1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x28faae5990d22e51e2af7b234f939529f7a2fd10f52582ba33d57b24a28c217d. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/e946a450-132d-4238-8f2a-895d590bce60.json and https://artists.proofprofile.net/proofs/artist/e946a450-132d-4238-8f2a-895d590bce60.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Welcome, Black Night – Cease These False Sports
As Vesta Was from Latmos Hill Descending
Dowland: The Art of Melancholy – Lute Songs
All Ye Whom Love or Fortune Hath Betrayed
Now, Oh Now I Needs Must Part – The Frog Galliard
1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbfdc92ac9b3227d90bac288a7cff3678fe10d17a395c57102f3b4c1703431136. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3ioLSk6RWYTu8RucT7l9Hw.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3ioLSk6RWYTu8RucT7l9Hw.
Stabat Mater: Tallis, Dowland, Byrd, von Bingen and Ruiz del Corral reworked for choir and chamber orchestra
Lachrimae or seven tears: Lachrimae Amantis - Arr. String Orchestra
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Gradualia ac cantiones sacrae: Ave Verum Corpus Natum de Maria Virgine - Arr. String Orchestra
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Ave Generosa: Antiphona I - Arr. Chamber Ensemble
Ave Generosa: Sequentia et Antifona II - Arr. Chamber Ensemble
Stabat Mater, Op. 45: V. Corpus Morietur, Paradisi Gloria
Tudor Motets: Gloria Patri - Arr. String Orchestra
Dowland, Lawes, Cooper, Byrd, Simpson & Lupo: English Consort and Keyboard Music
Lawes: Consort Set No. 10 a 6 in C Minor: II. Fantasia
Lawes: Consort Set No. 10 a 6 in C Minor: III. In nomine
Lawes: Consort Set No. 10 a 6 in C Minor: IV. Air
Lawes: Consort Set No. 8 a 6 in F Major: II. Fantasia "The Sunrise"
Lawes: Consort Set No. 8 a 6 in F Major: III. Aire, VdGS 92
Lawes: Fantasia-Suite No. 7 in D Minor: I. Fantasia
Lawes: Fantasia-Suite No. 7 in D Minor: II. Almaine
Lawes: Fantasia-Suite No. 7 in D Minor: III. Galliard
Lawes: Consort Set No. 9 a 6 in B-Flat Major: III. In nomine
Coperario: Fantasia-Suite in D Major, RC 115: I. Fancy
Coperario: Fantasia-Suite in D Major, RC 115: II. Almaine
Coperario: Fantasia-Suite in D Major, RC 115: III. Galliard
Byrd: Pavan and Galliard, BK52: Galliard
The Passinge Mesures – Music of the English Virginalists
The Nynth Pavian and Galliarde, the Passinge Mesures, BK 2: I. Pavian
The Nynth Pavian and Galliarde, the Passinge Mesures, BK 2: II. Galliarde
Queen Elizabeth's Chromatic Pavan & Galliard, MB 19/87: I. Pavan
Queen Elizabeth's Chromatic Pavan & Galliard, MB 19/87: II. Galliard
The Carman's Whistle "Air and Variations", BK 36 (Arr. Grainger for Piano)
Now, Oh Now I Needs Must Part (Arr. Grainger for Piano)
Hornpipe from Water Music (Arr. Grainger for Piano)
Handelian Rhapsody (Arr. Grainger for Piano)
4 Irish Dances: I. A March-Jig "Maguire's Kick" (Arr. Grainger for Piano)
4 Irish Dances: II. A Slow Dance (Arr. Grainger for Piano)
4 Irish Dances: III. The Leprechaun's Dance (Arr. Grainger for Piano)
4 Irish Dances: IV. A Reel (Arr. Grainger for Piano)
Beautiful Fresh Flower (Arr. Grainger for Piano)
Der Rosenkavalier, Ramble on Love (Arr. Grainger for Piano)
5 Lieder, Op. 49: No. 4, Cradle Song (Arr. Grainger for Piano)
Après un rêve, Op. 7 No. 1 (Arr. Grainger for Piano)
Nell, Op. 18 No. 1 (Arr. Grainger for Piano)
Paraphrase on Tchaikovsky's Flower Waltz
The Man I Love (Arr. Grainger for Piano)
Love Walked in (Arr. Grainger for Piano)
Tribute to Foster: Lullaby (After Stephen Foster)
Lachrimae or Seven Tears: I. Lachrimae antiquae
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x88b47535d5098c00aefae4e77bd252bbc659cde2d9dca86ad16f51b0a0a579d1. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5BwyCQ9Vw46fziJPaM4CtZ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5BwyCQ9Vw46fziJPaM4CtZ.
Lachrimae or Seven Tears: II. Lachrimae antiquae novae
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9511a8875a6e8a80ded796de53f59e5d7af2c746b473a7d61c14155ff1686e53. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4WISjinLYNdceaF73BYX4k.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4WISjinLYNdceaF73BYX4k.
Lachrimae or Seven Tears: III. Lachrimae gementes
Lachrimae or Seven Tears: IV. Lachrimae tristes
Lachrimae or Seven Tears: V. Lachrimae coactae
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x25570c126dfcd10d6a799cf871a0889acc3e566fe31134a4863fb16569591c96. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4YNa2bjxw5PJsh682Jxdjp.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4YNa2bjxw5PJsh682Jxdjp.
Lachrimae or Seven Tears: VI. Lachrimae amantis
Lachrimae or Seven Tears: VII. Lachrimae verae
Lachrimae or Seven Tears: VIII. Mr Nicholas Gryffith his Galliard
Lachrimae or Seven Tears: IX. Sir John Souch his Galliard
Lachrimae or Seven Tears: X. Semper Dowland semper Dolens
Lachrimae or Seven Tears: XI. Mr Giles Hoby his Galliard
Lachrimae or Seven Tears: XII. The King of Denmark's Galliard
Lachrimae or Seven Tears: XIII. Mr Bucton his Galliard
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0af8dc8babcf797cc4b6ebb402f3df1d81ea684b89acbf981fce42f85390d264. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2OoFf3a0AHLLYKwb2SOuMe.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2OoFf3a0AHLLYKwb2SOuMe.
Lachrimae or Seven Tears: XV. Captain Piper his Galliard
Lachrimae or Seven Tears: XVI. Mr Henry Noell his Galliard
Lachrimae or Seven Tears: XVII. Mr Thomas Collier his Galliard with Two Trebles
Lachrimae or Seven Tears: XVIII. Sir Henry Umpton's Funeral
Lachrimae or Seven Tears: XIX. Mr George Whitehead his Alman
Lachrimae or Seven Tears: XX. Mrs Nichols's Alman
Lachrimae or Seven Tears: XXI. Mr John Langton's Pavan
Galliard upon a Galliard of Daniel Batchelor
Lachrimae, or Seven Tears: Lachrimae antiquae
Lachrimae, or Seven Tears: The King of Denmark's Galliard
Lachrimae, or Seven Tears: Lachrimae antiquae novae
Lachrimae, or Seven Tears: Sir John Souch his Galliard
Lachrimae, or Seven Tears: Lachrimae gementes
Lachrimae, or Seven Tears: Mr. Nicholas Gryffith his Galliard
Lachrimae, or Seven Tears: Lachrimae tristes
Lachrimae, or Seven Tears: Mr. Giles Hobies Galliard
Lachrimae, or Seven Tears: Lachrimae coactae
Lachrimae, or Seven Tears: The Earl of Essex Galliard
Lachrimae, or Seven Tears: Lachrimae amantis
Lachrimae, or Seven Tears: Captain Digorie Piper his Galliard
Lachrimae, or Seven Tears: Lachrimae verae
Lachrimae, or Seven Tears: Mr. Henry Noel his Galliard
Lachrimae, or Seven Tears: Sir Henry Umpton's Funeral
Lachrimae, or Seven Tears: Mr. Bucton's Galliard
Lachrimae, or Seven Tears: Mr. John Langton's Pavan
Lachrimae, or Seven Tears: Mr. Thomas Collier his Galliard
Lachrimae, or Seven Tears: Mr. George Whitehead his Almand
Lachrimae, or Seven Tears: Mistress Nichols Almand
Lachrimae, or Seven Tears: Semper Dowland semper dolens
The Most Sacred Queen Elizabeth, Her Galliard, P. 41
The Most High and Mighty Christianus the Fourth, King of Denmark, His Galliard, P. 40
7 Fantasies (Excerpts): No. 6, A Fancy, P. 6
7 Fantasies (Excerpts): No. 5, A Fancy, P. 5
7 Fantasies (Excerpts): No. 1, A Fantasie, P. 1
The Earl of Essex, His Galliard "Can She Excuse", P. 42
7 Fantasies (Excerpts): No. 2, Forlorn Hope Fancy, P. 2
The Right Honourable, the Lady Clifton’s Spirit, P. 45
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Can She Excuse, P. 42 / The Right Honourable Robert, Earl of Essex, His Galliard, P. 42a
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The Right Honourable the Lady Clifton's Spirit, P. 45
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The Second Book of Songes: No. 2, Flow My Tears
The Second Book of Songes: No. 11, Come Away, Come Sweet Love
The Second Book of Songes: No. 10, O Sweet woods, the Delight of Solitariness
The Second Book of Songes: No. 1, I Saw My Lady Weep
The First Booke of Songes: No. 5, Can She Excuse My Wrongs
The First Booke of Songes: No. 14, All ye, whom Love or Fortune
The Second Book of Songes: No. 12, Fine Knacks for Ladies
The First Booke of Songes: No. 6, Now, O Now, I Needs Must Part
The First Booke of Songes: No. 20, Come, Heavy Sleep
The First Booke of Songes: No. 4, The First Booke of Songes
The First Booke of Songes: No. 15, Wilt Thou Unkind Thus Reave Me
The First Booke of Songes: No. 9, Go crystal tears
The First Booke of Songes: No. 17, Come Again
The Second Book of Songes: No. 3, Sorrow, Sorrow, Stay, lend True Repentant Tears
Dowland: Works for Lute (Performed on Guitar)
Fantasia in G Minor, P. 6 (Performed on Guitar)
Lord Strang’s March, P. 65 (Performed on Guitar)
The Frog Galliard, P. 23 (Performed on Guitar)
Fantasia in E Major, P. 7 (Performed on Guitar)
Sir John Smith, His Almain P. 47 (Performed on Guitar)
Can She Excuse My Wrongs, P. 42 (Arr. for Guitar)
Forlorn Hope Fantasia, P. 2 (Performed on Guitar)
The Right Honorable the Lady Clifton's Spirit, P. 45 (Performed on Guitar)
Mrs White’s Thing, P. 50 (Performed on Guitar)
Mrs White’s Nothing, P. 56 (Performed on Guitar)
Fantasia in G Major, P. 73 (Performed on Guitar)
Loth to Depart, P. 69 (Performed on Guitar)
Lady Hunsdon’s Puffe, P. 54 (Performed on Guitar)
Mrs Winter’s Jump, P. 55 (Performed on Guitar)
Fantasia in D Minor, P. 5 (Performed on Guitar)
The Most Sacred Queen Elizabeth, Her Galliard, P. 41 (Performed on Guitar)
The Shoemaker’s Wife, a Toy, P. 58 (Performed on Guitar)
Lachrimae: No. 11, Sir John Langton's Pavin, P 14
Can She Excuse, P 42 - The Earl of Essex Galiard (Arr. for Solo Lute)
Adieu for Master Oliver Cromwell, P 13 (Arr. for Solo Lute)
Lachrimæ, or Seven Tears: Sir Henry Umpton's Funerall
First Book of Songs or Aires: Now, O Now I Needs Must Part
Lachrimæ, or Seven Tears: The King of Denmark His Galiard
Lachrimæ, or Seven Tears: Lachrimæ Antiquæ
Second Book of Songs or Aires: O Sweet Woods, the Delight of Solitariness
Lachrimæ, or Seven Tears: M. Bucton His Galiard
Lachrimæ, or Seven Tears: Lachrimæ Antiquæ Novæ
First Book of Songs or Aires: Dear, If You Change, I'll Never Choose Again
Lachrimæ, or Seven Tears: Lachrimæ Gementes
Lachrimæ, or Seven Tears: M. Henry Noell His Galiard
First Book of Songs or Aires: If My Complaints Could Passions Move
Lachrimæ, or Seven Tears: Lachrimæ Tristes
Lachrimæ, or Seven Tears: M. Giles Hoby His Galiard
Lachrimæ, or Seven Tears: Lachrimæ Coactæ
First Book of Songs or Aires: His Golden Locks Time Hath to Silver Turn'd
Lachrimæ, or Seven Tears: M. George Whitehead His Almand
Lachrimæ, or Seven Tears: Lachrimæ Amantis
First Book of Songs or Aires: Go Crystal Tears
Lachrimæ, or Seven Tears: Sir John Souch His Galiard
Second Book of Songs or Aires: Flow My Tears Fall From Your Springs
Lachrimæ, or Seven Tears: Semper Dowland Semper Dolens
John Dowland: First Booke of Songes or Ayres
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Who Ever Thinks or Hopes of Love for Love
Can She Excuse My Wrongs with Virtue's Cloak?
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x85a65be78e23e654e6f6b8a0a37f52b743ae56a539049849b3da2a69f69a083a. Chain 2 (Bitcoin): anchored in block 956349 (2026-07-02T11:34:59Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1ql4JFbLS6PqvUjukcFTUc.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1ql4JFbLS6PqvUjukcFTUc.
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Dear, if You Change, I'll Never Choose Again
All Ye Whom Love or Fortune Hath Betray'd
Wilt Thou Unkind Thus Reave Me of My Heart?
Would My Conceit that First Enforc'd My Woe
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His Golden Locks Time Hath to Silver Turned
The Woods So Wild / Can She Excuse My Wrongs
The Right Honourable the Lady Rich, Her Galliard
Dowland: The Second Booke of Songs or Ayres
Pt. 2, Then Sit Thee Down, and Say Thy Nunc dimittis
Pt. 3, When Others Sing Venite exultemus
Praise Blindness, Eyes, for Seeing Is Deceit
O Sweet Woods, the Delight of Solitariness
If Floods of Tears Could Cleanse My Follies Past
Clear or Cloudy Sweet as April Showering
The Right Honourable the Lord Viscount Lisle, His Galliard, P. 38
Book of Songs, Book 1: Awake Sweet Love, Thou Art Returned
Book of Songs, Book 1: My thoughts Are Winged with Hopes
Book of Songs, Book 1: Come Away, Come Sweet Love
Book of Songs, Book 1: Can She Excuse My Wrongs
Book of Songs, Book 1: All Ye Whom Love or Fortune Hath Betrayed
Book of Songs, Book 3: Time Stands Still
Book of Songs, Book 1: Think'st Thou Then by Thy Feigning
Book of Songs, Book 2: I Saw My Lady Weep
Book of Songs, Book 1: Away with These Self-Loving Lads
Book of Songs, Book 2: A Shepard in a Shade
A Pilgrim's Solace: No. 5, Shall I Strive with Words to Move?
Book of Songs, Book 2: Now Cease, My Wandering Eyes
Euing Lute Book: IV. A Piece Without Title, P. 78
Book of Songs, Book 2: Sorrow, Stay, Lend True Repentant Tears
Book of Songs, Book 2: Mourn, Mourn, Day Is with Darkness Fled
A Musicall Banquet: No. 3, In Darkness Let Me Dwell
Book of Songs, Book 1: Come, Heavy Sleep
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Book of Songs, Book 1: Go, crystal tears (arr. for voice, saxophone, baroque cello and guitar)
Book of Songs, Book 1: Can she excuse my wrongs, P. 42
Book of Songs, Book 1: Come again, sweet love doth now invite (arr. for voice, saxophone, baroque cello and guitar)
Book of Songs, Book 2: Flow, my tears, fall from your springs (arr. for voice, saxophone, baroque cello and guitar)
Book of Songs, Book 2: I saw my lady weep (arr. for voice, saxophone and guitar)
Book of Songs, Book 2: Fine Knacks for Ladies
Book of Songs, Book 1: Now, O Now I Needs Must Part (arr. for saxophone and guitar)
Book of Songs, Book 4, "A Pilgrimes Solace": In Darkness Let Me Dwell (arr. for voice, saxophone, baroque cello and guitar)
Book of Songs, Book 3: Weep you no more, sad fountains
My favorite Dowland (Bonus Track Version)
The collected Lute Music of John Dowland: Forlorne Hope Fancye, P 2
The Right Honourable Robert, Earl of Essex, his Galliard, P 42a
The Right Honourable the Lady Cliftons Spirit, P 45
The collected Lute Music of John Dowland: A Fancy, P 5
The most sacred Queene Elizabeth, her Galliard, P 41
The collected Lute Music of John Dowland: Captaine Digorie Piper his Galliard, P 19 - Bonus Track
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Lachrimae or Seaven Teares: I. Lachrimae Antiquae
Lachrimae or Seaven Teares: II. Lachrimae Antiquae Novae
Lachrimae or Seaven Teares: III. Lachrimae Gementes
Lachrimae or Seaven Teares: IV. Lachrimae Tristes
Lachrimae or Seaven Teares: V. Lachrimae Coactae
Lachrimae or Seaven Teares: VI. Lachrimae Amantis
Lachrimae or Seaven Teares: VII. Lachrimae Verae
Lachrimae or Seaven Teares: VIII. M. Nicholas Gryffith His Galiard
Lachrimae or Seaven Teares: IX. Sir John Souch His Galiard
Lachrimae or Seaven Teares: X. The King of Denmarks Galiard (Variation by Robert Dowland)
Lachrimae or Seaven Teares: XI. The Earle of Essex Galiard
Lachrimae or Seaven Teares: XII. Mrs. Nichols Almand
Lachrimae or Seaven Teares: XIII. M. Thomas Collier His Galiard with 2 Trebles
Lachrimae or Seaven Teares: XIV. M. George Whitehead His Almand
Lachrimae or Seaven Teares: XV. M. Bucton His Galiard
Lachrimae or Seaven Teares: XVI. Sir Henry Umptons Funerall
Lachrimae or Seaven Teares: XVII. Captaine Piper His Galliard
Lachrimae or Seaven Teares: XVIII. M. Henry Noell His Galiard
Lachrimae or Seaven Teares: XIX. M. Giles Hoby His Galiard
Lachrimae or Seaven Teares: XX. M. John Langtons Pavan
Lachrimae or Seaven Teares: XXI. Semper Dowland Semper Dolens
Book of Songs, Book 1: Come again, sweet love doth now invite
Book of Songs, Book 1: If my complaints could passions move
Book of Songs, Book 3: It was a time when silly bees could speak
Book of Songs, Book 4, "A Pilgrimes Solace": Tell me, true Love
Book of Songs, Book 1: His golden locks Time hath to silver turned
Book of Songs, Book 4, "A Pilgrimes Solace": Sweet, stay awhile, why will you rise?
Book of Songs, Book 2: Flow, my tears, fall from your springs
Book of Songs, Book 1: Sleep Wayward Thoughts (Arr. by Seán Dagher and Michael Slattery)
Book of Songs, Book 1: Now O Now I Needs Must Part (Arr. by Seán Dagher and Michael Slattery)
Book of Songs, Book 3: Behold a Wonder Here (Arr. by Seán Dagher and Michael Slattery)
Book of Songs, Book 2: Fine Knacks for Ladies (Arr. by Seán Dagher)
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Book of Songs, Book 3: Say, Love if Ever Thou Didst Find
Book of Songs, Book 1: Away With These SelfLoving Lads
Book of Songs, Book 1: Come again, Sweet Love (Arr. by Seán Dagher and Michael Slattery)
Book of Songs, Book 1: Come Heavy Sleep (Arr. by Sylvain Bergeron)
Lacrimae Pavan (Arr. by Sylvain Bergeron)
Book of Songs, Book 3: Me, Me and None but Me (Arr. by Sylvain Bergeron)
Kemp’s Jig / Mistress Winter’s Jump / My Lady Hunsdon’s Puff
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Book of Songs, Book 2: Clear or Cloudy (Arr. by Seán Dagher)
Book of Songs, Book 2: A Shepherd in a Shade (Arr. by Sylvain Bergeron and Michael Slattery)
Book of Songs, Book 1: His Golden Locks (Arr. by Seán Dagher and Michael Slattery)
John Dowland's Lachrimae or Seaven Teares
Lachrimae, or Seven Tears: No. 1, Lachrimae Antiquae
The Firste Booke of Songes: No. 20, Come, Heavy Sleep
Lachrimae, or Seven Tears: No. 2, Lachrimae Antiquae Novae
The Second Book of Songes: No. 3, Sorrow Stay
Lachrimae, or Seven Tears: No. 3, Lachrimae Gementes
Lachrimae, or Seven Tears: No. 4, Lachrimae Tristes
A Pilgrimes Solace: No. 10, From Silent Night
Lachrimae, or Seven Tears: No. 5, Lachrimae Coactae
The Firste Booke of Songes: No. 9, Go Crystal Teares
Lachrimae, or Seven Tears: No. 6, Lachrimae Amantis
Lachrimae, or Seven Tears: No. 7, Lachrimae Verae
The Most Sacred Queen Elizabeth, Her Galliard
Flying Horse: Renaissance Music from the ML Lutebook
Dowland, J.: Lute Music, Vol. 4 - The Queen's Galliard
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Galliard in G Minor, P. 22, "Dowland's First Galliard"
Galliard in G Minor, P. 21, "John Dowland's Galliard"
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Galliard in G Minor, P. 31, "Galliard on Walsingham"
Come away, P. 60 (arr. of Come again, Sweet love doth now invite, new version by N. North)
Galliard in D Major, P. 24, "Awake sweet love, thou art returned"
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Galliard in D Major, P. 24, "Awake sweet love, thou art returned" (new version by N. North)
My Lord Willoughby's Welcome Home, P. 66
The Earl of Essex, his Galliard, P. 12: Can she excuse, P. 42
Sorrow, Sorrow Stay, Lend True Repetant Teares
Dowland: Lute Songs – Britten: Nocturnal
Nocturnal After John Dowland, Op. 70: I. Musingly. Meditativo
Nocturnal After John Dowland, Op. 70: II. Very Agitated. Molto agitato
Nocturnal After John Dowland, Op. 70: III. Restless. Inquieto
Nocturnal After John Dowland, Op. 70: IV. Uneasy. Ansioso
Nocturnal After John Dowland, Op. 70: V. March-Like. Quasi una marcia
Nocturnal After John Dowland, Op. 70: VI. Dreaming. Sognante
Nocturnal After John Dowland, Op. 70: VII. Gently Rocking. Cullante
Nocturnal After John Dowland, Op. 70: VIII. Passacaglia. Measured (Misurato) – Slow and Quiet (Molto tranquillo)
Lachrimae, or 7 Teares: XVIII. Captaine Digorie Piper His Galiard, P. 19
Dowland, J.: Lute Music, Vol. 3 - Pavans, Galliards and Almains
A Varietie of Lute Lessons: Sir John Smith, his Almain, P. 47
A Varietie of Lute Lessons: Dowland's Bells, P. 43a, "the Lady Rich's Galliard"
Mrs. Brigide Fleetwood's Pavan, "Solus sine sola", P. 11: Mrs Brigide Fleetwood's Pavan, P. 11, "Solus sine sola"
Mrs. Clifton's Almain, P. 53: Mrs Clifton's Almain, P. 53
The Right Honourable the Lord Viscount Lisle, His Galliard, P. 38: The Right Honourable the Lord Viscount Lisle, his Galliard, P. 91, "Sir Robert Sidney's Galliard"
A Varietie of Lute Lessons: Sir Henry Guilforde, his Almain
A Varietie of Lute Lessons: The Earl of Derby's Galliard, P. 44
Pavan in C Minor, P. 94, "Pavana Johan Douland"
Galliard (on a galliard by Daniel Bacheler)
A Musicall Dreame: Ayres & Instrumental Music by Farnaby, Dowland, Jones & Coprario
A Spanish Humour "The Lord Hayes' Favourite"
And Is It Night? Are They Thine Eyes That Shine?
The Most High and Mighty Christianus, King of Denmark, His Galliard
An Englishman Abroad: Consort Music by Thomas Simpson (English Orpheus 6)
Courantes 1 and 2 (Hamburg, 1617, Nos. 5 & 6)
Lessons for 1, 2 & 3 Viols: Alman (lyra viol version)
Lessons for 1, 2 & 3 Viols: Alman "Aria" (consort version)
Ricercar on Bonny Sweet Robin (Taffel Consort, 1621, No. 29)
Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs
Cooke: Alma proles regina (From British Library MS 57950 "Old Hall Manuscript")
Forest: Qualis est dilectus meus (From British Library MS 57950 "Old Hall Manuscript", Also Attributed to Plummer)
Pycard: Gloria II (From British Library MS 57950 "Old Hall Manuscript")
Damett: Salve porta paradisi (From British Library MS 57950 "Old Hall Manuscript")
Power: Credo II (From British Library MS 57950 "Old Hall Manuscript")
Chirbury: Agnus Dei (From British Library MS 57950 "Old Hall Manuscript")
Weelkes: Madrigals to 3-6 Voices: No. 15, Those Sweet Delightful Lilies
Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 3, Some Men Desire Spouses
Ward: The First Set of English Madrigals: No. 19, Retire, My Troubled Soul
Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds
Byrd: Psalmes, Songs, and Sonnets: No. 19, Come Woeful Orpheus
Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 6, Come, Sirrah Jack, Ho!
Ward: The First Set of English Madrigals: No. 8, O My Thoughts, Surcease
Morley: Madrigals to Four Voices: No. 18, Die Now, My Heart
Tomkins: Songs of 3-6 Parts: No. 8, O Let Me Die for True Love
Wilbye: The First Set of Madrigals: No. 10, Lady, When I Behold
Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 1, Come, Let's Begin to Revel't Out
Pilkington: Second Set of Madrigals and Pastorals: No. 19, Care for Thy Soul
Wilbye: The Second Set of Madrigals: No. 15, As Matchless Beauty
Wilbye: The First Set of Madrigals: No. 4, Weep, O Mine Eyes
Morley: Canzonets or Little Short Aers: No. 16, You Black Bright Stars
Tomkins: Songs of 3-6 Parts: No. 9, Oyez, Has Any Found a Lad?
Pilkington: The First Booke of Songs or Ayres: No. 17, Diaphenia Like the Daffdowndilly
Jones: Ultimum vale: No. 12, Thinkst thou Kate to Put Me Downe
Pilkington: The First Booke of Songs or Ayres: No. 16, Down-a-Down
Dowland: The Second Booke of Songs or Ayres: No. 17, A Shepherd in a Shade
Dowland: The Second Booke of Songs or Ayres: No. 12, Fine Knacks for Ladies
Dowland: A Pilgrims Solace: No. 17, Where Sin Sore Wounding
Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 11, Never Weather-Beaten Sail
Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 20, Jack and Jone
Ford: Musicke of Sundrie Kindes: No. 8, Since First I Saw Your Face
Ford: Musicke of Sundrie Kindes: No. 9, There Is a Ladie
Dowland: The Third and Last Booke of Songs or Aires: No. 17, I Must Complain
Campion: Second Book of Ayres Contayning Light Conceits of Lovers: No. 19, A Secret Love
Dowland: A Pilgrims Solace: No. 2, Sweet, Stay Awhile
Dowland: The First Booke of Songs or Ayres: No. 6, Now, Oh Now I Needs Must Part
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Three Feminine Portraits - Lady Hunsdon's Allemande
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Three Feminine Portraits - La Mia Barbara
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Three Feminine Portraits - Lady Clifton's Spirit
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Dowland on the Continent - Mauritius Pavin
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Dowland on the Continent - The King of Denmark's Galliard
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Elizabeth and Essex - Queen Elizabeth's Gaillard
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Elizabeth and Essex - The Earl of Essex's Galliard
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Dowland's Lamentation: Semper Dowland / Semper Dole - NS
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Nocturnal - In this trembling shadow cast
All We Need Is Love (& Classical Music) - A Valentine's Day Collection
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell
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Satie: 3 Gymnopédies: No. 2, Lent et triste
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Sibelius: 13 Pieces, Op. 76: No. 2, Étude
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Beethoven: An die ferne Geliebte, Op. 98: No. 3, Leichte Segler in den Höhen
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Mendelssohn: Songs Without Words, Book VI, Op. 67: No. 2, Allegro leggiero, MWV U145
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Gershwin: George Gershwin’s Songbook: VIII. The Man I Love
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Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les sauvages
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Bach, JS: Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano
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Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante (Excerpt)
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Mendelssohn: Songs Without Words, Book V, Op. 62: No. 6, Allegretto grazioso, MWV U161 "Spring Song"
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12e, Divertissement. Dance of the Reed-Flutes
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Bach: Prelude No. 1 from The Well-Tempered Clavier Book I, BWV 846
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Couperin, F: Troisième livre de pièces de clavecin, Dix-huitième ordre: VI. Le tic-toc-choc, ou Les maillotins
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Fauré: 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major
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Schubert: String Quintet in C Major, Op. 163, D. 956: II. Adagio (Excerpt)
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Verdi: La traviata, Act 1: Prelude (Excerpt)
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Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve
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Vivaldi: Mandolin Concerto in C Major, RV 425: I. Allegro
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Beethoven: 63 Irish Songs, Pt. 1, WoO 152: No. 6, What Shall I Do to Shew How Much I Love Her?
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Rameau: Second livre de pièces de clavecin, Suite en mi: V. Le rappel des oiseaux
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Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile
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Marcello, A: Oboe Concerto in D Minor, S. Z799: II. Adagio
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Grieg: Lyric Pieces, Book 5, Op. 54: No. 3, March of the Dwarfs
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Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Instrumental Version)
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Satie: 3 Gymnopédies: No. 1, Lent et douloureux
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Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Chorus)
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Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante, Pt. 1
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Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante, Pt. 2
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Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante, Pt. 3
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Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante, Pt. 4
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Grieg: Lyric Pieces, Book 3, Op. 43: No. 6, To Spring
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Poulenc: Léocadia, FP 106: Les chemins de l'amour
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Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne
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Bach, JS / Arr. Busoni: Ich ruf zu dir, Herr Jesu Christ, BWV 639
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Fauré: Requiem, Op. 48: VII. In Paradisum
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Chabrier: 10 Pièces pittoresques: No. 6, Idylle
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Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante
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Handel: Messiah, HWV 56, Pt. 2: Chorus. "Hallelujah"
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Bach, JS: Herz und Mund und Tat und Leben, BWV 147: X. Jesu Joy of Man's Desiring (Arr. Hess for Piano)
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Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt)
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Bach, JS: Keyboard Concerto in D Minor, BWV 974: II. Adagio (After Marcello's Oboe Concerto)
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Schumann & Liszt: Widmung, Op. 25 No. 1 (Arr. Liszt, S. 566a)
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Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod
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Albéniz / Arr. Chassain: Suite Española No. 1, Op. 47: V. Asturias "Leyenda" (Arr. Chassain for Guitar)
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Barrios Mangoré: La catedral: III. Allegro solemne
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Bach, JS: Herz und Mund und Tat und Leben, BWV 147: X. Jesus bleibet meine Freude (Transcr. Garcia for Guitar)
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De Visée: Pièces de théorbe et de luth, Suite en la mineur: V. Rondeau "La Montfermeil"
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Beethoven / Arr. Barrios Mangoré: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
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Tansman: Inventions: III. Sicilienne. Allegretto
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Traditional: El noi de la mare (Arr. Llobet for Guitar)
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Tansman: Musique de cour d'après Robert de Visée: VIII. Finale
Orchestre National Du Capitole De Toulouse
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De Visée: Pièces de théorbe et de luth, Suite en la mineur: IV. Sarabande
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Barrios Mangoré: La catedral: I. Preludio saudade
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Falla: 7 Canciones populares españolas: No. 3, Asturiana (Arr. Llobet & Pujol for Guitar & Cello)
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Granados: 12 Tonadillas en estilo antiguo: No. 5, El mirar de la maja
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Tansman: Musique de cour d'après Robert de Visée: V. Passacaille
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Myers: Cavatina (From "The Deer Hunter")
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Sainz de la Maza: La frontera de Dios: V. Sacrificio
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Piazzolla: Chiquilín de Bachín (Transcr. Ducros for Trumpet & Guitar)
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Barrios Mangoré: Una limosnita por el amor de Dios
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Piazzolla: Estaciones porteñas: III. Primavera porteña (Arr. Assad for Guitar)
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Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: I. Wachet auf, ruft uns die Stimme (Transcr. Garcia for Guitar)
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Dowland: A Musicall Banquet: No. 3, In Darkness Let Me Dwell
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Rodrigo: Concierto de Aranjuez: I. Allegro con spirito
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Rodrigo: Concierto de Aranjuez: II. Adagio
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Rodrigo: Concierto de Aranjuez: III. Allegro gentile
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Bonfá: Manhã de carnaval (From "Orfeu Negro") [Transcr. Garcia & Ferreira]
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Albéniz / Arr. Tárrega: Suite Española No. 1, Op. 47: III. Sevilla
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Piazzolla: Estaciones porteñas: IV. Invierno porteño (Arr. Assad for Guitar)
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Bach, JS / Transc. Garcia: Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne (Transc. Garcia for Guitar)
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Bach: Notebook for Wilhelm Friedemann Bach: No. 8, Prelude in F Major, BWV 927
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Bach: Canon a 2 perpetuus in D Minor, BWV 1075
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Handel: Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: I. Larghetto
Handel: Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: II. Allegro
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Handel: Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: III. Alla siciliana
Handel: Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: IV. Allegro
Bach, JS: Goldberg Variations, BWV 988: Aria
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Bach, JS: Goldberg Variations, BWV 988: Variation I
Bach, JS: Goldberg Variations, BWV 988: Variation II
Bach, JS: Goldberg Variations, BWV 988: Variation III. Canone all'unisono
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Bach, JS: Goldberg Variations, BWV 988: Variation IV
Bach, JS: Goldberg Variations, BWV 988: Variation V
Couperin: L'art de toucher le clavecin: Premier prélude
Couperin: L'art de toucher le clavecin: Troisième prélude
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Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. —
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Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo
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Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto
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Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: I. Prélude
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Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: II. Tendrement
Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: III. Vite
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Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: IV. Gaiment
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Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: V. Modérément
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Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: VI. Vite
Bach, JS: Suite in E Minor, BWV 996: I. Prelude
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Bach, JS: Suite in E Minor, BWV 996: II. Allemande
Bach, JS: Suite in E Minor, BWV 996: III. Courante
Bach, JS: Suite in E Minor, BWV 996: IV. Sarabande
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Bach, JS: Suite in E Minor, BWV 996: V. Bourrée
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Bach, JS: Suite in E Minor, BWV 996: VI. Gigue
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 1, Sinfonia
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away"
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol"
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 7, Aria. "Bid the Virtues"
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 8, Aria. "These Are the Sacred Charms"
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 9, Duet and Chorus. "See Nature Rejoicing"
Bach, JS: Violin Sonata No. 1 in B Minor, BWV 1014: I. Adagio
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Bach, JS: Violin Sonata No. 1 in B Minor, BWV 1014: II. Allegro
Bach, JS: Violin Sonata No. 1 in B Minor, BWV 1014: III. Andante
Bach, JS: Violin Sonata No. 1 in B Minor, BWV 1014: IV. Allegro
Frescobaldi: Il secondo libro di toccate: Gagliarda prima
Frescobaldi: Il secondo libro di toccate: Gagliarda seconda
Frescobaldi: Il secondo libro di toccate: Gagliarda terza
Frescobaldi: Il secondo libro di toccate: Gagliarda quarta
Frescobaldi: Il secondo libro di toccate: Gagliarda quinta
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Mondonville: Sonata for Violin and Harpsichord in F Major, Op. 3 No. 2: I. Allegro
Mondonville: Sonata for Violin and Harpsichord in F Major, Op. 3 No. 2: II. Aria
Mondonville: Sonata for Violin and Harpsichord in F Major, Op. 3 No. 2: III. Giga
The Delight of Solitariness: The Lute Songs of John Dowland
Would My Conceit That First Enforced My Woe
O Sweet Woods The Delight Of Solitariness
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Lachrimae, or Seaven Teares: No. 1, Lachrimae Antiquae
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