1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa87c845a3ac3709ae99ae5fd1e8002743975b2cebb8fd728d3f9d98ac7d16f36. Chain 2 (Bitcoin): anchored in block 954066 (2026-06-17T08:11:48Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/3e2a6841-252b-4b48-a2e9-662a59ab3c5d.json and https://artists.proofprofile.net/proofs/artist/3e2a6841-252b-4b48-a2e9-662a59ab3c5d.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Arabella, Op. 79, TrV 263: Act I: Er ist der Richtige nicht fur mich
Arabella, Op. 79, TrV 263: Act II: Sie woll'n mich heiraten, sagt mein Vater
Arabella, Op. 79, TrV 263: Act III: Das war sehr gut, Mandryka
Capriccio, Op. 85, TrV 279: Kein Andres, das mir so im Herzen loht
Ariadne auf Naxos, Op. 60, TrV 228: Es gibt ein Reich, wo alles rein ist
Der Rosenkavalier, Op. 59, TrV 227: Act II: Mir ist die Ehre widerfahren
Der Rosenkavalier, Op. 59, TrV 227: Act II: Da lieg' ich!
Der Rosenkavalier, Op. 59, TrV 227: Act III: Hab' mir's gelobt, ihn lieb zu haben
Pergolesi: Stabat mater - Salve Regina - Orfeo
Stabat mater, P. 77: Stabat mater dolorosa
Stabat mater, P. 77: Cuius animam gementem
Stabat mater, P. 77: O quam tristis et afflicta
Stabat mater, P. 77: Quae moerebat et dolebat
Stabat mater, P. 77: Quis est homo qui non fleret
Stabat mater, P. 77: Vidit suum dulcem natum
Stabat mater, P. 77: Eia mater, fons amoris
Stabat mater, P. 77: Fac, ut ardeat cor meum
Stabat mater, P. 77: Sancta Mater, istud agas
Stabat mater, P. 77: Fac, ut portem Christi mortem
Stabat mater, P. 77: Inflammatus et accensus
Stabat mater, P. 77: Quando corpus morietur
Salve Regina in C Minor: Salve Regina, Mater misericordiae
Salve Regina in C Minor: Ad te suspiramus gementes
Salve Regina in C Minor: Eia ergo advocata nostra
Salve Regina in C Minor: Et Jesum, benedictum
Salve Regina in C Minor: O clemens, o pia, o dulcis Virgo Maria
Orfeo, Op. 2, No. 4: Recitative. Nel chiuso centro
Orfeo, Op. 2, No. 4: Aria. Euridice, e dove
Orfeo, Op. 2, No. 4: Recitative. Si, che pieta non v'e
Vom Himmel hoch: Vom Himmel hoch, da komm ich her
Christmas Oratorio, BWV 248, Part I: Jauchzet, frohlocket, auf, preiset die Tage
St. Matthew Passion, BWV 244, Part I: Kommt, ihr Tochter, helft mir klagen
Zadok the Priest, HWV 258: III. God save the King
St. Luke Passion, Pt. 1: Part I: O Crux ave (Hymn 'Vexilla Regis prodeunt')
St. Luke Passion, Pt. 2: Part II: In pulverem mortis … / In te, Domine, speravi (Psalm 30)
Gloria in D Major, RV 589: Gloria in excelsis Deo
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Part II. Final Scene from Faust: Alles Vergangliche ist nur ein Gleichnis
Cardinal Stefan Wyszynski University Choir
Magnificat in D Major, BWV 243: Magnificat anima mea
Te Deum, WAB 45: Te Deum laudamus - Te ergo quaesumus
Grande messe des morts, Op. 5, "Requiem": Agnus Dei
Chetham's School of Music Symphonic Brass Ensemble
4 Choral songs, Op. 53: No. 1. There is Sweet Music
The Choir of St. Mary's Episcopal Cathedral
All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria)
Symphony of Psalms: I. Exaudi orationem meam, Domine (Psalm 39, 12-13)
Requiem in D Minor, K. 626: Introit: Requiem aeternam
Requiem in D Minor, K. 626: Sequence: I. Dies irae
1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb4978068ce233771d3c9434f04051a0d488af637730e291272d5b1ea99234838. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/USB8U1602112.
Missa Papae Marcelli: Masses, Book 2: Missa Papae Marcelli: Kyrie
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Fantasia in C Minor, Op. 80, "Choral Fantasy"
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Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen
Munich University of Music Chamber Choir
Messa da Requiem: Dies irae: Dies irae, dies illa
Berliner Messe (1997 Revised Version): Kyrie
Berliner Messe (1997 Revised Version): Gloria
Mass in B Minor, BWV 232: Kyrie: Kyrie eleison
Berliner Messe (1997 Revised Version): Agnus Dei
Mass in B Minor, BWV 232: Agnus Dei: Dona nobis pacem
Elias, Op. 70, MWV A 25, Pt. 2: Elijah, Op. 70, Part II: Alsdann wird euer Licht hervorbrechen
Vespro della Beata Vergine, "1610 Vespers": Domine ad adiuvandum
The English Cornett and Sackbut Ensemble
Die Schopfung (The Creation), Hob.XXI:2, Part I: Stimmt an die Saiten (Awake the harp)
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Choir of Gonville & Caius College, Cambridge
Classic Moods - Pergolesi, G.B. / Bach, J.S. / Handel, G.F. / Bach, C.P.E. / Mozart, W.A. / Haydn, F.J. / Donizetti, G. / Mendelssohn, Felix
Ich habe genug, BWV 82: Aria: Ich habe genug
Messiah, HWV 56, Part I: Aria: And He shall feed his flock
Die Auferstehung und Himmelfahrt Jesu, Wq. 240, H. 777, Part I: Duet: Vater deiner schwachen Kinder
St. Matthew Passion, BWV 244, Part I: Aria: Buss und Reu
Requiem in D Minor, K. 626: Sequence No. 4: Recordare, Jesu pie
Die Schopfung (The Creation), Hob.XXI:2: Part I: Nun beut die Flur das frische Grun (With verdure clad the fields appear)
Vom Himmel hoch: Aria: Sei willekomm', du edler Gast
Oratorio de Noel, Op. 12: Air: Domine, ego credidi
Ein deutsches Requiem (A German Requiem), Op. 45: V. Ihr habt nun Traurigkeit
Salve Regina in C Minor: Et Jesum - O clemens, o pia
Mass No. 2 in G Major, D. 167: Agnus Dei
Bulgarian National Svetoslav Obretenov Choir
Haydn: Die sieben letzten Worte unseres Erlösers am Kreuze
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 1, Introduzione. Adagio
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 2, I. Vater vergieb Ihnen. Largo
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 3, II. Fürwahr ich sage dir. Grave e cantabile
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Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 4, III. Frau hier siehe deinen Sohn. Grave
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Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 5, IV. Mein Gott, mein Gott, warum hast du micht verlassen. Largo
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Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 6
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 7, V. Jesus rutet. Adagio
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 8, VI. Es ist vollbracht. Lento
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 9, VII. Vater in deine Hände empfehle. Largo
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 10, Il Terremoto. Presto e con tutta la forza
Mass No. 6 in E-Flat Major, D. 950: No. 1, Kyrie
Mass No. 6 in E-Flat Major, D. 950: No. 2, Gloria
Mass No. 6 in E-Flat Major, D. 950: No. 3, Domine Deus
Mass No. 6 in E-Flat Major, D. 950: No. 4, Quoniam tu solus
Mass No. 6 in E-Flat Major, D. 950: No. 5, Cum sancto spiritu
Mass No. 6 in E-Flat Major, D. 950: No. 6, Credo
Mass No. 6 in E-Flat Major, D. 950: No. 7, Et incarnatus est
Mass No. 6 in E-Flat Major, D. 950: No. 8, Et resurrexit
Mass No. 6 in E-Flat Major, D. 950: No. 9, Et vitam venturi
Mass No. 6 in E-Flat Major, D. 950: No. 10, Sanctus
Mass No. 6 in E-Flat Major, D. 950: No. 11, Osanna in excelsis
Mass No. 6 in E-Flat Major, D. 950: No. 12, Benedictus
Mass No. 6 in E-Flat Major, D. 950: No. 13, Osanna in excelsis II
Mass No. 6 in E-Flat Major, D. 950: No. 14, Agnus Dei
Attilio Regolo, Act II: Publio? Tu qui! Si tratta della gloria di Roma (Live)
Attilio Regolo, Act III: Io lascio in Roma due figli (Live)
Attilio Regolo, Act I: Sei tu, mia bella Attila! (Live)
Attilio Regolo, Act II: Ah, se provar mi vuoi chiedimi o padre il sangue (Live)
Attilio Regolo, Act III: Manlio! Padrel! (Live)
Attilio Regolo, Act I: Tu sei figlia, e lodo anch'io il pensier del Genitore (Live)
Attilio Regolo, Act II: Il gran punto s'appressa (Live)
Attilio Regolo, Act III: Fidati pur, rammerito, che nacqui anch'io Romano (Live)
Attilio Regolo, Act I: Manlio, per pochi istanti t'arresta, e m'odi (Live)
Attilio Regolo, Act II: Oh qual fiamma di gloria, d'onore scorrer sento (Live)
Attilio Regolo, Act III: E tanto or costa in Roma, Tanto or si suda a conservar la fede? (Live)
Attilio Regolo, Act I: Giusto, Attilia, e il tuo duol (Live)
Attilio Regolo, Act II: All'ingresso del Tempio ove il Senato or si raccoglie - Amato padre, pure una volta...
Attilio Regolo, Act III: Si, Io confesso, morir mi sento. (Live)
Attilio Regolo, Act I: Germana... son fuor de me... Regolo e in Roma (Live)
Attilio Regolo, Act II: Non è romano chi una vita (Live)
Attilio Regolo, Act III: Regolo, alfin... (Live)
Attilio Regolo, Act I: Goda con me s'io godo, l'oggetto di mia fe (Live)
Attilio Regolo, Act II: Consolati, Attilia, e non pentirti dell'opera pietosa (Live)
Attilio Regolo, Act III: Fa pur l'intrepido, m'insulta audace - Non incluso (Live)
Attilio Regolo, Act I: Addio, Barce vezzosa (Live)
Attilio Regolo, Act II: Da voi cari lurni il mio stato - Non incluso (Live)
Attilio Regolo, Act III: Su, costanza o mio cor. (Live)
Attilio Regolo, Act I: Se piu felice oggetto occupa il tuo pensiero (Live)
Attilio Regolo, Act II: Tu palpiti, o mio cor! (Live)
Attilio Regolo, Act III: Vuol tomar la calma in seno (Live)
Attilio Regolo, Act I: Venga, Regolo, e venga l'Africano orator (Live)
Attilio Regolo, Act II: Signor... che pena per un figlio e mai questa! (Live)
Attilio Regolo, Act III: Che strane idee questa produce in Roma (Live)
Attilio Regolo, Act I: Tu sprezzator di morte dai per la Patri il sangue (Live)
Attilio Regolo, Act II: Non tradir la bella speme che de te donasti a noi (Live)
Attilio Regolo, Act III: Ceder l'amato oggetto, l'amato oggetto (Live)
Attilio Regolo, Act I: In questa guisa adempie Regolo le promesse (Live)
Attilio Regolo, Act II: Ah si. Publio coraggio. (Live)
Attilio Regolo, Act III: No. Che Regolo parta Roma non vuole - Regolo resti! Ed io l'ascolto? (Live)
Attilio Regolo, Act I: Non perdo la calma fra ceppi, o gli allori, non va sino all'alma la mia servitù (Live)
Attilio Regolo, Act II: Tumulti certo a destar corre Licinio (Live)
Attilio Regolo, Act III: Onor di questa sponda, Padre di Roma (Live)
Attilio Regolo, Act I: Chi creduto l'avrebbel Il Padre istesso congria a' danni suoi (Live)
Attilio Regolo, Act II: Non e la mia speranza luce di ciel sereno (Live)
Attilio Regolo, Act I: Mia parea del polto in seno, chiara l'onda, il ciel sereno, ma tempesta piu funesta mi respinge (Live)
Attilio Regolo, Act II: Rassicurar procuro l'alma d'Attilia oppressa, ardir vo consigliando (Live)
Attilio Regolo, Act I: Che barbaro destino sarebbe il mio, se Amilcare (Live)
Attilio Regolo, Act II: S'espone a perdersi nel mare infido, chi l'onde instabili solcando va. (Live)
Attilio Regolo, Act I: Sempre e maggior del vero l'idea d'una sventura (Live)
Choral Music - Bortniansky, D. / Schubert, F. / Bruckner, A. / Bruch, M. / Mendelssohn, Felix / Silcher, F. / Rheinberger, J.G.
Winterreise, Op. 89, D. 911: No. 5. Der Lindenbaum (arr. for choir)
Tannhauser, Act II: Einzug der Gaste auf die Wartburg
Die lustigen Weiber von Windsor (The Merry Wives of Windsor), Act III: O susser Mond!
Zar und Zimmermann, Act I: Den hohen Herrscher wurdig zu empfangen
Das Nachtlager in Granada, Act I: Schon die Abendglocken klangen
Elijah, Op. 70: Double Quartet: Denn er hat seinen Engeln befohlen uber dir
Lieder-Album fur die Jugend, Op. 79: No. 4. Fruhlingsgruss (arr. for choir)
Undine: Undine, Act I: Zuchtig Brautlein, darfst erscheinen
Mass No. 6 in E-Flat Major, D. 950: Credo: Et incarnatus est
Die Lorelei: Ich weiss nicht, was soll es bedeuten
Faust: Faust: Act II: Brenne Laterne! Nahe und ferne dammere auf!
South West German Radio Kaiserslautern Orchestra
Oedipus at Colonus, Op. 93: Zur rossprangenden Flur, o Freund
Carl Maria von Weber Radio Symphony Orchestra
Die drei Wunsche, Act II: Die Sonne gluht wie ein Feuerbrand
Der Stern von Bethlehem, Op. 164: Die Hirten: O segne die Weide
Der Trompeter von Sackingen: Alt Heidelberg, du feine …
Der Freischutz, J. 277, Act III: Folksong: Wir winden dir den Jungfern-Kranz
3 Motets, Op. 39: No. 2. O praise the Lord (Laudate pueri)
12 Gesange, Op. 1: Tanzlied im Mai (arr. for choir)
Martha (Sung in Italian)*: Martha, Act I: Der Markt beginnt
Deutsche Messe, D. 872: Zum Sanctus: Heilig, heilig ist der Herr
Ekkehard, Act III: Mit Schonster Blumenfulle
Oratorio de Noel, Op. 12: Quintet and Chorus: Consurge, Filia Sion
7 Lieder, Op. 62: No. 5. All meine Herzgedanken
Euryanthe, J. 291, Act III: Die Thale dampfen, die Hohen gluhn!
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten
Ave Maria, Op. 533: Nun ist der laute Tag verhallt
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act III: Verachtet mir die Meister nicht
SWR Sinfonieorchester des Südwestrundfunks
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La Cenerentola, Act 1: Venga, inoltri (Live)
La Cenerentola, Act 1: No no no. Non v'è (Live)
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La Cenerentola, Act 1: Signora altezza, è in tavola (Live)
La Cenerentola, Act 1: Date lor mezzo scudo (Live)
La Cenerentola, Act 1: Mi par d'essere sognando (Live)
La Cenerentola, Act 1: Miei rampolli femminini (Live)
La Cenerentola, Act 2: Ah! Della bella incognita (Live)
La Cenerentola, Act 1: Sappiate che fra poco (Live)
La Cenerentola, Act 2: Mi par che quei birbanti (Live)
La Cenerentola, Act 1: Tutto è deserto (Live)
La Cenerentola, Act 2: Sia qualunque delle figlie (Live)
La Cenerentola, Act 1: Non so che dir (Live)
La Cenerentola, Act 2: Ah! Questa bella incognita (Live)
La Cenerentola, Act 1: Scegli la sposa - Come un'ape ne' giorni d'aprile (Live)
La Cenerentola, Act 2: E allor... Se non ti spaccio - Sì, ritrovarla io giuro (Live)
La Cenerentola, Act 1: Allegrissimamente (Live)
La Cenerentola, Act 2: La notte è omai vicina (Live)
La Cenerentola, Act 1: Signore, una parola (Live)
La Cenerentola, Act 2: Un segreto d'importanza (Live)
La Cenerentola, Act 1: Sì, tutto cangerà (Live)
La Cenerentola, Act 2: Mi seconda il destino (Live)
La Cenerentola, Act 1: Là del ciel nell'arcano profondo (Live)
La Cenerentola, Act 2: Una volta c'era un re - Quanto sei caro! (Live)
La Cenerentola, Act 1: Ma bravo, bravo, bravo (Live)
La Cenerentola, Act 1: Conciossiacosacché (Live)
La Cenerentola, Act 2: Scusate, amici (Live)
La Cenerentola, Act 1: Zitto zitto, piano piano (Live)
La Cenerentola, Act 2: Siete voi! (Live)
La Cenerentola, Act 2: Dunque noi siam burlate? (Live)
La Cenerentola, Act 2: La pillola è un po' dura (Live)
La Cenerentola, Act 2: Della fortuna istabile (Live)
Faust, Act II: Scene. Brenne Laterne! Nahe und ferne dammere auf! (Mephisto, Faust, Sycorax, Choir)
Faust, Act I: Introduction. In Sinnenlust so sinnlos leben (Faust, Mephisto)
Faust, Act II: Choir: Sende Himmel Segens Fulle
Faust, Act I: Duet. Ha! Du wahntest, armer Tor (Faust, Mephisto)
Faust, Act II: Cavatina. Durft ich mich nennen sein eigen (Roschen)
Faust, Act I: Recitative. Der Holle selbst will ich Segen entringen (Faust)
Faust, Act I: Aria. Liebe ist die zarte Blute (Faust)
Faust, Act II: Scene. Wie ist mir! Welch ein Zwist erhebt sich (Faust)
Faust, Act I: Aria and Choir: Der Wein erfreut des Menschen Herz (Wohlhaldt, Choir)
Faust, Act II: Aria. Bloder Tor! Ich kann hier fragen (Faust)
Faust, Act I: Duet. Folg dem Freunde mit Vertrauen (Faust, Roschen)
Faust, Act II: Scene. Ich bin allein, des Abends Nahe regt die Tatigkeit (Kunigunde)
Faust, Act I: Duet and Choir: Nur der ist frei, der nichts zu lieben hat (Faust, Franz, Choir)
Faust, Act II: Aria. Wie dich nennen, seltsam neues Sehnen (Kunigunde)
Faust, Act I: Scene. Die stille Nacht entweicht (Kunigunde)
Faust, Act II: Duet and Choir: Lang mogen die Teueren leben (Hugo, Kunigunde, Choir)
Faust, Act I: Aria. Ja, ich fuhl' es, treue Liebe (Kunigunde)
Faust, Act II: Sextet and Choir: Ich freue mich des Anteils (Hugo, Kunigunde, Faust, Roschen, Mephisto, Franz, Choir)
Faust, Act I: Scene. Beflugle den Lauf, zogernde Sonne! (Hugo)
Faust, Act II: Aria. Stille noch dies Wutverlangen (Mephisto)
Faust, Act I: Aria and Choir: Ja, hoffe, Kunigunde! (Hugo, Choir)
Faust, Act II: Scene. In nachtlicher Stille, beim Zirpen der Grille (Mephisto, Sycorax, Choir)
Faust, Act I: Trio. Ich kann nicht ruh'n, ich kann nicht rasten (Roschen, Franz, Mephisto)
Faust, Act II: Aria. Welch ein Wahn hat mich verblendet (Kunigunde)
Faust, Act I: Finale. Nun wohlan! Ich halte Wort (Gulf, Hugo, Kunigunde, Faust, Mephisto, Choir)
Faust, Act II: Scene. Sprecht! Wo find ich den Geliebten? (Roschen, Kunigunde, Mephisto, Wohlhaldt, Franz)
Faust, Act II: Scene. Er naht, bald ist erreicht mein Ziel (Kunigunde, Roschen, Franz, Mephisto, Wagner, Faust, Wohlhaldt, Kaylinger)
Faust, Act II: Finale. Verlassen! Allein! Weh mir! (Faust, Mephisto, Choir)
Also sprach Zarathustra, Op. 30: I. Introduction
Also sprach Zarathustra, Op. 30: II Of the Dwellers in the World Beyond
Also sprach Zarathustra, Op. 30: III. Of the Great Longing
Also sprach Zarathustra, Op. 30: IV. Of Joys and Passions
Also sprach Zarathustra, Op. 30: V. Funeral Song
Also sprach Zarathustra, Op. 30: VI. Of Science and Learning
Also sprach Zarathustra, Op. 30: VII. The Convalescent
Also sprach Zarathustra, Op. 30: VIII. The Dance Song
Also sprach Zarathustra, Op. 30: IX. Song of the Night Wanderer
Till Eulenspiegel's Merry Pranks, Op. 28
Don Quixote, Op. 35: Introduction. Mäßiges Zeitmaß - Thema Mäßig
Don Quixote, Op. 35: Variation I. Gemächlich
Don Quixote, Op. 35: Variation II. Kriegerisch
Don Quixote, Op. 35: Variation III. Mäßiges Zeitmaß
Don Quixote, Op. 35: Variation IV. Etwas breiter
Don Quixote, Op. 35: Variation V. Sehr langsam
Don Quixote, Op. 35: Variation VI. Schnell
Don Quixote, Op. 35: Variation VII. Ein wenig ruhiger als vorher
Don Quixote, Op. 35: Variation VIII. Gemächlich
Don Quixote, Op. 35: Variation IX. Schnell und stürmisch
Don Quixote, Op. 35: Variation X. Viel breiter
An Alpine Symphony, Op. 64: No. 19, Thunder and Tempest, Descent
An Alpine Symphony, Op. 64: No. 20, Sunset
An Alpine Symphony, Op. 64: No. 21, Quiet Settles
An Alpine Symphony, Op. 64: No. 22, Night
Salome, Op. 54: Dance of the Seven Veils
Der Rosenkavalier, Op. 59, Act III: Finale - "Hab mir's gelobt"
Jommelli: Didone abbandonata (3rd Version)
Didone abbandonata (3rd Version): Overture
Didone abbandonata (3rd Version), Act II: Chi fu, che all'inumano
Didone abbandonata (3rd Version), Act III: Compagni invitti, a tollerare avvezzi
Didone abbandonata (3rd Version), Act I: No, Principessa, amico, sdegno non è
Didone abbandonata (3rd Version), Act II: D'atre nubi è il sol ravvolto
Didone abbandonata (3rd Version), Act III: Per un momento il legno
Didone abbandonata (3rd Version), Act I: Enea d'Asia splendore
Didone abbandonata (3rd Version), Act II: Già so che si nasconde
Didone abbandonata (3rd Version), Act III: Già di Iarba in difesa
Didone abbandonata (3rd Version), Act I, Parte così, così mi lascia Enea?
Didone abbandonata (3rd Version), Act II: Come! Ancor non Pt.isti?
Didone abbandonata (3rd Version), Act III: Alla reggia!
Didone abbandonata (3rd Version), Act I: Dirò, che fida sei
Didone abbandonata (3rd Version), Act II: Ah non lasciarmi, no
Didone abbandonata (3rd Version), Act III: Siam tutti alfin raccolti
Didone abbandonata (3rd Version), Act I: Venga Arbace qual vuole
Didone abbandonata (3rd Version), Act II: Io sento vacillar la mia costanza
Didone abbandonata (3rd Version), Act III: Principessa, ove corri?
Didone abbandonata (3rd Version), Act I: Marcia
Didone abbandonata (3rd Version), Act II: Così strane venture io non intendo
Didone abbandonata (3rd Version), Act III: A trionfar mi chiama un bel desio d'onore
Didone abbandonata (3rd Version), Act I: Vedi mio Re...
Didone abbandonata (3rd Version), Act II: Fosca nube il sol ricopra
Didone abbandonata (3rd Version), Act I: Son Regina, e sono amante
Didone abbandonata (3rd Version), Act II: Fra'l dovere, e l'affretto
Didone abbandonata (3rd Version), Act I: Araspe alla vendetta
Didone abbandonata (3rd Version), Act II: Tanto ardir nella reggia!
Didone abbandonata (3rd Version), Act I: Tu mi scorgi al gran disegno
Didone abbandonata (3rd Version), Act II: Enea, brama Didone teco parlar
Didone abbandonata (3rd Version), Act I: Quanto è stolto, se crede
Didone abbandonata (3rd Version), Act II: Ah non sai, Bella Selene
Didone abbandonata (3rd Version), Act I: Empio! L'orror, che porta
Didone abbandonata (3rd Version), Act II: Stolta! Per chi sospiro?
Didone abbandonata (3rd Version), Act I: Se dalle stelle tu non sei guida
Didone abbandonata (3rd Version), Act II: Ogni amator suppone
Didone abbandonata (3rd Version), Act I: Già te'l dissi, o Selene
Didone abbandonata (3rd Version), Act II: Incerta del mio fato
Didone abbandonata (3rd Version), Act I: Tutta ho scorsa la Reggia
Didone abbandonata (3rd Version), Act II: Didone, e che mi chiedi?
Didone abbandonata (3rd Version), Act I: Quando saprai chi sono
Didone abbandonata (3rd Version), Act II: Infedel! Ti lascio. Addio
Didone abbandonata (3rd Version), Act I: Non Pt.irà sé pria...
Didone abbandonata (3rd Version), Act I: Non è più tempo, Araspe
Didone abbandonata (3rd Version), Act I: Dove corri, o Signore?
Didone abbandonata (3rd Version), Act I: Son qual siume, che gonsio d'umori
Didone abbandonata (3rd Version), Act I: Come? Da'labbri tuoi
Didone abbandonata (3rd Version), Act I: Ecco il rival, ne seco
Didone abbandonata (3rd Version), Act I: Siam traditi, o Regina
Didone abbandonata (3rd Version), Act I: Enea, falvo già sei
Didone abbandonata (3rd Version), Act I: Non ha ragione, ingrato
Le nozze di Figaro, K. 492: Cinque... Dieci... Venti... Trenta
Don Giovanni, K. 527: Don Giovanni, a cenar teco
Il barbiere di Siviglia: Ecco, ridente in cielo
Der Rosenkavalier, Op. 59, TrV 227: Mir ist die Ehre widerfahren
Carmen, WD 31: Votre toast, je peux vous le rendre
Guillaume Tell: Ne m'abandonne point... Asile héréditaire (Live)
Manon Lescaut: Donna non vidi mai simile a questa!
Die Zauberflöte, K. 620: Der Hölle Rache kocht in meinem Herzen
Eugene Onegin, Op. 24, TH 5: Letter Scene
L'elisir d'amore: Lallarallara la la la la la
Lucia di Lammermoor: Il dolce suono (Live)
Rigoletto: Cortigiani, vil razza dannata
Idomeneo, K. 366: Quando avran fine omai l'aspre sventure mie?
Idomeneo, K. 366: Padre, germani, addio!... Ecco Idamante, ahimè!
Don Carlo: Dio, che nell'alma infondere (Live)
Ariadne auf Naxos, Op. 60, TrV 228a: Es gibt ein Reich, wo alles rein ist
Don Giovanni, K. 527: Fin ch'han dal vino calda la testa
Tristan und Isolde, WWV 90: Mild und leise
Le nozze di Figaro, K. 492: Nos so più cosa son, cosa faccio
Die Zauberflöte, K. 620: Dies Bildnis ist bezaubernd schön
Le postillon de Lonjumeau: Mes amis, écoutez l'histoire
Die Fledermaus: So muss allein ich bleiben
La fille du régiment: Ah! Mes amis, quel jour de fête!
Choral Music (Ave Maria Choruses) - Bach, J.S. / Gounod, C.-F. / Mendelssohn, Felix / Schubert, F. / Bruckner, A. / Pergolesi, G.B.
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3 Kirchenmusiken, Op. 23: No. 2. Ave maria
Ellens Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau" (arr. for choir)
Vespro della Beata Vergine, "composti sopra canti fermi": Ave maris stella
Kleine geistliche Konzerte, Part II, Op. 9, SWV 306-337: Ave Maria, gratia plena, SWV 334
4 Pezzi sacri: No. 3. Laudi alla vergine Maria
All-night Vigil, Op. 37, "Vespers": All-Night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria)
Der Kobold (the Goblin), Op. 3, Act I: Introduction
Furth Heinrich-Schliemann-Gymnasiums Children's Chorus
Der Kobold (the Goblin), Op. 3, Act II: Introduction
Der Kobold (the Goblin), Op. 3, Act III: Introduction
Der Kobold (the Goblin), Op. 3, Act I Scene 1: Fort von hier! Mussige Schaar! [Seelchen, Verena, Ekhart]
Der Kobold (the Goblin), Op. 3, Act II Scene 1: Schnell doch! Hier fehlt's noch! [Jeanette, Jean, Fink, Kummel, Trutz, Friedrich]
Der Kobold (the Goblin), Op. 3, Act III Scene 1: Dort ruh' ein Weilchen! [Ekhart, Verena]
Der Kobold (the Goblin), Op. 3, Act I Scene 2: Madchen! Wach auf! Ist das Dein Bett? [Ekhart, Verena]
Der Kobold (the Goblin), Op. 3, Act II Scene 2: Still! Vielbesung'nes Sonnen Erwachen! [Jeanette, Graf, Grafin]
Der Kobold (the Goblin), Op. 3, Act III Scene 2: Potz Wetter, Blitz und Donner! Wir sind verirrt! [Knorz, Ekhart, Verena]
Der Kobold (the Goblin), Op. 3, Act I Scene 3: Ei, ei! Das lob' ich mal mir! [Gertrud, Ekhart, Verena]
Der Kobold (the Goblin), Op. 3, Act II Scene 3: Die Gaste! Um Nachsicht lasst die Grafin bitten [Jeanette, Graf, Trutz, Eukaleia, Satyros, Faun, Eros, Heliodoros,…]
Der Kobold (the Goblin), Op. 3, Act III Scene 3: Saladin hat siebzehn Sohne [Fink, Trutz, Kummel, Kathe, Friedrich, Verena, Knorz, Die Kobolde]
Der Kobold (the Goblin), Op. 3, Act I Scene 4: Bist auch mal wieder da? [Gertrud, Ekhart]
Der Kobold (the Goblin), Op. 3, Act II Scene 4: Traum' ich wieder? Ist alles nur Trug? [Verena]
Der Kobold (the Goblin), Op. 3, Act I Scene 5: Weh', Luftchen, weh' [Friedrich, Gertrud, Verena]
Der Kobold (the Goblin), Op. 3, Act II Scene 5: Nun? Mein Veilchen? Noch immer allein? [Graf, Verena]
Der Kobold (the Goblin), Op. 3, Act I Scene 6: Ja! Munter und froh auf die Lebensleiter Zes! [Fink, Trutz, Kummel, Friedrich, Gertrud, Dorfleute, Ein Madchen, Verena]
Der Kobold (the Goblin), Op. 3, Act II Scene 6: Mir war's doch so, als hort' ich Stimmen! [Trutz, Verena]
Der Kobold (the Goblin), Op. 3, Act I Scene 7: Lausch'! Wie? Waren Sie's? [Kummel, Fink, Trutz, Dorfleute, Grafin, Geck, Jeanette, Graf, Verena, Gertrud]
Der Kobold (the Goblin), Op. 3, Act II Scene 7: Aha! Laubdunkelparchen! Liebestraummarchen! [Jeanette, Grafin, Friedrich]
Der Kobold (the Goblin), Op. 3, Act I Scene 8: Hort! Jetzt geht's los! Passt auf! [Dorfleute, Trutz, Fink, Kummel, Verena]
Der Kobold (the Goblin), Op. 3, Act II Scene 8: Helft! Lasst ihn nicht enteilen! [Grafin, Dorfleute, Trutz, Friedrich, Jeanette, Graf, Fink, Kummel, Die Kobolde,…]
L'Amfiparnaso, Act II Scene 2: Vien'a qua (Cardon, Zanni)
San Petronio Cappella Musicale Orchestra
Rigoletto: Act III Scene 3: Bella figlia dell'amore (Duca, Maddalena, Gilda, Rigoletto)
Falstaff, Act III Scene 2: Facciamo il parentado … Tutto nel mundo e burla (Ford, Falstaff,…)
L'Orfeo: Act II: Ahi caso acerbo (Messaggiera)
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Madama Butterfly, Act I: Vogliatemi bene (Madama Butterfly)
Calisto, Act III Scene 7: Dolcissimi baci (Endimione, Diana)
Les Troyens, Act V Scene 2: Adieu, fiere cite (Didon)
Dido and Aeneas, Z. 626: Thy hand, Belinda; darkness shades me (Dido)
Dido and Aeneas, Z. 626: When I am laid in earth (Dido)
Carmen: Act IV: Viva! (People, Don Jose, Carmen)
Rinaldo, HWV 7, Act II Scene 4: Lascia ch'io pianga (Almirena)
Eugene Onegin, Op. 24, Act I: Puskaj pogibnu ja (Tatyana), "Letter Scene"
Castor et Pollux, Act II Scene 2: Tristes apprets (Telaire)
Pelleas et Melisande, Act IV Scene 1: Ou vas-tu? (Pelleas, Melisande)
Orfeo ed Euridice, Act III Scene 1: Aria: Che faro senza Euridice? (Orfeo)
Wozzeck, Act III Scene 2: Dort links geht's in die Stadt (Marie, Wozzeck)
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Le nozze di Figaro, K. 492, Act IV: Recitative and Aria: Giunse al fin il momento… (Sus
Jenufa, JW I/4, Act III Scene 11: Vstaute, pustounko moja! (Jenufa, Kostelnicka, Laca, Mayor)
Don Giovanni, K. 527: Act I: Aria: Fin ch'han dal vino (Don Giovanni)
A Kekszakallu herceg vara (Bluebeard's Castle), BB 62: Ah! Lasd ez az… (Door 5) (Judith, Bluebeard)
Don Giovanni, K. 527: Act II: Canzonetta: Deh, vieni alla finestra (Don Giovanni)
Die Zauberflote, K. 620, Act I: Recitative and Aria: O zitt're nicht,… (Queen of the Night)
Peter Grimes: 4 Sea Interludes, Op. 33a: 4 Sea Interludes, Op. 33a: I. Dawn (Peter Grimes, Act II: Interlude)
Fidelio, Op. 72, Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore)
Peter Grimes, Act I Scene 2: Now the Great Bear and Pleiades (P. Grimes, Bob Boles, Cap. Balstrode, Auntie, Nieces)
Tristan und Isolde: Vorspiel (Excalibur): Prelude
I was Looking at the Ceiling and Then I Saw the Sky, Act II: One Last look… (Consuelo, Dewain)
Tristan und Isolde: Vorspiel (Excalibur): Act III Scene 3: Mild und leise wie er lachelt (Isolde), "Liebestod"
The Mask of Orpheus: 3rd Song of Magic (a) (Orpheus) -
La Cenerentola (Cinderella): La cenerentola, Act I Scene 3: Duet and Finale: Zitto, zitto, piano, piano (Ramiro, Dandini, Clarinda, Tisbe)
The Mask of Orpheus: Eurydice Puppet - Eurydice Singer (Euridice the Woman, Euridice the Myth)
Lucia di Lammermoor, Act III Scene 2: Ardon gli incensi (Lucia)
Der Tapfere Soldat (the Chocolate Soldier), Act I: Introduction and Trio. Wir marschieren durch die Nacht [Nadina, Mascha, Aurelia, Soldiers]
Der Tapfere Soldat (the Chocolate Soldier), Act II: March: En hoch, eich hoch der Heldenschar [Chorus]
Der Tapfere Soldat (the Chocolate Soldier), Act I: Trio. Ohne Manner hat das Leben keinen Zweck [Nadina, Mascha, Aurelia]
Der Tapfere Soldat (the Chocolate Soldier), Act II: Duet. Ich bin gewohnt, stets nur zu siegen [Nadina, Aurelia, Alexius, Popoff]
Der Tapfere Soldat (the Chocolate Soldier), Act I: Melodrama: Mein Held - Ihr Held [Nadina, Mascha, Aurelia]
Der Tapfere Soldat (the Chocolate Soldier), Act II: Quintet: Ich habe die Feinde geschlagen auf's Haupt [Nadina, Mascha, Aurelia, Alexius, Popoff]
Der Tapfere Soldat (the Chocolate Soldier), Act I: Aria. Wie schon ist dieses Mannerbild - Komm, komm, Held meiner Traume [Nadina]
Der Tapfere Soldat (the Chocolate Soldier), Act II: Introduction and Song. Ein jeder hat es schon erfahren - Wenn man so durfte, wie man wollte [Bumerli]
Der Tapfere Soldat (the Chocolate Soldier), Act I: Duet. In meinem Leben sah Ich nie - Ach du kleiner Praline-Soldat [Nadina, Bumerli]
Der Tapfere Soldat (the Chocolate Soldier), Act II: Duet. Du magst dein Kopfchen noch so heftig schutteln [Mascha, Alexius]
Der Tapfere Soldat (the Chocolate Soldier), Act I: Duet. Es ist ein Schicksal schwer zu tragen - Weil's Leben suss und herzlich ist [Nadina, Bumerli]
Der Tapfere Soldat (the Chocolate Soldier), Act II: Sextet: Ach, est ist doch ein schönes Vergnugen [Nadina, Mascha, Aurelia, Alexius, Bumerli, Popoff]
Der Tapfere Soldat (the Chocolate Soldier), Act I: Ensemble: Suchet, suchet alle Mann - Ei, ei, das interessiert mich sehr [Nadina, Mascha, Aurelia, Bumerli, Massakroff, Soldiers]
Der Tapfere Soldat (the Chocolate Soldier), Act II: Duet. Es war einmal ein Fraulein [Nadina, Bumerli]
Der Tapfere Soldat (the Chocolate Soldier), Act I: Romance. Drei Frauen sassen am Feuerherd [Nadina, Mascha, Aurelia]
Der Tapfere Soldat (the Chocolate Soldier), Act II: Finale. Leute, Leute, kommt herbei [All, Chorus]
Der Tapfere Soldat (the Chocolate Soldier), Act III: Entr'act - Letter Scene. Mein lieber Herr von Bumerli [Nadina]
Der Tapfere Soldat (the Chocolate Soldier), Act III: Scene and Melodrama: Pardon, Pardon, pardon! Ich steig ja nur auf den Balkon [Nadina, Bumerli]
Der Tapfere Soldat (the Chocolate Soldier), Act III: Duet. Wir stell'n uns als Verlobte vor [Mascha, Alexius]
Der Tapfere Soldat (the Chocolate Soldier), Act III: Quartet: Wenn ein Mann ein Madchen kompromittiert [Nadina, Aurelia, Bumerli, Popoff]
Der Tapfere Soldat (the Chocolate Soldier), Act III: Finale. Pardon, pardon, pardon! Ich stieg ja nur auf den Balkon - Ich war der Held deiner Traume [Bumerli, Nadina, Alexius, Chorus]
The History of German Music (100 Famous Songs)
The Valkyrie, WWV 86b, Act III: Ride of the Valkyries
A Midsummer Night's Dream, Op. 61, Act IV: Wedding March
Rinaldo, Act II: Rinaldo's Aria - "Lascia ch'io pianga"
Lohengrin, WWV 75, Act III: Prelude and Bride Chorus - "Treulich geführt"
Suite No. 5 in E Major, HWV 430: IV. Air with Variations "The Harmonious Blacksmith"
Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet
Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro
St. John Passion, BWV 245: No. 15 Chorale - "Wer hat dich so geschlagen"
St. John Passion, BWV 245: No. 48 Aria - "Eilt, ihr angefocht'nen Seelen"
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
Orchestral Suite No. 4 in D Major, BWV 1069: V. Réjouissance
St. Matthew Passion, BWV 244: No. 1 Chorus - "Kommt, ihr Töchter, helft mir klagen"
St. Matthew Passion, BWV 244: No. 35 Chorale - "O Mensch bewein dein Sünde groß"
St. Matthew Passion, BWV 244: No. 78 Chorus - "Wir setzen uns mit Tränen nieder"
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A Minor, BWV 1044 "Triple Concerto": I. Allegro
Concerto for Piano, Strings and Continuo No. 5 in F Minor, BWV 1056: II. Largo
Concerto Grosso No. 5 in D Minor, Op. 3, HWV 316: V. Allegro
Xerxes, HWV 40, Act I: Largo - "Ombra mai fu"
Horn Concerto in D Major, TWV 51/D8: I. Vivace
Suite in D Major for Two Trumpets, Strings and Continuo: V. Fanfare
Suite in D Major for Two Trumpets, Strings and Continuo: III. Air
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits
The Pilgrims of Mekka, Act I: Prince Kalender's Aria - "Les hommes pieusement"
Symphony in C Minor, VB 142: III. Allegro assai
Twelve Minuets, WoO 7: IX. Minuet in G Major
Rondo a Capriccio in G Major, Op. 129 "Rage Over a Lost Penny"
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
Symphony No. 6 in F Major, Op. 68 "Pastorale": II. Andante molto mosso (Scene By the Brook)
Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"
Der Freischütz, Act III: Bridal Chorus - "Wir winden dir den Jungfernkranz"
Concerto for Piano, Violin and String Orchestra in D Minor: III. Allegro molto
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace
Octet in E-Flat Major, Op. 20, MWV R 20: III. Scherzo
The Hebrides, Op. 26: Overture - Fingal's Cave
Symphony No. 4 in A Major, Op. 90 "Italian": II. Andante con moto
A Night in Granada, Act II: Chorus - "Schon die Abendglocken klangen"
Tsar and Carpenter, Act III: Dance of the Clogs
Songs Without Words - Duetto in F Major, Op. 38: No. 6
Scenes of Childhood, Op. 15: VII. Träumerei
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": IIII. Scherzo - Molto vivace
Symphony No. 3 in A Minor, Op. 56 "Scottish": III. Vivace non troppo
A Midsummer Night's Dream, Op. 61, Act II: Fairy's March
Goethe And Music, Vol. 1 - Beethoven, L. Van / Mendelssohn, Felix / Gounod, C.-F. / Berlioz, H. / Massenet, J. / Mahler, G. / Spohr, L. / Boito. A
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Meeresstille und gluckliche Fahrt (Calm Sea and Prosperous Voyage), Op. 27
Faust: Faust, Act I: Le veau d'or est toujours debout
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Faust: Faust, Act II: Quel trouble inconnu me penetre!
Mefistofele: Act I: Son lo Spirito che nega sempre tutto
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits)
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Faust: Act II: Brenne Laterne! nahe und ferne dammere auf!
Faust: Act II: Wie ist mir! Bloder Tor! Ich kann hier fragen!
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part II: Final Scene from Faust: Blicket auf zum Retterblick, alle reuig Zarten
Exsultate jubilate: Dix siècles de musique sacrée
Favus distillans Ursula Virgo: Responsorium
Matthäus-Passion, BWV 244: No. 54, O Haupt voll Blut und Wunden
Matthäus-Passion, BWV 244: Ich will bei meinem Jesu wachen
Leto leta concio: Hortus deliciarum (Manuscrit de Florence)
Die Worte des Erlösers am Kreuze, Hob. XX:2: VII. Vater in deine Hände empfehle. Largo
Die Worte des Erlösers am Kreuze, Hob. XX:2: IX. Il terremoto. Presto e con tutta la forza
Exsultate, jubilate, K. 165: I. Exsultate jubilate
Requiem, K. 626: I. Introit. Requiem aeternam
Dixit Dominus à sei, SV 206: Deus in adiutorium, dum esset rex in accubito suo
Te deum, H. 146: I. Prélude en rondeau. Te deum laudamus
Paulus, Op. 36, MWV A14: Wachet auf! ruft uns die Stimme
Gloria in D Major, RV 589: I. Gloria in excelsis Deo
L'enfance du Christ, H 130: L'adieu des bergers à la Sainte Famille
Choeur Régional Vittoria d'Ile de France
Gloria in D Major, RV 589: VI. Domine Deus
Stabat Mater, RV 621: I. Stabat Mater dolorosa
Hungarian State Opera Chorus And Orchestra
Schmücke dich, o liebe Seele, BWV 180: I. Schmücke dich, o liebe Seele
Ein Deutsches Requiem, Op. 45: No. 4, Wie lieblich sind deine Wohnungen
Also hat Gott die Welt geliebt, BWV 68: II. Mein gläubiges Herze
Venite, exultemus: Venite, exultemus Domino
Requiem, Op. 9: IV. Sanctus (1961 Version)
Stabat Mater, P. 77: I. Stabat Mater Dolorosa
Gloria, FP 177: I. Gloria in excelsis Deo
Stimmt an die Saiten (Choral music from the Nineteenth century)
Die Schöpfung, Hob.XXI:2: Part I - "Stimmt an die Saiten"
Die Schöpfung, Hob.XXI:2: Part I - "Die Himmel erzählen die Ehre Gottes"
Die Schöpfung, Hob.XXI:2: Part III - "Singt dem Herren alle Stimmen"
Meeresstille und glückliche Fahrt, Op. 112 - Calm Sea and Prosperous Voyage
Gib dich zufrieden und sei stille, Op. 55/2
Erquicke mich mit deinem Licht, Op. 29/5
2 Motets, Op. 74: No. 1, Warum ist das Licht gegeben dem Mühseligen
Drei Motetten, Op. 110: No. 1, Ich aber bin elend
Drei Motetten, Op. 110: No. 2, Ach, arme Welt, du trügest mich
Drei Motetten, Op. 110: No. 3, Wenn wir in höchsten Nöten sein
Drei geistliche Gesänge, Op. 69: No. 3, Abendlied
Neue Liebeslieder Walzer, Op. 65: No. 1, Verzicht', o Herz auf Rettung
Neue Liebeslieder Walzer, Op. 65: No. 2, Finstere Schatten der Nacht
Neue Liebeslieder Walzer, Op. 65: No. 7, Vom Gebirge
Neue Liebeslieder Walzer, Op. 65: No. 8, Weiche Graser im Revier
Neue Liebeslieder Walzer, Op. 65: No. 12, Schwarzer Wald
Mendelssohn, Felix / Schumann, R. / Reger, M.: Duets
6 Zweistimmige Lieder, Op. 63: No. 1. Ich wollt' meine Lieb'
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6 Zweistimmige Lieder, Op. 63: No. 2. Abschiedslied der Zugvogel
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6 Zweistimmige Lieder, Op. 63: No. 3. Gruss
6 Zweistimmige Lieder, Op. 63: No. 4. Herbstlied
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6 Zweistimmige Lieder, Op. 63: No. 5. Volkslied
6 Zweistimmige Lieder, Op. 63: No. 6. Maiglockchen und die Blumelein
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3 Zweistimmige Lieder , Op. 77: No. 1. Sonntagsmorgen
3 Zweistimmige Lieder , Op. 77: No. 2. Das Ahrenfeld
3 Zweistimmige Lieder , Op. 77: No. 3. Lied aus Ruy Blas
3 Volkslieder (text by P. Kaufmann and H. Heinrich): No. 1. Wie kann ich froh und lustig sein?
3 Volkslieder (text by P. Kaufmann and H. Heinrich): No. 2. Abendlied
3 Volkslieder (text by P. Kaufmann and H. Heinrich): No. 3. Wasserfahrt
3 Gedichte, Op. 29: No. 1. Landliches Lied
3 Zweistimmige Lieder, Op. 43: No. 1. Wenn ich ein Voglein war
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3 Zweistimmige Lieder, Op. 43: No. 2. Herbstlied
3 Zweistimmige Lieder, Op. 43: No. 3. Schon Blumelein
Spanisches Liederspiel, Op. 74 (text by E. von Geibel): No. 1. Erste Begegnung
Spanisches Liederspiel, Op. 74 (text by E. von Geibel): No. 3. Liebesgram
Spanisches Liederspiel, Op. 74 (text by E. von Geibel): No. 8. Botschaft
Lieder-Album fur die Jugend, Op. 79: No. 10. Mailied
Lieder-Album fur die Jugend, Op. 79: No. 16. Das Gluck
Lieder-Album fur die Jugend, Op. 79: No. 19. Fruhlingslied
Lieder-Album fur die Jugend, Op. 79: No. 21. Die Schwalben
Madchenlieder, Op. 103: No. 2. Fruhlingslied
Madchenlieder, Op. 103: No. 3. An die Nachtigall
Madchenlieder, Op. 103: No. 4. An den Abendstern
Der Rose Pilgerfahrt (The Pilgrimage of the Rose), Op. 112, Part II: Ei Muhle, liebe Muhle
Spanische Liebeslieder, Op. 138: No. 4. Bedeckt mich mit Blumen
5 Duets, Op. 14: No. 4. Gab's ein einzig Brunnelein
Stabat mater: O quam tristis et afflicta
Stabat mater: Quis est homo qui non fleret
Stabat mater: Fac, ut portem Christi mortem
Orfeo, Op. 2, No. 4: Recitative: Nel chiuso centro
Orfeo, Op. 2, No. 4: Aria: Euridice, e dove
Orfeo, Op. 2, No. 4: Recitative: Si, che pieta non v'e
Strauss, R.: Orchestral Music / Opera Excerpts (Jubilee Edition)
Arabella, Op. 79, TrV 263, Act I: Er ist der Richtige nicht fur mich
Radio Sinfonieorchester Stuttgart des SWR
Arabella, Op. 79, TrV 263, Act II: Sie woll'n mich heiraten, sagt mein Vater
Capriccio, Op. 85, TrV 279: Introduction
Arabella, Op. 79, TrV 263, Act III: Das war sehr gut, Mandryka
Till Eulenspiegels lustige Streiche, Op. 28, TrV 171: Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), Op. 28, TrV 171
Der Rosenkavalier Suite, Op. 59, TrV 227: Rosenkavalier Suite, Op. 59, TrV 227
Ariadne auf Naxos, Op. 60, TrV 228: Ariadne auf Naxos, Op. 60, TrV 228: Es gibt ein Reich, wo alles rein ist (1912 Version)
Der Rosenkavalier, Op. 59, TrV 227, Act II: Mir ist die Ehre widerfahren
Der Rosenkavalier, Op. 59, TrV 227, Act II: Da lieg' ich!
Der Rosenkavalier, Op. 59, TrV 227, Act III: Hab' mir's gelobt, ihn lieb zu haben
Donizetti, G.: Parafrasi Del Christus / Pergolesi, G.B.: Salve Regina in C Minor / Bonporti, F.A.: Mittite Dulces / Telemann, G.P.: Was Ist Das Herz?
Parafrasi del Christus: Duet: Per pieta del peccatore, stretto gia de rie ritorte (Soprano, Alto)
Parafrasi del Christus: Aria: E qual morte egli sostenne? (Soprano)
Parafrasi del Christus: Aria: Della gloria al seggio eterno quindi il Padre (Alto)
Parafrasi del Christus: Duet: Degli un nome assai possente cui l'egual giammai (Soprano, Alto)
Salve Regina in C Minor: Ad te clamamus exsules filii Hevae
Salve Regina in C Minor: Ad te suspiramus gementes et flentes
Salve Regina in C Minor: Eja ergo, advocata nostra
Salve Regina in C Minor: Et jesum, benedictum fructum ventris tui
Salve Regina in C Minor: O clemens, o pia, o dulcis virgo Maria
Mittite Dulces: Aria: Mittite, mittite dulces, sidera flammas
Mittite Dulces: Recitative: Ut sit Jesus solus amor
Mittite Dulces: Aria: Arde meum cor in odorem suavitatis
Mittite Dulces: Recitative: O divini amoris incendia mundo me rapitis
Mittite Dulces: Aria: Veni Jesu, mihi care Jesu
Ite Molles: Aria: Ite molles, ite flores
Ite Molles: Recitative: Ardet amore anima mea
Ite Molles: Aria: Placidi, Zephiri, susurrate aurae molles
Ite Molles: Recitative: Jam respiro, venio ad te Coelestae Sponse
Ite Molles: Aria: O quam dulce, o Jesu care
Was ist das Herz?, TWV 1:1516: Recitativo: Was ist das Herz?
Was ist das Herz?, TWV 1:1516: Aria: Erleuchte mich, o segenvolles Licht
Was ist das Herz?, TWV 1:1516: Recitativo: Ach, dass sich doch so viele Menschen finden
Was ist das Herz?, TWV 1:1516: Aria: Lacht der Leuchte der Gerechten
Ergo interest … Quaere superna, K. 143: Recitative: Ergo interest, an quis male vivat, an bene?
Ergo interest … Quaere superna, K. 143: Aria: Quaere superna fuge terrena
Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern
Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht
Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften
Also sprach Zarathustra, Op. 30: V. Das Grablied
Eine Alpensinfonie, Op. 64: II. Sonnenaufgang
Eine Alpensinfonie, Op. 64: III. Der Anstieg
Eine Alpensinfonie, Op. 64: IV. Jagdhörner von Ferne
Eine Alpensinfonie, Op. 64: V. Eintritt in den Wald
Eine Alpensinfonie, Op. 64: VI. Am Wasserfall
Eine Alpensinfonie, Op. 64: VII. Erscheinung
Eine Alpensinfonie, Op. 64: VIII. Auf blumigen Wiesen
Eine Alpensinfonie, Op. 64: IX. Auf der Alm
Eine Alpensinfonie, Op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen
Eine Alpensinfonie, Op. 64: XI. Auf dem Gletscher
Capriccio, Op. 85, Opera in 1 Act, "A Conversation Piece for Music" (Excerpt)
Der Rosenkavalier, Op. 59, Finale: "Hab' mir's gelobt, ihn lieb zu haben"
Also sprach Zarathustra, Op. 30, TrV 176 (beginning)
Eine Alpensinfonie, Op. 64, Trv 233: Eine Alpensinfonie (an Alpine Symphony), Op. 64, TrV 233 [excerpts]
Don Quixote, Op. 35, TrV 184: Introduction
Salome, Op. 54, TrV 215: Dance of the Seven Veils
Der Rosenkavalier, Op. 59, TrV 227, Act III: Marie Theres'! … Hab' mir's gelobt