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Heavenly Noyse: English Music for Mixed Consort
Phillips Pavin - Galliard to Phillips Pavin (Arr. T. Morley)
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Shewes and Nightly Revels (Arr. P. Rosseter)
Sacred End Pavin - Galliard to Sacred End Pavin: T. MORLEY: Sacred End Pavin - J. BAXTER: Galliard to Sacred End Pavin (Arr. P. Rosseter)
The First Booke of Balletts to Five Voyces, No. 11. Now Is the Month of Maying: Now Is the Month of Maying (Arr. P. Rosseter)
Captain Humes Poeticall Musicke: Captaine Humes Poeticall Musicke: VI. Sweet Musicke (the Earl of Salisburies favoret)
Captain Humes Poeticall Musicke: Captaine Humes Poeticall Musicke: II. The King of Denmarks Delight
Book of Songs, Book 1, Can she excuse my wrongs: Galliard: Can shee excuse (Arr. T. Morley)
The Frog Galliard: The Frogge Galliard (Arr. T. Morley)
Welcome, Black Night – Cease These False Sports
As Vesta Was from Latmos Hill Descending
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Dowland, Lawes, Cooper, Byrd, Simpson & Lupo: English Consort and Keyboard Music
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Lawes: Consort Set No. 10 a 6 in C Minor: II. Fantasia
Lawes: Consort Set No. 10 a 6 in C Minor: III. In nomine
Lawes: Consort Set No. 10 a 6 in C Minor: IV. Air
Lawes: Consort Set No. 8 a 6 in F Major: II. Fantasia "The Sunrise"
Lawes: Consort Set No. 8 a 6 in F Major: III. Aire, VdGS 92
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Lawes: Fantasia-Suite No. 7 in D Minor: I. Fantasia
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Lawes: Fantasia-Suite No. 7 in D Minor: II. Almaine
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Lawes: Fantasia-Suite No. 7 in D Minor: III. Galliard
Lawes: Consort Set No. 9 a 6 in B-Flat Major: III. In nomine
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Coperario: Fantasia-Suite in D Major, RC 115: I. Fancy
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Coperario: Fantasia-Suite in D Major, RC 115: II. Almaine
Coperario: Fantasia-Suite in D Major, RC 115: III. Galliard
Byrd: Pavan and Galliard, BK52: Galliard
John Coprario: Parrot or Ingenious Parodist?
Pieces from the Lumley Part Books: I. Desperada
Pieces from the Lumley Part Books: II. Pavana
Pieces from the Lumley Part Books: III. Gallyard
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Pieces from the Lumley Part Books: IV. Seconda Desperada
Pieces from the Lumley Part Books: V. Pavin of Albarti
Pieces from the Lumley Part Books: VI. Gallyard of Albarti
Pieces from the Lumley Part Books: Terza Desperada
Two Sinfonias in 5 Parts: No. 6, Octave toni
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Sonata No. 1 in G Major, Op. 34: I. Adagio
Sonata No. 1 in G Major, Op. 34: II. Presto
Sonata No. 1 in G Major, Op. 34: III. Adagio
Sonata No. 1 in G Major, Op. 34: IV. Allegro
Three Moods of the Sea: II. Before the Squall
Three Songs from Façade: II. Through gilded trellises
Three Moods of the Sea: III. After Sunset
Three Songs from Façade: III. Old Sir Faulk
Captain Humes Poeticall Musicke, Vol. 2: The Spirit of Gambo
Folk Song Arrangements, Vol. 6 « England »
Three songs for voice viola and piano, H. 76: I. Far, far from each other
Three songs for voice viola and piano, H.76: II. Where is it that our soul doth go?
Three songs for voice viola and piano, H.76: III. Music, when soft voices die
A Seasonal Sequence, sonata for viola and piano: I. Snowdrop
A Seasonal Sequence, sonata for viola and piano: II. Rambler Rose
A Seasonal Sequence, sonata for viola and piano: III. Climbing
A Seasonal Sequence, sonata for viola and piano: IV. Plane Tree
Captain Humes Poeticall Musicke, Vol. 1: Musicke and Mirth
Where the Rainbow ends: IV. Rosamund - Will o’ the Wisp
Three Irish Country Songs: I. As I was goin’ to Ballynure
Three Irish Country Songs: II. I know where I’m goin
Three Ancient Irish poems for voice, viola and harp: I. Eve’s Lament
Three Irish Country Songs: III. I know my love
Three Ancient Irish poems for voice, viola and harp: II. Lament for Youth
Three Ancient Irish poems for voice, viola and harp: III. Winter Song
Sonata for viola and piano: I. Impetuoso - poco agitato
Hear me, O Lord, the great support, Z. 133
Sonata for viola and piano: III. Adagio - Allegro
Ancient Atmospheres (The Perfect Medieval Fantasy Soundtrack)
Medley, from Playford's Complete Dancing Master, 1651: Heart's Ease / Cuckolds All in a Row / Hockley in the Hole
The Poor People's Complaint & Ring Out Your Bells
Mattins Antiphons for St. Ursula: Studium divinitatis, Unde quocumque venientes
Medley: The Whim / Bobbing Joe / Goddesses / Red House / Grimstock
Pavans, Galliards, Almains and other Short Aeirs: No. 59 - The Choise (Almaine)
Gibbons & Lupo: Music for Prince Charles (English Orpheus 4)
Fantasy No. 1 a 4 "For the Great Double Bass"
Fantasy No. 2 a 4 "For the Great Double Bass"
Fantasy No. 1 a 3 "For the Great Double Bass"
Fantasy No. 2 a 3 "For the Great Double Bass"
Fantasy a 3 "For the Great Double Bass". Galliard
Fantasy No. 3 a 3 "For the Great Double Bass"
Fantasy No. 4 a 3 "For the Great Double Bass"
O Poore Distracted World!: English Songs & Anthems
Songs of mourning: O Poore Distracted World
Let Mine Eyes Run Down With Tears, Z. 24
The Lord Hear Thee in the Day of Trouble
I Will Give Thanks Unto Thee, O Lord, Z. 20
Fantasie In D Minor For Two Violins And Bass
Timon of Athens, Z632: Curtain Tune On A Ground
King Arthur, or The British Worthy, Z.628, Act V: 38. Fairest Isle (Venus)
The Fairy Queen, Z.629, Act III: If Love's A Sweet Passion
The Fairy Queen, Z.629, Act III: Symphony While The Swans Come Forward
The Fairy Queen, Z.629, Act V: Chaconne: Dance For Chinese Man And Woman
Concerto for Trumpet and Strings: 1. Vivace
Concerto for Trumpet and Strings: 2. Allegro
Concerto for Trumpet and Strings: 3. Larghetto
Suite in D: 1. Prelude (The Duke of Gloster's March)
Suite in D: 4. Rondeau (The Prince of Denmark's March)
Concerto No. 1 in D minor: 1. Con spirito
Concerto No. 1 in D minor: 2. Adagio - Allegro
Lachrimae, 1604: Sir John Souch, his Galiard
Lachrimae, 1604: Lachrimae Antiquae Novae
Lachrimae, 1604: The King of Denmark's Galiard
Lachrimae, 1604: The Earl of Essex Galiard
Lachrimae, 1604: M. Thomas Collier his Galiard
Lachrimae, 1604: M. Nicolas Gryffith his Galiard
Lachrimae, 1604: Mr. Henry Noel his Galliard
Lachrimae, 1604: Captaine Digorie Piper his Galiard
Lachrimae, 1604: Semper Dowland semper dolens
Lachrimae, 1604: M. Giles Hobies Galiard
Lachrimae, 1604: Sir Henry Upton's Funeral
Lachrimae, 1604: M. John Langton's Pavan
Lachrimae, 1604: M. George Whithead his Almand
Suite, for violin, bass viol and chamber organ (Musical Britannica 98: Fantasy
Suite, for violin, bass viol and chamber organ (Musical Britannica 98: Alman
Suite, for violin, bass viol and chamber organ (Musical Britannica 98: Ayre
Miserere (from Parthenia In-Violata, c.1620)
Fantasia, for 2 violins, bass viol and continuo
Suite, for 2 violins, bass viol and chamber organ (Musica Britannica 102): Fantasy
Suite, for 2 violins, bass viol and chamber organ (Musica Britannica 102): Alman
Suite, for 2 violins, bass viol and chamber organ (Musica Britannica 102): Galliard
Suite for violin, bass viol and chamber organ (Musica Britannica 99): Fantasy
Suite for violin, bass viol and chamber organ (Musica Britannica 99): Alman
Suite for violin, bass viol and chamber organ (Musica Britannica 99): Ayre
Captain Hume's Galliard (Musica Britannica 122)
Le ballet-comique de la reine: La première entrée (Arr. by Francis Colpron)
Tiers livre de danseries: Les bouffons (Arr. by Francis Colpron)
Le ballet-comique de la reine: La petite entrée (Arr. by Francis Colpron)
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Terpsichore: Ballet de Grenouille (Arr. by Francis Colpron)
Capricci in musica à 3: La Piva (Arr. by Francis Colpron)
Recueil de plusieurs vieux airs faits aux sacres, couronnements, mariages: Bourée d'Avignone
Capricci in musica à 3: El Travagliato (Arr. by Francis Colpron)
Capricci in musica à 3: El Trapolato (Arr. by Francis Colpron)
Airs mis en musique à 4 parties: Amour ne pouvant vivre avec la feintise (Arr. by Francis Colpron)
Suite in F Major: Overture (Arr. by Francis Colpron)
Suites du ballet du Stockholm: Hungaresca (Arr. by Francis Colpron)
Suites du ballet du Stockholm: Allegro (Arr. by Francis Colpron)
Suite in F Major: Courante I (Arr. by Francis Colpron)
Suite in F Major: Libertas (Arr. by Francis Colpron)
Recueil de plusieurs vieux airs faits aux sacres, couronnements, mariages: Pavane faite au mariage de M. De Vendôme en 1609
Terpsichore: Volte (Arr. by Francis Colpron)
Le tiers livre de chansons: Oncques amours ne fut sans grand langueur
Il vero modo di diminuir: Oncques amour modo (Arr. by Francis Colpron)
Thesaurus harmonicus: Si jamais mon âme blessée
Airs mis en musique à 4 parties: Enfin ce coeur volant qui tenait à louange (Arr. by Francis Colpron)
Airs mis en musique à 4 parties: Ô beaux yeux qui savez si doucement charmer (Arr. by Francis Colpron)
Airs de cour mis en tablature de luth: Objet dont les charmes si doux
Airs mis en musique: Vous ne me verrez point par mille inventions (Arr. by Francis Colpron)
Terpsichore: Quatre branles et deux gavottes (Arr. by Francis Colpron)
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Fantasia for 5 Viols, VdGS 33: No. 35 "Oh che vezzosa"
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Canzonets to Three Voyces: XIX. Say Dear, Will You Not Have Me
Canzonets to Three Voyces: XI. O Fly Not
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Canzonets to Three Voyces: XIII. Now Must I Die
Canzonets to Three Voyces: XV. Cease Mine Eyes
Canzonets to Three Voyces: V. What Ails My Darling
Fantasia a 3 (Originally for Treble Viols)
First Set of English Madrigals: I. My True Love Hath My Hart
First Set of English Madrigals: II. His Hart His Wound Received from My Flight
First Set of English Madrigals: III. O Say Deere Life
First Set of English Madrigals: IV. In Health and Ease Am I
First Set of English Madrigals: V. Goe Wayling Accents, Goe
First Set of English Madrigals: VI. Fly Not so Fast
Canzonets to Three Voyces: IX. Deep Lamenting
Canzonets to Three Voyces: I. See, See, Mine Own Sweet Jewel
Canzonets to Three Voyces: XII. Thirsis, Let Pity Move Thee
Canzonets to Three Voyces: X. Farewell Disdainful
Canzonets to Three Voyces: XIV. Lady If Through Grief
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Terzo libro de madrigali: Rimanti in pace a 5, SV 74
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Improvisation Upon a Ground (After Christopher Simpson)
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Preludium & Fortune My Foe (Improvisation)
Music for Windy Instruments: Sounds from the Court of James I
The English Cornett and Sackbut Ensemble
Exaudi, Deus, orationem meam (prima pars)
Quoniam declinaverunt in me (secunda pars)
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Royall Consorts, No.2 in D Minor: 3. Aire (Alman 2)
Fantasia–Suite No.2, for treble, bass viol and organ: 1. Fancy
Fantasia–Suite No.2, for treble, bass viol and organ: 2. Alman
Fantasia–Suite No.2, for treble, bass viol and organ: 3. Galliard
The First Booke of Songes: 17. Come Again: Sweet Love Doth Now Invite
First Booke of Songes: 5. Can She Excuse My Wrongs
Size Matt​’​reth Not - The Compleat Fantazias for 2 Treble Viols & the 3 & 4​-​part Consorts for the 'Great Dooble Base' by Orlando Gibbons (bap​.​1583​-​1625)
Orlando Gibbons (bap.1583-1625) - Fantasia à4 in C, VdGS No.1GB, Oxford. Christ Church, Mss.732-35 (ca.1630)
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in g, VdGS No.2, Oxford. Christ Church, Mus.Ms.21 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.1, Oxford. Christ Church, Mus.Ms.21 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in g, VdGS No.3, Oxford. Christ Church, Mus.Ms.21 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in C, VdGS No.3, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantasia à3 in d, VdGS No.3GB, Oxford. Christ Church, Mss.732-35 (ca.1630)
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in F, VdGS No.1, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in d, VdGS No.4, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantasia à3 in g, VdGS No.1GB, Oxford. Christ Church, Mss.732-35 (ca.1630)
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in F, VdGS No.2, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.4, Oxford. Christ Church, Mus.Ms.21 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.5, Oxford. Christ Church, Mus.Ms.21 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.6, Oxford. Christ Church, Mus.Ms.21 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Galliard à3 in g, Dublin. Marsh's Library, IRL-Dm Mss.z.3.4.1-3 (ca.1650)
Orlando Gibbons (bap.1583-1625) - Fantasia à3 in d, VdGS No.4GB, Oxford. Christ Church, Mss.732-35 (ca.1630)
Orlando Gibbons (bap.1583-1625) - In Nomine à4 in d, Oxford. Bodleian Library, Mus.Sch.d.212 (ca.1610)
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in d, VdGS No.6, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in G, VdGS No.5, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.7, Oxford. Christ Church, Mus.Ms.21 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.8, Oxford. Christ Church, Mus.Ms.21 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.9, Oxford. Christ Church, Mus.Ms.21 (ca.1620)
Orlando Gibbons (bap.1583-1625) - Fantasia à3 in g, VdGS No.2GB, Oxford. Christ Church, Mss.732-35 (ca.1630)
Orlando Gibbons (bap.1583-1625) - Fantasia à4 in C, VdGS No.2GB, Oxford. Christ Church, Mss.732-35 (ca.1630)
Thomas Lupo the Elder (1571-1628) - Fantasia à3 in G, VdGS No.15 from John Merro's Book, Tenbury Manuscripts of St. Michael's College, Oxford. Bodleian Library, Mus.Sch.d.245-47 (ca.1620-30)
William Daman (ca.1540-1591) - Fantasia 'Di sei soprani’ from the Sambrook Manuscript, New York. NYp, Drexel 4302, p.259, no.46 (ca.1613-19)
Thomas Lupo the Elder (1571-1628) - Fantasia à3 in d, VdGS No.26 from John Merro's Book, Tenbury Manuscripts of St. Michael's College, Oxford. Bodleian Library, Mus.Sch.d.245-47 (ca.1620-30)
Alfonso Ferrabosco the Elder (1543-1588) - Fantasia 'Di Sei Bassi’ from the Sambrook Manuscript, New York. NYp, Drexel 4302, p.255, no.45 (ca.1613-19)
Paduana and Galliard in D Minor: No. 1, Paduana
Paduana and Galliard in D Minor: No. 2, Galliard
Sweet Melancholy (Works for Viol Consort from Byrd to Purcell)
From Starter’s Friesche Lusthof (‘Frisian Pleasure-Garden’): Is dit niet wel een vreemde gril?
From Starter’s Friesche Lusthof (‘Frisian Pleasure-Garden’): Luchtige Maeghden, datmen u vraeghden
From Starter’s Friesche Lusthof (‘Frisian Pleasure-Garden’): Blydschap van mijn vliet
From Starter’s Friesche Lusthof (‘Frisian Pleasure-Garden’): Goddinne, wiens minne, mijn sinnen altyd
From Starter’s Friesche Lusthof (‘Frisian Pleasure-Garden’): Silvester inde morghen-stond
From Starter’s Friesche Lusthof (‘Frisian Pleasure-Garden’): Lieflocksters van de min
From Starter’s Friesche Lusthof (‘Frisian Pleasure-Garden’): Kheb veel nachten lang gewaeckt
From Starter’s Friesche Lusthof (‘Frisian Pleasure-Garden’): O eenigh voedsel van myn jeughd
Dowland In Thysius’ Lutebook P. 47: Allemande Angloise
Dowland In Camphuysen’s Stichtelycke Rymen (‘Edifying Rhymes’) P. 46: Christelijcke Klachte
Dowland In Camphuysen’s Stichtelycke Rymen (‘Edifying Rhymes’): Christelijcke Klachte a4
Dowland In Camphuysen’s Stichtelycke Rymen (‘Edifying Rhymes’) P. 42: Van’t Laetste oordeel
Dowland In Camphuysen’s Stichtelycke Rymen (‘Edifying Rhymes’) P. 23: Christelijck Gevecht
Dowland In Camphuysen’s Stichtelycke Rymen (‘Edifying Rhymes’) P. 8: Van volmaeckte Regering
Dowland Elsewhere In Holland: Pavaen Lacrymae
Dowland Elsewhere In Holland - from Lachrimae: Reysig geselschap!
Dowland Elsewhere In Holland - from First Booke of Songes: Ach bitterheyt!
Peter Philips In Holland: Noodtzakelijcke Wacht
Konincklycke Fantasien (’Royal Fantasies’): Fantasie 1
Konincklycke Fantasien (’Royal Fantasies’): Fantasie 6
From Starters Boertigheden (’Jocularities’): Doen Phoebus vertoogh
From Starters Boertigheden (’Jocularities’): Ick weet niet wat myn Vryster schort
From Starters Boertigheden (’Jocularities’): Is Bommelalire soo groote geneughd
The Remorse Of Jan Janszoon Starter: Klagte van Jan Jansz. Starter
Shakespeare’s Englande: Music of His Plays & People
Suite for Two Violins, Bass Viol and Chamber Organ
Vespro della beata vergine 1610: Motet - Pulchra es
Fantasia for Two Violins, Bass Viol and Continuo
The Road From Valencia: The Sephardic Journey Through Renaissance Europe in
Legal Status of Jews in Castile (14th C)
Quoted in Medieval Iberia edited by Olivia Remie C
Quoted in The Worth Of Women. Moderata Fonte, Edit
Judah Abravanel (also known as Leone Ebreo)
Ardi Et Gela - Seconda Parte - Madrigal/fantasia No. 15 a 5
From Enduring Visions, The Legacy Of Bertram Gross
Henry VIII, Act III Scene 1: "Orpheus With His Lute Made Trees"
The Tempest, Act V Scene 1: "Where The Bee Sucks, There Suck I"
Sonnet 128: "How Oft, When Thou, My Music, Music Play’st"
Pericles, Act I Scene 1: "You Are A Fair Viol, And Your Sense The Strings"
Coranto: Heigh Ho Holiday / Romeo And Juliet, Act II Scene 2: "Two Of The Fairest Stars In All The Heaven"
Sonnet 116: "Let Me Not To The Marriage of True Minds" / Fortune My Foe
Richard II, Act II Scene 1 "They Say The Tongues Of Dying Men"
Romeo And Juliet, Act V Scene 3 "Ah, Dear Juliet, Why Art Thou Yet So Fair?"
Hamlet, Act IV, Scene 5: "How Should I Your True Love Know"
Hamlet, Act IV Scene 5: "They Bore Him Barefac‘d On The Bier"
Hamlet, Act II Scene 2: "What A Piece of Work Is A Man"
The Merchant of Venice, Act V Scene 1: "One Is Never Merry When One Hears Sweet Music"
Alman / Twelfth Night, Act I Scene 1: "If Music Be The Food of Love, Play On"
Fair and Princely Branches: Renaissance Music for the Jacobean Princes
Canzone Vigesimasettima detta la Lanciona
Vocal and Chamber Music - Pickering, J. / Morley, T. / Byrd, W. / Dowland, J. / Allison, R. / Bachiler, D. (Elizabeth I)
The Frog Galliard, P. 23: Dowland - The Frog Galliard, P. 23 (Arr. T. Morley)
Book of Songs, Book 3: Time stands still
Book of Songs, Book 3: Say love If ever thou didst find