1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xca2cbfa2eed5b773ff7146b7a5c113521c59bb3544c4ea4a2d36d7817a7d1731. Chain 2 (Bitcoin): anchored in block 954623 (2026-06-20T23:40:06Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/caca4669-72f6-4c05-a0a3-3a4483572f9a.json and https://artists.proofprofile.net/proofs/artist/caca4669-72f6-4c05-a0a3-3a4483572f9a.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
My Dancing Day: Choral Music by Richard Rodney Bennett
Town and Country: i. The Sun has long been set
Four poems of Thomas Campion: Winter Nights
Four poems of Thomas Campion: Never Weather-beaten Saile
Four poems of Thomas Campion: Fire, fire!
Four poems of Thomas Campion: The Hours of Sleepy Night
Five Days that Changed the World: I. Thursday 29 March 1455: The Invention of Printing
Five Days that Changed the World: II. Friday 1 August 1834: The Abolition of Slavery
1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb8841c43faec81af7e692bba5f85b20ed9fb3e3b3424d795ac238e8de0e76ed3. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBLLH1542202.
Five Days that Changed the World: III. Monday 14 December 1903: The First Powered Flight
The Angry Planet, Part 1: III. Yellow Eye
Five Days that Changed the World: IV. Friday 28 September 1928: The Discovery of Penicillin
Five Days that Changed the World: V. Wednesday 12 April 1961: The First Man in Space
The Miracle of the Spring: I. Where Water Waits
The Angry Planet, Part 2: III. Green Rain
The Miracle of the Spring: II. The Source of The Spring
The Miracle of the Spring: III. To Sing of Water
The Miracle of the Spring: IV. The Desert
The Miracle of the Spring: V. The Voice of Water
The Angry Planet, Part 3: IV. Sorry Too Late
The Angry Planet, Part 4: I. Peppermint Freckles
The Angry Planet, Part 4: II. 6am (Lutra lutra)
Spellbinding Classics: Classical Music for the Witching Hour
Polish National Radio Symphony Orchestra
Hamlet Suite, Op. 116a: The Ghost (Suite, No. 3)
The Invisible Man Returns: The Ghost (orch. J. Morgan)
Peer Gynt Suite No. 1, Op. 46: II. The Death of Aase
CSSR State Philharmonic Orchestra, Kosice
3 Utwory w dawnym stylu (3 Pieces in Old Style): III. —
Nocturne No. 19 in E Minor, Op. 72, No. 1
Hamlet Suite, Op. 116a: Story of Horatio and the Ghost
Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight": I. Adagio sostenuto
Götterdämmerung: Gotterdammerung (Twilight of the Gods), Act III: Siegfried's Funeral March
Requiem in D Minor, K. 626: Sequence No. 6: Lacrimosa dies illa
Symphony No. 3, Op. 36, "Symfonia piesni zalosnych" (Symphony of Sorrowful Songs): II. Lento e largo (excerpt)
La Belle et la Bete (Beauty and the Beast): Moments d'effroi (Frightful Moments)
Symphony in D Minor, D. 810, "Death and the Maiden" (Arr. A. Stein)
Piano Trio in D Major, Op. 70, No. 1, "Ghost": II. Largo assai ed espressivo
Symphony No. 8 in C Minor, WAB 108 (original 1887 version, ed. L. Nowak): I. Allegro moderato
Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158
Martelli: The Curse of Christopher Columbus
The Curse of Christopher Columbus, Scene 1: Prelude "The Dark Gallery"
The Curse of Christopher Columbus, Scene 2: The Caretaker
The Curse of Christopher Columbus, Scene 3: The Crowd
The Curse of Christopher Columbus, Scene 4: The VIP's Speech
The Curse of Christopher Columbus, Scene 5: The VIP's Address
The Curse of Christopher Columbus, Scene 6: The Caretaker Interrupts
The Curse of Christopher Columbus, Scene 7: The Caretaker's Reply
The Curse of Christopher Columbus, Scene 8: The Curse
The Curse of Christopher Columbus, Scene 9: Columbus Lives
The Curse of Christopher Columbus, Scene 10: Columbus' Story
The Curse of Christopher Columbus, Scene 11: Columbus & Isabella
The Curse of Christopher Columbus, Scene 12: Silly Old Courtiers
The Curse of Christopher Columbus, Scene 13: The Deal
The Curse of Christopher Columbus, Scene 14: The Permission
The Curse of Christopher Columbus, Scene 15: Casting Off
The Curse of Christopher Columbus, Scene 16: Columbus Sails
The Curse of Christopher Columbus, Scene 17: The Shanty
The Curse of Christopher Columbus, Scene 18: Doldrums
The Curse of Christopher Columbus, Scene 19: The First Curse
The Curse of Christopher Columbus, Scene 20: Doldrums Again
The Curse of Christopher Columbus, Scene 21: The Frigates' Hello
The Curse of Christopher Columbus, Scene 22: The Genius Song
The Curse of Christopher Columbus, Scene 23: The Frigates' Goodbye
The Curse of Christopher Columbus, Scene 24: Shanty Two
The Curse of Christopher Columbus, Scene 25: Second Curse
The Curse of Christopher Columbus, Scene 26: Seeking Landfall
The Curse of Christopher Columbus, Scene 27: The Landing
The Curse of Christopher Columbus, Scene 28: The Claim
The Curse of Christopher Columbus, Scene 29: Arawak Dance One
The Curse of Christopher Columbus, Scene 30: Arawak Dance Two
The Curse of Christopher Columbus, Scene 31: The Third Curse
The Curse of Christopher Columbus, Scene 32: The Mutiny
The Curse of Christopher Columbus, Scene 33: The Pinta Sails
The Curse of Christopher Columbus, Scene 34: The Storm
The Curse of Christopher Columbus, Scene 35: The Fourth Curse
The Curse of Christopher Columbus, Scene 36: Isabella's Rejection
The Curse of Christopher Columbus, Scene 37: The Last Curse
The Curse of Christopher Columbus, Scene 38: Columbus Regrets
The Curse of Christopher Columbus, Scene 39: Prelude Reprise
The Curse of Christopher Columbus, Scene 40: The Gallery Crowd Again
The Curse of Christopher Columbus, Scene 41: The Disappearance
Sredni Vashtar: A Symphonic Drama After Saki (For Narator, Soprano and Orchestra)
The Curse of Christopher Columbus: I. Hornpipe
The Curse of Christopher Columbus: II. Prelude and Scene 1
The Curse of Christopher Columbus: III. Frigate Birds' Duet
Serenade for Strings: I. Allegro moderato
Serenade for Strings: II. Quasi una preghiera
Serenade for Strings: III. Alla tarantella
Delius: Appalachia & The Song of the High Hills
Appalachia: Introduction I. Molto moderato - Tranquillo
Appalachia: Introduction II. Poco più vivo ma moderato
Appalachia: Variation I. Un poco più - Moderato
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Appalachia: Variaton III. Molto moderato - Poco più mosso
Appalachia: Variation IV. Con moto - Un poco più tranquillo
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Appalachia: Variation V. Giocoso. Allegro moderato - Meno mosso. Più tranquillo
Appalachia: Variation VI. Lento e molto tranquillo - Misterioso. Più mosso - Un poco meno
Appalachia: Variation VII. Andante con grazia - Calando
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Appalachia: Variation VIII. Lento sostenuto e tranquillo - Un poco più
Appalachia: Variation IX. Allegro alla marcia - Adagio
Appalachia: Variation X. Marcia. Molto lento maestoso
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Appalachia: Song. L'istesso tempo - Misterioso lento
The Song of the High Hills: In ruhigen fließendem Tempo - Tranquillo
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The Song of the High Hills: Very slow (The wide far distance - The great solitude)
The Song of the High Hills: Tempo I - Più mosso ma tranquillo - With exultation (not hurried)
Omar Khayyam, Part I: As then the tulip for her morning sup (Beloved)
Omar Khayyam, Part I: Wake! For the Sun, who scattered into flight (Chorus)
Omar Khayyam, Part I: So when that Angel of the darker drink (Beloved)
Omar Khayyam, Part I: Before the phantom of false morning died (Chorus)
Omar Khayyam, Part I: Tis but a tent where takes his one day's rest (Chorus)
Omar Khayyam, Part I: And as the cock crew, those who stood before (Poet)
Omar Khayyam, Part I: When you and I behind the veil are past (Beloved, Poet)
Omar Khayyam, Part I: Now the new year reviving old desires (Poet)
Omar Khayyam, Part I: Interlude. The Desert
Omar Khayyam, Part I: Iram indeed is gone with all his rose (Poet)
Omar Khayyam, Part I: Whether at Naishápúr or Babylon (Chorus)
Omar Khayyam, Part I: A moment's halt - a momentary taste (Chorus)
Omar Khayyam, Part I: Each morn a thousand roses brings, you say (Beloved)
Omar Khayyam, Part I: Would you that spangle of Existence spend (Philosopher)
Omar Khayyam, Part I: With me along the strip of herbage strown (Poet)
Omar Khayyam, Part I: A moment guessed - then back behind the fold (Philosopher)
Omar Khayyam, Part I: Some for the glories of this world (Chorus)
Omar Khayyam, Part I: Waste not your hour, nor in the vain pursuit (Chorus)
Omar Khayyam, Part I: Look to the blowing Rose about us - "Lo" (Beloved)
Omar Khayyam, Part I: Better be jocund with the fruitful grape (Chorus)
Omar Khayyam, Part I: Think, in this battered caravanserai (Chorus)
Omar Khayyam, Part II: You know, my Friends, with what a brave carouse (Philosopher)
Omar Khayyam, Part I: I sometimes think that never blows so red (Poet)
Omar Khayyam, Part II: Ah, but my computations, people say (Philosopher)
Omar Khayyam, Part I: Ah, my Beloved, fill the cup that clears (Poet)
Omar Khayyam, Part II: and 'twas - the Grape! - The Grape that can with logic absolute (Philosopher, Chorus)
Omar Khayyam, Part I: Ah, make the most of what we yet may spend (Chorus)
Omar Khayyam, Part II: The mighty Mahmúd, Allah-breathing Lord (Chorus)
Omar Khayyam, Part I: Alike for those who for To-day prepare (Beloved)
Omar Khayyam, Part II: Why, be this Juice the growth of God, who dare (Philosopher)
Omar Khayyam, Part I: Myself when young did eagerly frequent (Philosopher)
Omar Khayyam, Part II: I must abjure the Balm of Life, I must (Philosopher)
Omar Khayyam, Part I: What, without asking, hither hurried Whence? (Chorus)
Omar Khayyam, Part II: Oh threats of Hell and hopes of Paradise! (Chorus)
Omar Khayyam, Part I: Up from earth's centre through the seventh gate (Poet)
Omar Khayyam, Part II: The Revelation of devout and learn'd (Chorus)
Omar Khayyam, Part I: Earth could not answer. nor the seas that mourn (Chorus)
Omar Khayyam, Part II: We are no other than a moving row (Chorus)
Omar Khayyam, Part I: Then of Thee in Me who works behind (Poet)
Omar Khayyam, Part II: The Moving finger writes. and, having writ (Beloved)
Omar Khayyam, Part I: Then to the lip of this poor earthen urn (Poet)
Omar Khayyam, Part II: And that inverted bowl we call the sky (Beloved, Poet)
Omar Khayyam, Part I: I think the vessel, that with fugitive (Philosopher)
Omar Khayyam, Part II: With Earth's first clay they did the last man knead (Poet)
Omar Khayyam, Part II: I tell you this - when, started from the goal (Philosopher)
Omar Khayyam, Part II: What! out of senseless Nothing to provoke (Beloved, Poet, Philosopher)
Omar Khayyam, Part II: Oh Thou, who didst with pitfall and with gin (Beloved, Poet, Philosopher, Chorus)
Omar Khayyam, Part II: Oh Thou, who Man of baser earth didst make (Beloved, Poet, Philosopher, Chorus)
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Blackford: Mirror of Perfection & Choral Anthems
Mirror of Perfection: Canticle of the Creatures
Mirror of Perfection: Canticle of Love I
Mirror of Perfection: Canticle of the Furnace
Mirror of Perfection: Canticle of Love II
Mirror of Perfection: Canticle of The Birds
Mirror of Perfection: Canticle of Love III
Choral Anthems: I Know That My Redeemer Liveth
Choral Anthems: A Lullaby of the Nativity
Requiem, Op. 48 (1893 version): Introit and Kyrie
Die sieben Worte Jesu Christi am Kreuz, SWV 478: Symphonia
Russian Chant for Vespers: The Angel Cried
5 Meditations sur l'apocalypse: Cinq Meditations sur l'Apocalypse: II. Il etait, Il est et Il vient
Leonore Prohaska, WoO 96: No. 4. Funeral March
Symphony No. 14, "Symphony in Microtones": III. The Lonesome Ones: Homage to Otto Luening (1900-1996)
Requiem in D Minor, K. 626: Sequence: Lacrimosa dies illa
Piano Trio No. 2 in E-Flat Major, D. 929: II. Andante con moto
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3 Utwory w dawnym stylu (3 Pieces in Old Style): 3 Olden Style Pieces: III. —
Muzyka zalobna (Musique funebre): Prologue
Orkiestra Filharmonii Narodowej w Warszawie
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Narodowa Orkiestra Symfoniczna Polskiego Radia
The Vanishing Bridegroom, Act I: The Inheritance, the Deathbed. There Was a Man
The Vanishing Bridegroom, Act III: The Stranger. The Daughter, Alone on a Hillside
The Vanishing Bridegroom, Act I: Cold, Icy Rain
The Vanishing Bridegroom, Act III: And She Was to Lie
The Vanishing Bridegroom, Act I: The Dying Man Sits Up
The Vanishing Bridegroom, Act III: You Are Whiter Than the Swan
The Vanishing Bridegroom, Act I: The Dying Man Dies
The Vanishing Bridegroom, Act III: The Stranger Performs a Miracle
The Vanishing Bridegroom, Act III: Come Away With Me
The Vanishing Bridegroom, Act I: I Knew Your Father
The Vanishing Bridegroom, Act III: What a Charming Young Man
The Vanishing Bridegroom, Act I: The Passion. The Bride and Her Lover
The Vanishing Bridegroom, Act III: Hooves!
The Vanishing Bridegroom, Act I: The Bride's Father Materialises
The Vanishing Bridegroom, Act III: The Priest Marks a Circle
The Vanishing Bridegroom, Act I: The Wedding
The Vanishing Bridegroom, Act III: No Fire Shall Burn Me
The Vanishing Bridegroom, Act I: I Would Sleep Wherever His Bed Might Be
The Vanishing Bridegroom, Act III: The Stranger Assaults the Circle
The Vanishing Bridegroom, Act I: He Ended the Wedding
The Vanishing Bridegroom, Act III: The Stranger Appears Transformed
The Vanishing Bridegroom, Act I: At The Lover's House. The Lover Appears with a Light
The Vanishing Bridegroom, Act III: Hosts of Angels on Thy Side
The Vanishing Bridegroom, Act I: A Priest Appears
The Vanishing Bridegroom, Act I: The Wood. The Lover Vanishes
The Vanishing Bridegroom, Act I: Let Me Go!
The Vanishing Bridegroom, Act I: The Bride and the Good Robber Vanish into the Distance
The Vanishing Bridegroom, Act I: The Reckoning. Now, Which of These People...
The Vanishing Bridegroom, Act I: Conclusion
The Vanishing Bridegroom, Act II: The Disappearance. The Hill
The Vanishing Bridegroom, Act II: At Home. I Pray Peter
The Vanishing Bridegroom, Act II: Towards the Hill. The Husband and the Friend Set Out
The Vanishing Bridegroom, Act II: The Endless Expense
The Vanishing Bridegroom, Act II: At Home
The Vanishing Bridegroom, Act II: People Just Disappear
The Vanishing Bridegroom, Act II: The Friend Enters, Distraught
The Vanishing Bridegroom, Act II: People Don't Just Disappear
The Vanishing Bridegroom, Act II: The Policeman and Friend Leave in the Direction of the Hill
The Vanishing Bridegroom, Act II: The Hill
The Vanishing Bridegroom, Act II: Home. He's Gone, He's Gone
The Vanishing Bridegroom, Act II: The Hill. He's Gone, He's Gone
The Vanishing Bridegroom, Act II: The Hill. The Men, Still Watching
The Vanishing Bridegroom, Act II: Towards Home
The Choir of Farm Street Church, Mayfair
Vaughan Williams: A Cambridge Mass (Live)
A Cambridge Mass, Credo: Credo in unum Deum - Live
A Cambridge Mass, Credo: Qui propter nos homines - Live
A Cambridge Mass, Credo: Et resurrexit tertia die - Live
A Cambridge Mass, Sanctus: Sanctus, Sanctus, Sanctus - Live
A Cambridge Mass, Sanctus: Hosanna in excelsis - Live
A Cambridge Mass, Sanctus: Benedictus qui venit nomine Domini - Live
A Cambridge Mass: Hosanna in excelsis - Live
When I Fall in Love (Arr. for Ensemble by Alexander L'estrange)
Steal Away (Arr. for Choir by David Blackwell)
At Last (Arr. for Choir by Alexander L'estrange)
Thank You (John 3:16) [feat. Rico Wint & Olivia Robinson]
Thank You (John 3:16) [feat. Olivia Robinson & Rico Wint]
Songs of Bidpal: No. 3, The Question and Answer
Pantomime, Seven Lyric Scenes for Chamber Ensemble: No. 1, Intrada
Pantomime, Seven Lyric Scenes for Chamber Ensemble: No. 2, Lickety-Split
Pantomime, Seven Lyric Scenes for Chamber Ensemble: No. 3, Soiloquy
Pantomime, Seven Lyric Scenes for Chamber Ensemble: No. 4, Jitterbug
Pantomime, Seven Lyric Scenes for Chamber Ensemble: No. 5, Chorale
Pantomime, Seven Lyric Scenes for Chamber Ensemble: No. 6, Chorale Prelude
Pantomime, Seven Lyric Scenes for Chamber Ensemble: No. 7, Exeunt
Sonata for Viola and Piano: No. 1, Revel
Sonata for Viola and Piano: No. 2, Pause
Rilke Songs: No. 1, Irgendwo, blüht die Blume des Abschieds
Rilke Songs: No. 5, Sag weißt du Liebesnächte?