1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa1367038e043fda9e0ea142ffdbf8eaa242e11506c83e752f9059c6d916ebcba. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/7da89e66-dca8-490e-939e-56d725c4ef41.json and https://artists.proofprofile.net/proofs/artist/7da89e66-dca8-490e-939e-56d725c4ef41.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": I. Kyrie
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): I. Kyrie
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": I. Kyrie
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": II. Gloria. Gloria in excelsis Deo
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): II. Gloria. Gloria in excelsis Deo
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": IIa. Gloria
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": II. Gloria. Gratias agimus tibi
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): II. Gloria. Quoniam tu solus sanctus
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": IIb. Gratias agimus
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": II. Gloria. Quonium tu solus sanctus
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): III. Credo. Credo in unum Deum
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": IIc. Quoniam tu solus sanctus
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": III. Credo. Credo in unum Deum
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): III. Credo. Et incarnatus est
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": IIIa. Credo
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": III. Credo. Et incarnatus est
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): III. Credo. Et resurrexit
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": IIIb. Et incarnatus
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": III. Credo. Et resurrexit
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): III. Credo. Et vitam venturi saeculi
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": IIIc. Et resurrexit
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": IV. Sanctus
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): IV. Sanctus
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": IV. Sanctus
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": V. Benedictus
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): V. Benedictus
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": V. Benedictus
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": VI. Agnus Dei. Agnus Dei
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): VI. Agnus Dei. Agnus Dei
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": VIa. Agnus Dei
Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": Mass in B-Flat Major, Hob. XXII:12, "Theresienmesse": VI. Agnus Dei. Dona nobis pacem
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): VI. Agnus Dei. Dona nobis pacem
Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Mass in B-Flat Major, Hob. XXII:14, "Harmoniemesse": VIb. Dona nobis
Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": I. Kyrie
Mass in G Major, Hob. XXII.3, "Missa rorate coeli desuper": I. Kyrie
Salve Regina in E Major, Hob. XXIIIb:1: Salve Regina in E Major, Hob. XXIIIb:1: I. Salve Regina
Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": II. Gloria
Mass in G Major, Hob. XXII.3, "Missa rorate coeli desuper": II. Gloria
Salve Regina in E Major, Hob. XXIIIb:1: Salve Regina in E Major, Hob. XXIIIb:1: II. Ad te clamamus
Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": III. Credo
Mass in G Major, Hob. XXII.3, "Missa rorate coeli desuper": III. Credo
Salve Regina in E Major, Hob. XXIIIb:1: Salve Regina in E Major, Hob. XXIIIb:1: III. Eja ergo adovcata
Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": IV. Sanctus
Mass in G Major, Hob. XXII.3, "Missa rorate coeli desuper": IV. Sanctus
Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": V. Benedictus
Mass in G Major, Hob. XXII.3, "Missa rorate coeli desuper": V. Benedictus
Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": Mass in B-Flat Major, Hob. XXII:7, "Kleine Orgelmesse": VI. Agnus Dei
Mass in G Major, Hob. XXII.3, "Missa rorate coeli desuper": VI. Agnus Dei
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): II. Gloria. Gloria in excelsis Deo - Alternat
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): II. Gloria. Quoniam tu solus sanctus - Altern
Haydn: Theresienmesse & Kleine Orgelmesse
Faust, CG 4, Act II: Even the bravest heart may swell (Avant de quitter ces lieux) (Valentin)
The Barber of Seville, Act I: I am the barber everyone wants, I am!, "Largo al factotum" (Figaro)
The Marriage of Figaro, K. 492, Act III: You've won the case already - Must I be made to suffer (Vedrò mentr'io sospiro) (Count Almaviva)
Tannhäuser, WWV 70, Act III: With dark foreboding twilight casts her shadows (Wie Todesahnung) (Wolfram)
The Queen of Spades, Op. 68, TH 10: You seem unhappy, my beloved (Yeletsky)
Hamlet, Act II: Oh wine, deliver me from sadness, "Drinking Song" (Hamlet, Chorus)
Luisa Miller, Act I: Stop! You shall listen - Marriage is sacred - I was right to be so suspicious (Sacra la scelta) (Miller, Wurm)
Tannhäuser, WWV 70, Act II: Turning my gaze upon this proud assembly (Blick' ich umher) (Wolfram)
The Pearl Fishers, GB 4, WD 13, Act III: The storm has died away (L'orage s'est calmé) (Zurga)
Billy Budd, Op. 50, Act II: Look! Through the port comes the moonshine astray, "Billy in the Darbies" (Billy)
Die Fledermaus, Act I: Though I'm somewhat out of practice, "Watch Duet" (Gabriel von Eisenstein, Rosalinde)
The Merry Widow: Hello, here's a soldier bold, "Cavalryman Duet" (Hanna, Count Danilo)
Carousel, Act I: I wonder what he'll think of me!, "Billy's Soliloquy" (Billy Bigelow)
Die Tode Stadt (The Dead City), Op. 12, Act II: In visions, illusions (Mein Sehnen) (Fritz, Chorus)
Howells: Missa Sabrinensis & Stabat Mater
Stabat Mater: I. Stabat mater dolorosa (Chorus)
Stabat Mater: II. Cujus animam gementem (Tenor, Semi-Chorus, Chorus)
Stabat Mater: III. Quis est homo? (Chorus)
Stabat Mater: IV. Eia, Mater (Tenor solo, Chorus)
Stabat Mater: V. Sancta Mater (Tenor, Chorus)
Stabat Mater: VI. Fac ut portem (Tenor, Chorus)
Stabat Mater: VII. Christe, cum sit hunc exire (Tenor solo, Semi-Chorus, Chorus)
Stabat Mater, Op. 58, B. 71: I. Stabat mater dolorosa
Stabat Mater, Op. 58, B. 71: II. Quis est homo
Stabat Mater, Op. 58, B. 71: III. Eia, mater, fons amoris
Stabat Mater, Op. 58, B. 71: IV. Fac ut ardeat cor meum
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati
Stabat Mater, Op. 58, B. 71: VI. Fac me vere tecum flere
Stabat Mater, Op. 58, B. 71: VII. Virgo, virginum praeclara
Stabat Mater, Op. 58, B. 71: VIII. Fac ut portem Christi mortem
Stabat Mater, Op. 58, B. 71: IX. Inflammatus et accensus
Stabat Mater, Op. 58, B. 71: X. Quando corpus morietur
Don Carlos, Act III Scene 1: Introduction
Don Carlos, Act I Scene 1: Charles the Fifth, our mighty Lord (Old Monk, Chorus of Friars)
Don Carlos, Act II Scene 1: At midnight in the garden of the Queen… (Don Carlos, Eboli)
Don Carlos, Act III Scene 1: She has no love for me! (Philip)
Don Carlos, Act I Scene 1: And I have lost her (Don Carlos, Old Monk)
Don Carlos, Act II Scene 1: Alas your youthful mind has no idea (Eboli, Don Carlos, Rodrigo)
Don Carlos, Act III Scene 1: I'll only sleep when I am laid to rest (Philip)
Don Carlos, Act I Scene 1: There he is! The Prince (Don Carlos, Rodrigo)
Don Carlos, Act II Scene 1: Now he has scorned the love I gave him (Eboli, Rodrigo, Don Carlos)
Don Carlos, Act III Scene 1: The Grand Inquisitor (Count of Lerma, Grand Inquisitor, Philip)
Don Carlos, Act I Scene 1: But the King has not yet discovered your secret? (Don Carlos, Rodrigo)
Don Carlos, Act II Scene 1: Treacherous son, adult'rous lover (Eboli, Rodrigo, Don Carlos)
Don Carlos, Act III Scene 1: In this land of Spain no heresy has thrived (Grand Inquisitor, Philip)
Don Carlos, Act I Scene 1: God who has brought us together (Don Carlos, Rodrigo, Old Monk, Chorus of Friars)
Don Carlos, Act II Scene 2: Today is a day of gladness and joy (Chorus of People, Chorus of Monks)
Don Carlos, Act III Scene 1: Your highness I ask for justice! (Elisabeth, Philip)
Don Carlos, Act I Scene 2: Where the pine grove is green and shady (Thibault, Eboli, Chorus)
Don Carlos, Act II Scene 2: Let the sacred doors now be opened (Philip, Royal Herald, Chorus of People)
Don Carlos, Act III Scene 1: You know full well, my hand was plighted (Elisabeth, Philip, Eboli, Rodrigo)
Don Carlos, Act I Scene 2: In the marble palace of the Moorish King (Eboli, Thibault, Chorus)
Don Carlos, Act II Scene 2: O Heav'n! It's Carlos! (Elisabeth, Rodrigo, Philip, Don Carlos, Thibault, Flemish Deputies, Chorus of Monks)
Don Carlos, Act III Scene 1: Accurst be this hour (Philip, Eboli, Rodrigo, Elisabeth)
Don Carlos, Act I Scene 2: The Queen (Eboli, Elisabeth, Thibault, Rodrigo, Chorus)
Don Carlos, Act II Scene 2: Sire! I have something to ask you! (Don Carlos, Philip, Elisabeth, Rodrigo, Thibault, Monks, Chorus of People)
Don Carlos, Act III Scene 1: Forgive! Forgive and pardon a woman who's wronged you (Eboli, Elisabeth)
Don Carlos, Act I Scene 2: I'm so eager to hear the news you bring (Eboli, Rodrigo, Elisabeth)
Don Carlos, Act II Scene 2: O heav'n! (Elisabeth, Don Carlos, Philip, Voice from Heaven, Flemish Deputies, Monks, Chorus of People)
Don Carlos, Act III Scene 1: Oh cruel fate. Oh hated gift (Eboli)
Don Carlos, Act I Scene 2: Carlos my friend, hope of our future (Rodrigo, Eboli, Elisabeth)
Don Carlos, Act III Scene 2: I'm here my Carlos (Rodrigo, Don Carlos)
Don Carlos, Act I Scene 2: I come before the Queen and I ask for a favour (Don Carlos, Elisabeth)
Don Carlos, Act III Scene 2: My last day has dawned forever (Rodrigo)
Don Carlos, Act I Scene 2: Here where I stand let the earth crack asunder (Don Carlos, Elisabeth)
Don Carlos, Act III Scene 2: But why do you speak of death? (Don Carlos, Rodrigo)
Don Carlos, Act I Scene 2: The King (Thibault, Philip, Chorus)
Don Carlos, Act III Scene 2: O Carlos, now listen, your mother awaits you (Rodrigo)
Don Carlos, Act I Scene 2: Don't weep, my dear companion (Elisabeth, Rodrigo, Philip, Chorus)
Don Carlos, Act III Scene 2: Now I die, die contented (Rodrigo)
Don Carlos, Act I Scene 2: Remain here! I've seen you at my court (Philip, Rodrigo)
Don Carlos, Act III Scene 2: My son I return you your sword (Philip, Don Carlos, Count of Lerma, Eboli, Grand Inquisitor, Chorus)
Don Carlos, Act I Scene 2: O King, I come here from Flanders (Rodrigo, Philip)
Don Carlos, Act I Scene 2: What kind of peace is this you give your subject? (Rodrigo, Philip)
Don Carlos, Act IV: You, who spurned and renounced all the world (Elisabeth)
Don Carlos, Act IV: France, my noble land, so dear to me in childhood! (Elisabeth)
Don Carlos, Act IV: She's there! (Don Carlos, Elisabeth)
Don Carlos, Act IV: We shall meet not in this world (Elisabeth, Don Carlos)
Don Carlos, Act IV: Yes, for ever! A double sacrifice is needed! (Philip, Grand Inquisitor, Elisabeth, Don Carlos, Old Monk, Chorus of Monks)
Owen Wingrave, Op. 85, Act II: Prologue. The Ballad. There was a boy, a Wingrave born (The Narrator, Chorus)
Owen Wingrave, Op. 85, Act I Scene 1: You've got your maps there? (Coyle, Lechmere, Owen)
Owen Wingrave, Op. 85, Act II: They called for him to toll the bell (The Narrator, Chorus) - Scene 1. The bell was for the child he slew (Owen, Coyle)
Owen Wingrave, Op. 85, Act I Scene 1: Sir, I can't go through with it (Owen, Coyle)
Owen Wingrave, Op. 85, Act II Scene 1: I envy you this fine old house (Lechmere, Mrs. Julian, Mrs. Coyle, Coyle, Owen, Kate)
Owen Wingrave, Op. 85, Act I Scene 1: Straight out of school they come to me (Coyle) - Interlude
Owen Wingrave, Op. 85, Act II Scene 1: Aha! (Sir Philip, Coyle, Lechmere, Mrs. Coyle, Kate, Mrs. Julian, Miss Wingrave)
Owen Wingrave, Op. 85, Act I Scene 2: At last it's out. No doubt old Coyle will rage (Owen, Miss Wingrave, Coyle) - Interlude II. War is the stateman's game (Owen)
Owen Wingrave, Op. 85, Act II Scene 1: And with his friend young Lechmere played … (Owen, Miss Wingrave, Kate, Mrs. Julian, Mrs. Coyle, Coyle)
Owen Wingrave, Op. 85, Act I Scene 3: Your sherry, Mrs. Coyle (Lechmere, Mrs. Coyle, Coyle, Owen)
Owen Wingrave, Op. 85, Act II Scene 1: Now you may save your scornful looks (Owen)
Owen Wingrave, Op. 85, Act I Scene 3: Owen, you can't mean it - it's mad, it's your whole life (Lechmere, Owen) - Interlude III
Owen Wingrave, Op. 85, Act II Scene 1: Ah, Owen what shall I do? (Kate, Owen)
Owen Wingrave, Op. 85, Act I Scene 4: Oh, how unforeseen (Mrs. Julian, Kate, Miss Wingrave)
Owen Wingrave, Op. 85, Act II Scene 2: Is that you, Coyle? (Mrs. Coyle, Coyle, Lechmere)
Owen Wingrave, Op. 85, Act I Scene 4: And now, to face them, all of them, the living and the dead (Owen, Mrs. Julian, Kate, Miss Wingrave)
Owen Wingrave, Op. 85, Act II Scene 2: Ah, Owen, Owen (Kate, Lechmere, Mrs. Coyle, Coyle, Mrs. Julian, Miss Wingrave, Sir Philip, The Narrator, Chorus)
Owen Wingrave, Op. 85, Act I Scene 4: Sirrah! How dare you! (Sir Philip, Kate) - Scene 5. How dare you! (Miss Wingrave, Kate, Sir Philip, Mrs. Julian)
Owen Wingrave, Op. 85, Act I Scene 6: Coyle, I wish I had not come. It's horrible! (Mrs. Coyle, Coyle)
Owen Wingrave, Op. 85, Act I Scene 6: Ah! Owen! (Mrs. Coyle, Coyle, Owen, Lechmere) - Interlude IV
Owen Wingrave, Op. 85, Act I Scene 7: May God bless the Queen, and this house (Sir Philip, Mrs. Coyle, Kate, Miss Wingrave, Lechmere, Owen, Mrs. Julian)
Così fan tutte, K. 588, Act II: We've done it! (Ferrando, Guglielmo)
Così fan tutte, K. 588, Act I: Why has fate my life enshrouded (Fiordiligi, Dorabella)
Così fan tutte, K. 588, Act I: Suspect Dorabella? (Ferrando, Guglielmo, Don Alfonso)
Così fan tutte, K. 588, Act I: To die is all I long for (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)
Così fan tutte, K. 588, Act I: Swords or pistols? (Ferrando, Guglielmo, Don Alfonso)
Così fan tutte, K. 588, Act I: Now ladies, calm yourselves (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
Così fan tutte, K. 588, Act I: Woman's faith is like the phoenix (Don Alfonso, Ferrando, Guglielmo)
Così fan tutte, K. 588, Act II: Well, I declare, you are a funny pair of young ladies (Despina, Fiordiligi, Dorabella)
Così fan tutte, K. 588, Act II: At fifteen a girl already must be truly wise (Despina)
Così fan tutte, K. 588, Act I: A poetical fiction! (Ferrando, Guglielmo, Don Alfonso)
Così fan tutte, K. 588, Act II: Well, sister! What do you think? (Fiordiligi, Dorabella)
Così fan tutte, K. 588, Act I: I shall hire a band of players (Ferrando, Guglielmo, Don Alfonso)
Così fan tutte, K. 588, Act II: I prefer the gentle dark one (Dorabella, Fiordiligi)
Così fan tutte, K. 588, Act I: This portrait alone is the face of Adonis (Fiordiligi, Dorabella)
Così fan tutte, K. 588, Act II: Come at once to the garden (Don Alfonso, Dorabella)
Così fan tutte, K. 588, Act I: I can't think what's the matter (Fiordiligi, Dorabella)
Così fan tutte, K. 588, Act II: Gentle zephyr, softly sighing (Ferrando, Guglielmo, Chorus)
Così fan tutte, K. 588, Act I: Here they are (Fiordiligi, Don Alfonso, Dorabella)
Così fan tutte, K. 588, Act II: What is this masquerading? (Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso)
Così fan tutte, K. 588, Act I: Let me try. My courage fails (Don Alfonso)
Così fan tutte, K. 588, Act II: Now give me your hand (Don Alfonso, Ferrando, Guglielmo, Despina)
Così fan tutte, K. 588, Act I: Tell us, for pity's sake (Fiordiligi, Don Alfonso, Dorabella)
Così fan tutte, K. 588, Act II: Isn't the weather lovely! (Fiordiligi, Ferrando, Dorabella, Guglielmo)
Così fan tutte, K. 588, Act I: Courage fails me! For no evasion (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
Così fan tutte, K. 588, Act II: This heart that I give you (Guglielmo, Dorabella)
Così fan tutte, K. 588, Act I: It's a comedy, charming! (Don Alfonso, Ferrando, Fiordiligi, Dorabella)
Così fan tutte, K. 588, Act II: Cruel one, would you leave me? (Ferrando, Fiordiligi)
Così fan tutte, K. 588, Act I: Oh, the soldier's life for me! (Chorus)
Così fan tutte, K. 588, Act II: He's leaving. Listen!… (Fiordiligi)
Così fan tutte, K. 588, Act I: My friends, the time is flying (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
Così fan tutte, K. 588, Act II: Ah, my love, I pray forgive me (Fiordiligi)
Così fan tutte, K. 588, Act I: You'll write long letters often (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, Chorus)
Così fan tutte, K. 588, Act I: Are they gone? (Dorabella, Don Alfonso, Fiordiligi)
Così fan tutte, K. 588, Act I: O wind gently blowing (Fiordiligi, Dorabella, Don Alfonso)
Così fan tutte, K. 588, Act I: So far all's going splendidly! (Don Alfonso)
Così fan tutte, K. 588, Act I: A hell of an existence (Despina)
Così fan tutte, K. 588, Act I: My ladies, here is your chocolate and biscuits (Despina, Fiordiligi, Dorabella)
Così fan tutte, K. 588, Act I: Cease not, remorseless love (Dorabella)
Così fan tutte, K. 588, Act I: Signora Dorabella, Signora Fiordiligi (Despina, Dorabella, Fiordiligi)
Così fan tutte, K. 588, Act I: In lovers and in soldiers (Despina)
Così fan tutte, K. 588, Act I: What a silence! (Don Alfonso, Despina)
Così fan tutte, K. 588, Act I: I've the honour to present you (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
Così fan tutte, K. 588, Act I: What an outcry! (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo)
Così fan tutte, K. 588, Act I: Like a fortress in ocean founded! (Fiordiligi)
Così fan tutte, K. 588, Act I: Stay, I implore you! (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi)
Così fan tutte, K. 588, Act I: O vision so charming (Guglielmo)
Così fan tutte, K. 588, Act I: You seem delighted! (Don Alfonso, Ferrando, Guglielmo)
Così fan tutte, K. 588, Act I: When you've quite finished laughing (Don Alfonso, Guglielmo, Ferrando)
Così fan tutte, K. 588, Act I: Her eyes so alluring (Ferrando)
Tannhäuser, WWV 70, Act II: Great Hall of Song (Dich teure Halle) (Elizabeth)
Don Giovanni, K. 527, Act I: Don Ottavio, I'm dying - He threatened my honour (Or sai chi l'onore) (Donna Anna, Don Ottavio)
Alceste, Wq. 44, Act I: Almighty gods of death! (Divinités du Styx) (Alceste)
Oberon, J. 306, Act II: Ocean! Thou mighty monster - Still I see thy billows flashing (Ozean! Du Ungeheuer) (Reiza)
The Golden Legend: The night is calm and cloudless (Elsie, Chorus)
Euryanthe, J. 291, Act I: Ah, What have I done? - Fading is the star (Unter ist mein Stern gegangen) (Euryanthe, Eglantine)
Countess Mariza: Gypsy and airs and joyful phrases - Where is love's kingdom? (Maritza, Chorus)
Carousel, Act II: You'll never walk alone (Nettie Fowler, Chorus)
Giuditta, Act IV: Why ever should it be (Meine Lippen sie küssen so heiss) (Giuditta, Chorus)
Stabat Mater: Blessed Virgin, may the flame of love (Inflammatus et accensus)
Concert Aria, Op. 65: Ah! Treachery and falsehood! - Ah, my love, how can you leave me (Ah perfido!)
Carnival: I came two buses and a train (Mira – Can you imagine that?) (Lili)
Peter Grimes, Prologue: "The truth … the pity …"
Peter Grimes, Act II: "Glitter of Waves"
Peter Grimes, Act III: "Assign your prettiness to me"
Peter Grimes, Act II: "Now that the daylight fills the sky"
Peter Grimes, Act III: "Embroidery in childhood …"
Peter Grimes, Act I: "Oh, hang at open doors …"
Peter Grimes, Act II: "Fool to let it come to this!"
Peter Grimes, Act I: "I'll give a hand …"
Peter Grimes, Act II: "We planned that their lives …"
Peter Grimes, Act I: "Let her among you without fault"
Peter Grimes, Act II: "From the gutter …"
Peter Grimes, Act III: "Grimes! … Steady. There you are. Nearly Home."
Peter Grimes, Act I: "Look, the storm cone!"
Peter Grimes, Act III: "Peter, we've come to take you home"
Peter Grimes, Act I: "And do you prefer the storm …"
Peter Grimes, Act III: "To those who pass the Borough sounds betray"
Peter Grimes, Op. 33, Act I: Interlude 2
Peter Grimes, Act II: "In dreams I've built myself …"
Peter Grimes, Act I: "Past time to close!"
Peter Grimes, Act II: "The whole affair gives Borough talk …"
Peter Grimes, Act I: "We live and let live …"
Peter Grimes, Act I: "Now the Great Bear and Pleiades"
Peter Grimes, Act I: "For peace sake … Old Joe has gone fishing …"
L'italiana in Algeri, Act I: In dreams of endless pleasure (Languir per una bella) (Lindoro)
Le Comte Ory, Act I: May destiny befriend to you (Que le destin prospère) (Count)
Mose in Egitto, Act II: The blow at last fallen (Parla, spiegar non posso) (Amenophis, Pharaoh)
Don Giovanni, K. 527, Act II: Could I ever believe - Her joy is my joy (Dalla sua pace) (Don Ottavio)
The Rake's Progress, K. 078, Act I: Here I stand - Since it is not by merit (Tom Rakewell)
Don Pasquale, Act II: Poor lost Ernesto - I shall go, no more returning (Cercherò lontana terra) (Ernesto)
L'Elisir d'amore, Act II: Only one tear drop (Una furtiva lagrima) (Nemorino)
Ermione, Act I: Palace of horrors! Ah, How can I hide the flames (Reggia abborrita) (Orestes, Pilades)
La gazza ladra, Act I: Darling! Darling! Let me embrace you! (Giannetto, Chorus)
Armida, Act III: I lost the will to action (In quale aspetto imbelle) (Rinaldo, Carlo, Ubaldo)
L'Amico Fritz, Act II: Suzel, good morning! (Suzel, buon dì) (Fritz, Suzel), "Cherry Duet"
Don Pasquale, Act III: The night is calm (Com'è gentil) (Ernesto, Chorus)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 1: Soon it will be evening (Jenůfa, Grandmother Buryja, Laca, Jano) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act II Scene 5: One moment … In that moment must I lose hope (Kostelnička) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act I Scene 2: What are you doing here, Laca? (Foreman, Laca, Jenůfa, Grandmother Buryja, Kostelnička) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act II Scene 6: Mamičko, my head is aching (Jenůfa) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act I Scene 3: Come now, Jenůfa (Grandmother Buryja, Jenůfa) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act II Scene 7: Who is there? (Jenůfa, Kostelnička) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act I Scene 4: They're all for marrying (Števa, Jenůfa, Foreman, Laca, Recruits) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act II Scene 8: He's coming now! … (Kostelnička, Laca, Jenůfa) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act I Scene 5: My dear heart, my Števa, Števuska! (Jenůfa, Števa, Kostelnička, Grandmother Buryja, Laca, Foreman, Chorus) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 1: Don't you feel nervous, Jenufka? (Maid, Jenůfa, Laca, Kostelnička) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act I Scene 6: Števa, Števa, I know you got drunk today (Jenůfa, Števa, Grandmother Buryja) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 2: God be with you! (Mayor, Maid, Laca, Jenůfa, Kostelnička, Mayor's Wife) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act I Scene 7: How all this boasting of Števa (Laca, Jenůfa, Grandmother Buryja, Foreman, Barena) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 3: There now, Laca, just as I foresaw (Jenůfa, Laca) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act II Scene 1: Introduction - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 4: Aha! Here they are (Laca, Karolka, Števa, Jenůfa) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act II Scene 1: If I leave the door ajar a little (Kostelnička, Jenůfa) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 5: There's no denying that all that was really a sight worth seeing (Mayor, Kostelnička, Laca, Mayor's Wife) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act II Scene 2: Yes, in all these 20 weeks (Kostelnička) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 6: God be with you one and all! (Barena, Mayor, Jenůfa, Laca, Grandmother Buryja, Kostelnička, Peasant Girls, Chorus) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act II Scene 3: Aunt Kostelnička, in the note you sent me (Števa, Kostelnička, Jenůfa, Laca) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 7: What baby's that they're shouting about? (Kostelnička, Jano, Mayor, Števa, Chorus) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act II Scene 4: But I saw a man come in here just now (Laca, Kostelnička) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 8: Come quickly now! (Jano, Kostelnička, Grandmother Buryja) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 9: Števa, this is terrible … (Karolka, Jenůfa, Števa, Laca) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 10: Ha, there now, you see his baby clothes! (Jenůfa, Mayor's Wife, Mayor, Laca, Kostelnička, Karolka, Maid, Village Woman, Chorus) - Brno versio
Jenůfa, Her Step-Daughter, I/4, Act III Scene 11: Do not kneel, dear mother! (Jenůfa, Kostelnička, Laca) - Brno version
Jenůfa, Her Step-Daughter, I/4, Act III Scene 12: They have gone! Now you go! (Jenůfa, Laca) - Brno version
Pagliacci, Act I: Go on stage… - Put on your costume (Vesti la giubba) (Canio)
La Gioconda, Act II: Heaven and sea! (Cielo e mar) (Enzo)
Aida, Act I: I pray that I be chosen - Goddess Aida (Celeste Aida) (Radames)
Il Trovatore, Act III: When holy church has blessed our love - That fierce inferno (Ah sì, ben mio – Di quella pira) (Manrico, Leonora, Ruiz, Chorus)
Attila, Act III: Foresto, my soul belongs to you (Te sol, te sol quest'anima) Odabella, Foresto and Ezio)
Il Duca d'Alba, Act I: Here, unobserved in this chapel - Angel of love (Angelo casto e bel) (Marcello)
Andrea Chénier, Act I: One day, gazing at the splendor of Heav'n's blue distance (Un dì all'azzurro spazio) (Chénier)
Andrea Chénier, Act IV: Just like a day in May time (Come un bel dì di Maggio) (Chénier)
Otello, Act II: Ah! Would that God had given him a thousand lives! - Yes, I swear by skies of marble (Sì, pel ciel marmoreo giuro) (Otello, Iago)
Otello, Act IV: Do not fear me (Niun mi tema) (Otello)
Tosca, SC 69, Act I: Give me my palette! - How strange a thing is beauty (Recondita Armonia) (Cavaradossi)
La Fanciulla del West, SC 78, Act III: Let her believe that I have gained my freedom (Ch'ella mi creda) (Johnson)
Cavalleria rusticana: My friend's don't go away - Neighbours, with a glass I meet you (Brindisi) (Turiddu, Lola, Chorus), "Turridu's Drinking Song"
Cavalleria rusticana: Mamma, mamma, this new wine really is powerful (Turridu, Lucia, Santuzza, Lola)
Armida, Act III: I lost the will to action (In quale aspetto imbelle) (Ronaldo, Carlo, Ubaldo)
La bohème, SC 67, Act II: Your tiny hand is frozen! (Che gelida manina) (Rodolfo)
McEwen: Hymn on the Morning of Christ's Nativity
Hymn on the Morning of Christ's Nativity: I. It was the winter wild
Hymn on the Morning of Christ's Nativity: II. But he her fears to cease
Hymn on the Morning of Christ's Nativity: III. But peaceful was the night
Hymn on the Morning of Christ's Nativity: IV. And though the shady gloom
Hymn on the Morning of Christ's Nativity: V. The shepherds on the lawn
Hymn on the Morning of Christ's Nativity: VI. At last surrounds their sight
Hymn on the Morning of Christ's Nativity: VII. But wisest Fate says no
Hymn on the Morning of Christ's Nativity: VIII. The lonely mountains o'er
Hymn on the Morning of Christ's Nativity: IX. And sullen Moloch, fled
Hymn on the Morning of Christ's Nativity: X. So when the sun in bed
Hymn on the Morning of Christ's Nativity: XI. But see, the Virgin blest
MacCunn: Land of the Mountain and the Flood & Other Orchestral Works
Land of the Mountain and the Flood, Op. 3
Jeanie Deans, Act I: I Love a Lass (Dumbiedykes)
Jeanie Deans, Act I: What Can It Be? (Jeanie)
Jeanie Deans, Act I: Why Com'st Thou Thus? (Jeanie, Effie)
Jeanie Deans, Act II: O God, Whose Eyes (Jeanie, Effie, Deans, Constable)
Jeanie Deans, Act II: O Friends, I Said But Now (Deans)
Jeanie Deans, Act II: Nay, Neighbour (Chorus, Dumbiedykes, Deans)
Jeanie Deans, Act II: O Father, Father, Shame Indeed (Effie)
Jeanie Deans, Act II: Thou Hast Shamed (Deans)
Jeanie Deans, Act II: Oh! Would That I Again (Effie)
Jeanie Deans, Act III: Sleep for the Day Is Done (Effie)
Jeanie Deans, Act III: O Effie, Darling (Staunton, Effie)
Jeanie Deans, Act III: That Shout! (Staunton, Effie, Rioters)
The Lay of the Last Minstrel, Op. 7: Pt. 1, Final Recit. Breathes There the Man
The Lay of the Last Minstrel, Op. 7: Pt. 2, Final Chorus. O Caledonia! Stern and Wild
Gloria: VI. Qui sedes ad dexteram Patris
Stabat Mater: XI. Inflammatus et accensus
George Lloyd A Litany: Part 3 'For that fair blessed mother-maid
A Litany for soprano, baritone, chorus & orchestra: Part 3 'For that fair blessed mother-maid'. Adagio
Jenůfa, Her Step-Daughter, I/4, Act I Scene 1: Soon it will be evening (Jenůfa, Grandmother Buryja, Laca, Jano) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 5: One moment … In that moment must I lose hope (Kostelnička) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 2: What are you doing here, Laca? (Foreman, Laca, Jenůfa, Grandmother Buryja, Kostelni (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 6: Mamičko, my head is aching (Jenůfa) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 3: Come now, Jenůfa (Grandmother Buryja, Jenůfa) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 7: Who is there? (Jenůfa, Kostelnička) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 4: They're all for marrying (Števa, Jenůfa, Foreman, Laca, Recruits) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 8: He's coming now! … (Kostelnička, Laca, Jenůfa) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 5: My dear heart, my Števa, Števuska! (Jenůfa, Števa, Kostelnička, Grandmother Buryja, (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 1: Don't you feel nervous, Jenufka? (Maid, Jenůfa, Laca, Kostelnička) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 6: Števa, Števa, I know you got drunk today (Jenůfa, Števa, Grandmother Buryja) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 2: God be with you! (Mayor, Maid, Laca, Jenůfa, Kostelnička, Mayor's Wife) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 7: How all this boasting of Števa (Laca, Jenůfa, Grandmother Buryja, Foreman, Barena) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 3: There now, Laca, just as I foresaw (Jenůfa, Laca) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 1: Introduction (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 4: Aha! Here they are (Laca, Karolka, Števa, Jenůfa) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 1: If I leave the door ajar a little (Kostelnička, Jenůfa) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 5: There's no denying that all that was really a sight worth seeing (Mayor, Kostelni (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 2: Yes, in all these 20 weeks (Kostelnička) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 6: God be with you one and all! (Barena, Mayor, Jenůfa, Laca, Grandmother Buryja, Ko (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 3: Aunt Kostelnička, in the note you sent me (Števa, Kostelnička, Jenůfa, Laca) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 7: What baby's that they're shouting about? (Kostelnička, Jano, Mayor, Števa, Chorus (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 4: But I saw a man come in here just now (Laca, Kostelnička) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 8: Come quickly now! (Jano, Kostelnička, Grandmother Buryja) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 9: Števa, this is terrible … (Karolka, Jenůfa, Števa, Laca) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 10: Ha, there now, you see his baby clothes! (Jenůfa, Mayor's Wife, Mayor, Laca, Kos (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 11: Do not kneel, dear mother! (Jenůfa, Kostelnička, Laca) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 12: They have gone! Now you go! (Jenůfa, Laca) (Brno version)
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna
Orff: Carmina Burana - Holst: The Planets
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6c48107d2226f3d558660dd0df7fcb0ac0c83cac22be5f44f5ce1eec41101fad. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4m5rO8vfR0H6V4J8sKTU2J.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4m5rO8vfR0H6V4J8sKTU2J.
Lakmé, Act 1: Dôme épais le jasmin "Flower Duet"
J'aime pas le classique mais ca j'aime bien
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Ich mag keine Klassik, aber das gefällt mir!
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Je n'aime Pas l'opéra mais ça j'aime bien
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Cantata on the Death of Emperor Joseph II, WoO 87: No. 6, Aria. Hier schlummert seinen stillen Frieden
Beethoven: Early Cantatas: Cantata for Joseph II; Cantata for Leopold II etc.