Lucy Mary Elizabeth Crowe is an English soprano in opera and concert. She has performed at international opera houses and music festivals such as the Glyndebourne Festival and Rheingau Musik Festival
1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → returns the Bitcoin block hash at height OTSBitcoinBlock; GET https://blockstream.info/api/block/{that hash} → its timestamp must match OTSTimestamp 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xfe5ec3100fd29006aed3773d1f5264e9481a8cb4655613a86e7cf96c115b76e9. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/cd6816a2-9cdc-4cd5-b706-a9203c45a0fc.json and https://artists.proofprofile.net/proofs/artist/cd6816a2-9cdc-4cd5-b706-a9203c45a0fc.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Janáček: The Cunning Little Vixen, Sinfonietta
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Prelude [3]
1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → returns the Bitcoin block hash at height OTSBitcoinBlock; GET https://blockstream.info/api/block/{that hash} → its timestamp must match OTSTimestamp 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe22476f3b7576c469c4cc9b699bbba1c7a0be8d72bfe8c81f6be3c2be57efb59. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035031.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene VII, Dež sem vandroval
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6f82d54699dc760e141a283ac88c4b9bf4e81ce5eb64358773e69b2c10dce26a. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035032.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene I, Mami!
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf71df910e81191e30c2f9c803c12e983c2675b3d149c44bcb48c54464324ab74. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035004.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene VII, Kolik jsme to měli děti!?
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe984115cb8ad8c548aa55eefc08202b0ffcb25608d2445817d20c4170df53830. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035035.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene II, To čučiš, Lapáku!?
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd9087fe864f62f9b6dc9b6be3f6944a71d7b6f8e6049ca3e7d10084da6dd99c9. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035007.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene II, Že nevíš, co máme?
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9ed12799938dc170997edaca756b1c6b9731d22b0825c3989c9b1a6ab7e8de34. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035008.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Interlude (Svitáni)
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The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Prelude [2]
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2eab0d8e2c590b49d116ac82e1c7ef7e6de7996d383487ef95a144789acbfdd7. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035013.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene III, Ach!
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4fd96281ea329d02c45fd61deeb51516ca174aabe3f7a4dd02fa8171a973262e. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035014.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Act II: Interlude (Proměna) [2]
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5e53d809eedcbdde25f3deb601c877cd9321dfa17a90d3e2dc23b7af562fcd58. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035015.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene IV, Ano, ve Stráni bude daleko lépe!
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x69ef8ebd2e30d1f36957185aa46867575eff340217b84690062e1bbebcb02523. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035016.
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": III. The Queen's Monastery, Brno. Moderato - Con moto - Tempo I - Prestissimo - Moderato
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The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene IV, Bývalo, bývalo, dávno už neni
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd0a12d7d47fbcc8edcd97546611c53c1ace5ffe59a47a4cda7e003300e36cb30. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035017.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Act II: Interlude (Proměna) [3]
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Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": V. The Town Hall, Brno. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5f5fcf13b2c55baa1cbb190ac83dc9f79905341e3149592334d69c12d31537fe. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2033105.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Act II: Interlude (Proměna) [4]
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x694eac69afb925ed03aaa51e7acf5cc73d050e9397418b725d40692afbf032b7. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035023.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene VI, Kradla jsem!
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x459230a3e1b9595f15fd0a7cdba8fe78941b28928e0be6e18a32771096615987. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035025.
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene VI, Pusťte mě!
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The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene VI, Když je to tak
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x49431a28e8a012ff6d3c331cc22268065099b4d021edfde58b2d37c2e4552767. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ2035030.
The Jade Mountain – Songs by Edmund Rubbra
Rubbra: The Jade Mountain, Op. 116: I. A Night Thought on Terrace Tower
Rubbra: Two Sonnets by William Alabaster, Op. 87: I. Upon the Crucifix
Rubbra: Orpheus with his lute, Op. 8 No. 2
Messe in B Minor, BWV 232: No; 2, Christe eleison
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Messe in B Minor, BWV 232: No. 3, Kyrie eleison
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Messe in B Minor, BWV 232: No. 15, Et in unum Dominum
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Messe in B Minor, BWV 232: No. 4, Gloria in excelsis
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Messe in B Minor, BWV 232: No. 17, Crucifixus
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Messe in B Minor, BWV 232: No. 7, Gratias agimus tibi
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Messe in B Minor, BWV 232: No. 20, Confiteor
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Messe in B Minor, BWV 232: No. 9, Qui tollis peccata mundi
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Messe in B Minor, BWV 232: No. 11, Quoniam tu solus sanctus
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Messe in B Minor, BWV 232: No. 23, Osanna in excelsis
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L'Orfeo: Prologue: Ritornello - La Musica : "Dal mio Permesso amato"
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L'incoronazione di Poppea: Acte III, scène 7. Ottavia: "Addio Roma"
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Dido & Aeneas: Act III, Dido "Thy hand, Belinda"
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Rinaldo: Act I, scene 5: Armida : "Furie terribili"
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Dido & Aeneas, Z. 626: Act III, "When I am laid in earth" (Dido's lament)
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Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga"
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King Arthur: Act III, scene 2: Cold Song. Genius : "What Power art thou"
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Armide, Act II, Scene 5: "Enfin, il est en ma puissance" (Armide)
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Armide: Act II, Scene 3: Prélude. Renaud : "Plus j'observe ces lieux"
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Griselda: Act II, scene 1: Griselda : "Mi rivedi, o selva ombrosa"
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Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
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Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon (Orchestral Version)
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Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro
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Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood
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Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
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Chopin: 24 Preludes, Op. 28: No. 4 in E Minor
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Saint-Saëns: Le carnaval des animaux: XIII. Le cygne
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Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest"
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Strauss, J: An der schönen blauen Donau, Op. 314 (Excerpt)
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Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace
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Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune
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Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt)
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Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt)
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Smetana: Má Vlast, JB 1/112: II. Die Moldau (Excerpt)
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Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt)
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Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt)
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Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus) - Triumphal March
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Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt)
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Wagner: Die Walküre, Act 3: Ride of the Valkyries
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Chopin: Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto (Excerpt)
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Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt)
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Vaughan Williams & Greaves: Fantasia on Greensleeves
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Williams: Main Theme (From "Schindler's List")
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Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato
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Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo
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Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto
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Bach, JS / Orch. Marriner: Herz und Mund und Tat und Leben, BWV 147: X. Chorale. "Jesu, Joy of Man's Desiring"
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Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba"
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Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante (Excerpt)
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Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace
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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (a) Presto - Allegro assai
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Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
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Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto
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Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major
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Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
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Gluck: Orphée et Eurydice, Wq. 41, Act 2: Ballet des ombres heureuses (Arr. Kreisler for Violin & Piano)
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Pachelbel / Arr. Paillard: Canon and Gigue in D Major: Canon
Orchestre de chambre Jean-François Paillard
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Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio
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Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
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Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino
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Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets
Orchestre Philharmonique de Radio France
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Delibes: Lakmé, Act 1: "Dôme épais, le jasmin" (Lakmé, Mallika)
Orchestre du Theatre National de IOpera-Comique
Orchestre Du Theatre National De L'Opera Comique
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Verdi: Nabucco, Act 3: "Va pensiero, sull`ali dorate" (Chorus of the Hebrew Slaves)
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Schubert: Ave Maria, Op. 52 No. 6, D. 839
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Telemann: Concerto in A Major from Tafelmusik, Pt. 1 - Bach: Non sa che sia dolore BWV 209 & Triple Concerto BWV 1044
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The Golden Age Begins Anew: II. Prayer (Ni ud ebi)
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Tikkun Olam (Repair the World) - Instrumental
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The Peacemakers: I. Blessed Are The Peacemakers
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The Peacemakers: VI. Healing Light: A Celtic Prayer
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The Peacemakers: VII. A Meditation: Peace Is
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The Peacemakers: IX. Solitude (For Chloë Hanslip)
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The Peacemakers: X. Fiat Pax In Virtue Tua
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The Peacemakers: XI. He Had A Dream: Elegy For Martin Luther King
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The Peacemakers: XII. The Dove (For Astrid May)
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The Peacemakers: XIII. The Peace Prayer Of St Francis Of Assisi
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The Peacemakers: XV. Let There Be Justice For All
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The Peacemakers: XVII. Anthem: Peace, Triumphant Peace
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Dido and Aeneas, Z. 626, Act 1: I. Shake the cloud from off your brow (Belinda, Chorus)
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Dido and Aeneas, Z. 626, Act 1: II. Air "Ah! Belinda I am prest with torment" (Dido)
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Dido and Aeneas, Z. 626, Act 3: VII. Thy hand, Belinda, darkness shades me - When I am laid in earth (Dido)
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Stabat Mater, SdB. 8: II. Cujus animam gementem
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Die Schöpfung, Hob. XXI:2, Pt. 1: Die Vorstellung des Chaos - Live
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Die Schöpfung, Hob. XXI:2, Pt. 1: No. 1, Im Anfange schuf Gott Himmel und Erde - Live
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Die Schöpfung, Hob. XXI:2, Pt. 1: No. 2, Nun schwanden vor dem heiligen Strahle - Live
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Die Schöpfung, Hob. XXI:2, Pt. 2: No. 16, Und Gott schuf grosse Walfische - Live
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Die Schöpfung, Hob. XXI:2, Pt. 1: No. 3, Und Gott machte das Firmament - Live
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Die Schöpfung, Hob. XXI:2, Pt. 1: No. 4, Mit Staunen sieht das Wunderwerk - Live
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Die Schöpfung, Hob. XXI:2, Pt. 1: No. 5, Und Gott sprach. Es sammle sich das Wasser - Live
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Die Schöpfung, Hob. XXI:2, Pt. 1: No. 6, Rollend in schäumenden Wellen - Live
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Die Schöpfung, Hob. XXI:2, Pt. 2: No. 21, Gleich öffnet sich der Erde Schoss - Live
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Die Schöpfung, Hob. XXI:2, Pt. 2: No. 22, Nun scheint in vollem Glanze der Himmel - Live
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Die Schöpfung, Hob. XXI:2, Pt. 1: No. 8, Nun beut die Flur das frische Grün - Live
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Die Schöpfung, Hob. XXI:2, Pt. 2: No. 23, Und Gott schuf den Menschen - Live
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Die Schöpfung, Hob. XXI:2, Pt. 2: No. 26, Vollendet ist das grosse Werk - Live
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Die Schöpfung, Hob. XXI:2, Pt. 3: No. 29, Aus Rosenwolken bricht - Live
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Die Schöpfung, Hob. XXI:2, Pt. 1: No. 13, Die Himmel erzählen die Ehre Gottes - Live
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Die Schöpfung, Hob. XXI:2, Pt. 3: No. 31, Nun ist die erste Pflicht erfüllt - Live
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Die Schöpfung, Hob. XXI:2, Pt. 3: No. 34, Singt dem Herren alle Stimmen! - Live
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Stabat Mater, Op. 53: I. Stala Matka bolejaca (Soprano, Soprano & Alto Chorus)
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Stabat Mater, Op. 53: III. Matko, zrodlo wszechmilosci (Soprano, Alto, Soprano & Alto Chorus)
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Stabat Mater, Op. 53: IV. Spraw, niech placze z Toba razem (Soprano, Alto, Chorus)
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Stabat Mater, Op. 53: V. Panno slodka, racz, mozolem (Baritone, Chorus)
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Harnasie, Op. 55, Tableau 2: V. Wesele (Chorus)
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Harnasie, Op. 55, Tableau 2: VII. Taniec goralski (Tenor)
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Schubert: Jesus Christus unser Heiland, D. 168a "Osterlied"
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12a, Divertissement. Chocolate, Spanish Dance
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Satie: Menus propos enfantins: No. 3, Valse du chocolat aux amandes
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Biber: Rosary Sonatas: Violin Sonata No. 11 in G Major "The Resurrection": III. Adagio
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Monteverdi: Selva morale e spirituale: No. 9, Et resurrexit, SV 260
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Schütz: Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: Introitus. "Die Auferstehung unsers Herren Jesu Christi"
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Puccini: Messa di Gloria: Credo. Et resurrexit
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Schütz: Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: Beschluss. "Gott sei Dank"
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Liszt: Christus, S. 3, Pt. 3: Easter Hymn
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Tournemire: L'orgue mystique, Cycle de Pâques, Op. 56, Office No. 16 "Sabbato Sancto": II. Communion
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Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": IV. Pâques
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Messiaen: Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus ; la mort n'a plus sur lui d'empire
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Schütz: Lukas-Passion, SWV 480: Introitus. "Das Leiden unsers Herren Jesu Christi"
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Schubert: Chor der Engel, D. 440 "Christ ist erstanden!"
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De Lalande: Regina coeli: Récit. "Quia quem meruisti" - Trio. "Resurrexit"
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Schütz: Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: "Die Weiber aber gingen hinein in das Grab"
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Vivaldi: Stabat Mater, RV 621: I. Stabat Mater dolorosa
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Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel"
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Vivaldi: Credo in E Minor, RV 591: IV. Et resurrexit
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Tournemire: L'orgue mystique, Cycle de Pâques, Op. 56, Office No. 16 "Sabbato Sancto": I. Offertoire
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Bach, JS: Halt im Gedächtnis Jesum Christ, BWV 67: No. 2, Aria. "Mein Jesus ist erstanden"
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Scarlatti, D: Stabat Mater in C Minor: I. Stabat Mater dolorosa
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Anonymous: Messe de Pâques: Graduel. "Haec dies"
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Victoria: Officium Hebdomadae Sanctae, Sabbato Sancto: Responsorium II. "O vos omnes"
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Charpentier: Psaume XXVI. "Dominus illumination mea" (D'après le Dixit Dominus, H. 226)
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Mendelssohn: Symphonies Nos 1-5, Overtures, A Midsummer Night's Dream
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace
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Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": II. Andante con moto
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Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": III. Menuetto. Con moto moderato
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Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": I. Sinfonia a) Maestoso con moto
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Symphony No. 5, Op. 107 "The Reformation": Symphony No. 5, Op. 107 "The Reformation": I. Andante - Allegro con fuoco
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Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": II. a) Allegro moderato maestoso "Alles, was Odem hat, lobe den Herrn"
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Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": IV. Chor. A tempo moderato "Sagt es, die ihr erlöst seid"
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A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: "Ay Me! For Aught That I Could Ever Read"
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Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": V. Andante "Ich harrete des Herrn"
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Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": VIII. a) Choral. Andante con moto "Nun danket alle Gott"
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A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor
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Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": VIII. b) Un poco più animato "Lob, Ehr und Preis sei Gott"
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A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 5, Allegro appassionato
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Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": X. Schlusschor. Allegro non troppo "Ihr Völker! bringet her dem Herrn"
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A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Nocturne. Con moto tranquillo
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Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato
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Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo
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Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": III. Adagio
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Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
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James MacMilllan: Christmas Oratorio (Live)
Eccles: The Judgment of Paris & Three Mad Songs
The Judgment of Paris: Symphony for Pallas - This way, Mortal, bend they Eyes (Pallas)
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Longing. Lieder by Strauss, Berg, Schoenberg
Acis and Galatea, HWV 49a, Act II: Air. O Ruddier Than the Cherry (Polyphemus)
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Acis and Galatea, HWV 49a, Act I: Air. Hush, Ye Pretty Warbling Choir! (Galatea)
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Acis and Galatea, HWV 49a, Act I: Air. Where Shall I Seek the Charming Fair? (Acis)
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Acis and Galatea, HWV 49a, Act I: Air. Love in Her Eyes Sits Playing (Acis)
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Acis and Galatea, HWV 49a, Act II: Trio. The Flocks Shall Leave the Mountains (Acis and Galatea, Polyphemus)
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Pergolesi: Stabat Mater / Bach: Cantatas Nos. 54 & 170
Widerstehe doch der Sünde, BWV 54: I. Aria "Widerstehe doch der Sünde"
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Stabat Mater, P. 77: I. Stabat mater dolorosa
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Stabat Mater, P. 77: III. Duo "O quam tristis et afflicta"
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Stabat Mater, P. 77: VIII. Duo "Fac, ut ardeat cor meum"
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Stabat Mater, P. 77: X. Aria "Fac, ut portem Christi mortem"
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Stabat Mater, P. 77: XII. Duo "Quando corpus morietur"
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Duet: Mendelssohn - Schumann - Cornelius
Songs of Love, War and Melancholy: The Operatic Fantasias of Jacques-François Gallay
Handel: Dixit Dominus / Vivaldi: Dixit Dominus; In furore iustissimae irae
Alceste, HWV 45: IV. Triumph, Hymen, in the pair (Soprano, Mezzo-Soprano, Chorus)
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Alceste, HWV 45: VII. O bless, ye pow'rs above (Chorus)
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La Resurrezione, HWV 47: La Resurrezione, HWV 47: Part I, Scene 1, Aria "Disserratevi, o porte d'Averno" (Angelo)
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Symphony No. 3: II. Vivo - Stesso movimento - Lento
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Symphony No. 3: VI. Meno mosso - Tempo I - Meno mosso
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Missa in C Minor, K. 427: V. Domine Deus
Scipione, HWV 20: Scoglio d’immota fronte
Giulio Cesare, HWV 17: Da tempeste il legno infranto
Sound the Trumpet - Royal Music of Purcell and Handel
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Handel: Amadigi di Gaula, HWV 11, Act 3: Aria. "Sento la gioia, ch'in sen mi brilla" (Arr. Pinnock for Trumpet and Ensemble)
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Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro (Arr. Balsom for Trumpet and Ensemble)
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Handel / Arr. Balsom for Trumpet: Ode for the Birthday of Queen Anne, HWV 74: I. Eternal source of light divine
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Purcell / Arr. Balsom: The Fairy Queen, Z. 629, Act V. Prelude
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Purcell / Arr. Balsom: The Fairy Queen, Z. 629, Act V: Chaconne
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away"
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Handel / Arr. Pinnock: Suite in D Major, HWV 341 "Water Piece": I. Overture
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Handel / Arr. Pinnock: Suite in D Major, HWV 341 "Water Piece": II. Gigue. Allegro
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Handel / Arr. Pinnock: Suite in D Major, HWV 341 "Water Piece": III. Air
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Handel / Arr. Pinnock: Suite in D Major, HWV 341 "Water Piece": IV. Bourrée
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Handel / Arr. Pinnock & Balsom: Oboe Concerto No. 2a in B-Flat Major, HWV 301: I. Adagio
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As Steals the Morn...Handel: Arias & Scenes for Tenor
Semele, HWV 58, Act II Scene 3: "Where 'er you walk" (Jupiter)
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Il trionfo del Tempo e del Disinganno, HWV 46a,, Part I: "Ume voi"
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Tamerlano, HWV 18, Act I Scene 1: "Forte e lieto"
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Tamerlano, HWV 18, Act III Scene 10: "Oh per me lieto, avventuroso giorno!"
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Tamerlano, HWV 18, Act III Scene 10: "Figlia mia / Tu, spietato"
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Samson, HWV 57, Act I Scene 2: Total eclipse
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Samson, HWV 57, Act II Scene 2: "Did love constrain thee?"
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Esther, HWV 50a, Act I Scene 2: "Tune your harps"
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Jephtha, HWV 70, Act II Scene 2: "His mighty arm"
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Jephtha, HWV 70, Act III Scene 1: "Waft her, angels"
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L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn"
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