1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this artist was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8331d14b05ee94e109c2e9513ec9ebdcd3ae2d22687afe7f953d3b71bc85e1f9. Chain 2 (Bitcoin): anchored in block 953742 (2026-06-15T04:47:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/75609941-144e-4ef8-88cb-ac454177654b.json and https://artists.proofprofile.net/proofs/artist/75609941-144e-4ef8-88cb-ac454177654b.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Piano Sonata No. 29 in B flat, Op. 106 -"Hammerklavier": 1. Allegro
Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 -"Moonlight": 1. Adagio sostenuto
Danzas Fantásticas, Op. 22: 1. Exaltación
Piano Sonata No. 29 in B flat, Op. 106 -"Hammerklavier": 2. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I)
Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 -"Moonlight": 2. Allegretto
Goyescas - Suite: 2. Coloquio en la reja
Piano Sonata No. 29 in B flat, Op. 106 -"Hammerklavier": 3. Adagio sostenuto
Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 -"Moonlight": 3. Presto agitato
Goyescas - Suite: 3. El Fandango del Candil
Piano Sonata No. 29 in B flat, Op. 106 -"Hammerklavier": 4. Largo - Allegro risoluto
Piano Sonata No. 23 in F minor, Op. 57 -"Appassionata": 1. Allegro assai
Preludios, Op. 80 (Ciclo pianistico, VII): 1. Adagio
Goyescas - Suite: 4. Quejas ó la maja y el ruiseñor
Piano Sonata No. 8 in C minor, Op. 13 -"Pathétique": 1. Grave - Allegro di molto e con brio
Piano Sonata No. 23 in F minor, Op. 57 -"Appassionata": 2. Andante con moto
Preludios, Op. 80 (Ciclo pianistico, VII): 2. Allegretto
Goyescas - Suite: 5. El amor y la muerte (Balada)
Piano Sonata No. 8 in C minor, Op. 13 -"Pathétique": 2. Adagio cantabile
Piano Sonata No. 23 in F minor, Op. 57 -"Appassionata": 3. Allegro ma non troppo
Preludios, Op. 80 (Ciclo pianistico, VII): 3. Allegro giusto
Goyescas - Suite: 6. Epilogo (Serenata del espectro)
Piano Sonata No. 8 in C minor, Op. 13 -"Pathétique": 3. Rondo (Allegro)
Piano Sonata No. 26 in E flat, Op. 81a -"Les adieux": 1. Das Lebewohl (Adagio - Allegro)
Preludios, Op. 80 (Ciclo pianistico, VII): 4. Allegretto
Goyescas - Suite: 7. El pelele (Escena goyesca)
Piano Sonata No. 26 in E flat, Op. 81a -"Les adieux": 2. Abwesenheit (Andante espressivo)
Preludios, Op. 80 (Ciclo pianistico, VII): 5. Adagio - Allegro vivo
Piano Sonata No. 26 in E flat, Op. 81a -"Les adieux": 3. Das Wiedersehen (Vivacissimamente)
Recuerdos de la antigua España, Op. 48: 1. La eterna Carmen
Recuerdos de la antigua España, Op. 48: 2. Habanera
Recuerdos de la antigua España, Op. 48: 3. Don Juan
Recuerdos de la antigua España, Op. 48: 4. Estudiantina
Partita, Op. 57 (Ciclo pianistico, II): 1. Preludio
Partita, Op. 57 (Ciclo pianistico, II): 2. Zarabanda
Partita, Op. 57 (Ciclo pianistico, II): 3. Capricho
Partita, Op. 57 (Ciclo pianistico, II): 4. Introducción y giga
Escenas Romanticas: 3. Lento con extasis
Escenas Romanticas: 5. Allegretto appassionato
Escenas Romanticas: 6. Epilogo: Andantino spianato
Concerto for 2 Cellos in G Minor, RV 531
Péchés de vieillesse, Vol. 9: No. 10, Une larme
Introduction & Variations on Rossini's Dal tuo stellato soglio in F Minor, Op. 24, MS 23 "Mosè-Fantasia"
Mirabai Songs: I. It's True, I Went to the Market
Mirabai Songs: II. All I Was Doing Was Breathe
Mirabai Songs: III. Why Mira Can't Go Back to Her Old House
Menotti: Il Console (The Consul): "Tu reviendras et voudras m'enfermer" - Act One
Virginia Zeani, Gianluigi Colmargo, Giovanni Fioroni
Menotti: Il Console (The Consul): Interlude; Come ha detto che si chiama? (What did you say your name was?) - Act Two
Menotti: Il Console (The Consul): Oh, quanto durera cosi? (Oh, when will all this sorrow end? - Act One
Menotti: Il Console (The Consul): Ma come ho fatto? (How did you do it?) - Act Two
Menotti: Il Console (The Consul): Come si chiama?... Magda Sorel (What is your name?... Magda Sorel) - Act One
Menotti: Il Console (The Consul): Ipnotismo!... Guardami negli occhi (Hyptnotism!... Look into my eyes) - Act Two
Menotti: Il Console (The Consul): Aspetta. Fermo. Sono andati, Mother? (Don't move yet. Wait. Have they gone, Mother?) - Act One
Menotti: Il Console (The Consul): Anche il piu grande artista (Even a great, great artist) - Act Two
Menotti: Il Console (The Consul): Labbra, ditegli addio (Now, O lips, say goodbye) - Act One
Menotti: Il Console (The Consul): Dunque e cosi: che l'uoma nega (To this we've come: that men withhold) - Act Two
Menotti: Il Console (The Consul): Interlude; Si... Cosa desidera? (Yes... What can I do for you?) - Act One
Menotti: Il Console (The Consul): Carte! Carte! Carte! Ma quando capira? (Papers! Papers! Papers! But don't you understand?) - Act Two
Menotti: Il Console (The Consul): Un altro! Un altro!... Tocca a lei (Next! Next!... Go ahead) - Act One
Menotti: Il Console (The Consul): Lei diventa irragionevole, Signora Sorel (You're being very unreasonable, Mrs. Sorel) - Act Two
Menotti: Il Console (The Consul): Posso andare dal Console? (May I speak to the Consul?) - Act One
Menotti: Il Console (The Consul): Quante volte debbo dirlo, signora Sorel! (How often must I tell you, Mrs. Sorel) - Act Three
Menotti: Il Console (The Consul): "Tu reviendras et voudras m'enfermer" - Act Two
Menotti: Il Console (The Consul): Ha visto per caso la signora Sorel? (Have you seen Mrs. Sorel by any chance?) - Act Three
Menotti: Il Console (The Consul): Ma mai ho visto un pupo piu triste di te! (I've never seen a baby so little and sad) - Act Two
Menotti: Il Console (The Consul): E andata... Poco male. Tornera domani. (She's gone... Oh well, she'll be back tomorow) - Act Three
Menotti: Il Console (The Consul): John, John, perche quei rami (John, John, why did you bring me all these branches and stones?) - Act Two
Menotti: Il Console (The Consul): Interlude; Non volevo far questo (I never meant to do this) - Act Three
Menotti: Il Console (The Consul): Mamma, mamma!... Calmati, Magda (Mother! Mother!... What is it, Magda?) - Act Two
Menotti: Il Console (The Consul): Oh, Dio, perdono... Avanti! Avanti! Avanti! (Oh, God, forgive me...All aboard! All aboard! All aboard!) - Act Three
Menotti: Il Console (The Consul): Signora Sorel, per lei ho simpatia (Madame Sorel, I like you very much) - Act Two
Menotti: Il Console (The Consul): La danza comincia... Magda, amor mio (The dance is on... Magda, my dear) - Act Three
Menotti: Il Console (The Consul): Mamma, perche taci cosi mamma? (Mother, why are you so still, Mother?) - Act Two
Menotti: Violin Concerto, The Death of Orpheus, Muero porque no muero & O llama de amor viva
Concerto for Violin and Orchestra: I. Allegro moderato
Concerto for Violin and Orchestra: II. Adagio
Concerto for Violin and Orchestra: III. Allegro vivace
Amelia al ballo: Stringi! Allaccia, allaccia! (Amelia)
Amelia al ballo: La notte, la notte è troppo breve (Amelia, L'amica)
Amelia al ballo: Ebben, che c'è? Si spieghi, Sua Eccelenza! (Amelia)
Amelia al ballo: Amelia, cara, gioia adorata (Il marito)
Amelia al ballo: No, no, no! Al ballo non andremo (Il marito)
Amelia al ballo: Vola intanto l'ora insonne (Amelia)
Amelia al ballo: Amelia! Amelia! Coccola! Lelle! (L'amante)
Amelia al ballo: Ah! Cane, impara… Non spara! (Il marito)
Amelia al ballo: Fu di notte; come in sogno (L'amante)
Amelia al ballo: Chi può saper qual'è il torto e la ragione? (Amelia, L'amante, Il marito)
Amelia al ballo: Già capito: una donna, un uomo e un marito (Il commissario)
Amelia al ballo: Perché affliggersi tanto? (Il commissario)
The Medium, Act I: Where, oh, where (Monica)
The Medium, Act I: How many times I've told you not to touch my things! (Baba, Monica)
The Medium, Act I: Good evening, Madame Flora (Mrs. Gobineau, Mr. Gobineau, Baba, Mrs. Nolan)
The Medium, Act I: It happened long ago (Mrs. Gobineau, Mr. Gobineau, Baba)
The Medium, Act I: You must be very silent (Mr. Gobineau, Baba, Monica, Mrs. Nolan)
The Medium, Act I: Mother, mother, Are you there? (Monica, Mr. Gobineau, Mrs. Nolan, Mrs. Gobineau)
The Medium, Act I: What Is It? Who Is It? (Baba, Mr. Gobineau, Mrs. Gobineau, Mrs. Nolan)
The Medium, Act I: Baba, what has happened? (Monica, Baba)
The Medium, Act I: The sun has fallen and It lies in blood (Monica, Baba)
The Medium, Act II: Monica, Monica, can't you see (Monica)
The Medium, Act II: Where Is Monica? (Baba)
The Medium, Act II: Good evening, Madame Flora (Mrs. Gobineau, Mrs. Nolan, Mr. Gobineau, Monica)
The Medium, Act II: Don't stand there like a fool! (Baba, a Voice)
The Medium, Act II: Afraid, am I afraid? (Baba)
The Medium, Act II: Who's there? Who's there? (Baba, Monica)
The Telephone: Oh! Just what I wanted (Lucy, Ben)
The Telephone: That was Margaret (Lucy, Ben)
The Telephone: It Is four-fifteen (Lucy, Ben)
The Telephone: Try again and again (Ben, Lucy)
The Telephone: Hello, This Is Lucy (Lucy, Ben)
The Telephone: Hello? … Hello? (Lucy, Ben)
The Medium, Act I: "Conclusion, Who Touched Me"
The Medium, Act II: "Conclusion, Toby, You Know"
The Consul: Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on the Record, John, Magda, Mother)
The Consul: Act III Scene 1: How often must I tell you, Mrs. Sorel (Secretary, Vera Boronel, Assan, Magda)
The Consul: Act I Scene 1: Quick, John! The Police! (Magda, Mother, Secret Police Agent)
The Consul: Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Magda, Assan)
The Consul: Act I Scene 1: Don't move yet (Magda, Mother, John)
The Consul: Act III Scene 1: Oh, those faces! All those faces! (Secretary)
The Consul: Act I Scene 1: Now, O lips, say goodbye (Magda, John, Mother)
The Consul: Act III Scene 1: Who are you? How did you get in? (Secretary, John, Secret Police Agent)
The Consul: Act III Scene 1: Don't be afraid, Mr. Sorel! (Secretary)
The Consul: Act I Scene 2: Next. Yes … What can I do for you? (Secretary, Kofner)
The Consul: Act III Scene 2: I never meant to do this (Magda, Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary)
The Consul: Act I Scene 2: Next … Buon giorno (Secretary, Foreign Woman, Kofner)
The Consul: Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary, Magician, Magda)
The Consul: Act I Scene 2: Next … May I speak to the Consul? (Secretary, Magda)
The Consul: Act III Scene 2: Mother, John, wait (Magda, Mother, John, Magician, Chorus)
The Consul: Act I Scene 2: In endless waiting rooms (Vera Boronel, Anna Gomez, Magda, Magician, Kofner)
The Consul: Act II Scene 1: What is the matter, little lamb? (Mother)
Amelia al ballo: Stringi! Allaccia, allacia! (Amelia, First Maid, Second Maid, Friend)
The Consul: Act II Scene 1: I shall find for you shells and stars (Mother)
Amelia al ballo: Duettino: La notte, la notte e troppo breve (Amelia, Friend)
The Consul: Act II Scene 1: John, John, why did you bring me … (Magda, Mother)
Amelia al ballo: Sono pronto! Dammi i fiori (Amelia, Friend, Maids)
The Consul: Act II Scene 1: It is the signal! (Magda, Mother, Secret Police Agent, Assan)
Amelia al ballo: Non si va! Non si va! (Husband, Amelia)
The Consul: Act II Scene 1: Mother! Why are you so still, Mother! (Magda, Mother)
Amelia al ballo: Amelia, Amelia! (Husband, Amelia)
Amelia al ballo: Romanza: Amelia cara (Husband)
The Consul: Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Kofner)
Amelia al ballo: Osi ancora negar? (Husband, Amelia)
The Consul: Act II Scene 2: My charming ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Kofner, Foreign Woman)
Amelia al ballo: Duettino: No, no, no! Al ballo non andremo (Husband, Amelia)
The Consul: Act II Scene 2: Any news for me? (Magda, Secretary)
Amelia al ballo: Ebbene, si (Amelia, Husband)
The Consul: Act II Scene 2: To this we've come (Magda, Vera Boronel, Kofner, Secretary)
Amelia al ballo: Il mio amante e quel signore (Amelia, Husband)
Amelia al ballo: Che disdetta! (Amelia, Lover)
Amelia al ballo: Romanza: Vola intanto l'ora insonne (Amelia)
Amelia al ballo: Amelia! Amelia! (Lover, Amelia)
Amelia al ballo: Contro me non porta offesa (Amelia, Lover)
Amelia al ballo: Non l'ho pescato in tempo (Husband, Amelia)
Amelia al ballo: Ah! Cane, impara … (Husband, Amelia, Lover)
Amelia al ballo: Romanza: Fu di notte, come in sogno (Lover, Husband, Amelia)
Amelia al ballo: Terzetto: Chi puo saper (Amelia, Lover, Husband)
Amelia al ballo: Orchestral interlude - Che c'e? Che c'e? (Chorus)
Amelia al ballo: Gia capito (Chief of Police, Chorus, Amelia)
Amelia al ballo: Seduta alla specchiera (Amelia, Chorus, Chief of Police, Lover)
Amelia al ballo: Perche affligersi tanto? (Chief of Police, Amelia)
Amelia al ballo: Stringi! Allaccia, allaccia!
Amelia al ballo: La notte, la notte troppo breve (Duettino)
Amelia al ballo: No, no, no! Al ballo non andremo! (Duettino)
Amelia al ballo: Vola intanto l'ora insonne
Amelia al ballo: Amelia! Amelia! Coccola! Lelle!
Amelia al ballo: Non l'ho pescato in tempo
Amelia al ballo: Fu di notte, come in sogno (Romanza)
Amelia al ballo: Chi può saper qual'è il torto e la ragione? (Terzetto)
Amelia al ballo: Aiuto! Aiuto! - Che c'è?
Amelia al ballo: Già capito! Una donna, un uomo e un morto
Amelia al ballo: Perché affliggersi tanto?
Amelia al ballo: Gioite, gioite, Amelia al ballo andrà
The Medium, Act 1: How Many Times Have I Told You Not to Touch My Things !
The Medium, Act 1: Good Evening Madame Flora
The Medium, Act 1: You Must Be Very Silent
The Medium, Act 1: Mother Mother Are You There?
The Medium, Act 1: What Is It? Who Is It?
The Medium, Act 1: Baba, What Has Happened
The Medium, Act 1: the Sun Has Fallen and It Lies in Blood
The Medium, Act 2: Good Evening Madam Flora
The Medium, Act 2: Don't Stand There Like a Fool
The Medium, Act 2: Who's There? Who's There?
Prokofiev: Symphony No. 5 in B-Flat Major, Op. 100 - Menotti: The Unicorn, the Gorgon and the Manticore
Symphony No. 5 in B-Flat Major, Op. 100: I. Andante
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato
Symphony No. 5 in B-Flat Major, Op. 100: III. Adagio
Symphony No. 5 in B-Flat Major, Op. 100: IV. Allegro giocoso
The Unicorn, the Gorgon and the Manticore: Prologue. Once There Lived a Man in a Castle
The Unicorn, the Gorgon and the Manticore: Interlude (1)
The Unicorn, the Gorgon and the Manticore: No. 1, Every Sunday Afternoon
The Unicorn, the Gorgon and the Manticore: Interlude (2)
The Unicorn, the Gorgon and the Manticore: No. 2, One Sunday Afternoon the Proud Man of the Castle
The Unicorn, the Gorgon and the Manticore: No. 3, Unicorn! Unicorn!
The Unicorn, the Gorgon and the Manticore: No. 4, Why Are You Sad, My Darling? (1)
The Unicorn, the Gorgon and the Manticore: Interlude (3)
The Unicorn, the Gorgon and the Manticore: No. 5, Behold the Gorgon
The Unicorn, the Gorgon and the Manticore: No. 6, Wicked Is Man
The Unicorn, the Gorgon and the Manticore: No. 7, Why Are You Sad, My Darling (2)
The Unicorn, the Gorgon and the Manticore: Interlude (4)
The Unicorn, the Gorgon and the Manticore: No. 8, Do Not Caress the Lonely Manticore
The Unicorn, the Gorgon and the Manticore: No. 9, And What Is That? This Is the Manticorn
The Unicorn, the Gorgon and the Manticore: Interlude (5)
The Unicorn, the Gorgon and the Manticore: No. 10, Why Are You Sad, My Darling (3)
The Unicorn, the Gorgon and the Manticore: Interlude (6)
The Unicorn, the Gorgon and the Manticore: No. 11, Have You Noticed the Man in the Castle Was Seen No More
The Unicorn, the Gorgon and the Manticore: The March to the Castle
The Unicorn, the Gorgon and the Manticore: No. 12, Oh, Foolish People
The Telephone or L’Amour à Trois: I. Introduction
The Telephone or L’Amour à Trois: II. Oh! Just What I Wanted
The Telephone or L’Amour à Trois: III. That Was Margaret
The Telephone or L’Amour à Trois: IV. It Is Four-Fifteen
The Telephone or L’Amour à Trois: V. Try Again and Again
The Telephone or L’Amour à Trois: VI. Hello, This Is Lucy
The Telephone or L’Amour à Trois: VII. Hello? … Hello?
Maria Golovin: Act I Scene 1: Introduction
Maria Golovin: Act III Scene 1: Introduction
Maria Golovin: Act I Scene 1: One … two … three … Good heavens! (Agata)
Maria Golovin: Act III Scene 1: I'm afraid this is all we have (Mother, Zuckertanz, Maria)
Maria Golovin: Act I Scene 1: This way, come in, come in! (Mother, Zuckertanz, Donato, Maria)
Maria Golovin: Act III Scene 1: Quando di fuoco si fa la laguna (Maria, Zuckertanz, Mother, Agata, Donato)
Maria Golovin: Act I Scene 1: This is a sad place to take a little boy! (Agata, Donato)
Maria Golovin: Act III Scene 2: This is the largest one I have (Mother, Maria)
Maria Golovin: Act I Scene 1: … and eight and nine and ten and hop la la! (Mother, Agata)
Maria Golovin: Act III Scene 2: You are unfair, Madame, and you know it (Maria, Mother, Donato)
Maria Golovin: Act I Scene 1: Who is there? Is there someone? (Donato, Maria)
Maria Golovin: Act III Scene 2: Have you told him? (Donato, Maria)
Maria Golovin: Act I Scene 1: Tell me the truth (Donato, Maria)
Maria Golovin: Act III Scene 2: Oh, how different is the world once I lie in your arms (Donato, Maria)
Maria Golovin: Act I Scene 1: I will pose for you as long as you like (Donato, Maria)
Maria Golovin: Act III Scene 3: What time is it? (Donato, Mother, Agata)
Maria Golovin: Act I Scene 1: … you must be careful not to play near the lake (Mother, Zuckertanz, Maria, Donato)
Maria Golovin: Act III Scene 3: At last, my darling (Maria, Donato, Mother, Zuckertanz)
Maria Golovin: Act I Scene 2: Aren't you ready yet? (Donato, Agata, Mother)
Violin Concerto in A Minor: I. Allegro moderato
Maria Golovin: Act I Scene 2: Let us sit by the fire (Donato, Maria)
Maria Golovin: Act I Scene 2: Ah Maria, Maria, if you could only see (Donato, Maria)
Violin Concerto in A Minor: III. Allegro vivace
Maria Golovin: Act I Scene 2: The prisoners … (Maria, Donato, Trottolo)
Maria Golovin: Act II Scene 1: What is it? (Donato, Agata)
Maria Golovin: Act II Scene 1: What is it? (Donato, Prisoner, Agata, Maria)
Maria Golovin: Act II Scene 1: Oh I am so tired, so tired (Maria, Mother, Donato, Zuckertanz)
Maria Golovin: Act II Scene 1: Maria … Yes, Donato (Donato, Maria, Mother)
Maria Golovin: Act II Scene 1: You know, I feel like a girl again (Maria, Donato, Mother, Agata)
Maria Golovin: Act II Scene 2: There you are! (Mother, Maria, Zuckertanz, Donato)
Maria Golovin: Act II Scene 2: Yes, I must leave you, Donato (Maria, Donato, Agata)
Maria Golovin: Act II Scene 2: Maria. Forgive me (Donato, Maria, Prisoner)
Maria Golovin: Act II Scene 2: No, I do not understand a man like you (Prisoner, Donato)
Amahl and the Night Visitors: Amahl! Amahl! (The Mother, Amahl)
Amahl and the Night Visitors: What was keeping you outside? (The Mother, Amahl)
Amahl and the Night Visitors: Don't cry, Mother dear (Amahl, The Mother)
Amahl and the Night Visitors: From far away we come and farther we must go (King Kaspar, King Melchior, King Balthazar)
Amahl and the Night Visitors: Amahl, go and see who's knocking at the door (The Mother, Amahl)
Amahl and the Night Visitors: Good evening! (King Kaspar, King Melchior, King Balthazar, Amahl, The Mother)
Amahl and the Night Visitors: Are you a real King? (Amahl, King Balthazar, King Kaspar, The Mother, King Melchior)
Amahl and the Night Visitors: Have you seen a child (King Melchior, The Mother, King Balthazar, King Kaspar)
Amahl and the Night Visitors: Shepherds! Shepherdesses! (Shepherds, The Mother, King Melchior, King Kaspar, King Balthazar)
Amahl and the Night Visitors: Shepherds' Dance
Amahl and the Night Visitors: Thank you, good friends (King Balthazar, Shephards, Amahl, King Kaspar)
Amahl and the Night Visitors: All that gold! All that gold! (The Mother, The Page, King Melchior, King Balthazar, King Kaspar, Amahl)
Amahl and the Night Visitors: Oh, woman, you may keep the gold (King Melchior, The Mother, Amahl, King Kaspar, King Balthazar)
Amahl and the Night Visitors: Look, mother, I can dance (Amahl, King Kaspar, King Melchior, King Balthazar, The Mother, Shepherds)
The Saint Of Bleecker Street: Atto 1, Scena Prima
The Saint Of Bleecker Street: Atto 1, Scena Seconda
The Saint Of Bleecker Street: Atto 3, Scena Prima
The Saint Of Bleecker Street: Atto 3, Scena Seconda
Atto 3 Scena 1 The Consulate Late Afternoon, Several Days Later
Atto 1 Scena 2 The Consulate, Late Some Day
Atto 2 Scena 1 The Home, In The Evening, A Month Later
Atto 2 Scena 2 The Consulate, Few Days Later
Menotti, G.C.: Amahl and the Night Visitors / My Christmas
Amahl and the Night Visitors: Amahl! Amahl! (Mother, Amahl)
Amahl and the Night Visitors: Oh, Mother, you should go out and see! (Amahl, Mother)
Amahl and the Night Visitors: Stop bothering me! (Mother, Amahl)
Amahl and the Night Visitors: Poor Amahl! Hunger has gone to your head (Mother)
Amahl and the Night Visitors: Don't cry, Mother dear (Amahl, Mother)
Amahl and the Night Visitors: From far away we come (King Kaspar, King Melchior, King Balthazar)
Amahl and the Night Visitors: Amahl… Yes, Mother (Mother, Amahl)
Amahl and the Night Visitors: Good Evening! Good Evening! (King Kaspar, King Melchior, King Balthazar, Amahl, Mother)
Amahl and the Night Visitors: Come in, Come in! (Mother, King Melchior, Amahl)
Amahl and the Night Visitors: Are you a real king? (Amahl, King Balthazar, King Kaspar)
Amahl and the Night Visitors: This is my box (King Kaspar)
Amahl and the Night Visitors: Amahl, I told you not to be a nuisance! (Mother, Amahl)
Amahl and the Night Visitors: Oh, these beautiful things (Mother, King Melchior)
Amahl and the Night Visitors: Have you seen a child (King Melchior, Mother, King Balthazar, King Kaspar)
Amahl and the Night Visitors: Shepherds! Shepherdesses! (Chorus, Mother, King Melchior)
Amahl and the Night Visitors: Emily! Emily! (Chorus, Mother)
Amahl and the Night Visitors: Olives and quinces (Chorus, King Kaspar, King Melchior, King Balthazar, Mother)
Amahl and the Night Visitors: Thank you, good friends (King Balthazar, Chorus, Amahl, King Kaspar)
Amahl and the Night Visitors: All that gold! (Mother)
Amahl and the Night Visitors: Thief! Thief! (Page, King Melchoir, King Balthazar, King Kaspar)
Amahl and the Night Visitors: Don't you dare! (Amahl)
Amahl and the Night Visitors: Oh, woman, you may keep the gold (King Melchior)
Amahl and the Night Visitors: Oh, no, wait… take back your gold! (Mother, Amahl)
Amahl and the Night Visitors: I walk, mother! (Amahl, King Kaspar, King Melchior, King Balthazar, Mother, Page)
Amahl and the Night Visitors: Do you really want to go? (Mother, Amahl, King Kaspar, King Balthazar)
Amahl and the Night Visitors: Shepherds, Arise! (Chorus, King Melchior, Amahl)
The Old Maid and the Thief: 1939 Radio Hour Introduction
Goya, Act 3: Teresa! Maria! Rosario! Antonia!
Goya, Act 3: Tu hai visto com'è crudele l'huomo
The Saint of Bleecker Street, Act I Scene 1: Introduction - Rosa Mystica (Assunta, A Young Man, Chorus)
The Saint of Bleecker Street, Act II: Introduction - Hai l'occhio nero, nero della quaglia (Michele, Annina, Carmela, Salvatore, A
The Saint of Bleecker Street, Act I Scene 1: Well … I'm tired of waiting! (Maria Corona, Assunta, Carmela, A Young Woman, Chorus)
The Saint of Bleecker Street, Act II: Where is Michele? (Desideria, Bartender, Michele)
The Saint of Bleecker Street, Act I Scene 1: The vision has begun (Don Marco, Chorus)
The Saint of Bleecker Street, Act II: Eh gia giovinotti voglion stare attorno a te (Desideria, Michele, Chorus)
The Saint of Bleecker Street, Act I Scene 1: Ah, sweet Jesus, spare me this agony (Annina, Chorus)
The Saint of Bleecker Street, Act II: Ah, Michele, don't you know that love can turn to hate (Desideria)
The Saint of Bleecker Street, Act I Scene 1: Look! The stigmata (Chorus)
The Saint of Bleecker Street, Act II: You will regret it (Michele, Don Marco, Annina, Salvatore, Chorus)
The Saint of Bleecker Street, Act I Scene 1: Stop it! (Michele, Carmela, Don Marco, Chorus)
The Saint of Bleecker Street, Act II: I know that you all hate me (Michele)
The Saint of Bleecker Street, Act I Scene 1: Ah, poor Michele, it is not I your rival (Don Marco)
The Saint of Bleecker Street, Act II: You are wrong, Michele (Don Marco, Annina, Michele)
The Saint of Bleecker Street, Act I Scene 1: Interlude
The Saint of Bleecker Street, Act II: Yes, Michele, go home, go, go … (Desideria, Michele, Annina, Chorus)
The Saint of Bleecker Street, Act I Scene 2: Canta ninna, canta nanna al mio bambino (Assunta, Carmela, An Old Woman, Renata, Anni
The Saint of Bleecker Street, Act III Scene 1: Introduction - Stop worrying, Annina (Maria Corona, Annina)
The Saint of Bleecker Street, Act I Scene 2: Annina, I've something to confess to you (Carmela, Annina, Assunta)
The Saint of Bleecker Street, Act III Scene 1: There she is (Don Marco, Maria Corona, Annina, Michele)
The Saint of Bleecker Street, Act I Scene 2: Annina, Annina! (Maria Corona, Assunta, Carmela, Annina, Son of Maria Corona)
The Saint of Bleecker Street, Act III Scene 1: Weeping, these, for him, are days of weeping (Maria Corona, Annina, Michele)
The Saint of Bleecker Street, Act I Scene 2: Michele, Michele! (Annina, Michele)
The Saint of Bleecker Street, Act III: Interlude
The Saint of Bleecker Street, Act I Scene 2: Sister, I shall hide you and take you away (Michele, Annina)
The Saint of Bleecker Street, Act III Scene 2: Agnus Dei, qui tollis peccata mundi (Assunta, Annina, Carmela, Chorus)
The Saint of Bleecker Street, Act I Scene 2: Veglia su di noi, Santo del Sangue (Annina, Michele, Chorus)
The Saint of Bleecker Street, Act III Scene 2: Annina, Annina, prepare yourself for a great joy (Don Marco, Annina, Carmela)
The Saint of Bleecker Street, Act III Scene 2: Oh, my Love, at last the hour has come (Annina, Carmela)
The Saint of Bleecker Street, Act III Scene 2: Maria, Salvatore! (Assunta, Maria Corona, Salvatore, Don Marco, Carmela, Tenor Solo
The Saint of Bleecker Street, Act III Scene 2: Gloria tibi Domine in saeculum et in saeculum saeculi (Don Marco, Annina, Chorus)
The Saint of Bleecker Street, Act III Scene 2: Annina, Annina! (Michele, Salvatore, Don Marco, Maria Corona, Carmela, Assunta, Cho
Menotti: Apocalisse, Fantasia for Cello and Orchestra & Sebastian Suite
Sebastian Suite: VI. Dance of the Wounded Courtesan
The Medium, Act I: "Where, oh, where" (Monica)
The Medium, Act I: "Be careful, Baba's coming!" (Monica)
The Medium, Act I: "Where have you been all night?" (Monica)
The Medium, Act I: "Get ready! Hurry!" (Baba)
The Medium, Act I: "Good evening, Madame Flora" (Mrs. Gobineau)
The Medium, Act I: "Is This the first time" (Mrs. Gobineau)
The Medium, Act I: "It Happened long ago" (Mrs. Gobineau)
The Medium, Act I: "It's time to begin" (Baba)
The Medium, Act I: "You must be very silent" (Mr. Gobineau)
The Medium, Act I: "Mother, mother, Are you there?" (Monica)
The Medium, Act I: "Doodly, doodly, Are you happy?" (Mrs. Nolan)
The Medium, Act I: "Mummy, Mummy dear" (Monica)
The Medium, Act I: "Send my son to me..." (Mr. Gobineau)
The Medium, Act I: "What Is It? Who Is It?" (Baba)
The Medium, Act I: "but why be afraid?" (Mr. Gobineau)
The Medium, Act I: "Baba, what has happened?" (Monica)
The Medium, Act I: "Where Is Toby?" (Baba)
The Medium, Act I: "the Sun has fallen" (Monica)
The Medium, Act I: "the spools unravel" (Monica)
The Medium, Act I: "Oh God! What Is happening to me?" (Baba)
The Medium, Act II: "What Is the matter Toby?" (Monica)
The Medium, Act II: "Toby, you know That I love you" (Baba)
The Medium, Act II: "but first you must tell me" (Baba)
The Medium, Act II: "Perhaps It was not you after all" (Baba)
The Medium, Act II: "Good evening, Madame Flora" (Mrs. Gobineau; Mrs. Nolan)
The Medium, Act II: "Not to know my daughter's own voice?" (Mrs. Nolan)
The Medium, Act II: "Please let us have our seance, Madame Flora" (the Gobineaus; Mrs. Nolan)
The Medium, Act II: "and you, you too get out" (Baba)
The Medium, Act II: "Mother, mother, Are you there?" (Girl's Voice)
The Medium, Act II: "Afraid, am I afraid?" (Baba)
The Medium, Act II: "the dead never come back" (Baba)
The Medium, Act II: "O God, forgive my sins" (Baba)
The Medium, Act II: "Who's there?" (Babay)
The Medium, Act II: "I've killed the ghost!" (Baba)
The Consul, Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on Record, John, Magda, Mother)
The Consul, Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Mr Kofner)
The Consul, Act I Scene 1: Quick, John! The Police! (Mother, Magda, Police Agent)
The Consul, Act II Scene 2: My charming Ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Mr Kofner, Magda, Foreign Woma
The Consul, Act I Scene 1: Don't move yet (Magda, Mother, John)
The Consul, Act II Scene 2: Any news for me? (Magda, Secretary)
The Consul, Act I Scene 1: Now, O lips, say goodbye (Magda, Mother, John)
The Consul, Act II Scene 2: To this we've come (Magda, Vera Boronel, Mr Kofner, Secretary)
The Consul, Act II Scene 2: You're being very unreasonable, Mrs Sorel! (Secretary, Anna Gomez, Vera Boronel, Mr Kofner)
The Consul, Act I Scene 2: Next. Yes . . . What can I do for you? (Secretary, Mr Kofner)
The Consul, Act III Scene 1: How often must I tell you, Mrs Sorel (Secretary, Vera Boronel, Assan, Magda)
The Consul, Act I Scene 2: Next. Next! (Secretary, Foreign Woman, Mr Kofner)
The Consul, Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Assan, Magda))
The Consul, Act I Scene 2: Next. Hello. Oh! It's you! (Secretary, Magda)
The Consul, Act III Scene 1: Oh, those faces! All those faces! (Secretary)
The Consul, Act I Scene 2: I beg your pardon, Madam (Magician, Vera Boronel, Magda, Foreign Woman, Mr Kofner)
The Consul, Act III Scene 1: Who are you? How did you get in? (Secretary, John)
The Consul, Act II Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on Record, Magda, Mother)
The Consul, Act III Scene 1: You cannot arrest him here (Secretary, Police Agent, John)
The Consul, Act II Scene 1: I shall find for you shells and stars (Mother)
The Consul, Act III Scene 1: Don't be afraid, Mr Sorel! (Secretary)
The Consul, Act II Scene 1: John, John, why did you bring me . . . (Magda, John, Mother)
The Consul, Act III Scene 2: I never meant to do this (Magda)
The Consul, Act II Scene 1: It is the signal! (Magda, Mother, Police Agent, Assan)
The Consul, Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Anna Gomez, Secretary, Vera Boronel, Mother, John, Mr
The Consul, Act II Scene 1: Mother, why are you so still, Mother! (Magda, Mother)
The Consul, Act III Scene 2: No! Wait! Wait! . . . I'm coming with you (Magda, Mother, John, Magician, others)
Menotti: Martin's Lie, Five Songs & Canti della lontananza
Martin's Lie: So he touched the first door (Naninga, Timmy, Martin, Father Cornelius, Children)
Martin's Lie: Open, open! (Stranger, Martin)
Martin's Lie: You filthy blackgaurds (Sheriff, Martin, Father Cornelius, Naninga, Children)
Martin's Lie: Martin my boy (Father Cornelius, Martin, Naninga, Christopher)
Martin's Lie: I've had enough of this (Sherrif, Father Cornelius, Martin, Naninga, Children)
Martin's Lie: Heavenly Father (Naninga, Father Cornelius, Children)
Five Songs: IV. My Ghost (Premiere Recording)
Canti della lontananza: I. Gli amanti impossibili
Canti della lontananza: II. Mattinata di neve
Canti della lontananza: III. Il settimo bicchiere di vino
Canti della lontananza: VII. Rassegnazione
The Medium, Act I: "Where, Oh Where Is My New Golden Spindle" (Monica)
The Medium, Act I: "How Many Times I Told You Not to Touch My Things" (Baba, Monica)
The Medium, Act I: "Good Evening, Madam Flora" (Mrs. Gobineau, Mr. Gobineau, Baba, Mrs. Nolan)
The Medium, Act I: "It Happened Long Ago" (Mrs. Gobineau, Mr. Gobineau, Baba)
The Medium, Act I: "You Must Be Very Silent" (Mr. Gobineau, Baba, Monica, Mrs. Nolan, Mrs. Gobineau)
The Medium, Act I: "Mommy, Mommy, Are You There?" (Monica, Mrs. Nolan, Baba, Mr. Gobineau, Mrs. Gobineau)
The Medium, Act I: "What Is It? Who Is It?" (Baba, Mr. Gobineau, Mrs. Gobineau, Mrs. Nolan)
The Medium, Act I: "Mother, What Is Happening?" (Monica, Baba)
The Medium, Act I: "The Sun Has Fallen and It Lies in Blood" (Monica, Baba)
The Medium, Act II: "Monica, Monica Can't you See?" (Monica)
The Medium, Act II: "Where Is Monica?" (Baba)
The Medium, Act II: "Good Evening, Madam Flora" (Mrs. Gobineau, Mrs. Nolan, Mr. Gobineau, Baba, Monica)
The Medium, Act II: "Don't Stay There Like a Fool!" (Baba, A Voice)
The Medium, Act II: "Who's There? Who's There?" (Baba, Monica)
Menotti: Piano Concerto in F Major (Mono Version)
Orchestre De La Société Des Concerts Du Conservatoire
Menotti: Amahl and the Night Visitors, the Telephone
Amahl and the Night Visitors: I. Amahl! Amahl!
Amahl and the Night Visitors: II. What Was Keeping You Outside?
Amahl and the Night Visitors: III. from Far Away We Come
Amahl and the Night Visitors: IV. Amahl!
Amahl and the Night Visitors: V. It Is Nice, Here
Amahl and the Night Visitors: VI. Amahl I Told You Not to Be a Nuisance!
Amahl and the Night Visitors: VII. the Shepherds Are Coming
Amahl and the Night Visitors: VIII. Interlude
Amahl and the Night Visitors: IX. Thank You Good Friends
Amahl and the Night Visitors: X. Thief! Thief!
12 pieces for children - Poemetti per Maria Rosa: No. 1, Giga
12 pieces for children - Poemetti per Maria Rosa: No. 2, Lullaby (Ninna-nanna)
12 pieces for children - Poemetti per Maria Rosa: No. 3, Bells at dawn (Alba festiva)
12 pieces for children - Poemetti per Maria Rosa: No. 4, The Spinner (La filatrice)
12 pieces for children - Poemetti per Maria Rosa: No. 5, The Bagpipers (I zampognari)
12 pieces for children - Poemetti per Maria Rosa: No. 6, The Brook (Il ruscello)
12 pieces for children - Poemetti per Maria Rosa: No. 7, The Sheperd (Il pastore)
12 pieces for children - Poemetti per Maria Rosa: No. 8, Nocturne (Notturno)
12 pieces for children - Poemetti per Maria Rosa: No. 9, The Stranger's Dance (Danza dello straniero)
12 pieces for children - Poemetti per Maria Rosa: No. 10, Winter Wind (Vento invernale)
12 pieces for children - Poemetti per Maria Rosa: No. 11, War Song (Canzone guerresca)
12 pieces for children - Poemetti per Maria Rosa: No. 12, The Manger (Il presepio)
Trio for violin, clarinet and piano: I. Capriccio, Allegro
Trio for violin, clarinet and piano: II. Romanza, Andante espressivo
Trio for violin, clarinet and piano: III. Envoi, allegro
Gian Carlo Menotti, Songs, Nocturne, Canti della Lontananza and other pieces
Nocturne for soprano, harp and string quartet
Canti della lontananza, Gli amanti impossibili
Canti della lontananza, Mattinata di neve
Canti della lontananza, Il settimo bicchiere di vino
Cantilena e scherzo for harp and string quartet
The Four Seasons - Violin Concerto in E Major, RV 269, "La Primavera" (Spring): I. Allegro
Overture (Allegro) from The Good-Humoured Ladies
I. Allegro from Concerto in G Major for Two Guitars - Instrumental
String Quintet in E Major, Op. 13, No. 5: III. Minuetto
III. Menuetto: Allegretto from Sonata for Violin and Guitar, Op. 25 - Instrumental
III. Rondeau from Sonata Concertata in A Major - Instrumental
II. Andantino siciliano from Concerto No. 1 for Guitar and String Orchestra in A Major, Op. 30
Nocturne (Moderato) from the Ballet La Boutique Fantasque
Hungarian State Radio and Television Orchestra
Leopod Stokowski: The Stereo Collection 1954 -1975
Die Walküre: Act III: Ride of the Valkyries
Die Meistersinger von Nürnberg: Act III: Prelude
The Heavens Are Telling (Die Ehre Gottes aus der Natur), Op. 48, No. 4
Symphony No. 3, Op. 55 "Eroica" in E-Flat: Allegro con brio
Symphony No. 6, Op. 54, in B Minor: Largo
Die Meistersinger von Nürnberg: Act III: Dance of the Apprentices
Symphony No. 3, Op. 55 "Eroica" in E-Flat: Marcia funebre: Adagio assai
Symphony No. 6, Op. 54, in B Minor: Allegro
Das Rheingold: Act I: Entrance of the Gods into Valhalla
Die Meistersinger von Nürnberg: Act III: Procession of the Meistersingers
Symphony No. 3, Op. 55 "Eroica" in E-Flat: Scherzo: Allegro vivace; Trio
Symphony No. 6, Op. 54, in B Minor: Presto
Symphony No. 3, Op. 55 "Eroica" in E-Flat: Finale: Allegro molto; Poco andante; Presto
The Age of Gold Suite, Op. 22a: I. Introduction
Cantata No. 147: Jesu, Joy of Man's Desiring
The Age of Gold Suite, Op. 22a: II. Adagio
Sebastian (Ballet Suite): Sebastian's Dance
Götterdämmerung: Prologue: Siegfried's Rhine Journey
The Age of Gold Suite, Op. 22a: III. Polka
Sebastian (Ballet Suite): The Courtesan's Dance
Götterdämmerung: Act III: Siegfrieds Funeral March
Praise God from Whom All Blessings Flow (Doxology - Old Hundredth)
The Age of Gold Suite, Op. 22a: IV. Dance
Romeo and Juliet (Selections): Romeo at the Fountain
Götterdämmerung: Act III: Brünnhilde's Immolation
Romeo and Juliet (Selections): Romeo and Juliet
Romeo and Juliet (Selections): Romeo at Juliet's Tomb
Romeo and Juliet (Selections): Juliet's Death
A Christmas Concert with Robert Shaw (Remastered 2023)
O Come, O Come, Emmanuel (Arr. for Choir & Orchestra by Alice Parker) - Remastered 2023
So Blest a Sight (Arr. for Voice, Choir & Orchestra by Alice Parker) - Remastered 2023
Dormi, Jesu (Arr. for Choir & Orchestra by Alice Parker) - Remastered 2023
Lo, How a Rose E'er Blooming (Arr. for Choir by Michael Praetorius) - Remastered 2023
Coventry Carol (Arr. for Choir by Robert Shaw) - Remastered 2023
Christmas Oratorio, BWV 248, Pt. 2: No. 12, Break Forth, O Wondrous Morning Light - Remastered 2023
Christmas Oratorio, BWV 248, Pt. 4: No. 42, Jesus, Guide My Beginning - Remastered 2023
Mass in B Minor, BWV 232: XXVII. Dona nobis pacem - Remastered 2023
L'enfance du Christ, Op. 25, Pt. 2, La fuite en Égypte, H. 130: II. The Shepherd’s Farewell - Remastered 2023
Adeste fideles (Arr. for Choir & Orchestra by Alice Parker) - Remastered 2023
Gloria in D Major, RV 589: I. Gloria in excelsis Deo - Remastered 2023
Gloria in D Major, RV 589: II. Et in terra pax - Remastered 2023
Christmas Oratorio, BWV 248, Pt. 2: No. 10, Sinfonia - Remastered 2023
L'arlésienne Suite No. 2: IV. Farandole (Arr. for Orchestra by Ernest Guiraud) - Remastered 2023
11 Chorale Preludes, Op. 122: No. 8, Es ist ein Ros' entsprungen (Arr. for Orchestra by Erich Leinsdorf) - Remastered 2023
Amahl and the Night Visitors: Introduction, March and Shepherd's Dance - Remastered 2023
Trittico botticelliano, P. 151: II. L'Adorazione dei Magi - Remastered 2023
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto - Remastered 2023
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo - Remastered 2023
Messiah, HWV 56, Pt. 2: No. 44, Hallelujah - Remastered 2023
Renée Fleming - I Want Magic! - American Opera Arias
Porgy and Bess / Act 1: "My man's gone now"
Susannah / Act 1: "Ain't it a pretty night?"
Susannah / Act 2: "The trees on the mountain"
The Rake's Progress / Act 1/Scene 3: "No word from Tom"
Vanessa - opera in 4 Acts / Act 1: "He has come...do not utter a word, Anatol"
A Streetcar named desire: "I want magic"
A Streetcar Named Desire, Act III: I Want Magic (Version for Voice and Piano)
Sweeney Todd, The Demon Barber of Fleet Street, Act I: Green Finch and Linnet Bird (Version for Voice and Piano)
The Old Maid and the Thief: What a Curse for a Woman - Steal Me, Thief (Version for Voice and Piano)
Mélodies passagères, Op. 27: No. 1, Puisque tout passe
3 Chansons, M. 69: No. 2, Trois beaux oiseaux du Paradis (Version for Voice and Piano)
Chansons pour les oiseaux: No. 1, La colombe poignardée
Métamorphoses, FP 121: No. 1, Reine des mouettes
La Dame de Monte-Carlo, FP 180 (Version for Voice and Piano)
Leontyne Price - Prima Donna Vol. 4: Great Soprano Arias from Mozart to Menotti
La damnation de Faust, Part IV: "D'amour l'ardente flamme"
Die Fledermaus: Act II: Czardas: Klänge der Heimat
Rusalka, Op. 114, B. 203: Mesicku na nebi hlubokém ("Song of the Moon")
Adriana Lecourvreur: Act IV: Poveri fiori
Die tote stadt: Act I: Glück, das mir verblieb (Marietta's Lied)
Amelia Goes to the Ball: While I Waste These Precious Hours
Music Inspired by "On the Basis of Sex" - A Night at the Opera with Ruth Bader Ginsburg
Introduction, March and Shepherd's Dance (from 'Amahl and the Night Visitors')
Soothing Classical Music for You and Your Baby
The Essential Nashville Symphony Orchestra
Amahl and the Night Visitors: I. Introduction
Amahl and the Night Visitors: III. Shepherd's Dance
Amahl and the Night Visitors: Dance of the Shepherds (Live)
My Spirit Sings of Wondrous Things: 2008 St. Olaf Christmas Festival (Live)
Die alte Jungfer und der Dieb: Singt der Mai seine Lieder
Josef Metternich: Rare & Unreleased Recordings