Linz Version)
Bruckner: Symphony No. 1 in C Minor, WAB 101 "Das kecke Beserl": IV. Finale. Bewegt, feurig (1877 Linz Version)
Bruckner: Symphony No. 2 in C Minor, WAB 102: I. Allegro. Ziemlich schnell (1872 Version)
Bruckner: Symphony No. 2 in C Minor, WAB 102: II. Scherzo - Trio (1872 Version)
Bruckner: Symphony No. 2 in C Minor, WAB 102: III. Adagio (1872 Version)
Bruckner: Symphony No. 2 in C Minor, WAB 102: IV. Finale. Mehr schnell (1872 Version)
Bruckner: Symphony No. 3 in D Minor, WAB 103 "Wagner Symphony": I. Mehr langsam, misterioso (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987]
Bruckner: Symphony No. 3 in D Minor, WAB 103 "Wagner Symphony": II. Adagio, quasi andante (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987]
Bruckner: Symphony No. 3 in D Minor, WAB 103 "Wagner Symphony": III. Scherzo. Ziemlich schnell (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987]
Bruckner: Symphony No. 3 in D Minor, WAB 103 "Wagner Symphony": IV. Finale. Allegro (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987]
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (1880 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": II. Andante, quasi allegretto (1880 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell (1880 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": IV. Finale. Bewegt, doch nicht zu schnell (1880 Version)
Bruckner: Symphony No. 5 in B-Flat Major, WAB 105: I. Adagio - Allegro (1878 Version)
Bruckner: Symphony No. 5 in B-Flat Major, WAB 105: II. Adagio. Sehr langsam (1878 Version)
Bruckner: Symphony No. 5 in B-Flat Major, WAB 105: III. Scherzo. Molto vivace - Trio. Schnell (1878 Version)
Bruckner: Symphony No. 5 in B-Flat Major, WAB 105: IV. Finale. Adagio - Allegro moderato (1878 Version)
Bruckner: Symphony No. 6 in A Major, WAB 106: I. Maestoso
Bruckner: Symphony No. 6 in A Major, WAB 106: II. Adagio. Sehr feierlich
Bruckner: Symphony No. 6 in A Major, WAB 106: III. Scherzo. Nicht schnell - Trio. Langsam
Bruckner: Symphony No. 6 in A Major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell
Bruckner: Symphony No. 8 in C Minor, WAB 108: I. Allegro moderato (1890 Version) [Live, Philharmonie am Gasteig, Munich, 1993]
Bruckner: Symphony No. 8 in C Minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam (1890 Version) [Live, Philharmonie am Gasteig, Munich, 1993]
Albert Herring, Op. 39 / Act 1: "Flor-ence! Tell The Midwife!"
Albert Herring, Op. 39 / Act 2: "I'm Full Of Happiness"
Albert Herring, Op. 39 / Act 1: "Doctor Jessop's Midwife"
Albert Herring, Op. 39 / Act 2: "As Representing The Local Council"
Albert Herring, Op. 39 / Act 1: "I Hope We're Not Too Early, Florence?"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4e617ddce3d28d5874009409f52d56b5bc45b3cd3ea8e484ee37b0ff7ffa3190. Chain 2 (Bitcoin): anchored in block 957122 (2026-07-08T03:39:04Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBF076440103.
Albert Herring, Op. 39 / Act 2: "My Heart Leaps Up With Joy"
Albert Herring, Op. 39 / Act 1: "Stuffy!"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2d23ba34e298674f5206f632fc70005787bf98992fde674cbd31d664b70f13a6. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBF076440104.
Albert Herring, Op. 39 / Act 2: "Er-humph! Er-humph! I'm No Great Shakes"
Albert Herring, Op. 39 / Act 1: "Now Then! Notebook, Florence!"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc7d85c9e59f98680bcdbb28edd3450205804158521e10993fd642c8b3f8ccf63. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBF076440105.
Albert Herring, Op. 39 / Act 2: "Well Tried, Albert!"
Albert Herring, Op. 39 / Act 1: "The First Suggestion On My List"
Albert Herring, Op. 39 / Act 2: Interlude
Albert Herring, Op. 39 / Act 1: "Is This All You Can Bring?"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x70e48cf6a3f72a719f10ae085f2c97332d3b1e6343ed345ffa9c67d914a3189e. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBF076440107.
Albert Herring, Op. 39 / Act 2: "Albert The Good!"
Albert Herring, Op. 39 / Act 1: "Beggin' Your Pardon"
Albert Herring, Op. 39 / Act 2: "You Oughtn't To Whistle!"
Albert Herring, Op. 39 / Act 1: "Right! We'll Have Him!"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcdfa356c8a1b347d586e15dc2433f7f96417423d5f3177c010546db52abf4a67. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBF076440109.
Albert Herring, Op. 39 / Act 2: "Heaven Helps Those Who Help Themselves!"
Albert Herring, Op. 39 / Act 1: Interlude
Albert Herring, Op. 39 / Act 3: Introduction
Albert Herring, Op. 39 / Act 1: "Bounce Me High"
Albert Herring, Op. 39 / Act 3: "Is She Asleep?"
Albert Herring, Op. 39 / Act 1: "Shop! Hi! Albert!"
Albert Herring, Op. 39 / Act 3: "I'm Hungry, I'm Tired"
Albert Herring, Op. 39 / Act 1: "Tickling A Trout"
Albert Herring, Op. 39 / Act 3: "Give Me A Decent Murder With A Corpse!"
Albert Herring, Op. 39 / Act 1: "Meet Me At A Quarter Past Eight"
Albert Herring, Op. 39 / Act 3: "Have You Found Him?"
Albert Herring, Op. 39 / Act 1: "He's Much Too Busy"
Albert Herring, Op. 39 / Act 3: "Fools! Fools! Blundering Fools!"
Albert Herring, Op. 39 / Act 1: "Good Morning, Young Man"
Albert Herring, Op. 39 / Act 3: "In The Midst Of Life Is Death"
Albert Herring, Op. 39 / Act 3: "Albert!"
Albert Herring, Op. 39 / Act 1: "We Bring Great News To You"
Albert Herring, Op. 39 / Act 3: "I'm Sorry About That"
Albert Herring, Op. 39 / Act 2: "Isn't He Here?"
Albert Herring, Op. 39 / Act 3: "I Can't Remember Everything"
Albert Herring, Op. 39 / Act 2: "For Three Precious Weeks"
Albert Herring, Op. 39 / Act 3: "Albert's Come Back To Stay"
Albert Herring, Op. 39 / Act 2: "Quickly! Quickly, Come Along!"
Albert Herring, Op. 39 / Act 2: "Here They Are, Dears!"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa63b1174f0e105a2919f8fee2cf480b5a0aa7e57b1b1ab4782e4447bce73d55e. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBF076440121.
Albert Herring, Op. 39 / Act 2: "My Flowers Are Few"
Fauré: Requiem, Op. 48: I. Introït et Kyrie
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x84b9bc9e60e95fbff81b7eb98120423328fa5afb8afee9fca966575552ee6140. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9802292.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x594279f04fa1efb942a097d38c0e2892617247af5a6f7aaa573f4de9284b7ef9. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9802295.
Fauré: Requiem, Op. 48: VII. In Paradisum
Fauré: Pavane, Op. 50 (Version with Chorus)
Bach, JS: Magnificat in D Major, BWV 243: I. Chorus. "Magnificat anima mea Dominum"
Bach, JS: Magnificat in D Major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo"
Bach, JS: Magnificat in D Major, BWV 243: III. Aria. "Quia respexit humilitatem"
Bach, JS: Magnificat in D Major, BWV 243: IV. Chorus. "Omnes generationes"
Bach, JS: Magnificat in D Major, BWV 243: V. Aria. "Quia fecit mihi magna"
Bach, JS: Magnificat in D Major, BWV 243: VI. Duet. "Et misericordia"
Bach, JS: Magnificat in D Major, BWV 243: VII. Chorus. "Fecit potentiam in brachio suo"
Bach, JS: Magnificat in D Major, BWV 243: VIII. Aria. "Deposuit potentes de sede"
Bach, JS: Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis"
Bach, JS: Magnificat in D Major, BWV 243: X. Terzetto. "Suscepit Israel puerum suum"
Bach, JS: Magnificat in D Major, BWV 243: XI. Chorus. "Sicut locutus est ad patres nostros"
Bach, JS: Magnificat in D Major, BWV 243: XII. Chorus. "Gloria Patri, gloria filio"
Mozart: Requiem in D Minor, K. 626: I. Introitus
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x98de377e2c19b6a0280c69f6267057cf8edebf81dc885d5cb7488d607dedd878. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC0801422.
Mozart: Requiem in D Minor, K. 626: II. Kyrie
Mozart: Requiem in D Minor, K. 626: III. Dies irae
Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum
Mozart: Requiem in D Minor, K. 626: V. Rex tremendae
Mozart: Requiem in D Minor, K. 626: VI. Recordare
Mozart: Requiem in D Minor, K. 626: VII. Confutatis
Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa
Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe
Mozart: Requiem in D Minor, K. 626: X. Hostias
Mozart: Requiem in D Minor, K. 626: XI. Sanctus
Mozart: Requiem in D Minor, K. 626: XII. Benedictus
Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei
Mozart: Requiem in D Minor, K. 626: XIV. Communio
Bruckner: Te Deum, WAB 45: I. Te Deum laudamus
Bruckner: Te Deum, WAB 45: II. Te ergo quaesumus
Bruckner: Te Deum, WAB 45: III. Aeterna fac
Bruckner: Te Deum, WAB 45: IV. Salvum fac populum tuum
Bruckner: Te Deum, WAB 45: V. In te, Domine, speravi
Owen Wingrave, Op. 85 / Act 1: "You've got your maps there?"
Owen Wingrave, Op. 85 / Act 1: "At last it's out"
Owen Wingrave, Op. 85 / Act 1: "Your Sherry, Mrs. Coyle"
Owen Wingrave, Op. 85 / Act 1: "Oh, How Unforeseen"
Owen Wingrave, Op. 85 / Act 1: "Sirrah! How dare you!"
Owen Wingrave, Op. 85 / Act 1: "Coyle, I wish I had not come"
Owen Wingrave, Op. 85 / Act 1: "May God bless the Queen"
Bruckner: Masses 2 & 3, Te Deum & Motets
Mass No.2 in E Minor (2003 Digital Remaster): I.Kyrie
Mass No. 3 in F minor (2003 Digital Remaster): Kyrie
Mass No.2 in E Minor (2003 Digital Remaster): II.Gloria
Mass No. 3 in F minor (2003 Digital Remaster): Gloria
Mass No.2 in E Minor (2003 Digital Remaster): III.Credo
Mass No. 3 in F minor (2003 Digital Remaster): Credo
Mass No.2 in E Minor (2003 Digital Remaster): IV.Sanctus
Mass No. 3 in F minor (2003 Digital Remaster): Sanctus
Mass No.2 in E Minor (2003 Digital Remaster): V.Benedictus
Mass No. 3 in F minor (2003 Digital Remaster): Benedictus
Mass No.2 in E Minor (2003 Digital Remaster): VI.Agnus Dei
Mass No. 3 in F minor (2003 Digital Remaster): Agnus Dei
Te Deum (2000 Digital Remaster): Te Deum laudamus (choir/solo quartet)
Motets (2003 Digital Remaster): Ave Maria
Te Deum (2000 Digital Remaster): Te ergo quaesumus (solo quartet)
Motets (2003 Digital Remaster): Christus factus est
Te Deum (2000 Digital Remaster): Aeterna fac cum sanctis tuis (solo quartet/choir)
Motets (2003 Digital Remaster): Locus iste
Te Deum (2000 Digital Remaster): Salvum fac populum tuum (solo quartet/choir)
Motets (2003 Digital Remaster): Os justi
Te Deum (2000 Digital Remaster): In te, Domine, speravi (choir/solo quartet)
Motets (2003 Digital Remaster): Virga Jesse
Berlioz: L'Enfance du Christ; La Mort de Cléopâtre; La Mort d'Ophélie etc
L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais: Depuis trois jours, malgré l'ardeur du vent
L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais: Scène 1: Dans cette ville immense
L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode: Dans la crèche, en ce temps, Jésus venait de naître
L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais: Scène 2: Entrez, entrez, pauvres Hébreux!
L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode: Scène 2: Air d'Herode: Toujours ce rêve - O misère des rois!
L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais: Sur vos traits fatigués
L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode: Scène 3: Seigneur!
L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais: Trio pour deux flûtes et harpe
L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode: Eh bien, par le fer qu'ils périssent!
L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais: Vous pleurez, jeune mère
L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode: Scène 5: Duo: “O mon cher fils, donne cette herbre tendre"
L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais: Ce fut ainsi que par un infidèle
L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode: Scène 6: Joseph! Marie! Ecoutez-nous
Sara la Baigneuse, Op. 11 (Ballade H.69C)
L'Enfance du Christ, Op.25 / Partie 2: La fuite en Egypte: Ouverture
La Mort de Cléopâtre - Scène lyrique: C'en est donc fait
L'Enfance du Christ, Op.25 / Partie 2: La fuite en Egypte: Il s'en va loin de la terre
La Mort de Cléopâtre - Scène lyrique: "Ah! qu'ils sont loin ces jours"
L'Enfance du Christ, Op.25 / Partie 2: La fuite en Egypte: Les pèlerins étant venus
La Mort de Cléopâtre - Scène lyrique: Au comble des revers
La Mort de Cléopâtre - Scène lyrique: Grands Paraons, nobles Lagides
La Mort de Cléopâtre - Scène lyrique: Non! de vos demeures funèbres
Bush: Lord Arthur Savile's Crime & Trumpet Concerto
Lord Arthur Savile's Crime: I First Met Mr. Septimus Podgers
Lord Arthur Savile's Crime: With Your Grace's Permission
Lord Arthur Savile's Crime: And Now I Want You All to Meet Mr. Podgers
Lord Arthur Savile's Crime: Excuse Me, Lady Windemere
Lord Arthur Savile's Crime: A Chill Foreboding
Lord Arthur Savile's Crime: Interlude No. 1, Two Part Invention
Lord Arthur Savile's Crime: Count Rouvaloff Has Given Me an Introduction to You
Lord Arthur Savile's Crime: First, Let Me Show You This Booby-trapped Umbrella
Lord Arthur Savile's Crime: For What The Dean Is About to Receive - Interlude No. 2
Lord Arthur Savile's Crime: To Ease the Strain
Lord Arthur Savile's Crime: The Letter from Chichester
Lord Arthur Savile's Crime: I Gazed Around in Despair