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album: Janáček: Osud
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  date published: 2016-01-01
  track: Osud: Prelude
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  track: Osud, Act I: Mám křídla dnes a písně ptáka
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  track: Osud, Act I: V slunce, lesku v záři ranní
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  track: Osud, Act I: Mně z rodné vísky
  track: Osud, Act I: Přišel sis pro své dítě?
  track: Osud, Act I: Ku zkoušce, prosím
  track: Osud, Act I: Ty zlaté naše sluníčko
  track: Osud, Act I: Tak došli jsme, leč pozdě asi
  track: Osud, Act I: Chci v úpal!
  track: Osud, Act I: Já tedy uvěřil podlému nařknutí
  track: Osud, Act I: Fančo! Fančo, dá mi hubičku?
  track: Osud, Act II: Prelude
  track: Osud, Act II: Píseň našeho života dřímá
  track: Osud, Act II: Je hanbu vaše věčná!
  track: Osud, Act II: Mou ženou jsi, proč tedy pláčeš
  track: Osud, Act II: Mami! Mami! Mami!
  track: Osud, Act II: Kdo je u staré paní?
  track: Osud, Act III: Na obzoru bouře
  track: Osud, Act III: Rozvalí její věcí
  track: Osud, Act III: Proč tak nezvyklé ticho?
  track: Osud, Act III: Scenes 2 & 3
  track: Osud, Act III: Což nevidí váš zrak
album: Gurlitt: Soldaten (Musica Rediva)
album: Christa Ludwig
album: Brahms: Triumphlied, Ave Maria, Schicksalslied & Nänie
album: Mendelssohn: Violin Concertos
album: Zemlinksy: Der Traumgörge, Op. 11 (Live)
album: Composers In Exile - Zemlinsky, A. Von / Schreker, F. / Schulhoff, E. / Ullmann, V. / Hindemith, P. / Schoenberg, A. / Milhaud, D.
album: Gurlitt, M.: Wozzeck [Opera]
album: Dvorák: Svatební košile (The Spectre's Bride), Op. 69, B. 135
album: Busoni, F.: Orchestral, Chamber and Piano Music
album: Schreker: Der ferne Klang

Osud, Act I: Mně z rodné vísky
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Osud, Act I: Přišel sis pro své dítě?
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Osud, Act I: Ku zkoušce, prosím
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Osud, Act I: Ty zlaté naše sluníčko
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Osud, Act I: Tak došli jsme, leč pozdě asi
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Osud, Act I: Chci v úpal!
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Osud, Act I: Já tedy uvěřil podlému nařknutí
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Osud, Act I: Fančo! Fančo, dá mi hubičku?
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Osud, Act II: Prelude
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Osud, Act II: Píseň našeho života dřímá
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Osud, Act II: Je hanbu vaše věčná!
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Osud, Act II: Mou ženou jsi, proč tedy pláčeš
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Osud, Act II: Mami! Mami! Mami!
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Osud, Act II: Kdo je u staré paní?
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Osud, Act III: Na obzoru bouře
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Osud, Act III: Rozvalí její věcí
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Osud, Act III: Proč tak nezvyklé ticho?
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Osud, Act III: Scenes 2 & 3
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Osud, Act III: Což nevidí váš zrak
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track: Soldaten, Act II: Was fehlt Ihnen, mein goldenes Marieel
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track: Soldaten, Act II: Papa! Papa!
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track: Soldaten, Act I: Was machen Sie denn da, meine göttliche Mademoiselle?
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track: Soldaten, Act II: Es ist eine Schande, wie Sie mit ihm umgeht
track: Soldaten, Act I: Ach Papa! Papa!
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track: Soldaten, Act II: Gnädige Mutter!
track: Soldaten, Act I: Du höchster Gegenstand von meinen reinen Trieben
track: Soldaten, Act II: Lass sie nur sein, Mama!
track: Soldaten, Act I: Er muß sich dadurch nicht sogleich ins Bockshorn jagen lassen
track: Soldaten, Act III: Soll ich dir aufrichtig sagen, Stolzius
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track: Soldaten, Act I: Julia, was machst du doch?
track: Soldaten, Act III: Wo bist du itzt, mein unvergeßlich Mädchen?
track: Soldaten, Act I: Buvons, mes chers amis
track: Soldaten, Act III: Marie fortelaufen!
track: Soldaten, Act III: Es ist alles umsonst
track: Soldaten, Act III: Wenn sie mir hierher kommt
track: Soldaten, Act III: Meine Zunge ist so schwach
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track: Soldaten, Act III: Wie das quält, nun ein Bettelmensch!
track: Soldaten, Act III: Lass sie mich - Ich bin kein Liebhaber von solchen Sachen
track: Soldaten, Act III: Zwischenspiel (5)
track: Soldaten, Act III: Wie ich dir sage, es ist eine Hure vom Anfang an gewesen

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Soldaten, Act II: Papa! Papa!
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Soldaten, Act II: Wer da, Stolzius
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Soldaten, Act I: Was machen Sie denn da, meine göttliche Mademoiselle?
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Soldaten, Act II: Zwischenspiel (1)
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Soldaten, Act I: Zwischenspiel (3)
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Soldaten, Act II: Es ist eine Schande, wie Sie mit ihm umgeht
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Soldaten, Act I: Ach Papa! Papa!
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Soldaten, Act II: Zwischenspiel (2)
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Soldaten, Act I: Zwischenspiel (4)
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Soldaten, Act II: Gnädige Mutter!
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Soldaten, Act I: Du höchster Gegenstand von meinen reinen Trieben
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Soldaten, Act II: Lass sie nur sein, Mama!
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Soldaten, Act I: Er muß sich dadurch nicht sogleich ins Bockshorn jagen lassen
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Soldaten, Act III: Soll ich dir aufrichtig sagen, Stolzius
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Soldaten, Act I: Zwischenspiel (5)
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Soldaten, Act III: Zwischenspiel (3)
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Soldaten, Act I: Julia, was machst du doch?
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Soldaten, Act III: Wo bist du itzt, mein unvergeßlich Mädchen?
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Soldaten, Act I: Buvons, mes chers amis
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Soldaten, Act III: Marie fortelaufen!
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Soldaten, Act III: Wie ich dir sage, es ist eine Hure vom Anfang an gewesen
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Der Besuch der alten Dame, Act I: Das herz mit deinem und meinem Namen
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Cosi fan tutte, K. 588 (Sung in German): Act I: Grausames Schicksal! Sagen will
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Cosi fan tutte, K. 588 (Sung in German): Act I: Schwankend na' ich
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Carmen, WD 31: Act I: Mais nous ne voyons pas la Carmencita!
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Luisa Miller, Act I Scene 2: Duchessa
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Cosi fan tutte, K. 588 (Sung in German): Act II: Passegglamo anche nol - il core vi dono
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Carmen, WD 31: Act I: Seguidilla: Pres des reparts de Seville
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Les Troyens, Act IV: Recitative and Quintet: Pardonne, iopas
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La Cenerentola (Cinderella) (Sung in German), Act II: Liebste … Ramiro, verzeiht mir
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Der Rosenkavalier, Op. 59, TrV 227: Act I: Da geht er hin
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Das Rheingold, Scene 4: Weiche, Wotan, weiche! Flieh' des Ringes Fluch!
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Fidelio, Op. 72, Act I: Abscheulicher! Wo eilst du hin? - Komm, Hoffnung, lass den letzten Stern
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Der Rosenkavalier, Op. 59, TrV 227: Act II: Mir ist die Ehre widerfahren
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The Queen of Spades (Pique Dame), Op. 68, Act II: Scheigt doch endlich
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Tannhäuser, Act I Scene 2: Geliebter, komm!
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Elektra, Op. 58, TrV 223, Was willst du? Seht doch, dort!
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Der Traumgörge, Op. 11, Epilogue Scene 1: Wie alles blüht (Live)
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Der Traumgörge, Op. 11, Epilogue Scene 2: So da sind wir (Live)
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Der Traumgörge, Op. 11, Epilogue Scene 3: Du gehst? (Live)
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Composers In Exile - Zemlinsky, A. Von / Schreker, F. / Schulhoff, E. / Ullmann, V. / Hindemith, P. / Schoenberg, A. / Milhaud, D.
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Die Dreigroschenoper (The Threepenny Opera): Die Seerauber-Jenny
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3 Ballettstucke: No. 3. Presto
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Schwanensang, Op. 11
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Verklarte Nacht (Transfigured Night), Op. 4 (version for string orchestra): IV. Adagio
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12 Variations in 3 Movements, Op. 79: Variation 1-5: Allegro, molto moderato, energico
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Duo for Violin and Cello: I. Moderato
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Verklarte Nacht (Transfigured Night), Op. 4 (version for string orchestra): V. Adagio (molto tranquillo)
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12 Variations in 3 Movements, Op. 79: Variation 6-8: Adagio
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Duo for Violin and Cello: II. Zingaresca: Allegro giocoso
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Symphonischer Epilogue, Op. 108
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12 Variations in 3 Movements, Op. 79: Variation 9-12: Allegro assai
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Duo for Violin and Cello: III. Andantino
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String Quartet No. 1, Op. 5: I. Rhythmique
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Haggada, Part II: Es war in der Mitte der Nacht (Sung in German)
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Duo for Violin and Cello: IV. Moderato
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String Quartet No. 1, Op. 5: II. Intime, contenu
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Wozzeck, Op. 16: Scene 17: Dort links gehts in die Stadt
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Don Quixote tanzt Fandango
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String Quartet No. 1, Op. 5: III. Grave, soutenu
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Wozzeck, Op. 16: Scene 18: Das Messer! wo ist das Messer! (Wozzeck)
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Trumpet Sonata: I. Mit Kraft
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String Quartet No. 1, Op. 5: IV. Vif, tres rythme
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Wozzeck, Op. 16: Epilogue: Wir arme Leut (Chorus)
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Trumpet Sonata: II. Massig bewegt
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Kleine Sinfonie, Op. 29: I. Thema mit Variationen
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Trumpet Sonata: III. Trauermusik
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Kleine Sinfonie, Op. 29: II. Allegro assai - Sostenuto
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Kleine Sinfonie, Op. 29: III. Invention
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Kleine Sinfonie, Op. 29: IV. Allegro
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Gurlitt, M.: Wozzeck [Opera]
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track: Wozzeck, Op. 16: Scene 18: Das Messer! wo ist das Messer! (Wozzeck, Burger)
track: Wozzeck, Op. 16: Epilogue: Wir arme Leut (Chorus)

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Wozzeck, Op. 16: Scene 4: Marie! Geh einmal vor dich hin (Tambourmajor, Marie, Chorus)
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Wozzeck, Op. 16: Scene 5: Wie die Steine glanzen! (Marie, Wozzeck) - Unter deinen Fingern glanzt's ja (Wozzeck, Marie)
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Wozzeck, Op. 16: Scene 6: Wohin so eilig, geehrtester Herr Sargnagel? (Hauptmann, Doktor, Wozzeck)
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Wozzeck, Op. 16: Scene 7: Gutten Tag, Franz (Hauptmann, Doktor, Wozzeck)
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Wozzeck, Op. 16: Scene 8: Frau Wirtin hat eine brave Magd (Andres, Wozzeck, Chorus)
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Wozzeck, Op. 16: Scene 9: Ein Jager aus der Pfalz ritt einst durch einen grunen Wald (Chorus, Wozzeck, Marie)
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Wozzeck, Op. 16: Scene 10: Immerzu! Immerzu! Still, Musik! (Wozzeck)
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Wozzeck, Op. 16: Scene 11: Andres! Andres! Ich kann nicht schlafen! (Wozzeck, Andres)
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Wozzeck, Op. 16: Scene 12: Ich bin ein Mann! Ich hab' ein Weibsbild (Tambourmajor, Andres, Wozzeck)
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Wozzeck, Op. 16: Scene 13: Und ist kein Betrug in seinem Munde erfunden worden (Marie)
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Wozzeck, Op. 16: Scene 14: Das Pistolchen ist zu teuer (Wozzeck, Ein Jude)
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Wozzeck, Op. 16: Scene 15: Wie heute schon die Sonne scheint - Es war einmal ein arm Kind
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Wozzeck, Op. 16: Scene 16: Das Kamisolchen, Andres, gehort mit zur Montur (Wozzeck, Andres)
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Wozzeck, Op. 16: Scene 17: Dort links geht's in die Stadt (Marie, Wozzeck)
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Svatební košile, Op. 69, B. 135: A tu na dvere. Buch, buch, buch!
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Svatební košile, Op. 69, B. 135: Maria panno, pro mne stuj
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Svatební košile, Op. 69, B. 135: A slyš, tu práve nablízce
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track: Lustspielouverture, Op. 38
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track: Nocturne symphonique, Op. 43
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track: Una festa di villaggio, Op. 9: No. 5. Danza
track: Tanzwalzer, Op. 53: I. Piu mosso
track: Una festa di villaggio, Op. 9: No. 6. Notte
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track: Danza notturna, Op. 13
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track: Racconti fantastici, Op. 12: Kleine zaches
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track: Macchiette medioevali, Op. 33: No. 1. Drama
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track: Macchiette medioevali, Op. 33: No. 5. Astrologo
track: Ballettszene No. 2, Op. 20: Ballet Scene No. 2 in F Major, Op. 20
track: Anhang zu Siegfried Ochs Kommt a Vogerl g'flogen
track: Fantasie uber Motive aus Der Barbier von Bagdad von Peter Cornelius

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Symphonische Suite, Op. 25: I. Praludium
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La canzone del cacciatore in C Major
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Serenade No. 2 in C Major, Op. 19
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Rondo arlecchinesco, Op. 46, "Elegie No. 3": I. Rondo arlecchinesco: Allegro molto - Un poco meno allegro, ma sempre vivace - Andante sostenuto - Tempo I - Sempre allegro
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Symphonische Suite, Op. 25: II. Gavotte
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5 Pieces, Op. 3: No. 1. Prelude in C Minor
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Variations on a 13th Century Minnesinger Song, Op. 22
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Rondo arlecchinesco, Op. 46, "Elegie No. 3": II. Processione e danza: Tempo di minuetto sostenuto
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Symphonische Suite, Op. 25: III. Gigue
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5 Pieces, Op. 3: No. 2. Menuetto in F Major
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Marchen
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Rondo arlecchinesco, Op. 46, "Elegie No. 3": III. Finale: Presto
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Symphonische Suite, Op. 25: IV. Langsames intermezzo
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5 Pieces, Op. 3: No. 4. Etude in C Minor
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Duo, Op. 43
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Divertimento, Op. 52
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Symphonische Suite, Op. 25: V. Allegro fugato
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Una festa di villaggio, Op. 9: No. 1. Preparazione alla festa
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Serenata, Op. 34
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Sarabande: Molto sostenuto e gravemente —
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Berceuse elegiaque, Op. 42
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Una festa di villaggio, Op. 9: No. 2. Marcia trionfale
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4 Bagatelles, Op. 28: No. 1. Aus der Zopfzeit
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Sarabande und Cortege, Op. 51, "2 Studien zu Doktor Faust": Cortege: In the style of polonaise: Poco vivace e misurato - Piu tranquillo - Allegro deciso - Poco sostenuto
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Indianisches Tagebuch, Op. 47
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Una festa di villaggio, Op. 9: No. 3. In chiesa
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4 Bagatelles, Op. 28: No. 2. Kleiner Mohrentanz
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Clarinet Concertino, Op. 48
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Una festa di villaggio, Op. 9: No. 4. La fiera
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4 Bagatelles, Op. 28: No. 3. Wiener Tanzweise
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Tanzwalzer, Op. 53: Introduction: Andante - Tempo di valse sostenuto
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Una festa di villaggio, Op. 9: No. 5. Danza
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Tanzwalzer, Op. 53: I. Piu mosso
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Una festa di villaggio, Op. 9: No. 6. Notte
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Tanzwalzer, Op. 53: II. Piu vivo
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Danza notturna, Op. 13
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Tanzwalzer, Op. 53: III. Tempo primo
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Racconti fantastici, Op. 12: Kleine zaches
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Tanzwalzer, Op. 53: IV. Piu vivo - Piu mosso
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Macchiette medioevali, Op. 33: No. 1. Drama
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Macchiette medioevali, Op. 33: No. 3. Paggio
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Macchiette medioevali, Op. 33: No. 5. Astrologo
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Ballettszene No. 2, Op. 20: Ballet Scene No. 2 in F Major, Op. 20
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Anhang zu Siegfried Ochs Kommt a Vogerl g'flogen
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