1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xff8da474c0986cb41fe5ac6bce1321f02c168f69877581e1bdb971f73cec331e. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/56bf8fa9-a5f6-4f00-9dc0-a5489502e204.json and https://artists.proofprofile.net/proofs/artist/56bf8fa9-a5f6-4f00-9dc0-a5489502e204.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Fürwahr, er trug unsere Krankheit aus, BuxWV 31
Ich bin die Auferstehung und das Leben, BuxWV 44
Befiehl dem Engel, daß er komm, BuxWV 10
Herzlich Lieb Hab Ich Dich, O Herr, BuxWV 41: No. 1, Versus. Herzlich Lieb hab ich dich o Herr
Herzlich Lieb Hab Ich Dich, O Herr, BuxWV 41: No. 2, Versus. Es ist ja, Herr, dein Geschenk und Gab
Herzlich Lieb Hab Ich Dich, O Herr, BuxWV 41: No. 3, Versus. Ach Herr, laβ dein' lieb Engelein
Le nuove musiche: No. 3. Dolcissimo sospiro - Version from the British Museum, MS. Egerton 2971
The First Part of Ayres, French, Pollish and Others: No. 107. What Greater Griefe
The First Part of Ayres, French, Pollish and Others: No. 39. Touch Me Lightly - No. 38. Tickle Me Quickly - No. 35. Tickell, Tickell
Le nuove musiche: No. 11. Dovrò dunque morire?
The First Part of Ayres, French, Pollish and Others: No. 48. Love's Farewell
Cruda Amarilli - Version from the British Museum, MS. Egerton 2971
A Musicall Dreame, or the Fourth Booke of Ayres: No. 21. S'amor non è che dunque
A Musicall Dreame, or the Fourth Booke of Ayres: No. 19. In Sherwood livde stout Robin Hood
Praeludium (No. 32, from the "Manchester Lyra-Viol Manuscript, Part 3" - f. 288)
Paven (No. 46, from the "Manchester Lyra-Viol Manuscript, Part 3" - f. 302)
The Second Booke of Songs and Ayres: No. 9. Now What Is Love
Pavan No. 4 - Version from the Bodleian Library, Manuscript D.245
The First Part of Ayres, French, Pollish and Others: No. 9. Adue Sweete Loue
The Second Set of Madrigals: No. 23. Weep, Weep Mine Eyes - Version from the British Museum, MS. Egerton 2971
Symphoniæ Sacræ II, Op. 10, SWV 341-367: Was betrübst du dich, SWV 353
Geistliche Chormusik, Op. 11, SWV 369-397: Die mit Tränen säen, SWV 378
Herr, nun lässest Du Deinen Diener, SWV 352a
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85
Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379
No. 133, Psalm Siehe, wie fein und lieblich ists, SWV 48
Geistliche Chormusik, Op. 11, SWV 369-397: Verley uns Frieden genädiglich, SWV 372
No. 8, Psalm, Herr unser Herrscher, SWV 449
The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation
The First Part of Ayres, French, Pollish and Others: No. 44. A Humorous Pauin
The First Part of Ayres, French, Pollish and Others: No. 11. Harke, Harke
The First Part of Ayres, French, Pollish and Others: No. 26. A Question - No. 27. An Aunswere
The First Part of Ayres, French, Pollish and Others: No. 10. Be Merry a Day Will Come - No. 89. Beccus an Hungarian Lord His Delight
The First Part of Ayres, French, Pollish and Others: No. 100. I Am Melancholy
Pièces de viole, Tournus Manuscript: No. 91. Sarabande
Pièces de viole, Tournus Manuscript: No. 93. Courante
Pièces de viole, Tournus Manuscript: No. 49. Courante - No. 50. Double
Pièces de viole, Tournus Manuscript: No. 83. Sarabande - No. 84. Double
Pièces de viole, Tournus Manuscript: No. 48. Chaconne
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement)
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7c2f29a48810199a3e7a5898057579ffdf07f83ab7ee252d65681257a89d1161. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1b7Gui95FOHRRza7gh8KDf.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1b7Gui95FOHRRza7gh8KDf.
Piece in D Minor, WK 205. Arpeggio - No. 20 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871"
Piece in D Minor, WK 206 - No. 21 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871"
Adagio in D Minor, WK 209 - No. 24 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871"
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude - Version for Viola Da Gamba by Philippe Pierlot
Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande - Version for Viola Da Gamba by Philippe Pierlot
Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II - Version for Viola Da Gamba by Philippe Pierlot
Partita in D Major, FbWV 620: I. Meditation faite sur ma mort future, laquelle se joüe lentement avec discrétion - Memento mori Froberger - Version for Solo Viola Da Gamba by Philippe Pierlot
Since greybeards inform us, WoO 153 No. 4
Open the door softly - I would rather than Ireland
By the side of the Shannon, WoO 157 No. 8
The Miller o' drone - St. Kilda wedding - Port-a-Beul
On the massacre of Glencoe, WoO 152 No. 5
Gu ma maith thig an crùn dha Tearlach (Well may Charlie wear the crown)
Di-moladh an Uisge-bheatha (In dispraise of whisky)
Duetto pour harpe et piano forte in E-Flat Major, Op. 38: No. 1, Allegro
Duetto pour harpe et piano forte in E-Flat Major, Op. 38: No. 2, Adagio espressione
Duetto pour harpe et piano forte in E-Flat Major, Op. 38: No. 3, Rondo: Allegretto
Nocturne pour harpe et flûte: No. 1, Larghetto sostenuto
Nocturne pour harpe et flûte: No. 2, Tyrolienne
Nocturne pour harpe et flûte: No. 3, Rondoletto
Deuxième Grande Sonate pour flûte et harpe: No. 1, Allegro moderato
Deuxième Grande Sonate pour flûte et harpe: No. 2, Andante
Deuxième Grande Sonate pour flûte et harpe: No. 3, Minuetto
Deuxième Grande Sonate pour flûte et harpe: No. 4, Trio
Duo pour harpe et piano forte: No. 1, Allegro
Duo pour harpe et piano forte: No. 2, Adagio
Duo pour harpe et piano forte: No. 3, Rondo allegreto
Ich hatte viel Bekümmernis, BWV 21: Sinfonia
Ich hatte viel Bekümmernis, BWV 21: Chorus "Ich hatte viel Bekümmernis in meinem Herzen"
Ich hatte viel Bekümmernis, BWV 21: Aria "Seufzer, Tränen, Kummer, Not" (Soprano)
Ich hatte viel Bekümmernis, BWV 21: Recitativo "Wie hast du dich, mein Gott" (Tenor)
Ich hatte viel Bekümmernis, BWV 21: Aria "Bäche von gesalznen Zähren" (Tenor)
Ich hatte viel Bekümmernis, BWV 21: Chorus "Was betrübst du dich, meine Seele"
Ich ruf zu dir Herr Jesu Christ, BWV 639
Ich hatte viel Bekümmernis, BWV 21: Recitativo "Ach Jesu, meine Ruh" (Soprano, Bass)
Ich hatte viel Bekümmernis, BWV 21: Aria "Komm, mein Jesu, und erquicke; Ja, ich komme und erquicke" (Duet, Soprano, Bass)
Ich hatte viel Bekümmernis, BWV 21: Chorus "Sei nun wieder zufrieden, meine Seele" (Chorale)
Ich hatte viel Bekümmernis, BWV 21: Aria "Erfreue dich, Seele, erfreue dich, Herze" (Tenor)
Ich hatte viel Bekümmernis, BWV 21: Chorus "Das Lamm, das erwürget ist"
Die Himmel erzählen die Ehre Gottes, BWV 76: Chorus "Die Himmel erzählen die Ehre Gottes"
Die Himmel erzählen die Ehre Gottes, BWV 76: Recitativo "So läßt sich Gott nicht unbezueget!" (tenor)
Die Himmel erzählen die Ehre Gottes, BWV 76: Aria "Hört, ihr Völker, Gottes Stimme" (soprano)
Die Himmel erzählen die Ehre Gottes, BWV 76: Recitativo "Wer aber hört" (bass)
Die Himmel erzählen die Ehre Gottes, BWV 76: Aria "Fahr hin, abgöttische Zunft!" (bass)
Die Himmel erzählen die Ehre Gottes, BWV 76: Recitativo "Du hast uns, Herr, von allen Straßen" (alto)
Die Himmel erzählen die Ehre Gottes, BWV 76: Choral "Es woll uns Gott genädig sein"
Herr Gott, nun schleuß den Himmel auf, BWV 617
Die Himmel erzählen die Ehre Gottes, BWV 76: Sinfonia
Die Himmel erzählen die Ehre Gottes, BWV 76: Recitativo "Gott segne noch die treue Schar" (bass)
Die Himmel erzählen die Ehre Gottes, BWV 76: Aria "Hasse nur, hasse mich recht" (tenor)
Die Himmel erzählen die Ehre Gottes, BWV 76: Recitativo "Ich fühle schon im Geist" (alto)
Die Himmel erzählen die Ehre Gottes, BWV 76: Aria "Liebt, ihr Christen, in der Tat!" (alto)
Die Himmel erzählen die Ehre Gottes, BWV 76: Recitativo "So soll die Christenheit" (tenor)
Die Himmel erzählen die Ehre Gottes, BWV 76: Choral "Es danke, Gott, und lobe dich"
Monsieur de Sainte-Colombe et ses filles
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Greensleeves to a Ground (Division on "Greensleeves")
The Country Farmer: "Hark, the Cock Crow'd, 'Tis Cay All Abroad" (From "British Library, London, sm G304")
Prelude - The Old Man's Wish, "If I Live to Be Old, for I Find I Go Down"
The Mock Marriage, Z. 605: No. 3, Ayre, "Man Is for the Woman Made"
Mary Was a Dowdy Lass (Preceded by the "Tune - Hornpipe" from Purcell's "The Fairy Queen, Z. 629, Act 3") [From "British Library, London, sm I507"]
Young Corydon and Phyllis (Preceded by the "Sarabande" from a William Young's "Duo for 2 Violas da Gamba und Basso Continuo" - Oxford University, Ms. Mus. Sch. F573 - Arrangement for Viola da
She Loves And She Confesses, Too, Z. 413
Ah Phyllis, Why Are You Less Tendre (To an Old French Tune)
The Nymph's Reply to the Shepherd (Spoken Text with Instrumental Accompaniment)
Oh Solitude (A Song on a Ground), Z. 406: "O Solitude, My Sweetest Choice!"
Greensleeves: "Alas, My Love, Ye Do Me Wrong"
Ayre (From "Collection of Sacred And Secular Compositions, Including Hymns And Catches for Voice, And Incidental Music" - British Library, MS 22099)
The Dying Lover: "Stay, Silly Heart" (Preceded by the "Prolusio" from Christopher Simpson's "The Division Viol")
If Ever I More Riches Did Desire, Z. 544: "Here Let My Life"
Draw Near, You Lovers, Z. 462: "Draw Near, You Lovers That Complain"
Membra Jesu Nostri, BuxWV 75: Sonata [Ad pedes]
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Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis"
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Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Salve mundi salutare"
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Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras"
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Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus"
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Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes]
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Membra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutare
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Membra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremulo
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Membra Jesu Nostri, BuxWV 75, Ad genua: Concerto Ad ubera portabimini
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Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Salve Jesu, rex sanctorum"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x362579d3f0afe44b7381765e7e7f35c98c2aa5e94a9ba98d0c771427d8395ef9. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2hkO8DwDw41QerOslW0ZXs.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2hkO8DwDw41QerOslW0ZXs.
Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Quid sum tibi responsurus"
{"copyright_id":"0x472013df2d9baf4f2f2b60695111b1b5103f9d2d45c366a63b2874c5b1f509d1","isrc":"FRU621944411","name":"Membra Jesu Nostri, BuxWV 75, Ad genua: Aria \"Quid sum tibi responsurus\"","registered_at":"2026-06-19T05:53:35Z","spotify_id":"7lFDDyLCdy7CG7Xv9VUUAn","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x472013df2d9baf4f2f2b60695111b1b5103f9d2d45c366a63b2874c5b1f509d1. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7lFDDyLCdy7CG7Xv9VUUAn.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7lFDDyLCdy7CG7Xv9VUUAn.
Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Ut te quaeram mente pura"
{"copyright_id":"0x1a29bc9e8bd09d1b16d23dd45a72385a716eb68929eebd391d4c24920174b987","isrc":"FRU621944412","name":"Membra Jesu Nostri, BuxWV 75, Ad genua: Aria \"Ut te quaeram mente pura\"","registered_at":"2026-06-20T19:43:58Z","spotify_id":"0teUnc4KkOFIW46mYW7mBP","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1a29bc9e8bd09d1b16d23dd45a72385a716eb68929eebd391d4c24920174b987. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0teUnc4KkOFIW46mYW7mBP.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0teUnc4KkOFIW46mYW7mBP.
Membra Jesu Nostri, BuxWV 75: Concerto [Ad genua]
{"copyright_id":"0x76bec692a864cf52e19c98d2f827be2dc42c412a6283cadd1e1ca418221974a5","isrc":"FRU621944413","name":"Membra Jesu Nostri, BuxWV 75: Concerto [Ad genua]","registered_at":"2026-06-21T05:11:57Z","spotify_id":"0zUE5Ghd1P2eGBru0uCydJ","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x76bec692a864cf52e19c98d2f827be2dc42c412a6283cadd1e1ca418221974a5. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0zUE5Ghd1P2eGBru0uCydJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0zUE5Ghd1P2eGBru0uCydJ.
Membra Jesu Nostri, BuxWV 75: Sonata [Ad manus)
{"copyright_id":"0x425a82f4f019ec131e6527a1de13195bc1148fe68d152579433ac576bced8727","isrc":"FRU621944414","name":"Membra Jesu Nostri, BuxWV 75: Sonata [Ad manus)","registered_at":"2026-06-22T04:21:56Z","spotify_id":"3EYZuFCTOOaZ9KHcqthi9k","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x425a82f4f019ec131e6527a1de13195bc1148fe68d152579433ac576bced8727. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3EYZuFCTOOaZ9KHcqthi9k.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3EYZuFCTOOaZ9KHcqthi9k.
Membra Jesu Nostri, BuxWV 75, Ad manus: Concerto "Quid sunt plagae istae in medio manuum tuarum?"
{"copyright_id":"0x8d7fe731c02c724ce14d93c2d2062211113f797f519d367d7e8f5b8f5ddea272","isrc":"FRU621944415","name":"Membra Jesu Nostri, BuxWV 75, Ad manus: Concerto \"Quid sunt plagae istae in medio manuum tuarum?\"","registered_at":"2026-06-21T05:13:49Z","spotify_id":"0WZbkpUqXnRfoZnFf1xHJb","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8d7fe731c02c724ce14d93c2d2062211113f797f519d367d7e8f5b8f5ddea272. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0WZbkpUqXnRfoZnFf1xHJb.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0WZbkpUqXnRfoZnFf1xHJb.
Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "Salve Jesu, pastor bone"
{"copyright_id":"0xab87648db321dc5c934166267e4905cf94af37d47a5fe9096dcd8dbb8431a37a","isrc":"FRU621944416","name":"Membra Jesu Nostri, BuxWV 75, Ad manus: Aria \"Salve Jesu, pastor bone\"","registered_at":"2026-06-19T13:22:26Z","spotify_id":"5KmS4rLAUhNNtICsMDPl2M","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xab87648db321dc5c934166267e4905cf94af37d47a5fe9096dcd8dbb8431a37a. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5KmS4rLAUhNNtICsMDPl2M.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5KmS4rLAUhNNtICsMDPl2M.
Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "Manus sanctae, vos amplector"
{"copyright_id":"0xaf4ae79a32e767ca98606a691a27b7dfcd5fd1db2a40421728a336f01ff20064","isrc":"FRU621944417","name":"Membra Jesu Nostri, BuxWV 75, Ad manus: Aria \"Manus sanctae, vos amplector\"","registered_at":"2026-06-22T04:30:56Z","spotify_id":"0TrMV5GvvliC2FZlDXpbDN","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xaf4ae79a32e767ca98606a691a27b7dfcd5fd1db2a40421728a336f01ff20064. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0TrMV5GvvliC2FZlDXpbDN.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0TrMV5GvvliC2FZlDXpbDN.
Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "In cruore tuo lotum"
{"copyright_id":"0x877bfce7e0db8debb7d039d22e336fd6cdc01c605d9bb35e55ad78745d83d620","isrc":"FRU621944418","name":"Membra Jesu Nostri, BuxWV 75, Ad manus: Aria \"In cruore tuo lotum\"","registered_at":"2026-06-20T08:15:14Z","spotify_id":"4txrSKNINhkdzcbptnmt6q","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x877bfce7e0db8debb7d039d22e336fd6cdc01c605d9bb35e55ad78745d83d620. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4txrSKNINhkdzcbptnmt6q.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4txrSKNINhkdzcbptnmt6q.
Membra Jesu Nostri, BuxWV 75: Concerto [Ad manus]
{"copyright_id":"0x9ebaf3e060aedaef8e9ea18287a8c51ab5d95c3c7ad2b161d9fae9b9f34f7267","isrc":"FRU621944419","name":"Membra Jesu Nostri, BuxWV 75: Concerto [Ad manus]","registered_at":"2026-06-19T13:22:16Z","spotify_id":"49t9Yk9fYQIbjf3dlsw7F6","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9ebaf3e060aedaef8e9ea18287a8c51ab5d95c3c7ad2b161d9fae9b9f34f7267. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/49t9Yk9fYQIbjf3dlsw7F6.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/49t9Yk9fYQIbjf3dlsw7F6.
Membra Jesu Nostri, BuxWV 75: Sonata [Ad latus]
{"copyright_id":"0x6544666feedf28928bccc378b2fbc6ddc7fc1c2f1fb013da0a28e5b5b6a0ac24","isrc":"FRU621944420","name":"Membra Jesu Nostri, BuxWV 75: Sonata [Ad latus]","registered_at":"2026-06-22T20:10:12Z","spotify_id":"1ciGUIM1dskCQyRBsaq07o","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6544666feedf28928bccc378b2fbc6ddc7fc1c2f1fb013da0a28e5b5b6a0ac24. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1ciGUIM1dskCQyRBsaq07o.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1ciGUIM1dskCQyRBsaq07o.
Membra Jesu Nostri, BuxWV 75, Ad latus: Concerto "Surge, amica mea"
{"copyright_id":"0x3eafb805891028277e9f6f09a436321c91d24fc329c79ab90d2247af4741cd0e","isrc":"FRU621944421","name":"Membra Jesu Nostri, BuxWV 75, Ad latus: Concerto \"Surge, amica mea\"","registered_at":"2026-06-19T13:22:04Z","spotify_id":"7abwSw5OVMbk00XNgaxEOc","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3eafb805891028277e9f6f09a436321c91d24fc329c79ab90d2247af4741cd0e. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7abwSw5OVMbk00XNgaxEOc.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7abwSw5OVMbk00XNgaxEOc.
Membra Jesu Nostri, BuxWV 75, Ad latus: Aria "Salve latus salvatoris"
{"copyright_id":"0x044a530ce859a6f0e37e30c35d42c0b900ee7eb62337d76cc8b0ffe443bbb6f7","isrc":"FRU621944422","name":"Membra Jesu Nostri, BuxWV 75, Ad latus: Aria \"Salve latus salvatoris\"","registered_at":"2026-06-23T09:49:35Z","spotify_id":"1Fxs170APbcnTtjuHrcU3H","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x044a530ce859a6f0e37e30c35d42c0b900ee7eb62337d76cc8b0ffe443bbb6f7. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1Fxs170APbcnTtjuHrcU3H.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1Fxs170APbcnTtjuHrcU3H.
Membra Jesu Nostri, BuxWV 75, Ad latus: Aria "Ecce tibi appropinquo"
{"copyright_id":"0x444059d0bd075aeae4030192513e36763f4a47c0b7174042d1258bfe70096a36","isrc":"FRU621944423","name":"Membra Jesu Nostri, BuxWV 75, Ad latus: Aria \"Ecce tibi appropinquo\"","registered_at":"2026-06-22T04:23:02Z","spotify_id":"2spB3F9hJIkt4QGDiLUHz3","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x444059d0bd075aeae4030192513e36763f4a47c0b7174042d1258bfe70096a36. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2spB3F9hJIkt4QGDiLUHz3.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2spB3F9hJIkt4QGDiLUHz3.
Membra Jesu Nostri, BuxWV 75, Ad latus: Aria "Hora mortis meus flatus"
{"copyright_id":"0xfbcfc9ba1f9d709fee1bc41909a43bbcb1956f81e15d4b9e5bab58825eb0bda2","isrc":"FRU621944424","name":"Membra Jesu Nostri, BuxWV 75, Ad latus: Aria \"Hora mortis meus flatus\"","registered_at":"2026-06-21T05:06:25Z","spotify_id":"4T6TmJtvZhUxlPlJkwVyh3","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xfbcfc9ba1f9d709fee1bc41909a43bbcb1956f81e15d4b9e5bab58825eb0bda2. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4T6TmJtvZhUxlPlJkwVyh3.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4T6TmJtvZhUxlPlJkwVyh3.
Membra Jesu Nostri, BuxWV 75: Concerto [Ad latus]
{"copyright_id":"0x1dd46df053aa341c03f4c65f1a7a47322ff925f33f11518c905da59261aed38f","isrc":"FRU621944425","name":"Membra Jesu Nostri, BuxWV 75: Concerto [Ad latus]","registered_at":"2026-06-22T04:21:26Z","spotify_id":"2WRKAsrogTWOQdkX2vSvQ8","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1dd46df053aa341c03f4c65f1a7a47322ff925f33f11518c905da59261aed38f. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2WRKAsrogTWOQdkX2vSvQ8.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2WRKAsrogTWOQdkX2vSvQ8.
Membra Jesu Nostri, BuxWV 75: Sonata [Ad pectus]
{"copyright_id":"0x0268ec6d9f35b251096269dc998c6f0b7b891a08ab1ed943984499da6b38dbb8","isrc":"FRU621944426","name":"Membra Jesu Nostri, BuxWV 75: Sonata [Ad pectus]","registered_at":"2026-06-22T04:20:52Z","spotify_id":"5kbBebitcCXDwJKaeB1lL2","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0268ec6d9f35b251096269dc998c6f0b7b891a08ab1ed943984499da6b38dbb8. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5kbBebitcCXDwJKaeB1lL2.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5kbBebitcCXDwJKaeB1lL2.
Membra Jesu Nostri, BuxWV 75, Ad pectus: Concerto a 3 voci "Sicut modo geniti infantes rationabiles"
{"copyright_id":"0x8ae2ce4475797349313f0536ad55aa44274394eb97fb60cb77c69530036b84bf","isrc":"FRU621944427","name":"Membra Jesu Nostri, BuxWV 75, Ad pectus: Concerto a 3 voci \"Sicut modo geniti infantes rationabiles\"","registered_at":"2026-06-22T04:21:48Z","spotify_id":"3vwDtZCOxky9ijR9qBHwPp","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8ae2ce4475797349313f0536ad55aa44274394eb97fb60cb77c69530036b84bf. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3vwDtZCOxky9ijR9qBHwPp.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3vwDtZCOxky9ijR9qBHwPp.
Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria "Salve, salus mea"
{"copyright_id":"0x339d0276f2a7173c31d927375a11a82a2ea3a541a699b9e8fe45db3f400e0a7c","isrc":"FRU621944428","name":"Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria \"Salve, salus mea\"","registered_at":"2026-06-24T06:43:10Z","spotify_id":"1bJdTs4TD5fh0tYT17Dh8L","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x339d0276f2a7173c31d927375a11a82a2ea3a541a699b9e8fe45db3f400e0a7c. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1bJdTs4TD5fh0tYT17Dh8L.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1bJdTs4TD5fh0tYT17Dh8L.
Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria "Pectus mihi confer mundum"
{"copyright_id":"0xc575af35686a81373f657693102073a8269b09b310bf377e02df5bc1687b10eb","isrc":"FRU621944429","name":"Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria \"Pectus mihi confer mundum\"","registered_at":"2026-06-22T04:21:46Z","spotify_id":"5xOh7O4Q4nQt3OgOk0xofL","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc575af35686a81373f657693102073a8269b09b310bf377e02df5bc1687b10eb. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5xOh7O4Q4nQt3OgOk0xofL.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5xOh7O4Q4nQt3OgOk0xofL.
Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria "Ave, verum templum Dei"
{"copyright_id":"0xe758e17ce82970697790665adca31247203468af82663198b7a651d7374fc955","isrc":"FRU621944430","name":"Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria \"Ave, verum templum Dei\"","registered_at":"2026-06-27T07:13:09Z","spotify_id":"0VMYHP6u64Xze2BIKPWwNL","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe758e17ce82970697790665adca31247203468af82663198b7a651d7374fc955. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0VMYHP6u64Xze2BIKPWwNL.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0VMYHP6u64Xze2BIKPWwNL.
Membra Jesu Nostri, BuxWV 75: Concerto a 3 voci [Ad pectus]
{"copyright_id":"0xf2c68a69033e6b8e76ec7b402531629bed055803c669895f05f594c813ab1c7d","isrc":"FRU621944431","name":"Membra Jesu Nostri, BuxWV 75: Concerto a 3 voci [Ad pectus]","registered_at":"2026-06-23T09:49:53Z","spotify_id":"63fBfizofnGtiyZAsWPYor","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf2c68a69033e6b8e76ec7b402531629bed055803c669895f05f594c813ab1c7d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/63fBfizofnGtiyZAsWPYor.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/63fBfizofnGtiyZAsWPYor.
Membra Jesu Nostri, BuxWV 75: Sonata [Ad cor]
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xfbe0ebab2f462827145030cbe289b0d50a9b99c109b6ce37d12245e883f97f79. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2sGFxAMlUoePi10sU6vYsM.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2sGFxAMlUoePi10sU6vYsM.
Membra Jesu Nostri, BuxWV 75, Ad cor: Concerto a 3 voci "Vulnerasti cor meum"
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Membra Jesu Nostri, BuxWV 75, Ad cor: Aria "Summi regis cor, aveto"
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Membra Jesu Nostri, BuxWV 75, Ad cor: Aria "Per medullam cordis mei"
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Membra Jesu Nostri, BuxWV 75, Ad cor: Aria "Viva cordis voce clamo"
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Membra Jesu Nostri, BuxWV 75: Concerto a 3 voci [Ad cor]
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Membra Jesu Nostri, BuxWV 75: Sonata [Ad faciem]
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Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto "Illustra faciem tuam"
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Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Salve, caput cruentatum"
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Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Dum me mori est necesse"
Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Cum me jubes emigrare"
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Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto "Amen"
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Gott Hilf Mir, BuxWV 34: Concerto Fürchte dich nicht
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Gott Hilf Mir, BuxWV 34: Israel, hoffe auf den Herren
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Gott Hilf Mir, BuxWV 34: Choral "Wer hofft in Gott"
Gott Hilf Mir, BuxWV 34: Aria "Ach ja, mein Gott, ich hoff auf dich"
Gott Hilf Mir, BuxWV 34: Concerto "Israel, hoffe auf den Herren"
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Consolatio - Bach: Cantatas Nos. 22, 75 & 127
Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: I. Chorus. Die Elenden sollen essen
Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: II. Recitativo. Was hilft des Purpurs Majestät (Bass)
Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: III. Aria. Mein Jesus soll mein alles sein (Tenor)
Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: IV. Recitativo. Gott stürzet und erhöhet (Tenor)
Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: V. Aria. Ich nehme mein Leiden mit Freuden auf mich (Soprano)
Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: VI. Recitativo. Indes schenkt Gott ein gut Gewissen
Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: VII. Chorale. Was Gott tut, das ist wohlgetan
Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: VIII. Sinfonia
Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: IX. Recitativo. Nur eines kränkt ein christliches Gemüte (Alto)
Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: X. Aria. Jesus macht mich geistlich reich (Alto)
Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: XI. Recitativo. Wer nur in Jesu bleibt (Bass)
Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: XII. Aria. Mein Herze glaubt und liebt (Tenor)
Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: XIII. Recitativo. O Armut, der kein Reichtum gleicht
Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: XIV. Chorale. Was Gott tut, das ist wohlgetan
Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": I. Concerto. Jesu nahm zu sich die Zwölfe (Tenor, Bass)
Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": II. Aria. Mein Jesu, ziehe mich nach dir (Alto)
Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": III. Recitativo. Mein Jesu, ziehe mich, so werd ich laufen (Bass)
Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": IV. Aria. Mein alles in allem, mein ewiges Gut (Tenor)
Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Chorale. Ertöt uns durch dein Güte
Cantata, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": I. Chorus. Herr Jesu Christ, wahr' Mensch und Gott
Cantata, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": II. Recitativo. Wenn alles sich zur letzten Zeit entsetzet (Tenor)
Cantata, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": III. Aria. Die Seele ruht in Jesu Händen (Soprano)
Cantata, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": IV. Recitativo. Wenn einstens die Posaunen schallen (Bass)
Cantata, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": V. Chorale. Ach Herr, vergib all unsre Schuld
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 1, Prélude le Soligni (Lent)
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 10, Petit caprice (Légèrement)
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 3, Sarabande
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 6, Gigue (Gay)
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 9, La Sincope (Gayement)
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 4, La Mariée
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 15, Rondeau moitié pincé et moitié coups d'archet
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 32, Prélude
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 33, Allemande la bois Guillaume
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 34, Sarabande
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 35, La Demoi. Gigue (Très gay)
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 44, Les Forgerons (Gay)
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 45, Le touce du claveçin (Gay)
Pièces de viole, Livre 5 - Suite No. 5 in G Minor: No. 63, Prélude (Gravement)
Pièces de viole, Livre 5 - Suite No. 5 in G Minor: No. 64, Fantaisie
Pièces de viole, Livre 5 - Suite No. 5 in G Minor: No. 66, Sarabande
Pièces de viole, Livre 5 - Suite No. 5 in G Minor: No. 67, Gigue la Pagode
Pièces de viole, Livre 5 - Suite No. 6 in G Major: No. 86, Gigue la pointilleuse (Très gay)
Pièces de viole, Livre 5 - Suite No. 6 in G Major: No. 87, Le Joue du volent (Très vivement)
Pièces de viole, Livre 5 - Suite No. 6 in G Major: No. 84, La Tatillone
Pièces de viole, Livre 5 - Suite No. 6 in G Major: No. 91, Dialogue (Légèrement)
Pièces de viole, Livre 5 - Suite No. 6 in G Major: No. 83, Chaconne
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 92, Prélude
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 93, Allemande La Beuron
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 98, Sarabande
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 96, Gavotte Singuliere - No. 97, Gavotte La Mignone
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 99, Menuet - No. 100, Second Menuet
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 106, Le Contraste (Vivement)
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 102, Marche Persane dite la Savigny
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 108, Le Tableau de l'Opération de la Taille
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 109, Les Relevailles - No. 110, Suite (Double) - No. 111, Suite (Double)
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 101, Resveries Mesplaiziennes
Morgenlied, D. 685 (Arr. Pierlot for Voice, Flute & Guitar)
36 Originaltänze, D. 365: No. 1 & No. 6 (Arr. Diabelli for Flute & Guitar)
Schäfers Klagelied, D. 121 (Arr. Pierlot for Voice, Flute, Guitar & Baryton)
Heideröslein, D. 257 (Arr. Pierlot for Voice & Guitar)
Wandrers Nachtlied, D. 224 (Arr. Pierlot for Voice & Guitar)
Notturno in G Major, Op. 21: III. Lento e patetico
Notturno in G Major, Op. 21: IV. Zingara
Auf dem Strom, D. 943 (Arr. Díaz-Latorre for Voice, Guitar & Baryton)
Sehnsucht, D. 516 (Arr. Pierlot for Voice, Flute & Guitar)
Nachtviolen, Op. 2: I. Andante espressivo
Schwanengesang, D. 744 (Arr. Pierlot for Voice & Guitar)
Auf dem Wasser zu singen, D. 774 (Arr. Pierlot for Voice, Guitar & Baryton)
Lachen und Weinen, D. 777 (Arr. Pierlot for Voice, Flute, Guitar & Baryton)
Nachtviolen, D. 752 (Arr. Pierlot for Voice, Flute, Guitar & Baryton)
Gesänge des Harfners, Op. 12 (Arr. Pierlot for Voice, Guitar & Baryton): No. 1, Wer sich der Einsamkeit ergibt, D. 478
Improvisation on "Wer sich der Einsamkeit ergibt, Op. 12 No. 1, D. 478"
Gesänge des Harfners, Op. 12 (Arr. Pierlot for Voice, Guitar & Baryton): No. 3, Wer nie sein Brot mit Tränen aß, D. 480
Improvisation on "Wer nie sein Brot mit Tränen aß, Op. 12 No. 3, D. 480"
Gesänge des Harfners, Op. 12 (Arr. Pierlot for Voice, Guitar & Baryton): No. 2, An die Türen will ich schleichen, D. 479
Piano Sonata No. 18 in G Major, D. 894: III. Menuetto & Trio (Arr. Pierlot for Guitar & Baryton)
Schwanengesang, D. 957: No. 4, Ständchen (Arr. Pierlot for Voice, Flute, Guitar & Baryton)
Serenada à cinque, A 877a: Serenada – Adagio – Allamanda – Aria – Ciacona – Gavotte – Retirada
Toccatina sopra la Ribellione di Hungheria
8 Violin Sonatas: Violin Sonata No. 6, C. 141
Bach: Musikalisches Opfer (The Musical Offering)
Musical Offering, BWV 1079, Regis issu cantio et reliqua canonica arte: II. Ricercar à 6
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Musical Offering, BWV 1079, Ricercar: Canon perpetuus super Thema Regium
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Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: I. Largo
Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: II. Allegro
Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: III. Andante
Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: IV. Allegro
Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa. Violino e Continuo.: VI. Canon perpetuus
Musical Offering, BWV 1079, Canones diversi super Thema Regium: Canon 1 a 2
Musical Offering, BWV 1079, Canones diversi super Thema Regium: Canon 2 a 2 Violin : in Unisono
Musical Offering, BWV 1079, Canones diversi super Thema Regium: Canon 3 a 2 per Motum contrarium
Musical Offering, BWV 1079, Canones diversi super Thema Regium: Canon 4 a 2 per Augmentationem, contrario Motu
Musical Offering, BWV 1079, Canones diversi super Thema Regium: Canon 5 a 2
Musical Offering, BWV 1079, Canones diversi super Thema Regium: Fuga canonica in Epidiapente
Musical Offering, BWV 1079, Canones diversi super Thema Regium: Ricercar a 6
Musical Offering, BWV 1079, Quaerendo invenieti: Canon a 2
Musical Offering, BWV 1079, Quaerendo invenieti: Canon a 4
Passion selon saint Jean, BWV 245: Herr, unser Herrscher
Stabat Mater: XII. Quando corpus morietur
Stabat Mater Pour Contre-ténor Et Orchestre en Fa Mineur, RV 621: Stabat Mater dolorosa
Stabat Mater Pour Contre-ténor Et Orchestre en Fa Mineur, RV 621: Eja mater
Cantate "Ich Hatte Viel Bekümmernis" BWV 21: Sinfonia
Sonata seconda en Sol Mineur, TWV 43:g1: III. Largo
Sacred Aria: I. Ach wie sehnlich wart' ich der Zeit
Concerto pour clavecin en Fa mineur, BWV. 1056: II. Largo
Deuxième concert: Plainte Pour Les Violes Lentement, et douloureusement
Welcome to all the pleasures, Z 339: III. Here, the Deities approve
Concerto en La Majeur pour hautbois d’amour, cordes et basse continue BWV 1005: II. Larghetto
Messe en si mineur, BWV 232: V. Crucifixus etiam pro nobis
Ensemble Vocal et Instrumental de Lausanne
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Laß, Fürstin, laß noch einen Strahl
Cantate «Christ lag in Todesbanden», BWV 4: Versus II. Den Tod niemand zwingen kunnt
Magnificat en Ré, BWV 243: X. Suscepit Israel
Passion selon saint Jean, BWV 245: Ruht wohl, ihr heiligen Gebeine
Concerto pour piano No. 2 en Fa Mineur, Op. 21: I. Maestoso
Symphonie No. 6 en Si Mineur «Pathétique», Op. 74: Allegro con grazia
Quatuor No. 2 en Ré Majeur: Notturno (Andante)
Trio avec piano No. 5 en Ré Majeur No. 1 «Les Esprits», Op. 70: Largo assai ed espressivo
Suite pour deux pianos No. 1 «Fantaisie-tableaux», Op. 5: I. Barcarolle
Goyescas: Quejas, ó la maja y el ruiseñor
Davidsbündlertänze, Op. 6: VII. Nicht schnell
Prélude no. 4 en Mi Mineur, Op. 28: Largo
Prélude No. 8 en Fa Dièse Mineur, Op. 28: Molto agitato
Concerto pour piano et orchestre en La Mineur, Op. 54: Andantino grazioso
Pelléas et Mélisande, Op. 80: I. Prélude
In tempore Nativitas - Bach: Christmas Cantatas Nos. 63, 110 & 151
Unser Mund sei voll Lachens, BWV 110: I. Choral "Unser Mund sei voll Lachens"
Unser Mund sei voll Lachens, BWV 110: II. Aria 1 à 2 Travers "Ihr Gedanken und ihr Sinnen"
Unser Mund sei voll Lachens, BWV 110: 3. Recitativo "Dir, Herr, ist niemand gleich"
Unser Mund sei voll Lachens, BWV 110: IV. Aria "Ach Herr, was ist ein Menschenkind"
Unser Mund sei voll Lachens, BWV 110: V. Duetto à Soprano è Tenore: "Ehre sei Gott in der Höhe"
Unser Mund sei voll Lachens, BWV 110: VI. Aria "Wacht auf, ihr Adern und ihr Glieder"
Unser Mund sei voll Lachens, BWV 110: VII. Choral "Alleluia ! Gelobt sei Gott"
Süßer Trost, mein Jesus kömmt, BWV 151: I. Aria "Süßer Trost, mein Jesus kömmt"
Süßer Trost, mein Jesus kömmt, BWV 151: II. Recit "Erfreue dich, mein Herz" (Basso)
Süßer Trost, mein Jesus kömmt, BWV 151: III. Aria "In Jesu Demut kann ich Trost"
Süßer Trost, mein Jesus kömmt, BWV 151: IV. Recit "Du teurer Gottessohn"
Süßer Trost, mein Jesus kömmt, BWV 151: V. Choral "Heut schleußt er wieder auf die Tür"
Christen, ätzet diesen Tag, BWV 63: I. Chorus "Christen, ätzet diesen Tag"
Christen, ätzet diesen Tag, BWV 63: II. Recitativo "O sel'ger Tag! O ungemeines Heute!"
Christen, ätzet diesen Tag, BWV 63: III. Aria - Duetto "Gott, du hast es wohl gefüget"
Christen, ätzet diesen Tag, BWV 63: IV. Recit "So kehret sich nun heut das bange Leid"
Christen, ätzet diesen Tag, BWV 63: V. Aria - Duetto "Ruft und fleht den Himmel an"
Christen, ätzet diesen Tag, BWV 63: VI. Recit "Verdoppelt euch demnach, ihr heißen Andachtsflammen"
Christen, ätzet diesen Tag, BWV 63: VII. Chorus "Höchster, schau in Gnaden an"
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 2 in D Minor, "La Vibray": I. La Vibray: Andante
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 2 in D Minor, "La Vibray": II. Allemanda. Allegro
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 2 in D Minor, "La Vibray": III. Gavotte, "Les Caquets": Moderato
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 2 in D Minor, "La Vibray": IV. Sarabanda. Largo
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 2 in D Minor, "La Vibray": V. Allegro
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 4 in G Minor, "La Lumagne": I. Adagio
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 4 in G Minor, "La Lumagne": II. Allemande. Allegro moderato
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 4 in G Minor, "La Lumagne": III. Sicilienne: Lent
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 4 in G Minor, "La Lumagne": IV. Presto
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 4 in G Minor, "La Lumagne": V. Le Lutin: Allegro vivace
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 5 in D Major: I. La Chauvet: Largo
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 5 in D Major: II. Allegro
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 5 in D Major: III. Rondo, "Le Marc-Antoine"
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 5 in D Major: IV. Les regrets: Tendrement
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 5 in D Major: V. Fuga. Allegro
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 5 in D Major: VI. Gavotta, "La Dedale"
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 3 in E Minor, "La Dherouville": I. Adagio
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 3 in E Minor, "La Dherouville": II. Allemanda. Andante
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 3 in E Minor, "La Dherouville": III. Rondeau, "L'Insinuante": Grazioso
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 3 in E Minor, "La Dherouville": IV. Tambourins I and II, "Le Mondorge": Presto
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 3 in E Minor, "La Dherouville": V. Giga. Allegro
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 6 in A Minor: I. La Boucot: Adagio
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 6 in A Minor: II. Allemanda. Allegro
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 6 in A Minor: III. Les tendres badinages: Allegretto
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 6 in A Minor: IV. L'Invincible
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 6 in A Minor: V. Presto
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 1 in G Major: I. Adagio
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 1 in G Major: II. Allegro
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 1 in G Major: III. Aria I (rondeau), "L'Henriette" - Aria II
6 Sonates mêlées de pièces, Op. 2, Flute Sonata No. 1 in G Major: IV. Presto
Concerto No. 1: Weine nicht, Es hat überwunden à 9
Concerto No. 2: Der Herr hat mich verlassen (Zion) à 8
Concerto No. 3: Herr, wenn ich nur dich habe à 8
Concerto No. 4: Wie liegt die Stadt so wüste à 7
Nun freut euch, lieben Christen g'mein: Primus Versus
Nun freut euch, lieben Christen g'mein: Secundus Versus
Nun freut euch, lieben Christen g'mein: Tertius Versus
Kommet heer zu mir alle, die ihr Mühselig und beladen seÿdt
Wenn der Herr die Gefangenen zu Zion: Psalm 126 "Wenn der Herr die Gefangenen"
Magnificat Secundi Toni: Primus Versus à 5
Magnificat Secundi Toni: Secundus Versus à 4
Magnificat Secundi Toni: Tertius Versus à 5
Magnificat Secundi Toni: Quartus Versus à 6
Pièces de viole, Livre 2 - Suite No. 1 in D Minor: No. 4, Prélude (Lentement)
Pièces de viole, Livre 2 - Suite No. 1 in D Minor: No. 5, Bourasque (Vite)
Pièces de viole, Livre 2 - Suite No. 1 in D Minor: No. 20, Couplets de folies (Les folies d'Espagne)
Pièces de viole, Livre 2 - Suite No. 8 in A Major: No. 125, Prélude
Pièces de viole, Livre 2 - Suite No. 8 in A Major: No. 127, Boutade
Pièces de viole, Livre 2 - Suite No. 8 in A Major: No. 126, Allemande
Pièces de viole, Livre 2 - Suite No. 8 in A Major: No. 129, Courante
Pièces de viole, Livre 2 - Suite No. 8 in A Major: No. 130, Sarabande
Pièces de viole, Livre 2 - Suite No. 8 in A Major: No. 131, Sarabande
Pièces de viole, Livre 2 - Suite No. 8 in A Major: No. 134, Gigue (Vite)
Pièces de viole, Livre 2 - Suite No. 8 in A Major: No. 139, Echo
Pièces de viole, Livre 2 - Suite No. 8 in A Major: No. 142, Fantaisie
Pièces de viole, Livre 2 - Suite No. 7 in E Major: No. 111, Prélude
Pièces de viole, Livre 2 - Suite No. 7 in E Major: No. 112, Allemande
Pièces de viole, Livre 2 - Suite No. 7 in E Major: No. 114, Courante
Pièces de viole, Livre 2 - Suite No. 7 in E Major: No. 115, Sarabande
Pièces de viole, Livre 2 - Suite No. 7 in E Major: No. 119, Gigue
Pièces de viole, Livre 2 - Suite No. 7 in E Major: No. 116, Pavane selon le goût des anciens compositeurs de luth
Pièces de viole, Livre 2 - Suite No. 7 in E Major: No. 117, Gavotte
Pièces de viole, Livre 2 - Suite No. 7 in E Major: No. 120, Rondeau irrégulier
Pièces de viole, Livre 2 - Suite No. 7 in E Major: No. 124, Chaconne
Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: I. Corelli au piéd du Parnasse prie les Muses de le Recevoir parm
Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: II. Corelli charmé de la bonne réception qu´on lui fait au Parnas
Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: III. Corelli buvant à la Source D´hypocrêne. Sa Troupe Continuë
Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: IV. Enthouziasme de Corelli Causé par les eaux D´hypocrêne
Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: V. Corelli aprés son enthouziasme S´endort; et sa Troupe jouê le
Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: VI. Les Muses reveillent Corelli, et le placent auprês d´Apollon
Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio: VII. Remerciment de Corelli
Tombeau de Monsieur de Lully: Tombeau de Monsieur de Lully: I. Gravement
Tombeau de Monsieur de Lully: Tombeau de Monsieur de Lully: II. Gay
Tombeau de Monsieur de Lully: Tombeau de Monsieur de Lully: III. Recit
Tombeau de Monsieur de Lully: Tombeau de Monsieur de Lully: IV. Recit
Tombeau de Monsieur de Lully: Tombeau de Monsieur de Lully: V. Les Regrets. Grave
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: I. Lulli aux Champs Elisés: Concertant avec les Ombres
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: II. Air pour les mêmes
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: III. Vol de Mercure aux Champs Elisés, pour avertir qu´
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: IV. Descente d´Apollon: qui vient offrir son violon à L
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: V. Rumeur Souteraine: Causée par les Auteurs Contempora
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: VI. Plaintes des Mêmes pour des Flûtes ou pour des Viol
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: VII. Enlévement de Lulli au Parnasse
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: VIII. Accüeil entre-Doux, et Agard, fait à Lulli par Co
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: IX. Remerciment de Lulli: á Apollon
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: X. Apollon, persuade Lulli, et Corelli Que la réünion d
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: XI. Lulli, joüant le sujet; et Corelli l´acompagnant.
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: XII. Corelli, joüant le sujet à son tour, que Lulli aco
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: XIII. Corelli, joüant le sujet; et Lulli l´acompagnant.
Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: Concert Instrumental - Apothéose à la mémoire de Monsieur de Lulli: XIV. Lulli, joüant le sujet à son tour, que Corelli aco
La Paix du Parnasse: La Paix du Parnasse: I. Gravement
La Paix du Parnasse: La Paix du Parnasse: II. Saillie Vivement
La Paix du Parnasse: La Paix du Parnasse: III. Rondement
La Paix du Parnasse: La Paix du Parnasse: IV. Vivement
St. John Passion: Part Two Choral. Christus, der uns selig macht
St. John Passion: Part One Coro. Herr, unser Herrscher
St. John Passion: Recitativo. Da führeten sie Jesum von Kaiphas Coro. Wäre dieser nicht ein Übeltäter Recitativo. Da sprach Pilatus zu ihnen Coro. Wir dürfen niemand töten Recitativo. Auf das
St. John Passion: Recitativo. Jesus ging mit seinen Jüngern Coro. Jesum von Nazareth Recitativo. Jesus spricht zu ihnen Coro. Jesum von Nazareth Recitativo. Jesus antwortete
St. John Passion: Choral. Ach großer König
St. John Passion: Recitativo. Da sprach Pilatus zu ihnen Coro. Nicht diesen, sondern Barrabam Recitativo. Barrabas aber war ein Mörder
St. John Passion: Recitativo. Auf dass das Wort erfüllet würde
St. John Passion: Arioso Basso. Betrachte, mein Seel
St. John Passion: Choral. Dein Will gescheh
St. John Passion: Aria Tenore. Erwäge, wie sein blutgefärbter Rücken
St. John Passion: Recitativo. Die Schar aber und der Oberhauptmann
St. John Passion: Recitativo. Und die Kriegsknechte - Recitativo. Und gaben ihm Backenstreiche - Coro. Kreuzige ! - Recitativo. Pilatus sprach zu ihnen - Coro. Wir haben ein Geset -Recitativo
St. John Passion: Aria Alto. Von den Stricken meiner Sünden
St. John Passion: Choral. Durch sein Gefängnis
St. John Passion: Recitativo. Simon Petrus aber folgete Jesu
St. John Passion: Recitativo. Die Jüden aber schrieen Coro. Lässest du diesen los Recitativo. Da Pilatus das Wort hörete Coro. Weg, weg mit dem Recitativo. Spricht Pilatus zu ihnen Coro. Wie
St. John Passion: Aria Soprano. Ich folge dir gleichfalls
St. John Passion: Aria Basso e Coro. Eilt, ihr angefochtnen Seelen
St. John Passion: Recitativo. Derselbige Jünger
St. John Passion: Choral. Wer hat dich so geschlagen
St. John Passion: Recitativo. Allda kreuzigten sie ihn Coro. Schreibe nicht Recitativo. Pilatus antwortet
St. John Passion: Aria Basso e Soprano. Himmel reiße, Welt erbebe
St. John Passion: Choral. In meines Herzens Grunde
St. John Passion: Recitativo. Und Hannas sandte ihn - Coro. Bist du nicht seiner Jünger einer? - Recitativo. Er leugnete aber und sprach
St. John Passion: Recitativo. Die Kriegsknechte aber Coro. Lasset uns den nicht zerteilen Recitativo. Auf dass erfüllet würd die Schrift
St. John Passion: Aria Tenore. Ach, mein Sinn
St. John Passion: Choral. Er nahm alles wohl in acht
St. John Passion: Choral. Petrus, der nicht denkt zurück
St. John Passion: Recitativo. Und von Stund an
St. John Passion: Aria Alto. Es ist vollbracht
St. John Passion: Recitativo. Und neiget das Haupt
St. John Passion: Aria Basso e Coro. Mein teurer Heiland
St. John Passion: Recitativo. Und siehe da
St. John Passion: Arioso Tenore. Mein Herz, in dem die ganze Welt
St. John Passion: Aria Soprano. Zerfließe, mein Herze
St. John Passion: Recitativo. Die Jüden aber
St. John Passion: Choral. O hilf, Christe, Gottes Sohn
St. John Passion: Recitativo. Darnach bat Pilatum
St. John Passion: Coro. Ruht wohl, ihr heiligen Gebeine
St. John Passion: Choral. Christe, du Lamm Gottes
St. John Passion: Alternative Choral. Ach Herr, lass dein lieb Engelein
Le Secret des Muses, Livre 1: Prelude VI in F Minor
Thesaurus harmonicus - Libro quarto, Cantiones gallicae e Airs de court: No. 70v, Ou luis tu soleil de mon ame
Thesaurus harmonicus - Libro quarto, Cantiones gallicae e Airs de court: No. 68v, Beaux yeux qui voyes clairement
Le Secret des Muses, Livre 1: Fantasye II in A Major
Pathodia sacra et profana, Part 3 "Airs François" - 1647: No. 36, Quoy? Clorinde, tu pars
Suite for Bass Viol in D Minor: VI. Ballet
Pathodia sacra et profana, Part 3 "Airs François" - 1647: No. 34, Graves tesmoins, "Graves tesmoins de mes delices"
Pathodia sacra et profana, Part 3 "Airs François" - 1647: No. 39, Sérénade, "Ne crains point le serein"
Le Secret des Muses, Livre 1: Fantasye (IV) sur la passameze d'Italie
Le Secret des Muses, Livre 1: Prelude XI in C Major
Airs de cour avec la tablature de luth - Paris, 1637: No. 13, Les yeux baignez de pleurs, et le visage blesme
Airs de cour avec la tablature de luth - Paris, 1637: No. 3, Amarante à des yeux dont mon ame est ravie
Airs de cour avec la tablature de luth - Paris, 1637: No. 5, Beaux yeux, qui dessous vostre empire
Prelude for Bass Viol - from the "Goess Collection, Austria - possible attribution to Pierre Gaultier
Airs à 1, 2, 3 et 4 parties avec la basse continue - Paris, 1689: No. 9, Ah, qui voudra désormais s'engager
Airs à 1, 2, 3 et 4 parties avec la basse continue - Paris, 1689: No. 18, Par mes chants tristes et touchants
Airs à 1, 2, 3 et 4 parties avec la basse continue - Paris, 1689: No. 55, Vos mespris chaque jour me cause mille allarmes
Arbres, rochers, précipices affreux - from "Livre d'airs de différents auteurs - Paris, 1680"
Pieces de Violle - Suite No. 4 in G Major: VII. Chaconne
Airs sérieux et à boire, Livre 9 - Paris, October 1696: No. 1, Plainte sur la mort de Monsieur Lambert, "O mort, affreuse mort, quelle est ta barbarie ?"
An Ode on the Death of Mr. Henry Purcell
Trios de la Chambre du Roi, LWV 35 - Suite in C Minor: No. 12, Ah quand reviendra t'il
Trios de la Chambre du Roi, LWV 35 - Suite in C Minor: No. 10, La jeune Iris
Trios de la Chambre du Roi, LWV 35 - Suite in C Major: No. 2, Sarabande
Trios de la Chambre du Roi, LWV 35: No. 47, Chaconne in C Major
Pièces de théorbe et de luth mises en partition, dessus et basse: Entrée d'Apollon (After Lully's "Le triomphe de l'amour, LWV 59") - From the Vaudry de Saizenay Manuscript
Trios de la Chambre du Roi, LWV 35: No. 13, Symphonie in D Minor
Trios de la Chambre du Roi, LWV 35: No. 14, Sarabande in D Minor
Pièces en trio pour les flûtes (Ouverture et airs de ballets): No. 7, Récit - From the Bibliothèque Nationale de France, Manuscript No. 1536
Première suite de pièces à deux dessus, sans basse continue, Op. 4: I. Duo (Gravement - Gay, les croches égales)
Première suite de pièces à deux dessus, sans basse continue, Op. 4: II. Allemande (Gay)
Première suite de pièces à deux dessus, sans basse continue, Op. 4: III. Rondeau tendre "Les tourterelles" (Gracieusement, et un peu lent)
Première suite de pièces à deux dessus, sans basse continue, Op. 4: IV. Rondeau (Gay)
Première suite de pièces à deux dessus, sans basse continue, Op. 4: V. Gigue
Première suite de pièces à deux dessus, sans basse continue, Op. 4: VI. Passacaille
Plusieurs belles pièces de simphonie copiées, choisies et mises en ordre, Livre 2: No. 97, Ah! Que l'amour cause d'alarmes! (After Lully's "Persée, LWV 60") - From the Bibliothèque Nationale
Pièces de viole, Livre 1 - Pieces for 2 Viols: No. 79, Menuet in G Major - No. 80, Gavotte in G Major - Version with 2 Flutes and Continuo
Symphonies divisées par suites de tons, Symphonies en trio pour les flûtes et pour les violons - Suite No. 5 in G Minor: III. Les plaisirs (Ritournelle)
Plusieurs belles pièces de simphonie copiées, choisies et mises en ordre, Livre 2: No. 137, Symphonie de flûtes pour les enchantements (After Lully's "Amadis, LWV 63") - From the Bibliothèque
Plusieurs belles pièces de simphonie copiées, choisies et mises en ordre, Livre 2: No. 145, Prélude du sommeil d'Armide (After Lully's "Armide, LWV 63") - From the Bibliothèque Nationale de F
Pièces en trio pour les flûtes (Ouverture et airs de ballets): No. 14, Canaries - From the Bibliothèque Nationale de France, Manuscript No. 1536
Suite in A Minor: I. Prelude - From the Panmure Collection, National Library of Scotland, Edinburgh - Reconstitution of Basso Continuo by Philippe Pierlot
Suite in A Minor: II. Allemande - Double - From the Panmure Collection, National Library of Scotland, Edinburgh - Reconstitution of Basso Continuo by Philippe Pierlot
Suite in A Minor: III. Courante - Double - From the Panmure Collection, National Library of Scotland, Edinburgh - Reconstitution of Basso Continuo by Philippe Pierlot
Suite in A Minor: IV. Sarabande - From the Panmure Collection, National Library of Scotland, Edinburgh - Reconstitution of Basso Continuo by Philippe Pierlot
Suite in A Minor: V. Gavotte - From the Panmure Collection, National Library of Scotland, Edinburgh - Reconstitution of Basso Continuo by Philippe Pierlot
Suite in A Minor: VI. Gigue - From the Panmure Collection, National Library of Scotland, Edinburgh - Reconstitution of Basso Continuo by Philippe Pierlot
Trios de la Chambre du Roi, LWV 35: No. 38, Symphonie in A Minor
Trios de la Chambre du Roi, LWV 35: No. 39, Passacaille in A Minor
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum
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Magnificat in D Major, BWV 243: II. Et exultavit spiritus meus
Magnificat in D Major, BWV 243: III. Quia respexit
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Magnificat in D Major, BWV 243: IV. Omnes generationes
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Magnificat in D Major, BWV 243: V. Quia fecit mihi magna
Magnificat in D Major, BWV 243: VI. Et misericordia
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Magnificat in D Major, BWV 243: VII. Fecit potentiam
Magnificat in D Major, BWV 243: VIII. Deposuit potentes
Magnificat in D Major, BWV 243: IX. Esurientes
Magnificat in D Major, BWV 243: X. Suscepit Israel
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Magnificat in D Major, BWV 243: XI. Sicut locutus est
Magnificat in D Major, BWV 243: XII. Gloria Patri
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Missa in G Minor, BWV 235: Gratias agimus tibi
Missa in G Minor, BWV 235: IV. Domine Fili
Missa in G Minor, BWV 235: V. Qui tollis
Missa in G Minor, BWV 235: VI. Cum Sancto Spiritu
Lyra Viol Consort in G Minor: Pavine, VdGS 58/g1
Lyra Viol Consort in G Minor: Almaine, VdGS 58/g2
Lyra Viol Consort in G Minor: Coranto, VdGS 58/g4
Lyra Viol Consort in G Minor: Saraband, VdGS 58/g6
Sonata a 2 in D Minor - No. 6 from "Durham Chapter Library, MS Mus. D5"
Lyra Viol Consort in A Minor: Aire, VdGS 59/a5
Lyra Viol Consort in A Minor: Coranto, VdGS 59/a6
Lyra Viol Consort in A Minor: Saraband, VdGS 59/a4
Fantasia - Suite in A Minor: I. Fantasy - From the Uppsala Collection of Manuscripts, Instrumental Music, Hs 79-1/1
Fantasia - Suite in A Minor: II. Ayre - From the Uppsala Collection of Manuscripts, Instrumental Music, Hs 79-1/2
Fantasia - Suite in A Minor: III. Corant - From the Uppsala Collection of Manuscripts, Instrumental Music, Hs 79-1/3
The 5 Bells, VdGS 56/7 (The Bells - The Mourners - The Ringers)
Lyra Viol Consort in G Minor: Pavan, VdGS 58/g7
Lyra Viol Consort in D Major: Ecco Coranto, VdGS 56/1
Fantasia - Suite in G Minor: I. Fantasy - From the Uppsala Collection of Manuscripts, Instrumental Music, Hs 79-1/4
Fantasia - Suite in G Minor: II. Almand - From the Uppsala Collection of Manuscripts, Instrumental Music, Hs 79-1/5
Fantasia - Suite in G Minor: III. Corant - From the Uppsala Collection of Manuscripts, Instrumental Music, Hs 79-1/6
Lyra Viol Consort in D Minor: Almaine, VdGS 57/5
Lyra Viol Consort in D Minor: Coranto, VdGS 57/6
Lyra Viol Consort in D Minor: Saraband, VdGS 57/7
Lyra Viol Consort in D Minor: The Pleasing Slumber, VdGS 57/8
Aus der Tieffen ruffe Ich zu Dir, BWV 131: I. Aus der Tieffen
Aus der Tieffen ruffe Ich zu Dir, BWV 131: II. So du willst
Aus der Tieffen ruffe Ich zu Dir, BWV 131: III. Ich harre des Herrn
Aus der Tieffen ruffe Ich zu Dir, BWV 131: IV. Meine Seele wartet
Aus der Tieffen ruffe Ich zu Dir, BWV 131: V. Israel hoffe auf den Herrn
Himmelskönig sei willkommen, BWV 182: I. Sonata
Himmelskönig sei willkommen, BWV 182: II. Coro "Himmelskönig sei willkommen"
Himmelskönig sei willkommen, BWV 182: III. Recitavo "Siehe, Ich komme"
Himmelskönig sei willkommen, BWV 182: IV. Aria "Starkes Lieben"
Himmelskönig sei willkommen, BWV 182: V. Aria "Leget euch dem Heiland unter"
Himmelskönig sei willkommen, BWV 182: VI. Aria "Jesu lass durch Wohl und Weh"
Himmelskönig sei willkommen, BWV 182: VII. Coro "Jesu deine Passion"
Himmelskönig sei willkommen, BWV 182: VIII. Coro "So lasset uns gehen"
Christ lag in Todesbanden, BWV 4: I. Sinfonia
Christ lag in Todesbanden, BWV 4: II. Chorus "Christ lag in Todesbanden"
Christ lag in Todesbanden, BWV 4: III. Duetto "Den Tod niemand zwingen kunnt"
Christ lag in Todesbanden, BWV 4: Christ lag in Todesbanden, BWV 4, : IV. Aria "Jesus Christus, Gottes Sohn"
Christ lag in Todesbanden, BWV 4: V. Chorus "Es war ein wunderlicher Krieg"
Christ lag in Todesbanden, BWV 4: VI. Aria "Hier ist das rechte Osterlamm"
Christ lag in Todesbanden, BWV 4: VII. Duetto Aria "So feiern wir das hohe Fest"
Christ lag in Todesbanden, BWV 4: VIII. Chorale "Wir essen und leben wohl"
Sances, Bertali & Schmelzer: Stabat Mater
Stabat Mater: Pianto Della Madona "Concerto Di Viole Di Filippo"
Sonata IX a 5 "Sacro-profanus Concentrus Musicus"
Duodena Selectarum Sonatarum: Sonata XI a 3
Duodena Selectarum Sonatarum: Sonata XII a 3
Regina Coeli "Accompagnamento di viole del Antonio Bertali"
Sacro-profanus concentrus musicus, 1662: Sonata IV a 6
Première Suite: Première Suite: Prélude - Gravement
Première Suite: Première Suite: Allemande Légère
Première Suite: Première Suite: Courante
Première Suite: Première Suite: Sarabande Grave
Première Suite: Première Suite: Gavotte - Gracieusement Sans Lenteur
Première Suite: Première Suite: Gigue - Gayment
Première Suite: Première Suite: Passacaille Ou Chaconne
Deuxième Suite: Deuxième Suite: Prélude - Gravement
Deuxième Suite: Deuxième Suite: Fuguette
Deuxième Suite: Deuxième Suite: Pompe Funèbre - Très Gravement
Deuxième Suite: Deuxième Suite: La Chemise-blanche - Très Viste
Premier concert: Premier concert: Les Satires, Chevre-pieds. - Gravement Ferme, Et Pointé. Vivement, Et Dans un Goût Burlesque
Premier concert: Premier concert: L'Enchanteresse
Premier concert: Premier concert: La Flore - Gracieusement
Premier concert: Premier concert: Les Silvains - Majestueusement, Sans Lenteur
Deuxième concert: Deuxième concert: La Séduisante - Tendrement, Sans Lenteur
Deuxième concert: Deuxième concert: Les Vergers Fleüris - Galament, Et Loûré
Deuxième concert: Deuxième concert: Plainte Pour Les Violes - Lentement, Et Douloureusement
Deuxième concert: Deuxième concert: L'Angélique - D'une Légèreté Modérée
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92, Prélude (Lentement)
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 93, Caprice (Très vivement)
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 96, Allemande la Magnifique - No. 97, Double
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 98, Courante
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 99, Sarabande Grave
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 101, Gigue la Petite
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100, Gigue a l'angloise (Très vivement)
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 102, Gavotte
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 103, Menuet - No. 104, Menuet le Cor de Chasse
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 105, La Muzette - No. 106, 2e Muzette (Légèrement)
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 107, La Guitare
Pièces de viole, Livre 3 - Suite No. 9 in C Minor: No. 123, Prélude (Lentement)
Pièces de viole, Livre 3 - Suite No. 9 in C Minor: No. 124, Fantaisie - No. 125, Double
Pièces de viole, Livre 3 - Suite No. 9 in C Minor: No. 126, Allemande
Pièces de viole, Livre 3 - Suite No. 9 in C Minor: No. 127, Courante
Pièces de viole, Livre 3 - Suite No. 9 in C Minor: No. 128, Sarabande Grave
Pièces de viole, Livre 3 - Suite No. 9 in C Minor: No. 129, Gigue
Pièces de viole, Livre 3 - Suite No. 9 in C Minor: No. 130, Rondeau
Pièces de viole, Livre 3 - Suite No. 9 in C Minor: No. 131, Gavotte
Pièces de viole, Livre 3 - Suite No. 9 in C Minor: No. 132, Menuet - No. 133, 2e Menuet
Pièces de viole, Livre 3 - Suite No. 9 in C Minor: No. 134, Contrefaiseurs (Un peu légèrement)
Pièces de viole, Livre 3 - Suite No. 4 in D Major: Pièces de viole, Livre 3 - Suite No. 4 in D Major No. 40, Prélude (Lentement)
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 41, Fantaisie
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 42, Allemande
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 43, Courante
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 44, Sarabande
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 45, La Folette (Très gai)
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 46, Gigue (Vivement)
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 47, 2e Gigue
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 48, Bourée paysanne (Gai)
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 49, Gavotte
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 50, Petit Rondeau (Gracieusement)
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 51, La Chanterelle (Menuet) - No. 52, La Trompette (Menuet) - No. 53, Double
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 54, Rondeau
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 55, Plainte (Lentement)
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 56, Chaconne
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 57, La Brillante
Pièces de viole, Livre 3 - Suite No. 4 in D Major: No. 58, Charivary (Très vivement)
QUATRE CONCERTOS ALLEMANDS ET TCHEQUES POUR FLUTE
Concerto pour flûte, cordes et basse continue in E Minor, L 2.4: I. Allegro con brio
Concerto pour flûte, cordes et basse continue in E Minor, L 2.4: II. Adagio un poco andante
Concerto pour flûte, cordes et basse continue in E Minor, L 2.4: III. Presto
Concerto pour flûte, cordes et basse continue in G Major: I. Allegro ma non troppo
Concerto pour flûte, cordes et basse continue in G Major: II. Affettuoso
Concerto pour flûte, cordes et basse continue in G Major: III. Allegro assai
Concerto pour flûte, cordes et basse continue in D Minor, Wq. 22: I. Allegro
Concerto pour flûte, cordes et basse continue in D Minor, Wq. 22: II. Un poco andante
Concerto pour flûte, cordes et basse continue in D Minor, Wq. 22: III. Allegro di molto
Concerto pour flûte, cordes et basse continue in D Major: I. Allegro
Concerto pour flûte, cordes et basse continue in D Major: II. Adagio
Concerto pour flûte, cordes et basse continue in D Major: III. Allegro
Consort for Harp, Bass Viol, Violin and Theorbo (Harp Consort) No. 10 in G Minor: Paven and Divisions
Consort for Harp, Bass Viol, Violin and Theorbo (Harp Consort) No. 1 in G Minor: I. Alman
Consort for Harp, Bass Viol, Violin and Theorbo (Harp Consort) No. 1 in G Minor: II. Corant
Consort for Harp, Bass Viol, Violin and Theorbo (Harp Consort) No. 2 in G Minor: IV. Saraband
Consort for Harp, Bass Viol, Violin and Theorbo (Harp Consort) No. 11 in D Minor: Fantazy
Consort for Harp, Bass Viol, Violin and Theorbo (Harp Consort) No. 4 in D Minor: I. Aire
Consort for Harp, Bass Viol, Violin and Theorbo (Harp Consort) No. 4 in D Minor: III. Corant
Consort for Harp, Bass Viol, Violin and Theorbo (Harp Consort) No. 4 in D Minor: IV. Saraband
Consort for Harp, Bass Viol, Violin and Theorbo (Harp Consort) No. 8 in G Major: Paven and Divisions
Consort for Harp, Bass Viol, Violin and Theorbo (Harp Consort) No. 7 in G Major: Aire
Abel en Norvège ou le voyage imaginaire d'un violiste du XVIIIe siècle dans le Hardanger
The Schoole of Musicke: No. 2, Twenty Waies Upon the Bels (Version for Hardanger Fiddle, Tympanon and Viola Da Gamba)
Trio for Hackbrett, Violin und Cello No. 1 in C Major: I. Andante (Version for Hardanger Fiddle, Tympanon and Viola Da Gamba)
Trio for Hackbrett, Violin und Cello No. 1 in C Major: II. Rondo grazioso (Version for Hardanger Fiddle, Tympanon and Viola Da Gamba)
Rull du Hardanger (Norwegian Traditional)
Allegro in A Major, WK 212 - No. 27 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871"
Rundtanz im Stil einem norwegischen Volkstanz (Version for Hardanger Fiddle, Tympanon and Viola Da Gamba)
Newe auserlesene Branden, Intraden, Mascheraden, Baletten: No. 16, Ein schottisch Tantz, a 5 (Version for Hardanger Fiddle, Tympanon and Viola Da Gamba)
I Can Not Keepe My Wife at Howme (English Traditional) - To Market to Market (Old Nursery Rhyme from the 15th Century) [Version for Hardanger Fiddle, Tympanon and Viola Da Gamba]
Cuperaree or Grayes Inn, "The Lordes Maske" (Version for Hardanger Fiddle, Tympanon and Viola Da Gamba)
The Fairey Masque (Version for Hardanger Fiddle, Tympanon and Viola Da Gamba)
Felsenlied unsichtbarer Geschöpfe (Tanz im Stil einem Halling - Version for Hardanger Fiddle, Tympanon and Viola Da Gamba) - From "Etwas Neues unter der Sonnen! Oder das unterirdische Klippen
French Suite No. 5 in G Major, BWV 816: IV. Gavotte (Version for Hardanger Fiddle, Tympanon and Viola Da Gamba)
English Suite No. 3 in G Minor, BWV 808: VI. Gavotte II ou la Musette (Version for Hardanger Fiddle, Tympanon and Viola Da Gamba)
Piece in D Minor, WK 208. Allegro - No. 23 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871"
Fanitullen (Norwegian Traditional from Hallingdal)
Gorrlaus I - Gangar After Vidar Lande de Setesdal (Version for Hardanger Fiddle, Tympanon and Viola Da Gamba)
The First Part of Ayres, French, Pollish and Others: No. 47, Captaine Humes Pavan
The First Part of Ayres, French, Pollish and Others: No. 49, A Souldiers Galliard - No. 4, A Souldiers March
The First Part of Ayres, French, Pollish and Others: No. 11, Harke, Harke
The First Part of Ayres, French, Pollish and Others: No. 5, The Spirit of Gambo (The Lord Dewys Favoret)
The First Part of Ayres, French, Pollish and Others: No. 19, A Pollish Ayre - No. 21, A Pollish Vilanel
The First Part of Ayres, French, Pollish and Others: No. 32, My Mistresse Hath a Prettie Thing
The First Part of Ayres, French, Pollish and Others: No. 38, Tickle Me Quickly - No. 35, Tickell, Tickell
The First Part of Ayres, French, Pollish and Others: No. 9, Adue Sweete Loue
The First Part of Ayres, French, Pollish and Others: No. 100, I Am Melancholy
Sunrise by the Riverside (Raga with Sarangi, Tanpura and Tabla)
The First Part of Ayres, French, Pollish and Others: No. 13, Deth - Version with Tanpura - Improvisations on the Sarangi
A Tune to Hume (Raga with Voice, Sarangi, Tanpura and Tabla)
Lamento di Tristano (From the London Manuscript, British Museum, Add 29987) - Version with Viol, Sarangi, Tanpura and Tabla
Harmonia Parnassia Sonatarum, Op. 2 - Sonata No. 8, a 4: I. Soavemente - II. Canzona (Vivace) - III. Grave - IV. Bizzaria - V. Adagio - VI. Allegro
Harmonia Parnassia Sonatarum, Op. 2 - Sonata No. 7, a 3: I. Adagio - II. Canzona (Vivace) - III. Grave - Presto - Lento - IV. Aria (Affettuoso) - V. Sarabande - VI. Gigge (Presto)
Harmonia Parnassia Sonatarum, Op. 2 - Sonata No. 5, a 3: I. Adagio - II. Canzona (Allegro) - III. Grave e superbo - IV. Bizzaria (Vivace) - V. Grave - VI. Aria (Allegro)
Chelys, Op. 3 - Suite for Viol No. 10 in A Minor: IV. Sarabande
Sonata No. 8, a 4 - From "Fascilus dulcedinis unius, duorum, trium, quatuor et quinque instrumentorum, Op. 1"
Harmonia Parnassia Sonatarum, Op. 2 - Sonata No. 1, a 3: I. Adagio - II. Presto - III. Canzona (Allegro) - IV. Bizzaria (Presto)
Chelys, Op. 3 - Suite for Viol No. 8 in E Minor: IV. Sarabande
Sonata No. 1 - From "Fascilus dulcedinis unius, duorum, trium, quatuor et quinque instrumentorum, Op. 1"
Harmonia Parnassia Sonatarum, Op. 2 - Sonata No. 6, a 3: I. Allegro - II. Adagio - Presto - Adagio affetuoso - Vivace - Adagio - Vivace - Adagio - Presto - Adagio - Vivace - III. Grave - Alle
Chelys, Op. 3 - Suite for Viol No. 12 in C Major: IV. Sarabande
J.S. Bach: Tombeau de Sa Majesté la Reine de Pologne
Missa À 4 Voci. 2 Travers. 2 Violini, Viola e Cont, BWV 234: Kyrie
Missa À 4 Voci. 2 Travers. 2 Violini, Viola e Cont, BWV 234: Christe
Missa À 4 Voci. 2 Travers. 2 Violini, Viola e Cont, BWV 234: Gloria
Missa À 4 Voci. 2 Travers. 2 Violini, Viola e Cont, BWV 234: Domine Deus
Missa À 4 Voci. 2 Travers. 2 Violini, Viola e Cont, BWV 234: Qui Tollis
Missa À 4 Voci. 2 Travers. 2 Violini, Viola e Cont, BWV 234: Quoniam
Missa À 4 Voci. 2 Travers. 2 Violini, Viola e Cont, BWV 234: Cum Sancto Spirito
Praeludium In Organo Pleno, Pedal, BWV 544
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Chorus : Lass, Fürstin, Lass Noch Einen Strahl
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Recit : Dein Sachsen, Dein Bestürztes Meissen
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Aria : Verstummt, Verstummt, Ihr Holden Saiten!
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Recit : Der Glocken Bebendes Getön
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Aria : Wie Starb Die Heldin So Vergnügt!
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Recit : Ihr Leben Liess Die Kunst Zu Sterben
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Chorus : An Dir, Du Fürbild Grosser Frauen
Herzlich Tut Mich Verlangen À 2 Claviers Et Pédale, BWV 727
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Pars 2da Nach Gehaltener TrauerRede: Aria : Der Ewigkeit Saphirnes Haus
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Pars 2da Nach Gehaltener TrauerRede: Recit : Was Wunder Ist's ? Du Bist Es Wert
Tombeau de Sa Majesté la Reine de Pologne, BWV 198: Pars 2da Nach Gehaltener TrauerRede: Chorus Ultimus Post 2am Partem : Doch Köningin Du Stirbest Nicht!
Purcell: Fantazias - Musique pour violes
Pavan à 4 “Here begineth ye 3 part Fantazia’s”
Fantazia 3 “Here begineth ye 4 part Fantazia’s”
Fantazia 12 “Here Begineth ye 5 Part: Fantazies”
Fantazia upon one note “Here Begineth ye 6,7 & 8 part Fantazia’s”
Stabat Mater, P. 77: I. Stabat Mater dolorosa (Grave)
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Stabat Mater, P. 77: II. Cujus animam gementem (Andante amoroso)
Stabat Mater, P. 77: III. O quam tristis et afflicta (Larghetto)
Stabat Mater, P. 77: IV. Quae moerebat et dolebat (Allegro)
Stabat Mater, P. 77: V. Quis est homo (Largo)
Stabat Mater, P. 77: VI. Vidit suum dulcem natum (A tempo giusto)
Stabat Mater, P. 77: VII. Eja mater fons amoris (Andantino)
Stabat Mater, P. 77: VIII. Fac ut ardeat cor meum (Allegro)
Stabat Mater, P. 77: IX. Sancta mater, istud agas (A tempo giustu)
Stabat Mater, P. 77: X. Fac ut portem Christi mortem (Largo)
Stabat Mater, P. 77: XI. Inflammatus et accensus (Allegro)
Stabat Mater, P. 77: XII. Quando corpus morietur (Largo assai)
Concerto per quartetto en Fa Mineur (Poco andante - Allegro)
Salve Regina in C Minor: I. Salve Regina (Largo)
Salve Regina in C Minor: II. Ad te clamamus (Andante)
Salve Regina in C Minor: III. Eja ergo, advocato (Andante)
Salve Regina in C Minor: IV. Et Jesum, benedictum (Amoroso)
Salve Regina in C Minor: V. O clemens, o pia (Largo assai)
Le tombeau de Monsieur de Sainte Colombe
Troisième suite en La Mineur: I. Prélude
Troisième suite en La Mineur: II. Allemande
Troisième suite en La Mineur: III. Courante
Troisième suite en La Mineur: IV. Sarabande
Suite en Sol Majeur (Extraits): Chaconne
Suite en Sol Majeur (Extraits): Gavotte en rondeau
Tombeau pour Monsieur de Sainte Colombe le père
Concert à deux violes "Tombeau les regrets", No. 44
Toutes les nuicts que sans vous je me couche
A Sad Paven for these Distracted Tymes, MB 53
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Consort Set No. 6 for Six Viols: Pavin, VdGS 84
Consort Set No. 10 for Six Viols: Fantazia, VdGS 97
Consort Set No. 10 for Six Viols: Fantazia, VdGS 98
Consort Set No. 10 for Six Viols: In Nominy, VdGS 99
Consort Set No. 10 for Six Viols: Aire, VdGS 100
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