1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this artist was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xdc4f0c3f20d40c0438195f4249d414e449ed966762ff67f32670c94069f3198d. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/0e79e711-ff65-43c8-a9e2-c4c3b103473f.json and https://artists.proofprofile.net/proofs/artist/0e79e711-ff65-43c8-a9e2-c4c3b103473f.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Bach: Cantatas 35 & 169 "Geist und Seele" & "Gott soll allein"
Gott soll allein mein Herze haben, BWV 169: I. Sinfonia
Gott soll allein mein Herze haben, BWV 169: II. Arioso e Recit. Gott soll allein mein Herze haben
Gott soll allein mein Herze haben, BWV 169: III. Aria. Gott soll allein mein Herze haben
Gott soll allein mein Herze haben, BWV 169: IV. Recit. Was ist die Liebe Gottes?
Gott soll allein mein Herze haben, BWV 169: V. Aria. Stirb in mir
Gott soll allein mein Herze haben, BWV 169: VI. Recit. Doch meint es auch dabei
Gott soll allein mein Herze haben, BWV 169: VII. Chorale. Du süsse Liebe, schenk uns deine Gunst
Klag-Lied, BuxWV 76b: Verse 1. Muss der Tod denn auch entbinden
Klag-Lied, BuxWV 76b: Verse 2. Unsre Herzen sind die Väter
Klag-Lied, BuxWV 76b: Verse 3. Solcher ist mir auch gewesen
Klag-Lied, BuxWV 76b: Verse 4. Dieser nun wird mir entrissen
Klag-Lied, BuxWV 76b: Verse 5. Und dass er nun den empfangen
Klag-Lied, BuxWV 76b: Verse 6. Er spielt nun die Freuden-Lieder
Klag-Lied, BuxWV 76b: Verse 7. Schlafe wohl, du Hochgeliebter
Geist und Seele wird verwirret, Cantata, BWV 35: I. Sinfonia
Geist und Seele wird verwirret, Cantata, BWV 35: II. Aria. Geist und Seele wird verwirret
Geist und Seele wird verwirret, Cantata, BWV 35: III. Recit. Ich wundre mich
Geist und Seele wird verwirret, Cantata, BWV 35: IV. Aria. Gott hat alles wohlgemacht
Geist und Seele wird verwirret, Cantata, BWV 35: V. Sinfonia
Geist und Seele wird verwirret, Cantata, BWV 35: VI. Recit. Ach, starker Gott
Geist und Seele wird verwirret, Cantata, BWV 35: VII. Aria. Ich wünsche nur bei Gott zu leben
Handel: Ode for the Birthday of Queen Anne, HWV 74: "Eternal Source of Light Divine"
Handel: Theodora, HWV 68, Act 2: "With Darkness Deep, as Is My Woe" (Theodora)
Handel: The Choice of Hercules, HWV 69: "Yet, Can I Hear That Dulcet Lay" (Hercules)
Handel: Hercules, HWV 60, Act 2: "Joys of Freedom" (Dejanira, Iole)
Handel: Theodora, HWV 68, Act 1: "As With Rosy Steps the Morn" (Irene)
Handel: Semele, HWV 58, Act 3: "Despair No More Shall Wound Me" (Athamas)
Handel: Solomon, HWV 67, Act 3: "Will the Sun Forget to Streak" (Queen of Sheba)
Handel: Susanna, HWV 66, Act 3: "To My Chaste Susanna’s Praise" (Joacim, Susanna)
Handel: Saul, HWV 53, Act 1: "Oh Lord, Whose Mercies Numberless" (David)
Handel: Joseph and His Brethren, HWV 59, Act 3: "Prophetic Raptures Swell My Breast" (Asenath)
Handel: Theodora, HWV 68, Act 3: "Thither Let Our Hearts Aspire!" (Theodora, Didymus)
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande
Handel: Semele, HWV 58, Act 2: "Prepare, Then, Ye Immortal Choir" (Semele, Ino)
Handel: Semele, HWV 58, Act 2: "Hence, Iris, Hence Away" (Juno)
Handel: The Triumph of Time and Truth, HWV 71, Act 3: "Guardian Angels, Oh, Protect me" (Beauty)
Handel: Occasional Oratorio, HWV 62, Pt. 1: "Fly from the Threat’ning Vengeance, Fly!"
Handel: Semele, HWV 58, Act 1: "You’ve Undone Me" (Ino, Athamas)
Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus)
Handel: Semele, HWV 58, Act 3: "No, No, I’ll Take No Less" (Semele)
Handel: Semele, HWV 58, Act 2: "But Hark, the Heav'nly Sphere Turns Round" (Ino)
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus)
Flow My Tears - Songs For Lute, Viol and Voice - Wigmore Hall Live
Mrs M. E. Her Funeral Tears For the Death of Her Husband: No. 1, Grief, Keep Within
Mrs M. E. Her Funeral Tears For the Death of Her Husband: No. 2, Drop Not, Mine Eyes
Mrs M. E. Her Funeral Tears For the Death of Her Husband: No. 3, Have All Our Passions?
Can Doleful Notes?: No. 1, Can Doleful Notes
Can Doleful Notes?: No. 2, No, Let Chromatic Tunes
Can Doleful Notes?: No. 3, Uncertain Certain Turns
The First Part of Ayres or Captain Humes Musicall Humors: XLVIII. A Souldiers Galliard
The First Part of Ayres or Captain Humes Musicall Humors: XLVII. Loves Farewell
The First Part of Ayres or Captain Humes Musicall Humors: XI. A Souldiers Resolution
Now, O Now I Needs Must Part With The Frog Galliard
Dowland: The Art of Melancholy – Lute Songs
All Ye Whom Love or Fortune Hath Betrayed
Now, Oh Now I Needs Must Part – The Frog Galliard
Lord, What is Man? - Realisation for Voice & Piano by Benjamin Britten
Four Songs: No. 1, By Beauteous Softness - Arr. for Voice & Piano by Thomas Adès
Four Songs: No. 2, Come Unto These Yellow Sands - Arr. for Voice & Piano by Thomas Adès
Four Songs: No. 3, Full Fathom Five - Arr. for Voice & Piano by Thomas Adès
Four Songs: No. 4, Evening Hymn - Arr. for Voice & Piano by Thomas Adès
A Hymn on Divine Music - Realisation for Voice & Piano by Benjamin Britten
A Fool’s Preferment, Z. 571: I’ll Sail Upon the Dog-Star - Realisation for Voice & Piano by Benjamin Britten
The Lover in Winter: No. 1, Iam nocet frigus
The Lover in Winter: No. 2, Nec Limpha caret
The Lover in Winter: No. 3, Modo frigescit
The Lover in Winter: No. 4, Nutritur ignis osculo
6 Songs from ‘A Shropshire Lad’: No. 1, Loveliest of Trees
6 Songs from ‘A Shropshire Lad’: No. 2, When I was One And Twenty
6 Songs from ‘A Shropshire Lad’: No. 3, Look Not in my Eyes
6 Songs from ‘A Shropshire Lad’: No. 4, Think No More Lad
6 Songs from ‘A Shropshire Lad’: No. 5, The Lads in their Hundreds
6 Songs from ‘A Shropshire Lad’: No. 6, Is My Team Ploughing?
4 Traditional Songs: No. 1, A Brisk Young Lad
4 Traditional Songs: No. 2, Searching for Lambs
4 Traditional Songs: No. 3, The Cruel Mother
4 Traditional Songs: No. 4, The Bitter Withy
2 Choruses, Op. 42: No. 1, Twelfth Night
2 Choruses, Op. 42: No. 2, To Be Sung on the Water
Alcina, HWV 34: Sta nell' Ircana pietrosa tana
Giulo Cesare in Egitto, HWV 17, Act II : Sinfonia
Giulo Cesare in Egitto, HWV 17: Cieli, e qual delle sfere
Giulo Cesare in Egitto, HWV 17: Act III Sinfonia
Giulo Cesare in Egitto, HWV 17: Giulio, che miri?
Giulo Cesare in Egitto, HWV 17: V'adoro, pupille
Giulo Cesare in Egitto, HWV 17: Se in fiorito ameno prato
Aci, Galatea e Polifemo, HWV 72: Qui l'augel da pianta in pianta
Arise, my Muse : Arise, my muse, and to thy tuneful lyre
Arise, my Muse : Ye sons of music, raise your voices high
Arise, my Muse : Then sound your instruments
Arise, my Muse : See how the glitt'ring ruler of the day
Arise, my Muse : Hail, gracious Gloriana, hail
Arise, my Muse : And since the time's distress
Arise, my Muse : To quell his country's foes
Arise, my Muse : But ah, I see Eusebia drown'd in tears
Love's goddess sure : Love's goddess sure was blind
Love's goddess sure : Those eyes, that form, that lofty mien
Love's goddess sure : Sweetness of nature
Love's goddess sure : Long may she reign over this isle
Love's goddess sure : May her blest example chase
Love's goddess sure : Many such days may she behold
Love's goddess sure : May she to heaven late return
Love's goddess sure : As much as we below shall mourn
Celebrate this festival : Opening solos & chorus
Celebrate this festival : Britain, now thy cares beguile
Celebrate this festival : 'Tis sacred, bid the trumpet cease
Celebrate this festival : Let sullen Discord smile
Celebrate this festival : Crown the altar, deck the shrine
Celebrate this festival : Expected Spring at last is come
Celebrate this festival : April, who till now has mourned
Celebrate this festival : Departing thus you'll hear him say
Celebrate this festival : Happy realm, beyond expressing
Celebrate this festival : While, for a righteous cause he arms
Celebrate this festival : Return, fond Muse, the thoughts of war
Celebrate this festival : Kindly treat Maria's day
Canzon super ‘O Nachbar Roland’, SSWV 66
Ach dass ich Wassers g’nug hätte (Lamento)
Banchetto Musicale, Suite No. 14: I. Paduan
Banchetto Musicale, Suite No. 14: II. Gagliarda
Banchetto Musicale, Suite No. 14: III. Courente
Banchetto Musicale, Suite No. 14: IV. Allemande & Tripla
Geistliche Chor-Music, Op. 11: Auf dem Gebirge, SWV 396
Banchetto Musicale, Suite No. 7: I. Paduan
Banchetto Musicale, Suite No. 7: II. Gagliarda
Banchetto Musicale, Suite No. 7: III. Courente
Banchetto Musicale, Suite No. 7: IV. Allemande & Tripla
Canzon super Cantionem Gallicam, SSWV 67
Why are all the Muses mute : Opening solo and chorus
Why are all the Muses mute : When should each soul exalted be
Why are all the Muses mute : Britain, thou now art great
Why are all the Muses mute : Look up, and to our Isle returning see
Why are all the Muses mute : Accurs'd rebellion reared his head
Why are all the Muses mute : So Jove, scarce settled in his sky
Why are all the Muses mute : Minuet - Caesar, for milder virtues
Why are all the Muses mute : The many headed beast is quelled
Why are all the Muses mute : In the equal balance laid
Why are all the Muses mute : O, how blest is the isle
Now does the glorious day appear : Symphony
Now does the glorious day appear : Opening chorus
Now does the glorious day appear : Not any one such joy could bring
Now does the glorious day appear : This does our fertile isle
Now does the glorious day appear : Opening chorus (reprise)
Now does the glorious day appear : It was a work of full as great a weight
Now does the glorious day appear : By beauteous softness mix'd with majesty
Now does the glorious day appear : Her hero to whose conduct
Now does the glorious day appear : Our dear religion
Now does the glorious day appear : No more shall we the great Eliza boast
Now does the glorious day appear : Now, now with one united voice
Welcome, glorious morn : Opening solo and chorus
Welcome, glorious morn : At thy return the joyful earth
Welcome, glorious morn : Welcome as when three happy kingdoms strove
Welcome, glorious morn : The mighty goddess of this wealthy isle
Welcome, glorious morn : Full of wonder and delight
Welcome, glorious morn : And lo, a sacred fury - To lofty strains
Welcome, glorious morn : My prayers are heard - I see the round years
Welcome, glorious morn : He to the field by Honour call'd shall go
Welcome, glorious morn : Whilst undisturb'd his happy Consort reigns
Welcome, glorious morn : Sound all ye spheres
Die schöne Mullerin, Op. 25, D. 795: I. Das Wandern
Die schöne Mullerin, Op. 25, D. 795: II. Wohin?
Die schöne Mullerin, Op. 25, D. 795: III. Halt!
Die schöne Mullerin, Op. 25, D. 795: IV. Danksagung an den Bach
Die schöne Mullerin, Op. 25, D. 795: V. Am Feierabend
Die schöne Mullerin, Op. 25, D. 795: VI. Der Neugierige
Die schöne Mullerin, Op. 25, D. 795: VII. Ungeduld
Die schöne Mullerin, Op. 25, D. 795: VIII. Morgengruß
Die schöne Mullerin, Op. 25, D. 795: IX. Des Müllers Blumen
Die schöne Mullerin, Op. 25, D. 795: X. Tränenregen
Die schöne Mullerin, Op. 25, D. 795: XI. Mein!
Die schöne Mullerin, Op. 25, D. 795: XII. Pause
Die schöne Mullerin, Op. 25, D. 795: XIII. Mit dem grünen Lautenbande
Die schöne Mullerin, Op. 25, D. 795: XIV. Der Jäger
Die schöne Mullerin, Op. 25, D. 795: XV. Eifersucht und Stolz
Die schöne Mullerin, Op. 25, D. 795: XVI. Die liebe Farbe
Die schöne Mullerin, Op. 25, D. 795: XVII. Die böse Farbe
Die schöne Mullerin, Op. 25, D. 795: XVIII. Trockne Blumen
Die schöne Mullerin, Op. 25, D. 795: XIX. Der Müller und der Bach
Die schöne Mullerin, Op. 25, D. 795: XX. Des Baches Wiegenlied
Orfeo ed Euridice, Wq. 30, Act 1: Ah! se intorno a quest'urna funesta
Orfeo ed Euridice, Wq. 30, Act 1: Basta, basta, o compagni
Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Larghetto
Orfeo ed Euridice, Wq. 30, Act 1: Ah! se intorno a quest'urna funesta [1]
Orfeo ed Euridice, Wq. 30, Act 1: Chiamo il mio ben così
Orfeo ed Euridice, Wq. 30, Act 1: Euridice!
Orfeo ed Euridice, Wq. 30, Act 1: Cerco il mio ben così
Orfeo ed Euridice, Wq. 30, Act 1: Euridice! [1]
Orfeo ed Euridice, Wq. 30, Act 1: Piango il moi ben così
Orfeo ed Euridice, Wq. 30, Act 1: Numi! barbari numi!
Orfeo ed Euridice, Wq. 30, Act 1: T'assiste Amore
Orfeo ed Euridice, Wq. 30, Act 1: Gli sguardi trattieni
Orfeo ed Euridice, Wq. 30, Act 1: Che disse! che ascoltai!
Orfeo ed Euridice, Wq. 30, Act 1: Presto
Orfeo ed Euridice, Wq. 30, Act 2: Chi mai dell' Erebo
Orfeo ed Euridice, Wq. 30, Act 2: Ballo [1]
Orfeo ed Euridice, Wq. 30, Act 2: Chi mai dell' Erebo [1]
Orfeo ed Euridice, Wq. 30, Act 2: Ballo [2]
Orfeo ed Euridice, Wq. 30, Act 2: Deh! placatevi con me
Orfeo ed Euridice, Wq. 30, Act 2: Misero giovane!
Orfeo ed Euridice, Wq. 30, Act 2: Mille pene
Orfeo ed Euridice, Wq. 30, Act 2: Ah, quale incognito affetto flebile
Orfeo ed Euridice, Wq. 30, Act 2: Men tiranne, ah! voi sareste
Orfeo ed Euridice, Wq. 30, Act 2: Ah, quale incognito affetto flebile [1]
Orfeo ed Euridice, Wq. 30, Act 2: Ballo [3]
Orfeo ed Euridice, Wq. 30, Act 2: Ballo [4]
Orfeo ed Euridice, Wq. 30, Act 2: Che puro ciel
Orfeo ed Euridice, Wq. 30, Act 2: Vieni a'regni del riposo
Orfeo ed Euridice, Wq. 30, Act 2: Ballo [5]
Orfeo ed Euridice, Wq. 30, Act 2: Anime avventurose
Orfeo ed Euridice, Wq. 30, Act 2: Torna, o bella, al tuo consorte
Orfeo ed Euridice, Wq. 30, Act 3: Vieni, Euridice
Orfeo ed Euridice, Wq. 30, Act 3: Vieni, segui i miei passi
Orfeo ed Euridice, Wq. 30, Act 3: Qual vita è questa mai
Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento!
Orfeo ed Euridice, Wq. 30, Act 3: Ecco un nuovo tormento!
Orfeo ed Euridice, Wq. 30, Act 3: Ahimè! dove trascorsi!
Orfeo ed Euridice, Wq. 30, Act III Scene 1: Che farò senza Euridice!
Orfeo ed Euridice, Wq. 30, Act 3: Ma finisca, e per sempre, co' la vita il dolor!
Orfeo ed Euridice, Wq. 30, Act 3: Orfeo, che fai?
Orfeo ed Euridice, Wq. 30, Act 3: Scena ultima
Elegy - Countertenor duets by Purcell and Blow
The Queen’s Epicedium: No, Lesbia, you ask in vain
So ceas’d the rival crew when Purcell came
The heav’nly quire, who heard his notes from high
Ye brethren of the lyre, and tuneful voice
No Time in Eternity: II. No Time in Eternity
No Time in Eternity: IV. The Definition of Beauty
No Time in Eternity: V. Things Mortal Still Mutable
Balancing the Books (arr. Richard Boothby)
The Diary of Anne Frank (arr. Richard Boothby): If
The Diary of Anne Frank (arr. Richard Boothby): Why
Oedipus, Z.583 (arr. Richard Boothby): II. Music for a While
Evening Hymn, Z.193 (arr. Silas Wolston)
The Self-Laudatory Hymn of Inanna and her Omnipotence
O Solitude, my Sweetest Choice, Z.406 (arr. Richard Boothby)
Sound the Trumpet, Beat the Drum, Z. 335 (Arr. B. Britten)
Lost Is My Quiet Forever, Z. 502 (Arr. B. Britten)
If Music Be the Food of Love, Z. 379 (Arr. B. Britten)
Oedipus, Z. 583: No. 2, Music for a While (Arr. B. Britten)
The Maid's Last Prayer, Z. 601: No. 2, No, Resistance Is but Vain (Arr. B. Britten)
Oroonoko, Z. 584: No. 1, Celemene, Pray Tell Me (Arr. B. Britten)
6 Zweistimmige Lieder, Op. 63: No. 1, Ich wollt' meine Lieb' ergösse sich, MWV J 5
6 Zweistimmige Lieder, Op. 63: No. 3, Gruß, MWV J 8
6 Zweistimmige Lieder, Op. 63: No. 5, Volkslied, MWV J 10
6 Zweistimmige Lieder, Op. 63: No. 6, Maiglöckchen und die Blümelein, MWV J 7
12 Lieder, Op. 9: No. 6, Scheidend, MWV K 50
6 Gesänge, Op. 19a: No. 4, Neue Liebe, MWV K 70
3 Lieder, Op. 77: No. 1, Sonntagsmorgen, MWV J 4
3 Lieder, Op. 77: No. 2, Das Ährenfeld, MWV J 12
3 Lieder, Op. 77: No. 3, Lied aus Ruy Blas, MWV J 6
3 Zweistimmige Lieder, Op. 43: No. 1, Wenn ich ein Vöglein wär
3 Zweistimmige Lieder, Op. 43: No. 2, Herbstlied
3 Zweistimmige Lieder, Op. 43: No. 3, Schön Blümelein
Lieder und Gesänge, Book 4, Op. 96: No. 1, Nachtlied
12 Gedichte, Op. 35: No. 8, Stille Liebe
3 Gesänge, Op. 83: No. 3, Der Einsiedler
Lieder und Gesänge, Book 3, Op. 77: No. 5, Aufträge
12 Gedichte aus "Liebesfrühling", Op. 37: No. 12, So wahr die Sonne scheinet
5 Shakespeare Songs, Op. 23: No. 3, It Was a Lover and His Lass
7 Elizabethan Lyrics, Op. 12: No. 1, Weep You No More (Arr. for 2 Voices)
6 Songs, Op. 25: No. 5, Music, When Soft Voices Die
3 Songs, Op. 3: No. 1, Love's Philosophy
Bach: Cantatas 54, 82 & 170 "Widerstehe", "Ich habe genug" & "Vergnügte Ruh"
Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 1, Aria. Vergnügte Ruh', beliebte Seelenlust
Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 2, Recit. Die Welt, das Sündenhaus
Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 3, Aria. Wie jammern mich doch die verkehrten Herzen
Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 4, Recit. Wer sollte sich demnach wohl hier zu leben wünschen
Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 5, Aria. Mir ekelt mehr zu leben
Falsche Welt, dir trau ich nicht!, BWV 52: I. Sinfonia
Widerstehe doch der Sünde, BWV 54: I. Aria. Widerstehe doch der Sünde
Widerstehe doch der Sünde, BWV 54: II. Recit. Die Art verruchter Sünden
Widerstehe doch der Sünde, BWV 54: III. Aria. Wer Sünde tut, der ist vom Teufel
Ich liebe den Höchsten von ganzem Gemüte, BWV 174: I. Sinfonia (Concerto)
Ich habe genug, BWV 82: I. Aria: Ich habe genug, ich habe den Heiland
Ich habe genug, BWV 82: II. Recit. Ich habe genug! Mein Trost ist nur allein
Ich habe genug, BWV 82: III. Aria: Schlummert ein, ihr matten Augen
Ich habe genug, BWV 82: IV. Recit. Mein Gott! wenn kommt das schöne: Nun!
Ich habe genug, BWV 82: V. Aria: Ich freue mich auf meinen Tod
Ode for Queen Mary’s Birthday, Z. 320: No. 2, Arise, My Muse
Come Ye Sons of Art, Away, Z. 323: No. 4, Strike the Viol
Welcome To All the Pleasures, Z. 339: No. 3, Here the Deities Approve
Yorkshire Feast Song, Z. 333: No. 4, The Pale and the Purple Rose
BHail! bright Cecilia, Z. 328: No. 4, ’Tis Nature’s Voice
Celebrate This Festival, Z. 321: No. 6, Crown the Altar
If Music Be the Food of Love (1st setting), Z. 379
Fantasia, Three Parts On a Ground, Z. 731
Come, Come Along For a Dance and a Song: The Glory of the Arcadian Groves
Amphion Anglicus: Poor Celadon, He sighs In Vain (Loving Above Himself)
Ye Tuneful Numbers. A Song With Symphonies: I. Symphony
Ye Tuneful Numbers. A Song With Symphonies: II. Air, Ye Tuneful Numbers
Ye Tuneful Numbers. A Song With Symphonies: III. Air, Tell Her I’m Wounded
Ye Tuneful Numbers. A Song With Symphonies: IV. Recitative, But Oh Why Shou’d I Blame This Cruel Fair
Ye Tuneful Numbers. A Song With Symphonies: V. Air, When Thousands More, the Same Must Share
Venus and Adonis, Prologue: Cupid's Entry
Venus and Adonis, Act I: A Dance by a Huntsman
Venus and Adonis, Act II: A Dance of Cupids
King Arthur, Z. 628, Act V: Fairest Isle
My Beloved Spake - Anthems by Purcell and Humfrey
Jehova, quam multi sunt hostes mei, Z. 135
Magnificat and Nunc dimittis in E Minor: I. Magnificat
Magnificat and Nunc dimittis in E Minor: II. Nunc dimittis
Hear my prayer, O Lord, Z. 15: Hear my prayer, O lord, Z. 15
Rejoice in the Lord alway, Z. 49, "Bell Anthem"
Arias for Guadagni: The First Modern Castrato
Saul, HWV 53, Act I: No. 32, Aria. O Lord, Whose Mercies Numberless (David)
Theodora, HWV 68, Act I: No. 9, Aria. The Raptur'd Soul (Didymus)
The Choice of Hercules, HWV 69: No. 15, Air. Yet, Can I Hear That Dulcet Lay (Hercules)
Belshazzar, HWV 61, Act III: Aria. Destructive War, Thy Limits Know (Cyrus)
Didone abbandonata, Act I: No. 19a, Accompagnato. Ah che dissi! (Enea)
Didone abbandonata, Act I: No. 19b, Aria. Se resto sul lido (Enea)
Didone abbandonata, Act III: No. 8a, Fanfare & Recit. Odi colà la frigia tromba? (Enea)
Didone abbandonata, Act III: No. 8b, Aria. A trionfar mi chiama (Enea)
Alfred, Act II: Aria. Vengeance, O Come Inspire Me!
Sinfonia in D Major, H. 663: I. Allegro di molto
Sinfonia in D Major, H. 663: III. Presto
Telemaco, Wq. 34, Act II: Aria. Ah! non turbi il mio riposo (Telemaco)
Orfeo ed Euridice, Wq. 30, Act II: Ballo. Dance of the Blessed Spirits
Orfeo ed Euridice, Wq. 30, Act II: Arioso. Che puro ciel! (Orfeo)
Orfeo ed Euridice, Wq. 30, Act III: Recit. Ahimè! Dove trascorsi? (Orfeo)
Orfeo ed Euridice, Wq. 30, Act III: Aria. Che farò senza Euridice? (Orfeo)
Or che una nube ingrata: I. Adagio – Recit. Or che una nube ingrata – Quando in quel fior
Or che una nube ingrata: II. Aria. Senza il misero piacer
Or che una nube ingrata: III. Recit. M'intendi? Io tutto dissi. ahi qual tormento!
Or che una nube ingrata: IV. Aria. Contemplar almen chi l'ama
Oh se fosse il mio core: I. Recit. Oh se fosse il mio core
Oh se fosse il mio core: II. Aria. Se lusinga il labro e 'l ciglio
Oh se fosse il mio core: III. Recit. Mi fa barbara e ingrata
Oh se fosse il mio core: IV. Aria. Sento pietade
Destatevi, o pastori: I. Recit. Destatevi, o pastori, ecco il mattino
Destatevi, o pastori: II. Aria. Nei campi e nelle selve
Destatevi, o pastori: III. Recit. Tornerò fra le gregge
Destatevi, o pastori: IV. Aria. Silvio amante disperato
Oh Dio, che non è vero: I. Recit. Oh Dio, che non è vero
Oh Dio, che non è vero: II. Aria. Quella ferita
Oh Dio, che non è vero: III. Recit. Passano i fiumi e i rivi
Oh Dio, che non è vero: IV. Aria. Se mi prestasse i vanni
Veggo la selva e il monte: I. Recit. Veggo la selva e il monte
Veggo la selva e il monte: II. Aria. Le direi, mormorando tra' sassi
Veggo la selva e il monte: III. Recit. Poscia, quando il pastor guida la greggia
Veggo la selva e il monte: IV. Aria. Ma la selva, il monte intanto
Dal povero mio cor: I. Recit. Dal povero mio cor che vuoi, speranza?
Dal povero mio cor: II. Aria. Menzognera dici spera
Dal povero mio cor: III. Recit. Pallido, ancor tremante
Dal povero mio cor: IV. Aria. Ha scogli e rie procelle
Flavio, Re de' Longobardi, HWV 16, Overture: Overture
Flavio, Re de' Longobardi, HWV 16, Act II Scene VII: Di Teodata assai men vago splende (Flavio, Vitige)
Flavio, Re de' Longobardi, HWV 16, Act I Scene I: Fra i ciechi orror' notturni (Vitige, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act II Scene VII: Chi può mirare (Flavio)
Flavio, Re de' Longobardi, HWV 16, Act I Scene I: Ricordati, mio ben (Teodata, Vitige)
Flavio, Re de' Longobardi, HWV 16, Act II Scene VIII: Teodata! (Vitige, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act I Scene II: Sinfonia
Flavio, Re de' Longobardi, HWV 16, Act II Scene VIII: Con un vezzo, con un riso (Teodata)
Flavio, Re de' Longobardi, HWV 16, Act I Scene II: Lotario, al sacro nodo (Ugone, Lotario, Guido, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act II Scene IX: Amo, e quel ben ch'adoro (Vitige)
Flavio, Re de' Longobardi, HWV 16, Act I Scene III: Con l'alma reverente - Quanto dolci, quanto care (Emilia, Guido, Ugone, Lotario, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act II Scene IX: Non credo instabile (Vitige)
Flavio, Re de' Longobardi, HWV 16, Act I Scene IV: Son pur felice al fine (Guido)
Flavio, Re de' Longobardi, HWV 16, Act II Scene X: Io deluso? Lotario? ed altri miete (Lotario, Guido)
Flavio, Re de' Longobardi, HWV 16, Act I Scene IV: Bel contento già gode quest'alma (Guido)
Flavio, Re de' Longobardi, HWV 16, Act II Scene XI: Ah! Misera, che veggio? Ah, genitore - Ma chi punir desio? (Emilia, Lotario)
Flavio, Re de' Longobardi, HWV 16, Act I Scene V: O dell'Italo soglio, eccelso nume (Ugone, Flavio, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act III Scene I: Alma, tu non m'intendi (Flavio, Emilia, Ugone)
Flavio, Re de' Longobardi, HWV 16, Act I Scene V: Benchè povera donzella (Teodata)
Flavio, Re de' Longobardi, HWV 16, Act III Scene I: Da te parto. ma concedi (Emilia)
Flavio, Re de' Longobardi, HWV 16, Act I Scene VI: Della mia prole Emilia (Lotario, Flavio, Vitige)
Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Guido, Lotario uccise? (Flavio, Vitige, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act I Scene VII: Di qual sovrano e riverito impero - Se a te vissi fedele (Ugone, Flavio, Lotario)
Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Corrispondi a chi ti adora (Vitige, Flavio, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act I Scene VIII: Vitige! (Flavio, Vitige)
Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Starvi accanto e non languire (Flavio)
Flavio, Re de' Longobardi, HWV 16, Act I Scene VIII: Di quel che m'innamora (Flavio)
Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Barbara Teodata (Vitige, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act I Scene IX: Io vo temendo, O Dio (Vitige)
Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Che colpa è la mia (Teodata)
Flavio, Re de' Longobardi, HWV 16, Act I Scene IX: Che bel contento (Vitige)
Flavio, Re de' Longobardi, HWV 16, Act III Scene III: Del nuovo amante, e dell'impero accesa (Vitige)
Flavio, Re de' Longobardi, HWV 16, Act I Scene X: Ah! Guido, Guido! (Ugone, Guido)
Flavio, Re de' Longobardi, HWV 16, Act III Scene III: Sirti, scogli, tempeste, procelle (Vitige)
Flavio, Re de' Longobardi, HWV 16, Act I Scene XI: Amor, Emilia, onore - L'armellin vita non cura (Guido)
Flavio, Re de' Longobardi, HWV 16, Act III Scene IV: O Guido, o mio tiranno! - Emilia, eccoti al piede (Emilia, Guido)
Flavio, Re de' Longobardi, HWV 16, Act I Scene XII: Guido? Consorte? (Emilia, Guido)
Flavio, Re de' Longobardi, HWV 16, Act III Scene IV: Amor, nel mio penar (Guido)
Flavio, Re de' Longobardi, HWV 16, Act I Scene XIII: Chi mai l'intende, Oh Dio! - A mante stravagante (Emilia)
Flavio, Re de' Longobardi, HWV 16, Act III Scene V: Vitige! (Teodata, Vitige, Flavio) - Act III Scene VI. Signor, se il mio delitto (Guido, Ugone, Flavio)
Flavio, Re de' Longobardi, HWV 16, Act II Scene I: Al tuo cenno reale ubbidiente (Teodata, Flavio) - Act II Scene II. Dove, dove mi celo? (Ugone, Flavio, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act III Scene VII: Deh, perdona, o dolce bene (Guido, Emilia)
Flavio, Re de' Longobardi, HWV 16, Act II Scene III: Ah! Teodata, Teodata! - Fato tiranno e crudo (Ugone, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act III Scene VII: E tu, Vitige, in pena (Flavio, Vitige, Teodata, Ugone, Guido)
Flavio, Re de' Longobardi, HWV 16, Act II Scene IV: Dunque per le mie nozze (Emilia, Lotario)
Flavio, Re de' Longobardi, HWV 16, Act II Scene IV: S'egli ti chiede affetto (Lotario)
Flavio, Re de' Longobardi, HWV 16, Act II Scene V: Che mai chiedete, o stelle (Emilia, Guido)
Flavio, Re de' Longobardi, HWV 16, Act II Scene V: Parto, sì. ma non so poi (Emilia)
Flavio, Re de' Longobardi, HWV 16, Act II Scene VI: Privarmi ancora (Guido)
Flavio, Re de' Longobardi, HWV 16, Act II Scene VI: Rompo i lacci, e frango i dardi (Guido)
Purcell: Dioclesian Masque & Timon of Athens Masque
Timon of Athens, Masque: Hark how the songsters (Treble I, Treble II)
Timon of Athens, Masque: Love in their little veins (Cupid)
Timon of Athens, Masque: But ah! How much are our delights (Treble I, Treble II, Bass)
Timon of Athens, Masque: Hence with your trifling deity (Bass)
Timon of Athens, Masque: But over us no griefs prevail (Alto, Tenor, Bass)
Timon of Athens, Masque: Come, come all to me (Cupid)
Timon of Athens, Masque: Who can resist such mighty charms (Chorus)
Timon of Athens, Masque: Return, revolting rebels (Bacchus)
Timon of Athens, Masque: The cares of lovers (Cupid)
Timon of Athens, Masque: Love quickly is pall'd (Alto)
Timon of Athens, Masque: Come let us agree (Cupid, Bacchus, Chorus)
Timon of Athens, Masque: Come let us agree (Chorus)
Timon of Athens, Masque: Curtain Tune on a Ground
Dioclesian, Z. 627, Masque: Call the nymphs (Cupid, Chorus)
Dioclesian, Z. 627, Masque: Come, come away (Bacchanalian, Silvan)
Dioclesian, Z. 627, Masque: Behold, O mighty'st of Gods (Chorus)
Dioclesian, Z. 627, Masque: Paspe. The First Entry
Dioclesian, Z. 627, Masque: Oh, the sweet delights of love! (Wood-God I, Wood-God II)
Dioclesian, Z. 627, Masque: Let monarchs fight (A Fawn, Chorus)
Dioclesian, Z. 627, Masque: The Second Entry. Make room (Bacchus, Bacchanalian I, Bacchanalian II, Chorus)
Dioclesian, Z. 627, Masque: Dance of Bacchanals
Dioclesian, Z. 627, Masque: Still I'm wishing (Follower of Cupid)
Dioclesian, Z. 627, Masque: The Third Entry. Tell me why (Shepherd, Shepherdess)
Dioclesian, Z. 627, Masque: The Fourth Entry. All our days (A Pleasure, Chorus)
Dioclesian, Z. 627, Masque: Let us dance (A Pleasure, Chorus)
Dioclesian, Z. 627, Masque: The Last Entry. Triumph, triumph victorious Love (Chorus)
Four Songs: No. 1, By Beauteous Softness (Arr. for Voice & Piano by Thomas Adès)
Lord, What is Man? (Realisation for Voice & Piano by Benjamin Britten)
Leonard Bernstein: Chichester Psalms: II.
Miserere: Songs of Mercy and Redemption: 2. Miserere mei, Deus
Miserere: Songs of Mercy and Redemption: 7. Panis Angelicus, Panis Hominum
Miserere: Songs of Mercy and Redemption: 5. Lavabis me