1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf5e1c347b85feb27c0ac9ccb01a7f3f3e8df92ec5b3bccb2c8efe5ca23f583e8. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/01d956bc-da53-4d6f-ad54-c5a6417ba73f.json and https://artists.proofprofile.net/proofs/artist/01d956bc-da53-4d6f-ad54-c5a6417ba73f.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Monteverdi: Il combattimento, Lamento della ninfa & Madrigali
Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi": No. 8, Il combattimento di Tancredi et Clorinda, SV 153
Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi": No. 6, Ogni amante è guerrier, SV 151
Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi": No. 12, Mentre vaga angioletta, SV 157
Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi": No. 18, Lamento della ninfa, SV 163
Piano Concerto No. 25 in C Major, K. 503: I. Allegro maestoso
Piano Concerto No. 25 in C Major, K. 503: II. Andante
Piano Concerto No. 25 in C Major, K. 503: III. Allegretto
Piano Concerto No. 23 in A Major, K. 488: I. Allegro
Piano Concerto No. 23 in A Major, K. 488: II. Adagio
Piano Concerto No. 23 in A Major, K. 488: III. Allegro assai
Arias by Haydn, Mozart, Beethoven & Schubert
Mozart: Rivolgete a lui lo sguardo, K. 584
Mozart: Ich möchte wohl der Kaiser sein, K. 539 "Meine Wünsche"
Beethoven: Mit Mädeln sich vertragen, WoO 90
Haydn: Dice benissimo, Hob. XXIVb:5 (For Salieri's "La scuola de' gelosi")
Haydn: Un cor sì tenero, Hob. XXIVb:11 (For Bianchi's "Il disertore")
Mozart: Le nozze di Figaro, K. 492, Act III: Recitativo. "Hai già vinta la causa!" - Aria. "Vedrò, mentr'io sospiro" (Conte)
Schubert: Alfonso und Estrella, D. 732, Act II: "Sei mir gegrüßt, o Sonne!" - "Hier in diesen stillen Gründen" (Froila)
Schubert: Alfonso und Estrella, D. 732, Act II: "Der Jäger ruhte hingegossen" (Froila)
Mozart & von Jacquin: Io ti lascio, o cara, addio, K. 621a
Overture (Symphony in E-Flat Major, K. 184)
Zaide, K. 344: Act II: Und wie's der Teufel halt so will (Zwischentext)
Zaide, K. 344: Act I: Jetzt hören Sie doch auf! (Einleitung)
Zaide, K. 344: Act II: Zaide entflohen (No. 9 Melologo ed Aria)
Zaide, K. 344: Act I: Brüder lasst uns lustig sein (No. 1 Chor der vier Sklaven)
Zaide, K. 344: Act II: Natürlich ist auch Soliman, wie alle Reichen (Zwischentext)
Zaide, K. 344: Act I: Unerforschliche Fügung (No. 2 Melologo)
Zaide, K. 344: Act II: Wer hungrig bei der Tafel sitzt (No. 10 Aria)
Zaide, K. 344: Act I: Dieser ohnmächtige, kraftlose, matte Gomatz (Zwischentext)
Zaide, K. 344: Act II: Für Soliman ist der Fall klar (Zwischentext)
Zaide, K. 344: Act I: Ruhe sanft, mein holdes Leben (No. 3 Aria)
Zaide, K. 344: Act II: Ich bin so bös als gut (No. 11 Aria)
Zaide, K. 344: Act I: Rase, Schicksal, wüte immer (No. 4 Aria)
Zaide, K. 344: Act II: Jetzt wird es für Zaide eng (Zwischentext)
Zaide, K. 344: Act I: Zaide hat ihn natürlich heimlich beobachtet (Zwischentext)
Zaide, K. 344: Act II: Treulos schluchzet Philomene (No. 12 Aria)
Zaide, K. 344: Act I: Meine Seele hüpft vor Freuden (No. 5 Duetto)
Zaide, K. 344: Act II: Jetzt dreht sich's um: Zaide weint, schluchzt, klagt (Zwischentext)
Zaide, K. 344: Act I: Die beiden haben ein Glück (Zwischentext)
Zaide, K. 344: Act II: Tiger! Wetze nur die Klauen (No. 13 Aria)
Zaide, K. 344: Act I: Herr und Freund, wie dank ich dir (No. 6 Aria)
Zaide, K. 344: Act II: Allazim stößt ins gleiche Horn (Zwischentext)
Zaide, K. 344: Act I: Und in Allazim entbrennt nun auch ein Kampf (Zwischentext)
Zaide, K. 344: Act II: Ihr Mächtigen seht ungerührt (No. 14 Aria)
Zaide, K. 344: Act I: Nur mutig mein Herze (No. 7 Aria)
Zaide, K. 344: Act II: Das letzte Quartett! (Zwischentext)
Zaide, K. 344: Act I: Zaide ist jetzt wieder dazugekommen (Zwischentext)
Zaide, K. 344: Act II: Freundin stille deine Tränen (No. 15 Quartetto)
Zaide, K. 344: Act I: O selige Wonne (No. 8 Terzetto)
Zaide, K. 344: Act II: Und hier, am tiefsten Punkte des Konflikts (Schluss)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Sinfonia
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Stringi tosto quel brando (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Il lavorar l'è pur la brutta cosa (Introduzione)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Mille lampi d'accese faville viberà (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Presto rispondi, indegno (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: In questo solitarioorrido luogo (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Ah se dire io vi potessi (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Dille che un infelice (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Non perdiamo più tempo (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Sembra costui Pasquale (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Temerario! Senti e trema (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Vittoria, vittoria! (Cavatina)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Palpita ad ogni istante il povero mio cor (Cavatina)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Vuò divertirmi (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Poco di me mi cal, ma per Medoro (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Quel tuo visetto amabile (Duetto)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Aure chete, verdi allori (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Che fami dalla fata? (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Inutili saran del paladino (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Ad un guardo (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Fra queste selve invan (Recitativo accompagnato)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: D'Alcina i detti mi concolano il cuore (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Quel contento io provo in seno (Duetto)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Parto. Ma, oh Dio, non posso (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Partiam, giacché n'arride (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Col mio Medoro accanto (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Oimè, qual tetro oggetto! (Aria) Cosa vedo! Cosa sento!
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: La mia bella m'ha detto di no (Cavatina)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Madama, al vostro bellodi quel grugno (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Pasquale disgraziato (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Ecco spiano. Ecco il mio trillo (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Ho viaggiato in Francia, in Spagna (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Angelica dov'è? (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Si regina, ho deciso (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act II: Ne solitario speco
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Non partir, mia bella face (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act III: Ombre insepolte, di qua partite (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: In odio al mio bel nume (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act III: Con l'oblivione ti commando (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Angelica, mio ben (Recitativo accompagnato)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act III: Sogno? Veglio? (Recitativo accompagnato)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: D'Angelica il nome! (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act III: Miei pensieri, dove siete? (Aria)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Ove si cela il furibundo Orlando? (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act III: L'irremeabil onda (Recitativo accompagnato)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Presto rispondi, indegna (Finale I)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act III: Oimè. Già il sangue (Recitativo)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Sento nel seno, oh dio (Adagio)
Orlando Paladino - Dramma eroicomico, H. 28/11: Act I: Chi mi salva o tien nascoso (Adagio)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Die Vorstellung des Chaos - Largo
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Im Anfange schuf Gott Himmel und Erde (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Auf starkem Fittiche schwinget sich (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Nun schwanden vor dem heiligen Strahle (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und Gott schuf große Walfische (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Und Gott machte das Firmament (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und die Engel rührten ihr' unsterblichen Harfen (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Mit Staunen sieht das Wunderwerk
Die Schöpfung (The Creation), Hob. XXI:2: Part II: In holder Anmut steh'n, mit jungem Grün geschmückt (Terzett)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es sammle sich das Wasser (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe die Erde hervor (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Rollend in schäumenden Wellen (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Gleich öffnet sich der Erde Schoß (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es bringe die Erde Gras hervor (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Nun scheint in vollem Glanze der Himmel (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Nun beut die Flur das frische Grün (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und Gott schuf den Menschen nach seinem Ebenbilde (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Und die himmlischen Heerscharen verkündeten den dritten Tag (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Mit Würd' und Hoheit angethan (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Stimmt an die Saiten, ergreift die Leyer (Chor)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und Gott sah jedes Ding, das er gemacht hatte (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Vollendet ist das große Werk... Zu dir, o Herr, blickt alles auf
Die Schöpfung (The Creation), Hob. XXI:2: Part I: In vollem Glanze steigt jetzt die Sonne strahlend auf (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part III: Aus Rosenwolken bricht, geweckt durch süßen Klang (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Die Himmel erzählen die Ehre Gottes... Dem kommenden Tage sagt es der Tag
Die Schöpfung (The Creation), Hob. XXI:2: Part III: Von deiner Güt', o Herr und Gott... Gesegnet sei des Herren Macht (Duet & Chorus)
Die Schöpfung (The Creation), Hob. XXI:2: Part III: Nun ist die erste Pflicht erfüllt (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part III: Holde Gattin! Dir zur Seite (Duet)
Die Schöpfung (The Creation), Hob. XXI:2: Part III: O glücklich Paar! Und glücklich immerfort! (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part III: Singt dem Herren, alle Stimmen (Chorus)
Bach: Matthäus-Passion, BWV 244 (Remastered)
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 2, Rezitativ. "Da Jesus diese Rede vollendet hatte"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitativ. "Da versammleten sich die Hohenpriester"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 5, Rezitativ. "Du lieber Heiland du"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 6, Aria. "Buß und Reu"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 7, Rezitativ. "Da ging hin der Zwölfen einer"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9, Rezitative und Chöre. "Aber am ersten Tage der süßen Brot"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 10, Choral. "Ich bin's, ich sollte büßen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 11, Rezitativ. "Er antwortete und sprach"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 12, Rezitativ. "Wiewohl mein Herz in Tränen schwimmt"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 13, Aria. "Ich will dir mein Herz schenken"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 14, Rezitativ. "Und da sie den Lobgesang gesprochen hatten"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 15, Choral. "Erkenne mich, mein Hüter"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 16, Rezitativ. "Petrus aber antwortete und sprach zu ihm"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 17, Choral. "Ich will hier bei dir stehen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 18, Rezitativ. "Da kam Jesus mit ihnen zu einem Hofe"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 19, Rezitativ und Choral. "O Schmerz! Hier zittert das gequälte Herz!"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 20, Aria mit Chor. "Ich will bei meinem Jesu wachen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 21, Rezitativ. "Und ging hin ein wenig"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 22, Rezitativ. "Der Heiland fällt vor seinem Vater nieder"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 23, Aria. "Gerne will ich mich bequemen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 24, Rezitativ. "Und er kam zu seinen Jüngern"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 26, Rezitativ. "Und er kam und fand sie aber schlafen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 28, Rezitativ. "Und siehe, einer aus denen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 29, Choral. "O Mensch, bewein' dein' Sünde groß"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 30, Aria mit Chor. "Ach, nun ist mein Jesus hin!"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 31, Rezitativ. "Die aber Jesum gegriffen hatten"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 32, Choral. "Mir hat die Welt trüglich gericht'"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 33, Rezitativ. "Und wiewohl viel falsche"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 34, Rezitativ. "Mein Jesus schweigt zu falschen Lügen stille"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 35, Aria. "Geduld!"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 36, Rezitative und Chöre. "Und der Hohepriester antworte"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 37, Choral. "Wer hat dich so geschlagen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 38, Rezitative und Chor. "Petrus aber saß draußen im Palast"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 40, Choral. "Bin ich gleich von dir gewichen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 41, Rezitative und Chor. "Des Morgens aber hielten alle Hohepriester"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 42, Aria. "Gebt mir meinen Jesum wieder"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 43, Rezitativ. "Sie hielten aber einen Rat"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 45, Rezitativ und Chor. "Auf das Fest aber hatte der Landpfleger"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 46, Choral. "Wie wunderbarlich ist doch diese Strafe"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 47, Rezitativ. "Der Landpfleger sagte"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 48, Rezitativ. "Er hat uns allen wohlgetan"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 50, Rezitative und Chöre. "Sie schrieen aber noch mehr"
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 1. Chorus: Jauchzet, frohlocket
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1603fe735ec60bf32984172fa814f4bb32cfbcbc76404cd47fe0ef90960f708e. Chain 2 (Bitcoin): anchored in block 953515 (2026-06-13T12:53:06Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4XPuSGGbpmaeoim4Uy5pSY.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4XPuSGGbpmaeoim4Uy5pSY.
Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 36. Chorus: Fallt mit Danken
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 2. Evangelista: Es begab sich aber zu der Zeit
Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 37. Evangelista: Und da acht Tage um waren
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 3. Recitativo (Alt): Nun wird mein liebster Bräutigam
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7e7ce82ac07f1c83d9df02f378887da8188823fdf03e61dd8a6c5b0dc3a3bc0c. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0EeviJgKOnVfrJWOpJV2UC.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0EeviJgKOnVfrJWOpJV2UC.
Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 38. Rezitativ mit Choral: Immanuel, o süßes Wort!
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 4. Aria (Alt): Bereite dich, Zion
Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 39. Aria (Sopran): Flößt, mein Heiland
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 5. Choral: Wie soll ich dich empfangen
Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 40. Rezitativ mit Choral: Wohlan, dein Name soll allein
Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 41. Aria (Tenor): Ich will nur dir zu Ehren leben
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 6. Evangelista: Und sie gebar ihren ersten Sohn
Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 42. Chorale: Jesus richte mein Beginnen
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 7. Choral: Er ist auf Erden kommen arm
Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 43. Chor: Ehre sei dir, Gott, gesungen
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 8. Aria (Bass): Großer Herr, o starker König
Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 44. Evangelista: Da Jesus geboren war zu Bethlehem
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 9. Choral: Ach mein herzliebes Jesulein
Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 45. Chor: Wo ist der neugeborne König der Jüden
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 10. Sinfonia
Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 46. Choral: Dein Glanz all Finsternis verzehrt
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 11. Rezitativ (Tenor): Und es waren Hirten
Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 47. Aria (Bass): Erleucht auch meine finstre Sinnen
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 12. Choral: Brich an, du schönes Morgenlicht
Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 48. Evangelista: Da das der König Herodes hörte
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 13. Rezitativ (Tenor): Und der Engel sprach zu ihnen
Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 49. Rezitativ (Alt): Warum wollt ihr erschrecken?
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 14. Rezitativ (Tenor): Was Gott dem Abraham verheißen
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 15. Aria (Tenor): Frohe Hirten, eilt, ach eilet
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 16. Rezitativ (Tenor): Und das habt zum Zeichen
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 17. Choral: Schaut hin, da liegt im finstren Stall
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 18. Rezitativ (Bass): So geht denn hin, ihr Hirten
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 19. Aria (Alt): Schlafe, mein Liebster
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 20. Evangelista: Und alsobald war da bei dem Engel
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 21. Choral: Ehre sei Gott
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 22. Rezitativ (Bass): So recht, ihr Engel
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 23. Choral: Wir singen dir in deinem Heer
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 24. Chorus: Herrscher des Himmels, erhöre das Lallen
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 25. Rezitativ (Tenor): Und da die Engel
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 26. Chorus: Lasset uns nun gehen
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 27. Rezitativ: (Bass): Er hat sein Volk getröst'
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 28. Choral: Dies hat er alles uns getan
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 29. Aria Duetto (Sopran, Bass): Herr, dein Mitleid
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 30. Evangelista: Und sie kamen eilend
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 31. Aria (Alt): Schließe, mein Herze
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 32. Rezitativ (Alt): Ja, ja, mein Herz soll es bewahren
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 33. Choral: Ich will dich mit Fleiß bewahren
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 34. Evangelista: Und die Hirten kehrten wieder um
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 35. Choral: Seid froh dieweil
Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 24. Chorus (da capo 1): Herrscher des Himmels
Schubert: Symphony No. 7 in B-Flat Major, D. 759 "Unfinished", Lieder (Orchestrated by Webern, Brahms) [Bonus Track Version]
Die Schöne Müllerin, D. 795: X. Tränenregen. Ziemlich langsam (Arr. For Orchestra)
Winterreise, D. 911: XX. Der Wegreiser. Mäßig (Arr. For Orchestra)
Memnon, D. 541: Sehr langsam, schwärmerisch (Arr. For Orchestra)
Geheimes, D. 719: Etwas geschwind, zart (Arr. For Orchestra)
Schwanengesang, D. 957: IX. Ihr Bild. Langsam (Arr. For Orchestra)
Gruppe aus dem Tartarus, D. 583: Etwas geschwind (Arr. For Orchestra)
Du bist die Ruh, D. 776: Langsam (Arr. For Orchestra)
Symphony No. 7 in B-Flat Major, D. 759 "Unfinished": I. Allegro moderato
Symphony No. 7 in B-Flat Major, D. 759 "Unfinished": II. Andante con moto
Symphony No. 7 in B-Flat Major, D. 759 "Unfinished": III. Scherzo: Allegro - Trio (completed by Nicola Samale, Benjamin-Gunnar Cohrs, 2015)
Symphony No. 7 in B-Flat Major, D. 759 "Unfinished": IV. Finale. Allegro moderato (Entr'acte No. 1 from Rosamunde, Princess of Cyprus, D. 797)
Die Zauberharfe, D. 644 "The Magic Harp": Overture - Bonus Track
Nikolaus Harnoncourt Conducts Sacred Masterworks
Schwingt freudig euch empor, BWV 36: Prima Pars - Chorus "Schwingt freudig euch empor"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro: Wachet auf, ruft uns die Stimme
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Schwingt freudig euch empor, BWV 36: Prima Pars - Choral "Nun komm, der Heiden Heiland"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo: Er kommt, er kommt
Schwingt freudig euch empor, BWV 36: Prima Pars - Aria "Die Liebe zieht mit sanften Schritten"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto): Wann kömmst du, mein Heil?
Schwingt freudig euch empor, BWV 36: Prima Pars - Chorale "Zwingt die Saiten in Cythara"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral: Zion hört die Wächter singen
Schwingt freudig euch empor, BWV 36: Secunda Pars - Aria: "Willkommen, werter Schatz"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo: So geh herein zu mir
Schwingt freudig euch empor, BWV 36: Secunda Pars - Chorale "Der du bist dem Vater gleich"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto): Mein Freund ist mein
Schwingt freudig euch empor, BWV 36: Secunda Pars - Aria "Auch mit gedämpften, schwachen Stimmen"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral: Gloria sei dir gesungen
Schwingt freudig euch empor, BWV 36: Secunda Pars - Chorale "Lob sei Gott dem Vater Ton"
Cantata BWV 61 "Nun komm der Heiden Heiland": I. Coro: Nun komm, der Heiden Heiland
Ach wie flüchtig, ach wie nichtig, BWV 26: I. Ach wie flüchtig, ach wie nichtig (Chorale)
Cantata BWV 61 "Nun komm der Heiden Heiland": II. Recitativo: Der Heiland ist gekommen
Ach wie flüchtig, ach wie nichtig, BWV 26: II. So schnell ein rauschend Wasser fließt (Aria)
Cantata BWV 61 "Nun komm der Heiden Heiland": III. Aria: Komm, Jesu, komm zu deiner Kirche
Ach wie flüchtig, ach wie nichtig, BWV 26: III. Die Freude wird zur Traurigkeit (Recitativo)
Cantata BWV 61 "Nun komm der Heiden Heiland": IV. Recitativo: Siehe, ich stehe vor der Tür
Ach wie flüchtig, ach wie nichtig, BWV 26: IV. An irdische Schätze das Herze zu hängen (Aria)
Cantata BWV 61 "Nun komm der Heiden Heiland": V. Aria: Öffne dich, mein ganzes Herze
Ach wie flüchtig, ach wie nichtig, BWV 26: V. Die höchste Herrlichkeit und Pracht (Recitativo)
Cantata BWV 61 "Nun komm der Heiden Heiland": VI. Choral: Amen, amen!
Ach wie flüchtig, ach wie nichtig, BWV 26: VI. Ach wie flüchtig, ach wie nichtig (Chorale)
Wir danken dir, Gott wir danken dir, BWV 29: I. Sinfonia
Wir danken dir, Gott wir danken dir, BWV 29: II. Coro: Wir danken dir, Gott, wir danken dir
Wir danken dir, Gott wir danken dir, BWV 29: III. Aria: Halleluja, Stärke und Macht
Wir danken dir, Gott wir danken dir, BWV 29: IV. Recitativo: Gottlob! es geht uns wohl!
Wir danken dir, Gott wir danken dir, BWV 29: V. Aria: Gedenk' an uns mit deiner Liebe
Wir danken dir, Gott wir danken dir, BWV 29: VI. Recitativo: Vergiss es ferner nicht
Wir danken dir, Gott wir danken dir, BWV 29: VII. Aria: Halleluja
Wir danken dir, Gott wir danken dir, BWV 29: VIII. Choral: Sei Lob und Preis mit Ehren
Requiem in D Minor, K. 626: I. Introitus: Requiem
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Requiem in D Minor, K. 626: II. Kyrie: Kyrie
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Requiem in D Minor, K. 626: III. Sequentia: Dies irae
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Requiem in D Minor, K. 626: III. Sequentia: Tuba mirum
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Requiem in D Minor, K. 626: III. Sequentia: Rex tremendae
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Requiem in D Minor, K. 626: III. Sequentia: Recordare
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Requiem in D Minor, K. 626: III. Sequentia: Confutatis
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Requiem in D Minor, K. 626: III. Sequentia: Lacrimosa
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Requiem in D Minor, K. 626: IV. Offertorium: Domine Jesu
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Requiem in D Minor, K. 626: IV. Offertorium: Hostias
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Requiem in D Minor, K. 626: V. Sanctus: Sanctus
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Requiem in D Minor, K. 626: VI. Benedictus: Benedictus
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Requiem in D Minor, K. 626: VII. Agnus Dei: Agnus Dei
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Requiem in D Minor, K. 626: VIII. Communio: Lux aeterna
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x842797386222f7be383643fd08796f259d54807908efae844e1a32c06e170d01. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3Y390YUSqbXbttrsLXVgIc.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3Y390YUSqbXbttrsLXVgIc.
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcb1284d57ffcdb69a0340645fb01f7a17ac0d4aa35682d1f7f4de43271ed3afb. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6QN3NTChRjWo0e7Uj7Tmd6.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6QN3NTChRjWo0e7Uj7Tmd6.
{"copyright_id":"0x571fe9017635cd4ebce982874a10831242eb78729e4990de501889a703133c4b","isrc":"DEA800026522","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 22, Rezitativ. \"Der Heiland fällt vor seinem Vater nieder\"","registered_at":"2026-06-22T19:33:51Z","spotify_id":"1lWP5tZkSA8Y5n5TK0X0eS","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x571fe9017635cd4ebce982874a10831242eb78729e4990de501889a703133c4b. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1lWP5tZkSA8Y5n5TK0X0eS.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1lWP5tZkSA8Y5n5TK0X0eS.
{"copyright_id":"0x78232b0bab26bc22fb9be4b7f7964550ae5761bb39ab146f629f4cdf7ddd90f5","isrc":"DEA800026523","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 23, Aria. \"Gerne will ich mich bequemen\"","registered_at":"2026-06-19T09:13:02Z","spotify_id":"5m1wH5midkeJr3I43hBL39","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x78232b0bab26bc22fb9be4b7f7964550ae5761bb39ab146f629f4cdf7ddd90f5. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5m1wH5midkeJr3I43hBL39.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5m1wH5midkeJr3I43hBL39.
{"copyright_id":"0x2f5eb085e19f652bc86864af732839b16de6446814fb508cffd06fdf52ab55f1","isrc":"DEA800026524","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 24, Rezitativ. \"Und er kam zu seinen Jüngern\"","registered_at":"2026-06-20T22:55:02Z","spotify_id":"5HUsQOOcbb4wMgB98xQXmZ","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2f5eb085e19f652bc86864af732839b16de6446814fb508cffd06fdf52ab55f1. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5HUsQOOcbb4wMgB98xQXmZ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5HUsQOOcbb4wMgB98xQXmZ.
{"copyright_id":"0x7881ba084fc33a3808008dcafd8be84c8a7568cb1b5e3b2bee4767b7bcb00453","isrc":"DEA800026525","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. \"Was mein Gott will, das g'scheh allzeit\"","registered_at":"2026-06-09T16:24:17Z","spotify_id":"644hfq5oX5RIiQ81k7ifF0","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7881ba084fc33a3808008dcafd8be84c8a7568cb1b5e3b2bee4767b7bcb00453. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/644hfq5oX5RIiQ81k7ifF0.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/644hfq5oX5RIiQ81k7ifF0.
{"copyright_id":"0x3c616ecebd1d6fb4052d44a919f229851d83aeb6f1255604db5d7af9e09a82b1","isrc":"DEA800026526","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 26, Rezitativ. \"Und er kam und fand sie aber schlafen\"","registered_at":"2026-06-20T23:01:20Z","spotify_id":"54Aql4ZfXLVfHMRWLqEQjJ","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3c616ecebd1d6fb4052d44a919f229851d83aeb6f1255604db5d7af9e09a82b1. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/54Aql4ZfXLVfHMRWLqEQjJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/54Aql4ZfXLVfHMRWLqEQjJ.
{"copyright_id":"0x337922b841c23888171335dec2a401094ec9c6e54ee7c9cec599ec2e2b52baea","isrc":"DEA800026527","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. \"So ist mein Jesus nun gefangen\"","registered_at":"2026-06-18T13:19:49Z","spotify_id":"7sozhtDl4qrnZ1YW8dNmEO","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x337922b841c23888171335dec2a401094ec9c6e54ee7c9cec599ec2e2b52baea. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7sozhtDl4qrnZ1YW8dNmEO.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7sozhtDl4qrnZ1YW8dNmEO.
{"copyright_id":"0xfbd66c0cfbe693de379501681100c36dd95440fc456b24f0511df49d40b61988","isrc":"DEA800026528","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 28, Rezitativ. \"Und siehe, einer aus denen\"","registered_at":"2026-06-25T17:26:12Z","spotify_id":"06MtIHLYF1cPG1qTa23KQP","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xfbd66c0cfbe693de379501681100c36dd95440fc456b24f0511df49d40b61988. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/06MtIHLYF1cPG1qTa23KQP.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/06MtIHLYF1cPG1qTa23KQP.
{"copyright_id":"0x41db8f5621a73f1dc6fdb6fc74f4b387460fb314d5de163968a51fc428a2f362","isrc":"DEA800026529","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 29, Choral. \"O Mensch, bewein' dein' Sünde groß\"","registered_at":"2026-06-09T06:42:34Z","spotify_id":"5zvr5nm0rhHSOd3BBTdkxw","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x41db8f5621a73f1dc6fdb6fc74f4b387460fb314d5de163968a51fc428a2f362. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5zvr5nm0rhHSOd3BBTdkxw.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5zvr5nm0rhHSOd3BBTdkxw.
{"copyright_id":"0x028f1b17cb0010f973d614b9f2eb49fdb9cf5a825b08e9cde6ac285ba99c576f","isrc":"DEA800026530","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 30, Aria mit Chor. \"Ach, nun ist mein Jesus hin!\"","registered_at":"2026-06-10T16:14:08Z","spotify_id":"1vKUZvt9g7PBrK12990W6M","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x028f1b17cb0010f973d614b9f2eb49fdb9cf5a825b08e9cde6ac285ba99c576f. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1vKUZvt9g7PBrK12990W6M.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1vKUZvt9g7PBrK12990W6M.
{"copyright_id":"0x0ee27689edd0835653c246bd01bdf7eb1f72559ddb1b96bdf450cba1fbe39e59","isrc":"DEA800026531","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 31, Rezitativ. \"Die aber Jesum gegriffen hatten\"","registered_at":"2026-06-23T01:04:05Z","spotify_id":"4GVdZgGWaRi3ryMBwqqd8l","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0ee27689edd0835653c246bd01bdf7eb1f72559ddb1b96bdf450cba1fbe39e59. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4GVdZgGWaRi3ryMBwqqd8l.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4GVdZgGWaRi3ryMBwqqd8l.
{"copyright_id":"0xa6e0740ffd626b3aad0f9da43a7d90132eaefbfad516ed33cf12f033f0a1aa37","isrc":"DEA800026532","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 32, Choral. \"Mir hat die Welt trüglich gericht'\"","registered_at":"2026-06-18T11:29:43Z","spotify_id":"1TU3RK3nxvgWLu3sCYKj7x","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa6e0740ffd626b3aad0f9da43a7d90132eaefbfad516ed33cf12f033f0a1aa37. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1TU3RK3nxvgWLu3sCYKj7x.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1TU3RK3nxvgWLu3sCYKj7x.
{"copyright_id":"0x10cf664b15c204bd9f79ae76fef6dc246fcc5d65c0db2c79433421114fc0677d","isrc":"DEA800026533","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 33, Rezitativ. \"Und wiewohl viel falsche\"","registered_at":"2026-06-24T07:53:51Z","spotify_id":"2llB3WnWJMP6f2oLJ34J9x","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x10cf664b15c204bd9f79ae76fef6dc246fcc5d65c0db2c79433421114fc0677d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2llB3WnWJMP6f2oLJ34J9x.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2llB3WnWJMP6f2oLJ34J9x.
{"copyright_id":"0x55b223d1e35e31d895c1ec1bd75fd4f3c5abf5722077562345b2dc70a5c6db78","isrc":"DEA800026534","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 34, Rezitativ. \"Mein Jesus schweigt zu falschen Lügen stille\"","registered_at":"2026-06-23T00:48:00Z","spotify_id":"6NzqMWXuWsFmyBfzlP6HRv","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x55b223d1e35e31d895c1ec1bd75fd4f3c5abf5722077562345b2dc70a5c6db78. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6NzqMWXuWsFmyBfzlP6HRv.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6NzqMWXuWsFmyBfzlP6HRv.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0bd7003ef609d576ba729e7845c18915a2844ee258a53180c9c36f338ded3948. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1WPBycUzkJrf1xRWpYIedJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1WPBycUzkJrf1xRWpYIedJ.
{"copyright_id":"0x5ff072761afd746c93b0018321a17a7c48e3365cb53e8d7003eaaffce3e8ba9d","isrc":"DEA800026536","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 36, Rezitative und Chöre. \"Und der Hohepriester antworte\"","registered_at":"2026-06-25T17:28:37Z","spotify_id":"2Hu1ILgGEKP5HQiRozdFXA","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5ff072761afd746c93b0018321a17a7c48e3365cb53e8d7003eaaffce3e8ba9d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2Hu1ILgGEKP5HQiRozdFXA.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2Hu1ILgGEKP5HQiRozdFXA.
{"copyright_id":"0xf0236845f40264dffe3f99bd7fae44ccca1fbdf44009ce45b668103288b08340","isrc":"DEA800026537","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 37, Choral. \"Wer hat dich so geschlagen\"","registered_at":"2026-06-10T02:33:52Z","spotify_id":"66Cgzz13NZa3ijibwihB0O","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf0236845f40264dffe3f99bd7fae44ccca1fbdf44009ce45b668103288b08340. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/66Cgzz13NZa3ijibwihB0O.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/66Cgzz13NZa3ijibwihB0O.
{"copyright_id":"0xbbb81fd5be9fb5e0f2abdcfb4fdac64009a984cd85a183ce263fb16591fcaac6","isrc":"DEA800026538","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 38, Rezitative und Chor. \"Petrus aber saß draußen im Palast\"","registered_at":"2026-06-23T00:38:26Z","spotify_id":"3psk8pMRHdosZbklWfYEqj","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbbb81fd5be9fb5e0f2abdcfb4fdac64009a984cd85a183ce263fb16591fcaac6. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3psk8pMRHdosZbklWfYEqj.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3psk8pMRHdosZbklWfYEqj.
{"copyright_id":"0xa5fd75a395478b7597dc3a509d7bd0cd91a04727f461dc93c42a9b87f6ad333e","isrc":"DEA800026539","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. \"Erbarme dich\"","registered_at":"2026-06-17T22:22:08Z","spotify_id":"0W2uxUcCuLHkY9vlm3cUQP","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa5fd75a395478b7597dc3a509d7bd0cd91a04727f461dc93c42a9b87f6ad333e. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0W2uxUcCuLHkY9vlm3cUQP.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0W2uxUcCuLHkY9vlm3cUQP.
{"copyright_id":"0x596e11898de54aac920413915c53509e1a69a42e43de0e94a73125bd15855e07","isrc":"DEA800026540","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 40, Choral. \"Bin ich gleich von dir gewichen\"","registered_at":"2026-06-18T14:10:59Z","spotify_id":"1no9qxxBnlrNIxaXUi0qzC","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x596e11898de54aac920413915c53509e1a69a42e43de0e94a73125bd15855e07. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1no9qxxBnlrNIxaXUi0qzC.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1no9qxxBnlrNIxaXUi0qzC.
{"copyright_id":"0x24ccb9530735fc534aeb741215b000368a713b777ca679054e6fe84e81c98b53","isrc":"DEA800026541","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 41, Rezitative und Chor. \"Des Morgens aber hielten alle Hohepriester\"","registered_at":"2026-06-24T10:12:21Z","spotify_id":"3cFTXXU6IB6i8AkbWwNPkg","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x24ccb9530735fc534aeb741215b000368a713b777ca679054e6fe84e81c98b53. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3cFTXXU6IB6i8AkbWwNPkg.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3cFTXXU6IB6i8AkbWwNPkg.
{"copyright_id":"0x2c8a8bf6f76e5609ecf7a0c25fc717e7b3e295c1287b38bbe33a766d79e480e3","isrc":"DEA800026542","name":"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 42, Aria. \"Gebt mir meinen Jesum wieder\"","registered_at":"2026-06-23T00:41:21Z","spotify_id":"4zASbIcHI0GHu0FAsqzJfr","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2c8a8bf6f76e5609ecf7a0c25fc717e7b3e295c1287b38bbe33a766d79e480e3. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4zASbIcHI0GHu0FAsqzJfr.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4zASbIcHI0GHu0FAsqzJfr.
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3553a66fef0a3d0218a349c094c5f311a13556e313779985cfb9f3b393ed6d23. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1vrUY36uj7FrnYLthrDjtr.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1vrUY36uj7FrnYLthrDjtr.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6604bcd15984c6365de819f142e55799fda66aab3973466947e2a5c6959a9417. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3d02X1P5xCODfb6AvhjAA8.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3d02X1P5xCODfb6AvhjAA8.
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x15b8a27237e4df63f53707deddb4631ff07c04083983f781523c5afddc6e1c2c. Chain 2 (Bitcoin): anchored in block 956349 (2026-07-02T11:34:59Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0JGyptOL72BtCMspmc7LJi.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0JGyptOL72BtCMspmc7LJi.
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa0ed3d07bfdecc871bc93041e91de0ba5979d4886d9cb11bc6e371dd2bbddb00. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3Id5OVNA27YPgFQrd0SCFs.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3Id5OVNA27YPgFQrd0SCFs.
Beethoven: Missa Solemnis in D Major, Op. 123
Missa Solemnis in D Major, Op. 123: I. Kyrie
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x40f64ab49304f2d31dc0cdee4fec03c34082327c068384926d926dcff52850f4. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1K396bFReLYvN2Xonknvr8.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1K396bFReLYvN2Xonknvr8.
Missa Solemnis in D Major, Op. 123: II. Gloria: Gloria
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xba3f8c1e600c18cfbfef31aa88ca19026f3af519bee80c765b3ad5b56c4a3278. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2ZL2Hg5VvWceYDvKqmUFFc.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2ZL2Hg5VvWceYDvKqmUFFc.
Missa Solemnis in D Major, Op. 123: II. Gloria: Qui tollis
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8a19f7a39dae85fea4713d36ef08b0d7308f1d715d0329836844c7c5260f2b7e. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6cA6WrJ2krKtcve2rLqvZK.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6cA6WrJ2krKtcve2rLqvZK.
Missa Solemnis in D Major, Op. 123: II. Gloria: Quoniam
Missa Solemnis in D Major, Op. 123: III. Credo: Credo
Missa Solemnis in D Major, Op. 123: III. Credo: Et incarnatus est
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf146de472ae02c5a2cb42b4354a0dc54620e6b91b1cd234de390ba8a7e14e139. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7ssRdWtYQOWpdwVYcSHG1w.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7ssRdWtYQOWpdwVYcSHG1w.
Missa Solemnis in D Major, Op. 123: III. Credo: Et resurrexit
Missa Solemnis in D Major, Op. 123: IV. Sanctus: Sanctus
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Missa Solemnis in D Major, Op. 123: IV. Sanctus: Praeludium - Benedictus
Missa Solemnis in D Major, Op. 123: V. Agnus Dei: Agnus Dei
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Missa Solemnis in D Major, Op. 123: V. Agnus Dei: Dona nobis pacem
Mozart "Spatzenmesse" Missa brevis in C-Dur, KV 220
Missa brevis in C Major, K. 220 "Spatzenmesse": I. Kyrie
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Missa brevis in C Major, K. 220 "Spatzenmesse": II. Gloria
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Missa brevis in C Major, K. 220 "Spatzenmesse": III. Credo
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd07c0547dd59c3acb4d418426b88516434b4579d171b6526aa9df632397eed16. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6TaM8GM49ON2GOT5oi1mO5.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6TaM8GM49ON2GOT5oi1mO5.
Missa brevis in C Major, K. 220 "Spatzenmesse": IV. Sanctus
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Missa brevis in C Major, K. 220 "Spatzenmesse": V. Benedictus
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Missa brevis in C Major, K. 220 "Spatzenmesse": VI. Agnus Dei
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St Matthew Passion, BWV 244, Pt. 1: No. 1, Kommt, ihr Töchter helft mir klagen (Chorus)
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St Matthew Passion, BWV 244, Pt. 1: No. 2, Da Jesus diese Rede vollendet hatte (Evangelist, Jesus)
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St Matthew Passion, BWV 244, Pt. 1: No. 3, Herzliebster Jesu, was hast du verbrochen (Chorus)
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St Matthew Passion, BWV 244, Pt. 1: No. 4, Da versammleten... Da das Jesus (Evangelist, Chorus, Jesus)
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St Matthew Passion, BWV 244, Pt. 1: No. 5, Du lieber Heiland du (Contralto)
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St Matthew Passion, BWV 244, Pt. 1: No. 6, Buss und Reu (Contralto)
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St Matthew Passion, BWV 244, Pt. 1: No. 7, Da ging hin der Zwölfen einer (Evangelist, Judas)
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St Matthew Passion, BWV 244, Pt. 1: No. 8, Blute nur, du liebes Herz (Soprano)
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St Matthew Passion, BWV 244, Pt. 1: No. 9, Aber am ersten... Herr, bin ich's? (Evangelist, Chorus, Jesus)
St Matthew Passion, BWV 244, Pt. 1: No. 10, Ich bin's, ich sollte büssen (Chorus)
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St Matthew Passion, BWV 244, Pt. 1: No. 11, Er antwortete und sprach (Evangelist, Jesus, Judas)
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St Matthew Passion, BWV 244, Pt. 1: No. 12, Wiewohl mein Herz in Tränen schwimmt (Soprano)
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St Matthew Passion, BWV 244, Pt. 1: No. 13, Ich will dir mein Herze schenken (Soprano)
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St Matthew Passion, BWV 244, Pt. 1: No. 14, Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus)
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St Matthew Passion, BWV 244, Pt. 1: No. 15, Erkenne mich, mein Hüter (Chorus)
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St Matthew Passion, BWV 244, Pt. 1: No. 16, Petrus aber antwortete (Evangelist, Peter, Jesus)
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St Matthew Passion, BWV 244, Pt. 1: No. 17, Ich will hier bei dir stehen (Chorus)
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St Matthew Passion, BWV 244, Pt. 1: No. 18, Da kam Jesus mit ihnen zu einem Hofe (Evangelist, Jesus)
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St Matthew Passion, BWV 244, Pt. 1: No. 19, O Schmerz! (Tenor, Chorus)
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St Matthew Passion, BWV 244, Pt. 1: No. 20, Ich will bei meinem Jesu wachen (Tenor, Chorus)
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St Matthew Passion, BWV 244, Pt. 1: No. 21, Und ging hin ein wenig (Evangelist, Jesus)
St Matthew Passion, BWV 244, Pt. 1: No. 22, Der Heiland fällt vor seinem Vater nieder (Bass)
St Matthew Passion, BWV 244, Pt. 1: No. 23, Gerne will ich mich bequemen (Bass)
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St Matthew Passion, BWV 244, Pt. 1: No. 24, Und er kam zu seinen Jüngern (Evangelist, Jesus)
St Matthew Passion, BWV 244, Pt. 1: No. 25, Was mein Gott will (Chorus)
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St Matthew Passion, BWV 244, Pt. 1: No. 26, Und er kam und fand sie aber schlafend (Evangelist, Jesus, Judas)
St Matthew Passion, BWV 244, Pt. 1: No. 27, So ist mein Jesus... Sind Blitze (Soprano, Contralto, Chorus)
St Matthew Passion, BWV 244, Pt. 1: No. 28, Und siehe, einer aus denen (Evangelist, Jesus)
St Matthew Passion, BWV 244, Pt. 1: No. 29, O Mensch, bewein' dein Sünde gross (Chorus)
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St Matthew Passion, BWV 244, Pt. 2: No. 30, Ach! nun ist mein Jesus hin! (Contralto, Chorus)
St Matthew Passion, BWV 244, Pt. 2: No. 31, Die aber Jesum gegriffen hatten (Evangelist)
St Matthew Passion, BWV 244, Pt. 2: No. 32, Mir hat die Welt trüglich gericht't (Chorus)
St Matthew Passion, BWV 244, Pt. 2: No. 33, Und wiewohl viel falsche Zeugen (Evangelist, Testis 1 & 2, Pontifex)
St Matthew Passion, BWV 244, Pt. 2: No. 34, Mein Jesus schweigt zu falschen Lügen stille (Tenor)
St Matthew Passion, BWV 244, Pt. 2: No. 35, Geduld! Geduld! (Tenor)
St Matthew Passion, BWV 244, Pt. 2: No. 36, Und der Hohepriester... Weissage uns (Evangelist, Pontifex, Jesus, Chorus)
St Matthew Passion, BWV 244, Pt. 2: No. 37, Wer hat dich so geschlagen (Chorus)
St Matthew Passion, BWV 244, Pt. 2: No. 38, Petrus aber sass... Und alsbald krähete der Hahn (Evangelist, Ancilla 1 & 2, Petrus, Chorus)
St Matthew Passion, BWV 244, Pt. 2: No. 39, Erbarme dich (Contralto)
St Matthew Passion, BWV 244, Pt. 2: No. 40, Bin ich gleich von dir gewichen (Chorus)
St Matthew Passion, BWV 244, Pt. 2: No. 41, Des Morgens aber... Und er warf (Evangelist, Judas, Pontifex 1 & 2, Chorus)
St Matthew Passion, BWV 244, Pt. 2: No. 42, Gebt mir meinen Jesum wieder! (Bass)
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St Matthew Passion, BWV 244, Pt. 2: No. 43, Sie hielten aber einen Rat (Evangelist, Pilate, Jesus)
St Matthew Passion, BWV 244, Pt. 2: No. 44, Befiehl du deine Wege (Chorus)
St Matthew Passion, BWV 244, Pt. 2: No. 45, Auf das fest... Lass ihn (Evangelist, Pilate, Pilate's Wife, Chorus)
St Matthew Passion, BWV 244, Pt. 2: No. 46, Wie wunderbarlich ist doch diese Strafe! (Chorus)
St Matthew Passion, BWV 244, Pt. 2: No. 47, Der Landpfleger sagte (Evangelist, Pilate)
St Matthew Passion, BWV 244, Pt. 2: No. 48, Er hat uns allen wohlgetan (Soprano)
St Matthew Passion, BWV 244, Pt. 2: No. 49, Aus Liebe will mein Heiland sterben (Soprano)
St Matthew Passion, BWV 244, Pt. 2: No. 50, Sie schrieen... Da gab er ihnen (Evangelist, Pilate, Chorus)
Suite from "alcyone": I. Air, Gravement Et Pique
Suite from "alcyone": Ⅴ. Tambourin I and Ⅱ
Pieces for Viol, Book 2, Suite No. 1 in D Minor: I. Gavotte
Pieces for Viol, Book 2, Suite No. 1 in D Minor: Ⅱ. Menuet
Pieces for Viol, Book 2, Suite No. 1 in D Minor: Ⅲ. Fantasie, Legerment
Second Concert from Concerts Royaux: I. Prelude Gracieusement
Second Concert from Concerts Royaux: Ⅱ. Allemande Fugée
Second Concert from Concerts Royaux: Ⅲ. Air Tendre
Second Concert from Concerts Royaux: Ⅳ. Air Contrefugué
Second Concert from Concerts Royaux: Ⅴ. Echos, Tendrement
First Book of Pieces for the Transverse Flute, Op. 2: I. Allemande La Fontainebleau
First Book of Pieces for the Transverse Flute, Op. 2: Ⅱ. Sarabande La Depart
First Book of Pieces for the Transverse Flute, Op. 2: Ⅲ. Air Le Fleuri
First Book of Pieces for the Transverse Flute, Op. 2: Ⅳ. Gavotte La Mitilde
First Book of Pieces for the Transverse Flute, Op. 2: Ⅴ. Branle De Village L'auteuil
First Book of Pieces for the Transverse Flute, Op. 2: Ⅵ. Menuet Le Beaulieu
Nun komm, der Heiden Heiland, BWV 61: I. Overture. Nun komm, der Heiden Heiland (Choir)
Nun komm, der Heiden Heiland, BWV 61: II. Recitative. Der Heiland ist gekommen (Tenor)
Nun komm, der Heiden Heiland, BWV 61: III. Aria. Komm, Jesu, komm zu deiner Kirche (Tenor)
Nun komm, der Heiden Heiland, BWV 61: IV. Recitative. Siehe, ich stehe vor der Tür (Bass)
Nun komm, der Heiden Heiland, BWV 61: V. Aria. Öffne dich, mein ganzes Herze (Boy Soprano)
Nun komm, der Heiden Heiland, BWV 61: VI. Chorale. Amen, Amen! komm du schöne Freudenkrone (Choir)
Schwingt freudig euch empor, BWV 36: I. Chorus. Schwingt freudig euch empor (Choir)
Schwingt freudig euch empor, BWV 36: II. Chorale. Nun komm, der Heiden Heiland (Boy Soprano, Counter-Tenor)
Schwingt freudig euch empor, BWV 36: III. Aria. Die Liebe zieht mit sanften Schritten (Tenor)
Schwingt freudig euch empor, BWV 36: IV. Chorale. Zwingt die Saiten in Cythara (Choir)
Schwingt freudig euch empor, BWV 36: V. Aria. Willkommen, werter Schatz (Bass)
Schwingt freudig euch empor, BWV 36: VI. Chorale. Der du bist dem Vater gleich (Tenor)
Schwingt freudig euch empor, BWV 36: VII. Aria. Auch mit gedämpften, schwachen Stimmen (Soprano)
Schwingt freudig euch empor, BWV 36: VIII. Chorale. Lob sei Gott, dem Vater, g'ton (Choir)
Nun komm, der Heiden Heiland, BWV 62: I. Chorale. Nun komm, der Heiden Heiland (Chorus)
Nun komm, der Heiden Heiland, BWV 62: II. Aria. Bewundert, o Menschen, dies grosse Geheimnis (Tenor)
Nun komm, der Heiden Heiland, BWV 62: III. Recitative. So geht aus Gottes Herrlichkeit (Bass)
Nun komm, der Heiden Heiland, BWV 62: IV. Aria. Streite, siege, starker Held (Bass)
Nun komm, der Heiden Heiland, BWV 62: V. Recitative. Wir ehren diese Herrlichkeit (Boy Soprano, Counter-Tenor)
Nun komm, der Heiden Heiland, BWV 62: VI. Chorale. Lob sei Gott, dem Vater, ton (Choir)
Schmelzer: Sacro-profanus concentus musicus
Schmelzer: Sacro-profanus concentus musicus: Sonata II a 8
Schmelzer: Sacro-profanus concentus musicus: Sonata I a 8
Schmelzer: Sonata a 3 (From Kroměříž MS A 632)
Schmelzer: Sacro-profanus concentus musicus: Sonata IV a 6
Schmelzer: Sonata Natalitia a 3 chori (From Kroměříž MS A 553)
Schmelzer: Sonata a 4 "La Carolietta" (From Kroměříž MS A 634)
Schmelzer: Sonata a 5 (From Kroměříž MS A 552)
Schmelzer: Sonata a 3 (From Kroměříž MS A 589a)
Schmelzer: Sonata a 3 violini (From Kroměříž MS A 528a)
Schmelzer: Sacro-profanus concentus musicus: Sonata III a 6
Schmelzer: Sacro-profanus concentus musicus: Sonata X a 4
Schmelzer: Balletto a 4 "Die Fechtschule"
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia"
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo
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Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto
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Bach, JS: Brandenburg Concertos Nos. 1 - 6 (Recorded 1981-82)
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. —
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto. Trio I - Polacca - Trio II
Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. —
Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto
Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro
Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso
Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. —
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
Schubert: Symphony No. 5 - Haydn: Symphony No. 99
Symphony No. 99 in E-Flat Major, Hob.I:99: Symphony No. 99 in E-Flat Major, Hob.I:99: I. Adagio - Vivace assai
Symphony No. 99 in E-Flat Major, Hob.I:99: Symphony No. 99 in E-Flat Major, Hob.I:99: II. Adagio
Symphony No. 99 in E-Flat Major, Hob.I:99: Symphony No. 99 in E-Flat Major, Hob.I:99: III. Menuetto e Trio. Allegretto
Symphony No. 99 in E-Flat Major, Hob.I:99: Symphony No. 99 in E-Flat Major, Hob.I:99: IV. Finale. Vivace
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto
Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto
Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace
Mozart: Eine kleine Nachtmusik, K. 525: I. Allegro
Mozart: Eine kleine Nachtmusik, K. 525: II. Romance. Andante
Mozart: Eine kleine Nachtmusik, K. 525: III. Menuetto. Allegretto
Mozart: Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro
Mozart: Serenade No. 6 in D Major, K. 239 "Serenata Notturna": I. Marcia. Maestoso
Mozart: Serenade No. 6 in D Major, K. 239 "Serenata Notturna": II. Menuetto
Mozart: Serenade No. 6 in D Major, K. 239 "Serenata Notturna": III. Rondo. Allegretto
Mozart: Ein musikalischer Spaß, K. 522: I. Allegro
Mozart: Ein musikalischer Spaß, K. 522: II. Menuetto. Maestoso
Mozart: Ein musikalischer Spaß, K. 522: III. Adagio cantabile
Mozart: Ein musikalischer Spaß, K. 522: IV. Presto
Salieri: Prima la musica e poi le parole - Mozart: Der Schauspieldirektor, K. 486 (Live)
Deutsches Singspiel vs. Italienische Oper (Eine Einführungsrede von Nikolaus Harnoncourt) [Live]
Der Schauspieldirektor, K. 486: Ouvertüre (Live)
Prima la musica e poi le parole: Sinfonia (Live)
Der Schauspieldirektor, K. 486: Guten Abend, meine sehr verehrten Damen und Herren (Live)
Prima la musica e poi le parole: Signor poeta mio - Or tant'è, decidete. Sì o no? - Deo gratias (Live)
Der Schauspieldirektor, K. 486: Da schlägt die Abschiedsstunde (Live)
Prima la musica e poi le parole: Pensieri funesti, ah no, non tornate! - Chi è questo sguaiato? (Live)
Der Schauspieldirektor, K. 486: Madame, ich bin Ihnen für dieses Vergnügen außerordentlich verbunden (Live)
Prima la musica e poi le parole: Non dubitar, verrò - Non sia, signora, per darle molestia (Live)
Der Schauspieldirektor, K. 486: Bester Jüngling! Mit Entzücken (Live)
Prima la musica e poi le parole: Là tu vedrai chi sono - Oibò! Oibò! (Live)
Der Schauspieldirektor, K. 486: Brava! Eine derartige Stimme, eine derartige Sängerin, würde meinem Ensemble wohl anstehen (Live)
Prima la musica e poi le parole: Cari oggetti del mio core - Così non è possibil ch'io vi abbracci - V'ho dato dell'abilità mia (Live)
Der Schauspieldirektor, K. 486: Ich bin die erste Sängerin! (Live)
Prima la musica e poi le parole: Alfin la prova ha terminato in buffo (Live)
Der Schauspieldirektor, K. 486: Ich will gar keine Kompanie gründen (Live)
Prima la musica e poi le parole: Se questo mio pianto il cor non ti tocca - Castrato! Cosa diavolo mai dite? (Live)
Der Schauspieldirektor, K. 486: Jeder Künstler strebt nach Ehre (Live)
Prima la musica e poi le parole: Per pietà, padrona mia, per pietà non - Egregiamente bene - E il maestro dov'è? (Live)
Prima la musica e poi le parole: Via, largo, ragazzi - Per carità, finite questa scena (Live)
Prima la musica e poi le parole: Cucuzze! Che concorso! - Cessate in grazia, che mi fate pena (Live)
Prima la musica e poi le parole: Per pietà, padrona mia - Maestro, vi saluto. Addio, Poeta (Live)
Prima la musica e poi le parole: Se questo mio pianto il cor non ti tocca (Live)
Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
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Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace - Trio. Un poco meno allegro
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
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Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
Symphony No. 5 in C Minor, Op. 67: III. Allegro
Symphony No. 5 in C Minor, Op. 67: IV. Allegro
Christus am Ölberge, Op. 85: I. Introduction
Christus am Ölberge, Op. 85: II. Rezitativo "Jehova, du mein Vater"
Christus am Ölberge, Op. 85: III. Aria "Meine Seele is erschüttert"
Christus am Ölberge, Op. 85: IV. Rezitativo "Erzittere Erde!"
Christus am Ölberge, Op. 85: V. Aria "Preist des Erlösers Güte!"
Christus am Ölberge, Op. 85: VI. Rezitativo "Verkündet, Seraph"
Christus am Ölberge, Op. 85: VII. Duetto "So ruhe denn mit ganzer Schwere"
Christus am Ölberge, Op. 85: VIII. Rezitativo "Willkommen, Tod!"
Christus am Ölberge, Op. 85: IX. Alla Marcia "Wir haben ihn gesehen"
Christus am Ölberge, Op. 85: X. Rezitativo "Die mich zu fangen ausgezogen sind"
Christus am Ölberge, Op. 85: XI. Allegro molto "Hier ist er"
Christus am Ölberge, Op. 85: XII. Rezitativo "Nicht ungestraft soll der Verwegnen Schar"
Christus am Ölberge, Op. 85: XIII. Terzetto " In meinen Adern wühlen"
Christus am Ölberge, Op. 85: XIV. Molto Allegro "Auf, auf! Ergreifet den Verräter!"
Christus am Ölberge, Op. 85: XV. Maestoso "Welten singen"
Christus am Ölberge, Op. 85: XVI. Allegro "Preiset ihn, ihr Engel!"
Symphony No. 39 in E-Flat Major, K. 543: I. Adagio - Allegro
Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace
Symphony No. 39 in E-Flat Major, K. 543: II. Andante con moto
Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile
Symphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto - Trio
Symphony No. 41 in C Major, K. 551 "Jupiter": III. Menuetto. Allegretto
Symphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro
Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro
Symphony No. 40 in G Minor, K. 550: I. Molto allegro
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Symphony No. 40 in G Minor, K. 550: II. Andante
Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto
Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai
Mozart: Symphony No. 35, K. 320 "Haffner" & Serenade No. 9, K. 385 "Posthorn"
March No. 1 in D Major, K. 335 (K. 320a)
Serenade in D Major, K. 320, "Posthorn-Serenade": I. Adagio maestoso - Allegro con spirito
Serenade in D Major, K. 320, "Posthorn-Serenade": II. Menuetto. Allegro - Trio
Serenade in D Major, K. 320, "Posthorn-Serenade": III. Concertante. Andante grazioso
Serenade in D Major, K. 320, "Posthorn-Serenade": IV. Rondeau. Allegro ma non troppo
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Serenade in D Major, K. 320, "Posthorn-Serenade": V. Andantino
Serenade in D Major, K. 320, "Posthorn-Serenade": VI. Menuetto - Trio I - Trio II
Serenade in D Major, K. 320, "Posthorn-Serenade": VII. Finale. Presto
Symphony in D Major, K. 385 "Haffner-Sinfonie": I. Allegro con spirito
Symphony in D Major, K. 385 "Haffner-Sinfonie": II. Andante
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Symphony in D Major, K. 385 "Haffner-Sinfonie": III. Menuetto - Trio
Symphony in D Major, K. 385 "Haffner-Sinfonie": IV. Presto
Handel Edition Volume 7 - Saul, Alexander's feast, Ode for St Cecilia's Day, Utrecht Te Deum, Apollo e Dafne, Giulio Cesare
Handel: Saul, HWV 53, Act 1: Sinfonia. Allegro - Larghetto
Handel: Saul, HWV 53, Act 1, Scene 1: Chorus. "How Excellent Thy Name, Oh Lord" (Israelites)
Handel: Saul, HWV 53, Act 1, Scene 1: Aria. "An Infant Rais'd by Thy Command" (Soprano)
Handel: Saul, HWV 53, Act 1, Scene 1: Trio. "Along the Monster Atheist Strode" (Israelites)
Handel: Saul, HWV 53, Act 1, Scene 1: Chorus. "The Youth Inspired by Thee, Oh Lord" - Chorus. "Hallelujah" (Israelites)
Handel: Saul, HWV 53, Act 1, Scene 2: Recitative. "He Comes, he Comes!" - Aria. "Oh God-Like Youth" (Michal)
Handel: Saul, HWV 53, Act 1, Scene 2: Recitative. "Behold, Oh King" - Aria. "Oh King, Your Favours with Delight" (Abner, Saul, David)
Handel: Saul, HWV 53, Act 1, Scene 2: Recitative. "Oh Early Piety" (Jonathan)
Handel: Saul, HWV 53, Act 1, Scene 2: Aria. "What Abject Thoughts a Prince Can Have!" (Merab)
Handel: Saul, HWV 53, Act 1, Scene 2: Recitative. "Yet Think, on Whom This Honour You Bestow" - Aria. "Birth and Fortune I Despise" (Merab, Jonathan)
Handel: Saul, HWV 53, Act 1, Scene 2: Recitative. "Thou, Merab, First in Birth" - Aria. "My Soul Rejects the Thought with Scorn" (Saul, Merab)
Handel: Saul, HWV 53, Act 1, Scene 2: Aria. "See, See, with a Scournful Air" - Aria. "Ah! Lovely Youth" (Michal)
Handel: Saul, HWV 53, Act 1, Scene 3: Sinfonia. Andante - Allegro
Handel: Saul, HWV 53, Act 1, Scene 3: Recitative. "Already See the Daughters of the Land" (Michal)
Handel: Saul, HWV 53, Act 1, Scene 3: Chorus. "Welcome, Welcome, Mighty King!" (Israelites)
Handel: Saul, HWV 53, Act 1, Scene 3: Accompagnato. "What Do I Hear?" - Chorus. "David His Ten Thousands Slew" - Accompagnato. "To Him Ten Thousands" - Aria. "With Rage I Shall Burst" (Saul,
Handel: Saul, HWV 53, Act 1, Scene 4: Recitative. "Imprudent Women!" - Aria. "Fell Rage and Black Despair Posses'd" (Jonathan, Michal)
Handel: Saul, HWV 53, Act 1, Scene 5: Recitative. "Racked with Infernal Pains" (Abner)
Handel: Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David)
Handel: Saul, HWV 53, Act 1, Scene 5: Recitative. "Tis All in Vain" (Jonathan)
Handel: Saul, HWV 53, Act 1, Scene 5: Aria. "A Serpent, in My Bosom Warmed" - Recitative. "Has He Escaped My Rage?" (Saul)
Handel: Saul, HWV 53, Act 1, Scene 5: Aria. "Capricious Man, in Humour Lost" (Merab)
Handel: Saul, HWV 53, Act 1, Scene 5: Accompagnato. "Oh Filial Piety!" - Aria. "No, No Cruel Father, No!" (Jonathan)
Handel: Saul, HWV 53, Act 1, Scene 5: Chorus. "Preserve Him for the Glory of Thy Name" (Israelites)
Handel: Saul, HWV 53, Act 2, Scene 1: Chorus. "Envy! Eldest Born of Hell!" (Israelites)
Handel: Saul, HWV 53, Act 2, Scene 2: Recitative. "Ah! Dearest Friend" - Aria. "But Sooner Jordan's Stream" - Recitative. "My Father Comes" (Jonathan)
Handel: Saul, HWV 53, Act 2, Scene 3: Recitative. "Hast Thou Obey'd My Orders" - Aria. "Sin Not, Oh King, Against the Youth" (Saul, Jonathan)
Handel: Saul, HWV 53, Act 2, Scene 3: Aria. "As Great Jehovah Lives" (Saul)
Handel: Saul, HWV 53, Act 2, Scene 3: Aria. "From Cities Stormed" (Jonathan)
Handel: Saul, HWV 53, Act 2, Scene 4: Recitative. "Appear, My Friend" (Jonathan, Saul)
Handel: Saul, HWV 53, Act 2, Scene 4: Aria. "Your Words, Oh King" (David)
Handel: Saul, HWV 53, Act 2, Scene 4: Recitative. "Yes, He Shall Wed My Daughter" (Saul)
Handel: Saul, HWV 53, Act 2, Scene 5: Recitative. "A Father's Will Has Authorized My Love" (Michal)
Handel: Saul, HWV 53, Act 2, Scene 5: Duet. "Oh Fairest of Ten Thousand Fair" (Michal, David)
Handel: Saul, HWV 53, Act 2, Scene 5: Chorus. "Is There a Man?" (Israelites)
Handel: Saul, HWV 53, Act 2, Scene 6: Sinfonia. Largo - Allegro
Handel: Saul, HWV 53, Act 2, Scene 6: Recitative. "Thy Father Is as Cruel..." - Duet. "At Persecution I Can Laugh" (David, Michal)
Handel: Saul, HWV 53, Act 2, Scene 7: Recitative. "Whom Dost Thou Seek?" - Aria. "No, No Let the Guilty Tremble" (Michal, Doeg)
Handel: Saul, HWV 53, Act 2, Scene 7: Recitative. "Mean as He Was" - Aria. "Author of Peace" (Merab)
Handel: Saul, HWV 53, Act 2, Scene 8: Sinfonia. Allegro
Handel: Saul, HWV 53, Act 2, Scene 9: Accompagnato. "The Time at Length Is Come" (Saul)
Handel: Saul, HWV 53, Act 2, Scene 10: Recitative. "Where Is the Son of Jesse?" (Saul, Jonathan)
Handel: Saul, HWV 53, Act 2, Scene 10: Chorus. "O Fatal Consequence" (Israelites)
Handel: Saul, HWV 53, Act 3, Scene 1: Accompagnato. "Wretch That I am!" - Recitative. "Tis Said, Here Lives a Woman" (Saul)
Handel: Saul, HWV 53, Act 3, Scene 2: Recitative. "With Me What Would'st Thou?" - Aria. "Infernal Spirits" (Witch, Saul)
Handel: Saul, HWV 53, Act 3, Scene 3: Accompagnato. "Why Hast Thou Forced Me" (Samuel, Saul)
Handel: Saul, HWV 53, Act III: Sinfonia. Allegro
Handel: Saul, HWV 53, Act 3, Scene 4: Recitative. "Whence Comst Thou?" - Aria. "Impious Wrecht" (David, An Amalekite)
Handel: Saul, HWV 53, Act 3, Scene 5: Dead March
Handel: Saul, HWV 53, Act 3, Scene 5: Chorus. "Mourn, Israel" (Israelites)
Haydn Edition Volume 1 - Famous Symphonies
Haydn: Symphony No. 6 in D Major, Hob. I:6 "Le matin": I. Adagio - Allegro
Haydn: Symphony No. 6 in D Major, Hob. I:6 "Le matin": II. Adagio - Andante
Haydn: Symphony No. 6 in D Major, Hob. I:6 "Le matin": III. Menuetto
Haydn: Symphony No. 6 in D Major, Hob. I:6 "Le matin": IV. Finale. Allegro
Haydn: Symphony No. 7 in C Major, Hob. I:7 "Le Midi": I. Adagio - Allegro
Haydn: Symphony No. 7 in C Major, Hob. I:7 "Le Midi": II. Recitativo. Adagio
Haydn: Symphony No. 7 in C Major, Hob. I:7 "Le Midi": III. Adagio - Allegro
Haydn: Symphony No. 7 in C Major, Hob. I:7 "Le Midi": IV. Menuetto - Trio
Haydn: Symphony No. 7 in C Major, Hob. I:7 "Le Midi": V. Finale. Allegro
Haydn: Symphony No. 8 in G Major, Hob. I:8 "Le soir": I. Allegro molto
Haydn: Symphony No. 8 in G Major, Hob. I:8 "Le soir": II. Andante
Haydn: Symphony No. 8 in G Major, Hob. I:8 "Le soir": III. Menuetto - Trio
Haydn: Symphony No. 8 in G Major, Hob. I:8 "Le soir": IV. La Tempesta. Presto
Haydn: Symphony No. 30 in C Major, Hob. I:30 "Alleluia": I. Allegro
Haydn: Symphony No. 30 in C Major, Hob. I:30 "Alleluia": II. Andante
Haydn: Symphony No. 30 in C Major, Hob. I:30 "Alleluia": III. Finale. Tempo di menuet, più tosto allegretto
Haydn: Symphony No. 53 in D Major, Hob. I:53 "L'impériale": I. Largo maestoso - Vivace
Haydn: Symphony No. 53 in D Major, Hob. I:53 "L'impériale": II. Andante
Haydn: Symphony No. 53 in D Major, Hob. I:53 "L'impériale": III. Menuetto - Trio
Haydn: Symphony No. 53 in D Major, Hob. I:53 "L'impériale": IV. Finale. Capriccio
Haydn: Symphony No. 69 in C Major, Hob. I:69 "Laudon": I. Vivace
Haydn: Symphony No. 69 in C Major, Hob. I:69 "Laudon": II. Un poco adagio più tosto andante
Haydn: Symphony No. 69 in C Major, Hob. I:69 "Laudon": III. Menuetto - Trio
Haydn: Symphony No. 69 in C Major, Hob. I:69 "Laudon": IV. Finale. Presto
Haydn: Symphony No. 31 in D Major, Hob. I:31 "Hornsignal": I. Allegro
Haydn: Symphony No. 31 in D Major, Hob. I:31 "Hornsignal": II. Adagio
Haydn: Symphony No. 31 in D Major, Hob. I:31 "Hornsignal": III. Menuetto - Trio
Haydn: Symphony No. 31 in D Major, Hob. I:31 "Hornsignal": IV. Finale. Moderato molto - Presto
Haydn: Symphony No. 59 in A Major, Hob. I:59 "Fire": I. Presto
Haydn: Symphony No. 59 in A Major, Hob. I:59 "Fire": II. Andante più tosto allegretto
Haydn: Symphony No. 59 in A Major, Hob. I:59 "Fire": III. Menuetto - Trio
Haydn: Symphony No. 59 in A Major, Hob. I:59 "Fire": IV. Allegro assai
Haydn: Symphony No. 73 in D Major, Hob. I:73 "La chasse": I. Adagio - Allegro
Haydn: Symphony No. 73 in D Major, Hob. I:73 "La chasse": II. Andante
Haydn: Symphony No. 73 in D Major, Hob. I:73 "La chasse": III. Menuetto - Trio
Haydn: Symphony No. 73 in D Major, Hob. I:73 "La chasse": IV. Die Jagd. Presto
Haydn: Symphony No. 45 in F-Sharp Minor, Hob. I:45 "Farewell": I. Allegro assai
Haydn: Symphony No. 45 in F-Sharp Minor, Hob. I:45 "Farewell": II. Adagio
Haydn: Symphony No. 45 in F-Sharp Minor, Hob. I:45 "Farewell": III. Menuetto. Allegretto
Haydn: Symphony No. 45 in F-Sharp Minor, Hob. I:45 "Farewell": IV. Finale. Presto - Adagio
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": I. Adagio - Allegro di molto
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": II. Adante
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": III. Menuetto - Trio
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": IV. Presto
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": V. Adagio di lamentatione
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": VI. Finale. Prestissimo
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: I. Vivace
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: II. Un poco adagio
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: III. Rondo all'ungarese
Haydn: Il mondo della luna, Hob. XXVIII:7: Sinfonia
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture
Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: No. 1, Chor. "Wachet auf, ruft uns die Stimme"
Bach, JS: Musikalisches Opfer, BWV 1079: Canon perpetuus
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden"
Bach, JS: Komm, du süsse Todesstunde, BWV 161: No. 3, Aria. "Mein Verlangen"
Bach, JS: Was mir behagt, BWV 208 "Jagdkantate": No. 9, Aria. "Schafe können sicher weiden"
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Bach, JS: Höchsterwünschtes Freudenfest, BWV 194: No. 3, Aria. "Was des Höchsten Glanz erfüllt"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 1, Chor. "Jauchzet, frohlocket, auf, preiset die Tage"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. "Mache dich, mein Herze, rein"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chor. "Wir setzen uns mit Tränen nieder"
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
Bach, JS: Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro
Bach, JS: Johannes-Passion, BWV 245, Pt. 1: No. 1, Chor. "Herr, unser Herrscher"
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude"
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Bach, JS: Ach wie flüchtig, ach wie nichtig, BWV 26: No. 1, Chorale fantasia. "Ach wie flüchtig, ach wie nichtig"
Bach, JS: Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai
Bach, JS: Viola da Gamba Sonata No. 3 in G Minor, BWV 1029: I. Vivace
Bach, JS: Ich hatte viel Bekümmernis, BWV 21: No. 1, Sinfonia
Bach, JS: Ich hatte viel Bekümmernis, BWV 21: No. 2, Chor. "Ich hatte viel Bekümmernis"
Bach, JS: Magnificat in D Major, BWV 243: I. Chorus. "Magnificat anima mea Dominum"
Bach, JS: Der Geist hilft unser Schwachheit auf, BWV 226
Bach, JS: Ich habe genug, BWV 82: No. 3, Aria. "Schlummert ein, ihr matten Augen"
Bach, JS: Mass in B Minor, BWV 232: Agnus Dei
Bach, JS: Mass in B Minor, BWV 232: Dona nobis pacem
Handel: Messiah, HWV 56, Pt. 1: Sinfonia
Handel: Messiah, HWV 56, Pt. 1, Scene 1: Accompagnato. "Comfort Ye My People"
Handel: Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted"
Handel: Messiah, HWV 56, Pt. 1, Scene 3: Chorus. "For Unto Us a Child Is Born"
Handel: Messiah, HWV 56, Pt. 1, Scene 5: Aria. "Rejoice Greatly, O Daughter of Zion"
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah"
Handel: Messiah, HWV 56, Pt. 3, Scene 1: Aria. "I Know That My Redeemer Liveth"
Handel: Giulio Cesare in Egitto, HWV 17, Act 3: Finale. "Ritorni omai nel nostro core" (Chorus, Cesare, Cleopatra)
Handel: Giulio Cesare in Egitto, HWV 17, Act 3: Aria. "Da tempeste il legno infranto" (Cleopatra)
Handel: Concerto grosso in C Major for "Alexander's Feast", HWV 318: I. Allegro
Handel: Alexander's Feast, HWV 75, Pt. 1: Chorus. "The Many Rend the Skies with Loud Applause"
Handel: Samson, HWV 57, Act 3, Scene 2: Dead March - Recitative. "The body comes" (Micah, Manoah)
Handel: Samson, HWV 57, Act 3, Scene 2: Aria with Chorus. "Glorious hero" - Recitative. "Come, come! No time for lamentation now" (Manoah, Israelites, Israelite Woman)
Handel: Samson, HWV 57, Act 3, Scene 2: Aria. "Let the bright Seraphim in burning row" (Israelite Woman)
Handel: Samson, HWV 57, Act 3, Scene 2: Chorus. "Let their celestial concerts all unite" (Israelites)
Handel: Concerto grosso in D Major, Op. 6 No. 5, HWV 323: I. Larghetto e staccato
Handel: Concerto grosso in D Major, Op. 6 No. 5, HWV 323: II. Allegro
Handel: Concerto grosso in D Major, Op. 6 No. 5, HWV 323: III. Presto
Handel: Concerto grosso in D Major, Op. 6 No. 5, HWV 323: IV. Largo
Handel: Concerto grosso in D Major, Op. 6 No. 5, HWV 323: V. Allegro
Handel: Concerto grosso in D Major, Op. 6 No. 5, HWV 323: VI. Menuet. Un poco larghetto
Handel: Organ Concerto in G Minor, Op. 4 No. 3, HWV 291: I. Adagio
Handel: Organ Concerto in G Minor, Op. 4 No. 3, HWV 291: II. Allegro
Handel: Organ Concerto in G Minor, Op. 4 No. 3, HWV 291: III. Adagio
Handel: Organ Concerto in G Minor, Op. 4 No. 3, HWV 291: IV. Allegro
Handel: Saul, HWV 53, Act 3, Scene 5: Chorus. "Gird on Thy Sword" (Israelites)
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
Handel: Ode for St. Cecilia's Day, HWV 76: Air. "What Passion Cannot Music Raise and Quell"
Handel: Theodora, HWV 68, Act 1: Chorus. "And draw a blessing down" (Heathens)
Handel: Theodora, HWV 68, Act 1: Air. "Kind Heav'n if virtue be thy care" (Didymus)
Handel: Theodora, HWV 68, Act 3: Chorus. "Oh Love divine, thou source of fame" (Irene, Christians)
Handel: Te Deum in D Major, HWV 278 "Utrecht": I. (a) We Praise Thee, O God
Handel: Apollo e Dafne, HWV 122: XVII. Aria. "Mie piante correte, mie braccie stringete" (Apollo)
Handel: Belshazzar, HWV 61, Act 1: Air. "Oh sacred oracles" (Daniel)
Handel: Belshazzar, HWV 61, Act 2: Chorus. "See from his post" (Chorus)
Handel: Concerto grosso in D Major, Op. 3 No. 6, HWV 317: I. Vivace
Handel: Concerto grosso in D Major, Op. 3 No. 6, HWV 317: II. Ad libitum
Handel: Concerto grosso in D Major, Op. 3 No. 6, HWV 317: III. Allegro
Handel: Jephtha, HWV 70, Act 3: Chorus. "Ye house of Gilead, with one voice" (Israelites)
Handel: Jephtha, HWV 70, Act 1: Chorus. "When loud his voice in thunder spoke" (Israelites)
Florilegium Secondum / Fasciculus 8 - Indissolubilis Amicitia In E Major: 1. Ouverture
Florilegium Secondum / Fasciculus 8 - Indissolubilis Amicitia In E Major: 2. Les Courtisans
Florilegium Secondum / Fasciculus 8 - Indissolubilis Amicitia In E Major: 3. Rondeau
Florilegium Secondum / Fasciculus 8 - Indissolubilis Amicitia In E Major: 4. Les Gendarmes
Florilegium Secondum / Fasciculus 8 - Indissolubilis Amicitia In E Major: 5. Les Bossus
Florilegium Secondum / Fasciculus 8 - Indissolubilis Amicitia In E Major: 6. Gavotte
Florilegium Secondum / Fasciculus 8 - Indissolubilis Amicitia In E Major: 7. Sarabande pour le Génie de l'Amitié
Florilegium Secondum / Fasciculus 8 - Indissolubilis Amicitia In E Major: 8. Gigue
Florilegium Secondum / Fasciculus 8 - Indissolubilis Amicitia In E Major: 9. Menuet
Exquisitioris harmoniae instrumentalis gravi-jucundae (1689) / Concerto 1: Bona Nova In D Minor: 1. Sonata. Grave - Allegro
Exquisitioris harmoniae instrumentalis gravi-jucundae (1689) / Concerto 1: Bona Nova In D Minor: 2. Ballo. Allegro
Exquisitioris harmoniae instrumentalis gravi-jucundae (1689) / Concerto 1: Bona Nova In D Minor: 3. Grave
Exquisitioris harmoniae instrumentalis gravi-jucundae (1689) / Concerto 1: Bona Nova In D Minor: 4. Aria
Exquisitioris harmoniae instrumentalis gravi-jucundae (1689) / Concerto 1: Bona Nova In D Minor: 5. Giga
Sonata à 6 Die Pauern Kirchfahrt genandt vom H. Biber: Sonata (Adagio-Presto)
Sonata à 6 Die Pauern Kirchfahrt genandt vom H. Biber: Die Pauern Kirchfahrt
Sonata à 6 Die Pauern Kirchfahrt genandt vom H. Biber: Aria
Sonata a 2 violini, trombone, violone In D Minor: 1. (Allegro non troppo)
Sonata a 2 violini, trombone, violone In D Minor: 2. (Poco allegro)
Sonata a 2 violini, trombone, violone In D Minor: 3. (Adagio)
Sonata a 2 violini, trombone, violone In D Minor: 4. (Allegro)
Sonata a 2 violini, trombone, violone In D Minor: 5. (Adagio)
Sonata a 2 violini, trombone, violone In D Minor: 6. (Poco allegro)
Sonata a 2 violini, trombone, violone In D Minor: 7. (Adagio)
Sonata a 2 violini, trombone, violone In D Minor: 8. (Allegro)
Sonata a 2 violini, trombone, violone In D Minor: 9. (Allegro)
Fidicinium sacro-profanum / Sonata 8 In B Flat Major: 1. Allegro
Fidicinium sacro-profanum / Sonata 8 In B Flat Major: 2. (Presto)
Fidicinium sacro-profanum / Sonata 8 In B Flat Major: 3. Presto - Adagio
Battalia à 10: Die liderliche Gesellschaft von allerley Humor
Battalia à 10: Lamento der Verwundten Musquetirer (Adagio)
Nikolaus Harnoncourt Conducts Mozart Early Symphonies
Symphony No. 1 in E-Flat Major, K. 16: I. Molto allegro
Symphony No. 7a in G Major, K. 45a "Lambach": I. Allegro maestoso
Symphony No. 47 in D Major, K. 97 (73m): I. Allegro
Symphony No. 1 in E-Flat Major, K. 16: II. Andante
Symphony No. 7a in G Major, K. 45a "Lambach": II. Andante
Symphony No. 47 in D Major, K. 97 (73m): II. Andante
Symphony No. 1 in E-Flat Major, K. 16: III. Presto
Symphony No. 7a in G Major, K. 45a "Lambach": III. Presto
Symphony No. 47 in D Major, K. 97 (73m): III. Menuetto & Trio
Symphony No. 4 in D Major, K. 19: I. Allegro
Symphony No. 7 in D Major, K. 45: I. Molto allegro
Symphony No. 47 in D Major, K. 97 (73m): IV. Presto
Symphony No. 4 in D Major, K. 19: II. Andante
Symphony No. 7 in D Major, K. 45: II. Andante
Symphony No. 45 in D Major, K. 95 (73n): I. Allegro
Symphony No. 4 in D Major, K. 19: III. Presto
Symphony No. 7 in D Major, K. 45: III. Menuetto
Symphony No. 45 in D Major, K. 95 (73n): II. Andante
Symphony No. 4a in F Major, K. 19a: I. Allegro assai
Symphony No. 7 in D Major, K. 45: IV. Molto allegro
Symphony No. 45 in D Major, K. 95 (73n): III. Menuetto - Trio
Symphony No. 4a in F Major, K. 19a: II. Andante
Symphony No. 55 in B-Flat Major, K. 45b: I. Allegro
Symphony No. 45 in D Major, K. 95 (73n): IV. Allegro
Symphony No. 4a in F Major, K. 19a: III. Presto
Symphony No. 55 in B-Flat Major, K. 45b: II. Andante
Symphony No. 5 in B-Flat Major, K. 22: I. Allegro
Symphony No. 55 in B-Flat Major, K. 45b: III. Menuetto
Symphony No. 5 in B-Flat Major, K. 22: II. Andante
Symphony No. 55 in B-Flat Major, K. 45b: IV. Allegro
Symphony No. 5 in B-Flat Major, K. 22: III. Allegro molto
Symphony No. 8 in D Major, K. 48: I. Allegro
Symphony No. 43 in F Major, K. 76 (K. 42a): I. Allegro maestoso
Symphony No. 8 in D Major, K. 48: II. Andante
Symphony No. 43 in F Major, K. 76 (K. 42a): II. Andante
Symphony No. 8 in D Major, K. 48: III. Menuetto
Symphony No. 43 in F Major, K. 76 (K. 42a): III. Menuetto
Symphony No. 8 in D Major, K. 48: IV. Molto allegro
Symphony No. 43 in F Major, K. 76 (K. 42a): IV. Allegro
Symphony No. 9 in C Major, K. 73 (75a): I. Allegro
Symphony No. 6 in F Major, K. 43: I. Allegro
Symphony No. 9 in C Major, K. 73 (75a): II. Andante
Symphony No. 6 in F Major, K. 43: II. Andante
Symphony No. 9 in C Major, K. 73 (75a): III. Menuetto
Symphony No. 6 in F Major, K. 43: III. Menuetto
Symphony No. 9 in C Major, K. 73 (75a): IV. Molto allegro
Symphony No. 6 in F Major, K. 43: IV. Allegro
Symphony No. 44 in D Major, K. 81 (73I): I. Allegro
Symphony No. 44 in D Major, K. 81 (73I): II. Andante
Symphony No. 44 in D Major, K. 81 (73I): III. Allegro molto
Symphony No. 27 in G Major, K. 199 (161b): I. Allegro
Symphony No. 27 in G Major, K. 199 (161b): II. Andante grazioso
Symphony No. 27 in G Major, K. 199 (161b): III. Presto
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio
Symphony in D Major: Overture & No. 1 from "Ascanio in Alba", K. 111 & K. 120/111a: I. Allegro assai
Symphony No. 25 in G Minor, K. 183: II. Andante
Symphony in D Major: Overture & No. 1 from "Ascanio in Alba", K. 111 & K. 120/111a: II. Andante grazioso
Symphony No. 25 in G Minor, K. 183: III. Menuetto
Symphony in D Major: Overture & No. 1 from "Ascanio in Alba", K. 111 & K. 120/111a: III. Finale - Presto
Symphony No. 25 in G Minor, K. 183: IV. Allegro
Symphony No. 15 in G Major, K. 124: I. Allegro
Symphony in D Major (Overture from "La finta giardiniera", K. 196 & K. 127 (207a)): I. Allegro molto
Symphony No. 15 in G Major, K. 124: II. Andante
Symphony in D Major (Overture from "La finta giardiniera", K. 196 & K. 127 (207a)): II. Andante grazioso
Symphony No. 15 in G Major, K. 124: III. Menuetto
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Symphony in D Major (Overture from "La finta giardiniera", K. 196 & K. 127 (207a)): III. Allegro
Symphony No. 15 in G Major, K. 124: IV. Presto
Symphony No. 50 in D Major, K. 141a (Overture from "Il sogno di Scipione", K. 126 & K. 161/163): I. Allegro moderato
Symphony No. 50 in D Major, K. 141a (Overture from "Il sogno di Scipione", K. 126 & K. 161/163): II. Andante
Symphony No. 50 in D Major, K. 141a (Overture from "Il sogno di Scipione", K. 126 & K. 161/163): III. Presto
Symphony No. 22 in C Major, K. 162: I. Allegro assai
Symphony No. 22 in C Major, K. 162: II. Andante grazioso
Symphony No. 22 in C Major, K. 162: III. Presto assai
Symphony No. 26 in E-Flat Major, K. 184 (161a): I. Molto presto
Symphony No. 26 in E-Flat Major, K. 184 (161a): II. Andante
Symphony No. 26 in E-Flat Major, K. 184 (161a): III. Allegro
Mozart: Early Symphonies - Music & Letters
Erste Reisen: Leopold & Nannerl 1762/63 (KV 16, 1 Satz: Molto allegro)
Mein Herz ist völlig entzücket (Wirgl, 14. Dezember 1769)
Te Deum laudamus! (Olmütz, 10. November 1767)
Wie kostbar die Zeit für die Jugend ist (München, 10. November 1766)
Das heist auf der Schenckenpost gereiset (Wasserburg, 11. Juni 1763)
Ich erfuhr, dass alle Clavieristen und Componisten in Wien (Wien, 30. Januar 1768)
Meine Kinder haben ganz Schwetzingen in Bewegung gesetzet (Leopold: Schwetzingen, 19. Juli 1763/Nannerl: Briefe 13. Juli- 2. August 1763)
Was die Rettung der Ehre meines Kindes erheischet (Wien, 13. September 1768)
Bei Erblickung meiner Kinder stille gehalten (Paris, 1. Februar 1764)
Freundin! Ich bitte um Verzeihung (Salzburg 1769?)
Wir sind, Gott Lob, glücklich über den Maxlaner-Bach gekommen (London, 25. April & 28. Mai 1764)
Abdelazer or The Moor's Revenge, I. Overture
Abdelazer or The Moor's Revenge, II. Rondeau
Abdelazer or The Moor's Revenge, III. Air
Abdelazer or The Moor's Revenge, IV. Air
Abdelazer or The Moor's Revenge, V. Minuet
Abdelazer or The Moor's Revenge, VI. Air
Abdelazer or The Moor's Revenge, VII. Jig
Fantasia in B-Flat Major for 4 viols, Z. 736
Abdelazer or The Moor's Revenge, VIII. Hornpipe
Abdelazer or The Moor's Revenge, IX. Air
Musick's Handmaid Lessons, II. Con Spirito
Fantasia upon One Note for 5 viols, Z. 745
Musick's Handmaid Lessons, IV. New Minuet
In Nomine of Seven Parts for 7 viols, Z. 747
In Nomine of Six Parts for 6 viols, Z. 746
The Married Beau, VIII. Hornpipe on a Ground
Musick's Handmaid Lesson, I. A New Scotch Tune
Musick's Handmaid Lesson, II. A New Ground
Musick's Handmaid Lesson, III. A New Irish Tune: Lilliburlero
Musick's Handmaid Lesson, V. Sefauchi's Farewell
The Gordian Knot Untied, III. Rondeau Minuet
Instrumental Music of 1600 (Music by Gabrieli, Morley, Holborne, Scheidt and Others)
Fantasias on "Une jeune fillete": I. Fantasia No. 1
Fantasias on "Une jeune fillete": II. Fantasia No. 2
Fantasias on "Une jeune fillete": III. Fantasia No. 3
Fantasias on "Une jeune fillete": IV. Fantasia No. 4
Fantasias on "Une jeune fillete": V. Fantasia No. 5
Bach: Brandenburg Concertos Nos. 3, 5 & 6 - Orchestral Suite No. 3
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue
Mozart: Clarinet Concerto, Oboe Concerto & Concerto for Flute and Harp
Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro
Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino
Mozart: Concerto for Flute and Harp in C Major, K. 299: III. Rondeau. Allegro
Mozart: Oboe Concerto in C Major, K. 314: I. Allegro aperto
Mozart: Oboe Concerto in C Major, K. 314: II. Adagio non troppo
Mozart: Oboe Concerto in C Major, K. 314: III. Rondo. Allegretto
Mozart: Clarinet Concerto in A Major, K. 622: I. Allegro
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio
Mozart: Clarinet Concerto in A Major, K. 622: III. Rondo. Allegro
Haydn: Armida, Hob. XXVIII/12: Sinfonia (Vivace - Allegretto)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 1: Recitativo, "Amici, il fiero Marte" (Idreno, Armida, Rinaldo)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 1: No. 1, Aria, "Vado a pugnar contento" (Rinaldo)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 1: Recitativo, "Armida, ebben, che pensi?" (Idreno, Armida)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 1: No. 2, Aria, "Se dal suo braccio opresso" (Idreno)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 1: No. 3, Recitativo accompagnato, "Partì Rinaldo, ed ebbe core Armida" (Armida)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 1: No. 4, Aria, "Se pietade avete, oh Numi" (Armida)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 1: No. 5, Marcia
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Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 2: Recitativo, "Valorosi compagni, nuovi perigli" (Ubaldo)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 2: No. 6, Aria, "Dove son? Che miro intorno?" (Ubaldo) - No. 7, Recitativo accompagnato, "Qual turbamento ignoto" (Ubaldo) - Recitativo, "Signor, in
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 2: Recitativo, "Ah, si scenda per poco" (Zelmira, Clotarco)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 2: No. 8, Aria, "Se tu seguir mi vuoi" (Zelmira)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 3: Recitativo, "Della mia fede" (Rinaldo, Armida, Ubaldo)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 3: No. 9, Recitativo accompagnato, "Oh amico! Oh mio rossor!" (Rinaldo, Armida)
Haydn: Armida, Hob. XXVIII/12, Act 1 Scene 3: No. 10, Duetto, "Caro, sarò fedele" (Rinaldo, Armida)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: Recitativo, "Odi, e serba il segreto" (Idreno, Zelmira)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: No. 11, Aria, "Tu mi sprezzi, e mi deridi" (Zelmira)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: Recitativo, "No, non mi pento" (Idreno, Clotarco)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: No. 12, Aria, "Ah, si plachi il fiero Nume" (Clotarco)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: Recitativo, "Va' pur, folle" (Idreno, Ubaldo)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: No. 13, Aria, "Teco la guida al campo" (Idreno)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: Recitativo, "Ben simulati io credo" (Ubaldo, Rinaldo, Armida)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: No. 14, Recitativo accompagnato, "Armida … Oh affanno!" (Rinaldo, Ubaldo)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: No. 15, Aria, "Cara, è vero, io son tiranno" (Rinaldo)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: No. 16, Recitativo accompagnato, "Barbaro! E ardisci ancor" (Armida)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 1: No. 17, Aria, "Odio, furor, dispetto" (Armida)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 2: Recitativo, "Eccoti alfin, Rinaldo, reso" (Ubaldo, Rinaldo)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 2: No. 18, Aria, "Prence amato, in questo amplesso" (Ubaldo)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 2: Recitativo, "Ansioso già mi vedi" (Rinaldo, Armida, Ubaldo)
Haydn: Armida, Hob. XXVIII/12, Act 2 Scene 2: No. 19, Terzetto, "Partirò, ma pensa, ingrato" (Armida, Rinaldo, Ubaldo)
Haydn: Armida, Hob. XXVIII/12, Act 3 Scene 1: No. 20, Recitativo accompagnato, "Questa dunqu'è la selva? E dov'è il foco?" (Rinaldo)
Haydn: Armida, Hob. XXVIII/12, Act 3 Scene 1: No. 21, Aria, "Torna pure al caro bene" (Zelmira)
Haydn: Armida, Hob. XXVIII/12, Act 3 Scene 1: No. 22, Recitativo accompagnato, "Qual tumulto d'idee m'eccita in seno" (Rinaldo)
Haydn: Armida, Hob. XXVIII/12, Act 3 Scene 1: No. 23, Aria, "Ah, non ferir, t'arresta" (Armida)
Haydn: Armida, Hob. XXVIII/12, Act 3 Scene 1: No. 24, Recitativo accompagnato, "Che inopportuno incontro!" (Rinaldo, Armida)
Haydn: Armida, Hob. XXVIII/12, Act 3 Scene 1: Recitativo, "Oh dio! Dove mi trovo?" (Rinaldo)
Haydn: Armida, Hob. XXVIII/12, Act 3 Scene 1: No. 25, Aria, "Dei pietosi, in tal cimento" (Rinaldo) - No. 26, Recitativo accompagnato, "Ed io m'arresto?" (Rinaldo)
Haydn: Armida, Hob. XXVIII/12, Act 3 Scene 2: No. 27, Marcia
Haydn: Armida, Hob. XXVIII/12, Act 3 Scene 2: Recitativo, "Ho vinto. Già sento il core a rimettersi" (Rinaldo, Ubaldo, Armida, Idreno, Zelmira)
Haydn: Armida, Hob. XXVIII/12, Act 3 Scene 2: No. 28, Finale, "Astri che in ciel splendete" (Armida, Zelmira, Idreno, Rinaldo, Ubaldo)
Bach, JS: Meine Seel erhebt den Herren, BWV 10: No. 1, Choral Fantasie. "Meine Seel erhebt den Herren"
Bach, JS: Meine Seel erhebt den Herren, BWV 10: No. 2, Aria. "Herr, der du stark und mächtig bist"
Soloist of the Regensburg Cathedral Choir
Bach, JS: Meine Seel erhebt den Herren, BWV 10: No. 3, Rezitativ. "Des Höchsten Güt und Treu"
Bach, JS: Meine Seel erhebt den Herren, BWV 10: No. 4, Aria. "Gewaltige stößt Gott vom Stuhl"
Bach, JS: Meine Seel erhebt den Herren, BWV 10: No. 5, Duett und Choral. "Er denket der Barmherzigkeit"
Bach, JS: Meine Seel erhebt den Herren, BWV 10: No. 6, Rezitativ. "Was Gott den Vatern alter Zeiten"
Bach, JS: Meine Seel erhebt den Herren, BWV 10: No. 7, Choral. "Lob und Preis sei Gott dem Vater"
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 1, Chor. "Lobet Gott in seinen Reichen"
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 2, Rezitativ. "Der Herr Jesus hub seine Hände auf"
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 3, Rezitativ. "Ach, Jesu, ist dein Abschied“
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 4, Aria. "Ach, bleibe doch, mein liebstes Leben“
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 5, Rezitativ. "Und ward aufgehoben zusehends“
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 6, Choral. "Nun lieget alles unter dir“
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 7, Rezitativ. "Und da sie ihm nachsahen gen Himmel fahren“
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 8, Rezitativ. "Ach ja! So komme bald zurück“
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 9, Rezitativ. "Sie aber beteten ihn an“
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 10, Aria. "Jesu, deine Gnadenblicke“
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 11, Choral. "Wenn soll es doch geschehen“
Bach, JS: Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 1, Sinfonia
Bach, JS: Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 2, Chor. "Weinen, Klagen, Sorgen, Zagen"
Bach, JS: Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 3, Rezitativ. "Wir müssen durch viel Trübsal"
Bach, JS: Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 4, Aria. "Kreuz und Krone sind verbunden"
Bach, JS: Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 5, Aria. "Ich folge Christo nach"
Bach, JS: Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 6, Aria. "Sei getreu, alle Pein"
Bach, JS: Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 7, Choral. "Was Gott tut, das ist wohlgetan"
Messiah, HWV 56: Part 2: Hallelujah (Chorus)
Ich mag keine Klassik, aber das gefällt mir! - Für Kinder
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Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante