1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf2a2b3b5b99b0a6d8205a9f82bf84d21783eb6914a7108172da0d1806b6e47fb. Chain 2 (Bitcoin): anchored in block 954065 (2026-06-17T08:10:43Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/5023fc90-2e6d-4458-aaea-c0f066e97fc1.json and https://artists.proofprofile.net/proofs/artist/5023fc90-2e6d-4458-aaea-c0f066e97fc1.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Catarina Cornaro, Act I: Ein Freudentag voll Lust und Glanz
Catarina Cornaro, Act III: Hoch lebe Zyperns Königin
Catarina Cornaro, Act III: Hier an dieser Stelle kämpft ich in der Nacht
Catarina Cornaro, Act I: Mir leben auf die Tage entschwund'ner Lebenslust
Catarina Cornaro, Act III: Wenn sie zum Altäre treten
Catarina Cornaro, Act I: Signor, ein Fremder will euch sprechen
Catarina Cornaro, Act I: Finale. Ein Freudentag voll Lust und Glanz
Catarina Cornaro, Act IV: Zum Heil hat uns Venedig dich gesandt
Catarina Cornaro, Act IV: Catharina, meine teure Gattin
Catarina Cornaro, Act II: Blickt auf mit Vertrauen
Catarina Cornaro, Act II: Auf immer getrennt
Catarina Cornaro, Act IV: Unglücklicher, was suchst du hier
Catarina Cornaro, Act II: Dein Haupt schmückt eine Krone
Catarina Cornaro, Act IV: Auf zum Sternenthrone schwingt sich sein Geist
Catarina Cornaro, Act II: Wie? Hab' ich recht verstanden?
Catarina Cornaro, Act III: Niemals auf dem Erdenrund blüte eine schönere Braut
1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1db89277c5150fa614bea6a2a3eb4cd276b6c9c3c58004c9315b7023bd9f6902. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEHC20828346.
Orgelsymphonie No. 3, Op. 28: II. Cantilène
Messe solennelle en l'honneur de Sainte-Cécile in G Major, Op. 12 "Cäcilienmesse": I. Kyrie
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1a5e336b1a0d003b510f86319697f636c615eae95bf78073894a43f09a9e4a70. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEHC20828349.
Messe solennelle en l'honneur de Sainte-Cécile in G Major, Op. 12 "Cäcilienmesse": II. Gloria
Messe solennelle en l'honneur de Sainte-Cécile in G Major, Op. 12 "Cäcilienmesse": III. Credo
Messe solennelle en l'honneur de Sainte-Cécile in G Major, Op. 12 "Cäcilienmesse": IV. Offertoire
Messe solennelle en l'honneur de Sainte-Cécile in G Major, Op. 12 "Cäcilienmesse": V. Sanctus
Messe solennelle en l'honneur de Sainte-Cécile in G Major, Op. 12 "Cäcilienmesse": VI. Benedictus
Messe solennelle en l'honneur de Sainte-Cécile in G Major, Op. 12 "Cäcilienmesse": VII. Agnus Dei
Messe solennelle en l'honneur de Sainte-Cécile in G Major, Op. 12 "Cäcilienmesse": VIII. Domine Salvum
Schnittke: Konzert für Chor, Stimmen der Natur & 3 Geistliche Gesänge - Pärt: Dopo la vittoria
Choir Concerto: I. O pavelitel' sushcheva fsevo (O Master of all living)
Choir Concerto: II. Sabran' je pesen sikh, gde kazhdyj stikh (I, an expert in human passions)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbca8a8e15e5a155c9d3a42ccad5154f8d71169fc544320add9c6b2294e588117. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DELW71350502.
Choir Concerto: III. Fsem tem kto vniknet fsushchnast (God, grant deliverance from sin)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x165a4b7a31d5b86bc1b4a7e561ff096800f5c092b7aa5d2c86d87426dc1add2b. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DELW71350503.
Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began)
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x15e97bb78ddfdb686d6aa01db019a923fcd621db9a61ec59b6b5d0c073765ca0. Chain 2 (Bitcoin): anchored in block 953513 (2026-06-13T12:47:07Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DELW71350505.
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x682461c5c2eb3ba8ff880d6c9aa07962ccfb18763adc78ffd984275ae01d25f0. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DELW71350506.
3 Sacred Hymns: No. 3. Otche nash (Our Father)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2b5a5529b9b096bf0e59cbccce016b5460bdb1372c0fe405f8b773a855cb51e2. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DELW71350507.
Dornroschen: Prelude Scene 1: Orchestral Prelude
Dornroschen: Prelude Scene 1: Happy Event: Duftige Rosen lasset uns binden (Chorus of Maidens)
Dornroschen: Act II Scene 3: The Dream Image: In dem Schloss, dem altersgrauen (Reinhold)
Dornroschen: Prelude Scene 1: Arrival of the Fairies: Seht dorf, vom Morgenwind getragen (The Messenger, 12 Fairies)
Dornroschen: Act II Scene 3: The Revelation
Dornroschen: Prelude Scene 1: Fairy Banquet
Dornroschen: Act II Scene 3: Sleeping Beauty's Picture: O, welch' Entzucken (Reinhold, Overseer)
Dornroschen: Prelude Scene 1: Baptismal Song: Lasst unds jetzt den Reigen schliessen (Rosa, Fairies)
Dornroschen: Act II Scene 3: Admonition: Wenn drei Tage noch verstrichen (Overseer) - Dialogue 12 - Interlude: Wanderings
Dornroschen: Prelude Scene 1: Blessing and Curse: Wohlan so nenne dich nach mir (Rosa, Bella, Sophia, Viola, Poesis, Mab, Flora, Hulda, Veritas, Blanca, Damonia)
Dornroschen: Act II Scene 4: Heavenly Ascent: Mondesstrahl (Damonia)
Dornroschen: Prelude Scene 1: Sleep for Death: Nach ruht dein Gluck in meinen Handen (Rosa, Morphina, The Other Fairies)
Dornroschen: Act II Scene 5: Dance of the Spheres: Herbei zum Tanz (Chorus of the Fixed Stars)
Dornroschen: Act I Scene 2: Festive Music
Dornroschen: Act II Scene 5: Declaration of the Stars: Wir halten Wacht (Chorus of the Stars)
Dornroschen: Act I Scene 2: Ich fuhl' ein leises Bangen (Roschen, Rose, Forget-Me-Not, Breeze)
Dornroschen: Act II Scene 5: Dance of the Spheres: Ihr Sterne, herbei! (Sonne, Chorus of the Stars)
Dornroschen: Act I Scene 2: The Guests at the Feast
Dornroschen: Act III Scene 6: Ach, das Gleiten (Quicksilver)
Dornroschen: Act III Scene 6: The Oath: Die Ringe mein! (Reinhold, Quicksilver)
Dornroschen: Act I Scene 2: Doom: O seht doch Mutterchen, seht doch (Roschen, King, Chorus of the Guests, Cook, Table Master, Damonia, Morphina)
Dornroschen: Act III Scene 6: Temptation: Halt ein! (Damonia, Nymphs and Naiads)
Dornroschen: Act III Scene 6: Triumph: O zaudre nicht (Damonia, Nymphs and Naiads, Reinhold)
Dornroschen: Act III Scene 6: Interlude: The Thorn Castle
Dornroschen: Act III Scene 7: Damonia's End: Ich sterbe! (A Dull Voice, A Gentle Voice) - In the Castle Garden: O Wunder ohne Gleichen! (Quicksilver, Reinhold)
Hommage zum 200. Todestag von Joseph Haydn
The Creation, Hob. XXI:2: Die Schöpfung, Hob.XXI:2: Die Himmel erzahlen die Ehre Gottes
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Kyrie
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Gloria -
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Gloria. Gratias agimus -
Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Finale. Allegro molto
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Gloria. Quoniam tu solus sanctus
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: I. Allegro
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Credo -
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: II. Andante cantabile
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Credo. Et incarnatus -
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: III. Finale. Allegro
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Credo. Et resurrexit
The Creation, Hob. XXI:2: Die Schöpfung, Hob.XXI:2: Singt dem Herren, alle Stimmen
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Credo. Et vitam venturi
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Sanctus
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Santus: Pleni sunt coeli
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Benedictus
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Agnus Dei -
Mass No. 14 in B-Flat Major, Hob. XXII:14, "Harmoniemesse": Agnus Dei: Dona nobis
Ponchielli: La Gioconda, Op. 9: Preludio
Ponchielli: La Gioconda, Op. 9, Act 2: "Ha! He! Ha! He! Siam qui sui culmini" (Coro)
Ponchielli: La Gioconda, Op. 9, Act 3: "Benvenuti messeri! Andrea Sagredo!" (Alvise)
Ponchielli: La Gioconda, Op. 9, Act 1: "Feste e pane!" (Coro, Barnaba)
Ponchielli: La Gioconda, Op. 9, Act 2: "Pescator, affonda l'esca" (Barnaba, Un pilota, Coro)
Ponchielli: La Gioconda, Op. 9, Act 3: "S'inneggi alla Ca' d'Oro" (Coro)
Ponchielli: La Gioconda, Op. 9, Act 1: "E danzan su lor tombe!" (Barnaba)
Ponchielli: La Gioconda, Op. 9, Act 2: "Pescator, affonda l'esca" (Barnaba, Coro)
Ponchielli: La Gioconda, Op. 9, Act 3: "Graziè vi rendo per le vostre laudi" (Alvise)
Ponchielli: La Gioconda, Op. 9, Act 1: "Madre adorata. Vieni" (Gioconda, Barnaba, Cieca)
Ponchielli: La Gioconda, Op. 9, Act 2: "Sia gloria ai canti" (Enzo, Coro)
Ponchielli: La Gioconda, Op. 9, Act 3: Danza delle ore: Le ore dell'aurora - "Prodigio!" (Coro)
Ponchielli: La Gioconda, Op. 9, Act 1: "L'ora non giunse ancor del vespro santo" (Gioconda, Barnaba, Cieca)
Ponchielli: La Gioconda, Op. 9, Act 2: "Cielo e mar!" (Enzo)
Ponchielli: La Gioconda, Op. 9, Act 3: Danza delle ore: Danza delle ore del giorno - Sortono le ore della sera - Sortono le ore della notte
Ponchielli: La Gioconda, Op. 9, Act 1: "Giuro all'Averno!" (Barnaba, Zuàne, Isèpo, Cieca, Coro)
Ponchielli: La Gioconda, Op. 9, Act 2: "Ma chi vien?" (Enzo, Barnaba, Laura)
Ponchielli: La Gioconda, Op. 9, Act 3: Danza delle ore: Andante poco mosso
Ponchielli: La Gioconda, Op. 9, Act 1: "Suo covo è un tugurio laggiù alla Giudeca" (Barnaba, Isèpo, Zuàne, Cieca, Gioconda, Enzo, Coro)
Ponchielli: La Gioconda, Op. 9, Act 2: "Deh! non turbare" (Enzo, Laura)
Ponchielli: La Gioconda, Op. 9, Act 3: Danza delle ore: Allegro vivacissimo - Con brio
Ponchielli: La Gioconda, Op. 9, Act 1: "Mia madre! Assassini!" (Gioconda, Enzo, Cieca, Coro)
Ponchielli: La Gioconda, Op. 9, Act 2: "Laggiù nelle nebbie remote" (Laura, Enzo)
Ponchielli: La Gioconda, Op. 9, Act 3: "Vieni! Lasciami!" (Barnaba, Cieca, Alvise, Gioconda, Enzo, Coro)
Ponchielli: La Gioconda, Op. 9, Act 1: "Ribellion!" (Alvise, Gioconda, Laura, Barnaba, Enzo, Coro)
Ponchielli: La Gioconda, Op. 9, Act 2: "E il tuo nocchiere. Ho il cuor pieno di preghiere" (Enzo, Laura)
Ponchielli: La Gioconda, Op. 9, Act 3: "Già ti vedo immota e smorta" (Enzo, Gioconda, Barnaba, Cieca, Alvise, Coro)
Ponchielli: La Gioconda, Op. 9, Act 1: "Voce di donna o d'angelo" (Cieca, Alvise, Barnaba, Laura, Enzo, Gioconda, Isèpo, Zuàne, Coro)
Ponchielli: La Gioconda, Op. 9, Act 2: "Stella del marinar! Vergine santa" (Laura)
Ponchielli: La Gioconda, Op. 9, Act 4: Preludio
Ponchielli: La Gioconda, Op. 9, Act 1: "Enzo Grimaldo, principe di Santafior" (Barnaba, Enzo)
Ponchielli: La Gioconda, Op. 9, Act 2: "E un anatèma! Ah! chi sei?" (Gioconda, Laura)
Ponchielli: La Gioconda, Op. 9, Act 4: "Nessun v'ha visto" (Gioconda, Cantore)
Ponchielli: La Gioconda, Op. 9, Act 1: "O grido di quest'anima" (Enzo, Barnaba)
Ponchielli: La Gioconda, Op. 9, Act 2: "L'amo come il fulgor del creato!" (Laura, Gioconda)
Ponchielli: La Gioconda, Op. 9, Act 4: "Suicidio! In questi fieri momenti" (Gioconda)
Ponchielli: La Gioconda, Op. 9, Act 1: "Maledici? Sta ben, l'amor t'accieca" (Barnaba, Isèpo, Gioconda)
Ponchielli: La Gioconda, Op. 9, Act 2: "Il mio braccio t'afferra!" (Gioconda, Laura)
Ponchielli: La Gioconda, Op. 9, Act 1: "O monumento!" (Barnaba)
Ponchielli: La Gioconda, Op. 9, Act 2: "Maledizion! Ha preso il vol!" (Barnaba, Gioconda, Enzo)
Ponchielli: La Gioconda, Op. 9, Act 1: "Baccanale! Baccanale!" (Coro) - Danza
Ponchielli: La Gioconda, Op. 9, Act 2: "Vedi là, nel canal morto" (Gioconda, Enzo)
Ponchielli: La Gioconda, Op. 9, Act 1: "Angelus domini. Tramonta il sol!" (Coro, Gioconda, Cieca)
Ponchielli: La Gioconda, Op. 9, Act 2: "Tu sei tradito!" (Gioconda, Enzo, Coro)
Ponchielli: La Gioconda, Op. 9, Act 3: "Sì, morir ella de'!" (Alvise)
Ponchielli: La Gioconda, Op. 9, Act 3: "Là turbini e farnetichi" (Alvise)
Ponchielli: La Gioconda, Op. 9, Act 3: "Qui chiamata m'avete?" (Laura, Alvise)
Ponchielli: La Gioconda, Op. 9, Act 3: "Morir! è troppo orribile!" (Laura, Alvise)
Ponchielli: La Gioconda, Op. 9, Act 3: "E già che ai nuovi imeni" (Alvise, Laura, Gioconda, Coro)
Ponchielli: La Gioconda, Op. 9, Act 3: "O madre mia, nell'isola fatale" (Gioconda)
Gounod: Roméo et Juliette, Act 1: Valse. "Je veux vivre dans ce rêve" (Juliette)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x679eb1a383d4e77210dac085e3ff9b4c653d9ab58cbc117a8c677bf34128cf11. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC0302310.
Massenet: Manon, Act 3: Air du cours de la reine. "Suis-je gentille ainsi ?" (Manon, Chœur)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6af136532e5ffbfbb6b2fafb8e6e900c08543e262f70b6758a755e1aedb8ad97. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC0302298.
Massenet: Manon, Act 3: Gavotte. "Obéissons quand leur voix appelle" (Manon, Chœur)
Meyerbeer: Le pardon de Ploërmel, Act 2: Air. "Ombre légère qui suis mes pas" (Dinorah)
Thomas: Hamlet, Act IV: "À vos jeux mes amis" - "Et maintenant" (Ophélie)
Thomas: Mignon, Act II: "Oui, pour ce soir" - "Je suis Titania la blonde" (Philine, Chœur)
Delibes: Lakmé, Act 1: Duo des fleurs. "Viens, Mallika" - "Dôme épais, le jasmin" (Lakmé, Mallika)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xed02b02399d7c874931e0ac52e0ace87a800f0047314dd25d7b770245a9c5260. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/FRZ119702750.
Delibes: Lakmé, Act 1: Récit et strophes. "Les fleurs me paraissent plus belles" (Lakmé)
Delibes: Lakmé, Act 2: Scène et légende de la fille du Paria. "Par les dieux inspirés" - Air des clochettes. "Où va la jeune Hindoue" (Lakmé, Nilakantha, Chœur)
Offenbach: Les contes d'Hoffmann, Act 2: Chanson d'Olympia. "Les oiseaux dans la charmille" (Olympia)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1eb59e3fa8ff622c21fa1ac00d316b756374e59811a8d23da5c22fce1673b73f. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/FRZ119601530.
Offenbach: Orphée aux enfers, Act II: "Ah! quelle triste destinée" (Eurydice)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd9710fcbc62345c3539a7a36ad0c3dd8f12b574bea6698a1737a9bbf3578f7f5. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC2003419.
Offenbach: Orphée aux enfers, Act 2: Duo de la mouche. "Il m'a semblé sur mon épaule" (Eurydice, Jupiter)
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "Arrière ! Je réchauffe les bons" (Le Feu)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3fa11208b84a9b3f42aefaf5ac8e5190ef675206b9b88087b51c652da83a05ee. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/FRZ119601480.
Bellini: La sonnambula, Act I: "Compagne... teneri amici" - "Come per me sereno” (Amina, Coro)
Bellini: La sonnambula, Act 1: "Sovra il sen la man mi posa" (Amina, Teresa, Coro)
Bellini: La sonnambula, Act 2: "Oh! Se una volta sola" (Amina, Rodolfo, Teresa, Elvino, Notaro, Lisa, Alessio, Coro)
Bellini: La sonnambula, Act 2: "Ah! No credea mirarti" (Amina, Elvino, Rodolfo, Coro)
Bellini: La sonnambula, Act 2: "Ah! Non giunge uman pensiero" (Amina, Rodolfo, Teresa, Elvino, Notaro, Lisa, Alessio, Coro)
Verdi: La traviata, Act I: "È strano! È strano!" - "Ah, fors'è lui" (Violetta)
Verdi: La traviata, Act I: "Follie! Follie!" - "Sempre libera" (Violetta, Alfredo)
Bellini: I puritani, Act II: "O rendetemi la speme" (Elvira, Giorgio, Riccardo)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc80947aad07cfef8603a9f5eaf4b986e9eaf543403920a159052d7e8bb69e0af. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC0703186.
Bellini: I puritani, Act II: "Qui la voce sua soave" (Elvira, Giorgio, Riccardo)
Bellini: I puritani, Act II: "Vien, diletto, è in ciel la luna" (Elvira, Riccardo, Giorgio)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc3a6e649f86e68fa438c383a41fc2f1dcc2a00fbc746adafb3f1555e17d346d0. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC0703188.
Verdi: Rigoletto, Act I: "Gualtier Maldé" - "Caro nome" (Gilda, Borsa, Ceprano, Coro, Marullo)
Bellini: I Capuleti e i Montecchi, Act I: "Oh! Quante volte" (Giulietta)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1950f60bb016eb1a5e3161f42445c42c51837dd80d5900211d9ef5afe13a151b. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC0703196.
Donizetti: Lucia di Lammermoor, Act I: "Il dolce suono" (Lucia)
Donizetti: Lucia di Lammermoor, Act III: "Ardon gli incensi" (Lucia, Normanno, Raimondo, Coro)
Donizetti: Lucia di Lammermoor, Act III: "S'avanza Enrico" (Raimondo, Enrico, Coro, Lucia)
Donizetti: Lucia di Lammermoor, Act III: "Spargi d'amaro pianto" (Lucia, Enrico, Raimondo, Coro)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4da30ac8efa634907a3b01ea948456d3877f304c73cb00f48951762db472e8e6. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC0703201.
Mozart: Die Zauberflöte, K. 620, Act 2: Arie. "Der Hölle Rache" (Königin der Nacht)
Mozart: Die Zauberflöte, K. 620, Act 2: Arie. "Ach, ich fühl's" (Pamina)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3be01a3bf529c023606c9ea6cd470371291ee10873e745826fe1ff6fc424a43b. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC0002646.
Handel: Giulio Cesare in Egitto, HWV 17, Act 2: "Se pietà di me non senti" (Cleopatra)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x42f2af303448698682b0ac24fc4ec9a64e74ca7ac213ceda507bf9209c1445ec. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC1002788.
Handel: Giulio Cesare in Egitto, HWV 17, Act 3: "Piangerò la sorte mia" (Cleopatra)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe4279767d64d7ff18b5e94a001c5c310fc34683419b87a8287c0824228b0175f. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC1002792.
Handel: Giulio Cesare in Egitto, HWV 17, Act 3: "Da tempeste il legno infranto" (Cleopatra)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc984607d5745c26dad0af97876c97a6cef34499dfa7d59f653c851de83936770. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC1002796.
Handel: Alcina, HWV 34, Act I: "Tornami a vagheggiar" (Morgana)
Mozart: Die Zauberflöte, K. 620, Act I: "O zittre nicht, mein lieber Sohn!” (Königin der Nacht)
Mozart: Die Entführung aus dem Serail, K. 384, Act II: "Traurigkeit ward mir zum Lose" (Konstanze)
Strauss, R: Der Rosenkavalier, Op. 59, Act 2: "Mir ist die Ehre widerfahren" (Octavian, Sophie)
Orchestra of the Royal Opera House, Covent Garden
Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Grossmächtige Prinzessin" - "Noch glaub'ich dem einem ganz mich gehörend" (Zerbinetta)
Stravinsky: Le Rossignol, Act II: Chanson du rossignol. "Ah, joie, emplis mon coeur" (Le Rossignol, L'Empereur, Courtisans, Le Chambellan)
Bernstein: Candide, Act 1: "Glitter and Be Gay" (Cunégonde)
La rondine, Act I: Ah! no! no! ... Non dite questo (Live)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xfb2c55f6469146878129d3fe4848a3011936a44f1bda68613603392735f7f9c8. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEB201507501.
La rondine, Act III: Senti? Anche il mare respira sommesso (Live)
La rondine, Act I: Chi il bel sogno di Doretta (Live)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa1672971114370c7c1f856742b22042a92f8024ff7d09b80b327686b0dfdadf8. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEB201507502.
La rondine, Act III: E siam fuggiti qui (Live)
La rondine, Act I: No ... adesso non burlatemi (Live)
La rondine, Act III: Dimmi che vuoi seguirmi (Live)
La rondine, Act I: La Doretta della mia fantasia (Live)
La rondine, Act III: Che più dirgli (Live)
La rondine, Act I: Denaro ... denaro... nient'altro che denaro! (Live)
La rondine, Act III: E qui? Non so (Live)
La rondine, Act I: Perche'! Ore dolci e divine (Live)
La rondine, Act III: Ma come, voi vi ricordate ancora (Live)
La rondine, Act I: E poi? ... Basta ... E finito ... (Live)
La rondine, Act I: O mio giovine amico (Live)
La rondine, Act I: Forse come la rondine (Live)
La rondine, Act I: T'amo ... menti! (Live)
La rondine, Act II: Fiori freschi! Fiori freschi! (Live)
La rondine, Act II: Chi e? - Mai vista! - Esita! (Live)
La rondine, Act II: Scusatemi ... scusate (Live)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbb2d222c150dcf167c85d94ec93720d3444b5f66ba4c1c8a3d61982f4ef5ca88. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEB201507514.
La rondine, Act II: Dolcessa! Ebbrezza! (Live)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe6500d6dfa7c6968f88f37d044c9606599c3863f806664ce1144e375d354740e. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEB201507515.
La rondine, Act II: Che caldo! Che sete! (Live)
La rondine, Act II: Perché' mai cercate di saper (Live)
La rondine, Act II: Zitti! Non disturbiamoli! (Live)
La rondine, Act II: Bevo al tuo fresco sorriso (Live)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa1e081d58a13209e542e2ff902d5b3c8000baffe5ffc481c3f8a1389cbe02484. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEB201507519.
La rondine, Act II: Ah! M'aiutate (Live)
La rondine, Act II: Nella trepida luce (Live)
Nicolai: Mass No. 1 in D Major; Liturgie No. 2
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5899f65ab290c99c22bab791c70eb78e4f822893fdbc1a2251b7864241c6e0be. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEB111301103.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6233a16c4d0498fcff5030d8f8ffbd9132dae555035b63f61036d8ae7105fbfa. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEB111301104.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9a2e58371894b0efda6dabb65ba937abc225d3a45543a3c4b4bdd99fc6519340. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEB111301105.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x201029d436c28ac37765d778a7f1fabbb7942440cb87089c59d6b3ae5b50508f. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEB111301106.
St. Luke Passion, TWV 5:13: Recitative: Israel, ach! Geliebtes Vaterz (Joseph)
St. Luke Passion, TWV 5:13: Solo and Chorus: Frohlocket und jauchzet (Chorus, Simson)
St. Luke Passion, TWV 5:13: Aria: Allgegenwart'ger Hort der Deinen (Joseph)
St. Luke Passion, TWV 5:13: Recitative: Verdammtes Fest und Volk! (Simson)
St. Luke Passion, TWV 5:13: Recitative: Was Josephs Bruder hier an ihrem Bruder taten (Tenor)
St. Luke Passion, TWV 5:13: Recitative: So wird durch Somsons Tod ein ganzes Heer verdorben (Tenor)
St. Luke Passion, TWV 5:13: Aria: Lass, Erloser, deine Treue meiner Treue Zunder sein (Tenor)
St. Luke Passion, TWV 5:13: Aira: Triumph, Triumph (Tenor)
St. Luke Passion, TWV 5:13: Recitative: Es kam aber nahe das Fest der subben Brot' (Evangelist, Jesus)
St. Luke Passion, TWV 5:13: Recitative: Und als sie ihn hinfuhreten (Evangelist)
St. Luke Passion, TWV 5:13: Chorus: Wo willst du, dass wir's bereiten?
St. Luke Passion, TWV 5:13: Arioso: Ihr Tochter von Jerusalem (Jesus, Evangelist)
St. Luke Passion, TWV 5:13: Recitative: Er sprach zu ihnen (Evangelist, Jesus, Chorus)
St. Luke Passion, TWV 5:13: Recitative: Vater, vergibt ihnen, denn sie wissen nicht, was sie tun (Jesus)
St. Luke Passion, TWV 5:13: Chorus: Herr, lass mich nicht vergessen
St. Luke Passion, TWV 5:13: Recitative: Und sei teileten seine Kleider (Evangelist, Chorus)
St. Luke Passion, TWV 5:13: Recitative: Doch siehe, die Hand meines Verraters ist mit mir uber Tische (Jesus, Evangelist, Petrus, Chorus)
St. Luke Passion, TWV 5:13: Recitative: Es verspotteten ihn auch die Kriegsknechte (Evangelist, Chorus)
St. Luke Passion, TWV 5:13: Chorus: Treib, Herr, von mir und verhute
St. Luke Passion, TWV 5:13: Recitative: Es war auch oben uber ihm geschrieben (Evangelist, Chorus, ein Ubeltater, der andere Ubeltater, Jesus)
St. Luke Passion, TWV 5:13: Recitative: Da aber sahen, die um ihn waren (Evangelist, Jesus)
St. Luke Passion, TWV 5:13: Arioso: Vater, ich befehle meinen Geist in deine Hande (Jesus, Evangelist)
St. Luke Passion, TWV 5:13: Recitative: Und einer aus ihnen schlug des Hohenpriesters Knecht (Evangelist)
St. Luke Passion, TWV 5:13: Chorus: Auf dich setz' ich mein Vertrauen
St. Luke Passion, TWV 5:13: Chorus: Du Nacht voll Angst und herbem Seelenleiden
St. Luke Passion, TWV 5:13: Recitative: Da aber der Hauptmann sahe (Evangelist, der Hauptmann)
St. Luke Passion, TWV 5:13: Recitative: Verwegner, welch ein Hohn! (Zedekia, Micha)
St. Luke Passion, TWV 5:13: Recitative: Gerechtes Los, das wider mich gefallen! (Jonas)
St. Luke Passion, TWV 5:13: Aria: Israel und Juda zeuge (Micha)
St. Luke Passion, TWV 5:13: Recitative: So Bald sturzt Jonas nicht ins Meer (Baritone)
St. Luke Passion, TWV 5:13: Recitative: Die Wahrheit muss allhier die Strafe tragen (Tenor)
St. Luke Passion, TWV 5:13: Aria: Sei stille, wallendes Gemute (Tenor)
St. Luke Passion, TWV 5:13: Recitative: Sie griffen ihn aber (Evangelist, eine Magd, Petrus, Kriegsknechte I, II)
St. Luke Passion, TWV 5:13: Recitative: Und viel andre Lasterungen sagten sie wider ign (Evangelist, Chorus)
St. Luke Passion, TWV 5:13: Recitative: Er sprach aber zu ihnen (Evangelist, Chours)
St. Luke Passion, TWV 5:13: Recitative: Er sprach zu ihnen (Evangelist, Chorus)
St. Luke Passion, TWV 5:13: Chorus: Du, ach du hast ausgestanden
St. Luke Passion, TWV 5:13: Recitative: Ach weh, wie viel sind derer, die mich hassen! (David)
St. Luke Passion, TWV 5:13: Aria: Ja, ja, umosonst ist meiner Feinde toben (David)
St. Luke Passion, TWV 5:13: Recitative: Viel ist's, was David leiden mussen (Tenor)
St. Luke Passion, TWV 5:13: Arioso: Dir ein Konigreich zu schenken (Tenor)
St. Luke Passion, TWV 5:13: Recitative: Und der ganze Haufe stand auf (Evangelist, Chorus)
St. Luke Passion, TWV 5:13: Recitative: Pilatus aber fragte ihn und sprach (Evangelist, Pilatus)
St. Luke Passion, TWV 5:13: Chorus: Ach grosser Konig, gross zu allen Zeiten
St. Luke Passion, TWV 5:13: Recitative: Pilatus sprach zu den Hohepriestern und zum Volk (Evangelist, Chorus)
St. Luke Passion, TWV 5:13: Recitative: Da aber Pilatus Galilaam horte (Evangelist, Pilatus)
St. Luke Passion, TWV 5:13: Chorus: Hinweg mit diesem, und gibt uns Barabam los!
St. Luke Passion, TWV 5:13: Recitative: Welcher wahr um eines Aufruhrs (Evangelist, Chorus)
St. Luke Passion, TWV 5:13: Recitative: Er aber sprach aber zum drittenmal zu ihnen (Evangelist, Pilatus)
St. Luke Passion, TWV 5:13: Chorus: O du wunderbarer Rat
Cinq-Mars, CG 10, Acte II Tableau 2: XVII. Viendra-t-il ?
Cinq-Mars, CG 10, Acte II Tableau 2: XVIII. Henri !
Cinq-Mars, CG 10, Acte I: II. Henri, vous nous parliez
Cinq-Mars, CG 10, Acte III: I. Introduction
Cinq-Mars, CG 10, Acte I: III. On dit que le hasard
Cinq-Mars, CG 10, Acte III: II. La fanfare éveillée
Cinq-Mars, CG 10, Acte I: IV. Messieurs, que le Seigneur vous entende !
Cinq-Mars, CG 10, Acte III: III. Henri ! Marie !
Cinq-Mars, CG 10, Acte III: IV. Madame, c’est le lieu du rendez-vous
Cinq-Mars, CG 10, Acte I: VI. Allez, par la nuit claire
Cinq-Mars, CG 10, Acte III: V. Ô Marie !
Cinq-Mars, CG 10, Acte I: VII. Par quel trouble profond
Cinq-Mars, CG 10, Acte III: VI. Ainsi donc, ils sont là ?
Cinq-Mars, CG 10, Acte I: VIII. Ah ! Vous m’avez pardonné
Cinq-Mars, CG 10, Acte III: VII. Tu t’en vas
Cinq-Mars, CG 10, Acte I: IX. Faut-il donc oublier
Cinq-Mars, CG 10, Acte III: VIII. Ah ! Demeurez ici, madame
Cinq-Mars, CG 10, Acte II Tableau I: Introduction
Cinq-Mars, CG 10, Acte III: IX. Hallali !
Cinq-Mars, CG 10, Acte II Tableau 1: I. À Marion, reine des belles !
Cinq-Mars, CG 10, Acte III: X. Hallali ! Chasse superbe
Cinq-Mars, CG 10, Acte II Tableau 1: II. Marion, dites-nous, ma reine
Cinq-Mars, CG 10, Acte III: XI. Princesse, nous avons déploré
Cinq-Mars, CG 10, Acte II Tableau 1: III. On ne verra plus dans Paris
Cinq-Mars, CG 10, Acte III: XII. Pour sauver une cause perdue
Cinq-Mars, CG 10, Acte II Tableau 1: IV. Que ne renversez-vous enfin le cardinal
Cinq-Mars, CG 10, Acte II Tableau 1: V. Messieurs, avez-vous vu
Cinq-Mars, CG 10, Acte II Tableau 1: VI. Ah ! Monsieur le grand écuyer
Cinq-Mars, CG 10, Acte II Tableau 1: VII. Marie !
Cinq-Mars, CG 10, Acte II Tableau 1: VIII. Cet homme encor !
Cinq-Mars, CG 10, Acte II Tableau 1: IX. Est-il vrai
Cinq-Mars, CG 10, Acte II Tableau 2: I. Introduction
Cinq-Mars, CG 10, Acte II Tableau 2: II. Ninon dites-nous
Cinq-Mars, CG 10, Acte II Tableau 2: III. Belle, dont le sourire
Cinq-Mars, CG 10, Acte II Tableau 2: IV. Bergers qui le voulez connaître
Cinq-Mars, CG 10, Acte II Tableau 2: V. Divertissement
Cinq-Mars, CG 10, Acte II Tableau 2: VI. Danse des bergères
Cinq-Mars, CG 10, Acte II Tableau 2: VII. Entrée du jeune berger
Cinq-Mars, CG 10, Acte II Tableau 2: VIII. Aminthe est sauvage
Cinq-Mars, CG 10, Acte II Tableau 2: IX. Entrée des petits soins
Cinq-Mars, CG 10, Acte II Tableau 2: X. Entrée des billets doux et des jolis vers
Cinq-Mars, CG 10, Acte II Tableau 2: XI. De vos traits mon âme est navrée
Cinq-Mars, CG 10, Acte II Tableau 2: XII. Finale
Cinq-Mars, CG 10, Acte II Tableau 2: XIII. À Marion
Cinq-Mars, CG 10, Acte II Tableau 2: XIV. Sarabande
Cinq-Mars, CG 10, Acte II Tableau 2: XV. Nous sommes seuls
Cinq-Mars, CG 10, Acte II Tableau 2: XVI. J’ai cherché vainement Cinq-Mars
Valentin Silvestrov: Requiem für Larissa (Live)
Requiem für Larissa: I. Requiem aeternam. Largo - Allegro vivace (Live)
Requiem für Larissa: II. Tuba mirum. Adagio - Moderato - Allegro - Andantino (Live)
Requiem für Larissa: III. Lacrimosa dies illa. Largo - Allegro moderato (Live)
Requiem für Larissa: IV. Prochai svite. Largo (Live)
Requiem für Larissa: V. Agnus Dei. Andante - Moderato (Live)
Requiem für Larissa: VI. Requiem aeternam. Largo (Live)
Requiem für Larissa: VII. Requiem aeternam. Allegro moderato - Andantino (Live)
Schon ist die Welt (Beautiful World): Vorspiel
Schon ist die Welt (Beautiful World): Act I: Walzerszene
Schon ist die Welt (Beautiful World): Act I: Sag', armes Herzchen, sag' - Szene und Lied: Wie suss die Liebe sein (Elisabeth)
Schon ist die Welt (Beautiful World): Act I: English Waltz
Schon ist die Welt (Beautiful World): Act I: Nur ein Viertelstundchen - Duet: Mein Kind, du bist entzuckend (Sascha, Mercedes)
Schon ist die Welt (Beautiful World): Act I: Schon ist die Welt - Entreelied: Bruder Leichtsinn, so werd' ich genannt (Georg)
Schon ist die Welt (Beautiful World): Act I: Frei und jung dabei - Marschduet: Ein Ausflug mit Ihnen (Elisabeth, Georg)
Schon ist die Welt (Beautiful World): Act I: Rio de Janeiro - Tango: Blaues Meer ringsumher (Mercedes, Chorus)
Schon ist die Welt (Beautiful World): Act I: Finale: Ja, was ist mit mir (Georg, Elisabeth)
Schon ist die Welt (Beautiful World): Act II: Introduction und Duetszene: Es steht vom Lieben so oft geschrieben - Jetzt mit der rechten Hand (Elisabeth, Georg)
Schon ist die Welt (Beautiful World): Act II: Lied: Liebste, glaub' an mich (Georg)
Schon ist die Welt (Beautiful World): Act II: Finale: Was ist geschehen (Elisabeth, Georg)
Schon ist die Welt (Beautiful World): Act III: Ja, die Liebe ist brutal - Introduktion und Ensemble: Herr Direktor (Direktor, Chorus, Mercedes)
Schon ist die Welt (Beautiful World): Act III: In der kleinen Bar - Duet: Frei mit frohen Seelen (Elisabeth, Georg)
Schon ist die Welt (Beautiful World): Act III: Ich bin verliebt - Valse Boston: Ich bin verliebt… (Elisabeth)
Schon ist die Welt (Beautiful World): Act III: Tanzduett: Schon sind lachende Frau'n - Rumba (Mercedes, Sascha, Damenchor)
Schon ist die Welt (Beautiful World): Act III: Finaletto: Liebste, glaub' an mich, denn ich liebe dich! (Elisabeth, Georg)
Drei Lieder von J.G. Fischer, Op. 47: I. Du Weißt es wohl, daß du mein Alles bist
Drei Lieder von J.G. Fischer, Op. 47: II. Glückselig!
Drei Lieder von J.G. Fischer, Op. 47: III. Das Ideal
Zwei Lieder von Gotthold Logau, Op. 48: I. Abschied
Zwei Lieder von Gotthold Logau, Op. 48: II. Heimkehr
Drei Lieder von J. G. Fischer, Op. 49: I. Stille Liebe
Drei Lieder von J. G. Fischer, Op. 49: II. Der Liebe Verlangen
Drei Lieder von J. G. Fischer, Op. 49: III. Sternenfrieden
Fünf Lieder von Emanuel Geibel, Op. 51: IV. Abendfeier in Venedig
Fünf Lieder von Emanuel Geibel, Op. 51: V. Gondoliera
Drei Lieder von C. O. Sternau, Op. 52: I. Nun ist es Herbst geworden
Zwei Lieder vom Rhein von C. O. Sternau, Op. 53: I. Des alten Domes Glocken
Zwei Lieder vom Rhein von C. O. Sternau, Op. 53: II. Dir zum Angedenken
Sechs Gesänge von Emanuel Geibel, Op. 184: I. Nun ist der Tag geschieden
Sechs Gesänge von Emanuel Geibel, Op. 184: IV. Wo still ein Herz von Liebe glüht
Sechs Gesänge von Emanuel Geibel, Op. 184: V. Leichter Sinn
Blumensprache, Op. 191: III. Himmelsschlüssel
Blumensprache, Op. 191: IV. Vergissmeinnicht
Blondel de Nesle, Op. 211: II. Der Braut seines Herrn
Blondel de Nesle, Op. 211: IV. Vermählungsgesang
Blondel de Nesle, Op. 211: VII. Abschied vom heiligen Land
Blondel de Nesle, Op. 211: IX. Da der König gefangen war
Blondel de Nesle, Op. 211: X. Da der König befreit war
Die Rose von Stambul, Act II: Sie kommt (Live)
Die Rose von Stambul, Act I: Introduktion (Live)
Die Rose von Stambul, Act II: Sie glauben mein Herr (Live)
Die Rose von Stambul, Act I: Wonnig mögen deine (Live)
Die Rose von Stambul, Act II: Oh la la, bin ich nicht ein süßes Ding (Live)
Die Rose von Stambul, Act I: Liebes Tagebuch (Live)
Die Rose von Stambul, Act II: Ich bin noch etwas schüchtern (Live)
Die Rose von Stambul, Act I: Guten Morgen (Live)
Die Rose von Stambul, Act II: Danke für den freundlichen Empfang (Live)
Die Rose von Stambul, Act I: Ein flammender Protest (Live)
Die Rose von Stambul, Act II: Ole, ola! (Live)
Die Rose von Stambul, Act I: Als fromme Tochter des Propheten (Live)
Die Rose von Stambul, Act II: Meine wunderschöne Kondja (Live)
Die Rose von Stambul, Act II: Achmed Bey, mein künftiger Schwiegersohn (Live)
Die Rose von Stambul, Act II: Willst du an die Welt vergessen (Live)
Die Rose von Stambul, Act II: Man sagt uns nach (Live)
Die Rose von Stambul, Act II: Dem Glücklichen schlägt keine Stunde (Live)
Die Rose von Stambul, Act II: Kondja, was ist passiert? (Live)
Die Rose von Stambul, Act III: Entr'akt (Live)
Die Rose von Stambul, Act II: Kennen sie das alte schöne wundersame Keramlied? (Live)
Die Rose von Stambul, Act III: Wo hat mein Chauffeur mich denn da hingefahren (Live)
Die Rose von Stambul, Act II: Bald naht die Stunde der holdesten Feier! (Live)
Die Rose von Stambul, Act III: Sag' Schnucke zu mir! (Live)
Die Rose von Stambul, Act II: Mein zukünftiger Schwiegersohn (Live)
Die Rose von Stambul, Act III: Hier wohnt doch Fridolin Müller (Live)
Die Rose von Stambul, Act II: Ihr stillen, süßen Frau'n (Live)
Die Rose von Stambul, Act III: Ehemals wenn am Theatr' sich ein Paar in Liebe fand (Live)
Die Rose von Stambul, Act II: Fridolin, was machen Sie noch hier? (Live)
Die Rose von Stambul, Act III: Monsieur Lery, Welch große Ehr' (Live)
Die Rose von Stambul, Act II: Ich hab' noch nie einen Mann geküßt (Live)
Die Rose von Stambul, Act III: Zwei Augen die wollen mir nicht aus dem Sinn (Live)
Die Rose von Stambul, Act III: Hier ist es ja nicht zum Aushalten (Live)
Die Rose von Stambul, Act III: Schau Papachen ärgere dich nicht (Live)
Die Rose von Stambul, Act III: Monsieur Lery, das romantische Dinner (Live)
Die Rose von Stambul, Act III: Ich bin verliebt (Live)
Verkundigung, Op. 50: Overture - Halt, Herr Ritter, abgestiegen! (Violaine, Peter)
Verkundigung, Op. 50: Act III Scene 1: Fertig, der Konig kann kommen! (Sheriff of Rothenstein, First Worker, Peter's Assistant, Second Worker, Third Worker, First Woman, Mara, Second Woman, C
Verkundigung, Op. 50: Act I Scene 1: Schon zu Ende, schon zu Ende! (Andreas, Mutter)
Verkundigung, Op. 50: Act III: Verwandlung (Zwischenspiel)
Verkundigung, Op. 50: Act I Scene 2: Geh' und sag' ihr, dass sie ihn nicht heiraten darf (Mara, Mutter)
Verkundigung, Op. 50: Act III Scene 2: Wer ist's, der seine Schritte mit den Schritten der Aussatzigen zu vermengen wagt? (Violaine, Mara, Chorus of Angels, Crowd)
Verkundigung, Op. 50: Act I Scene 3: He, was erzahlst du mir da? (Andreas, Jakobaus, Mutter, Maids and Servants, Violaine, Mara)
Verkundigung, Op. 50: Act IV Scene 1: Ich war es, ich habe sie umgebracht! (Mara)
Verkundigung, Op. 50: Act II: O meine Braut im Blutenhag, sei mir gegrusst (Jakobaus, Violaine)
Verkundigung, Op. 50: Act IV Scene 2: Wie, offen? Ist das Haus leer, dass alle Turen offenstehen? (Andreas)
Verkundigung, Op. 50: Act IV Scene 3: Halloh, halloh! (Peter, Jakobaus)
Verkundigung, Op. 50: Act IV Scene 4: Wo bin ich, und wer ist hier? (Violaine, Jakobaus, Peter, Chorus, Andreas)
Verkündigung, Op. 50: Overture - Halt, Herr Ritter, abgestiegen! (Live)
Verkündigung, Op. 50 Act III: Fertig, der König kann kommen! (Live)
Verkündigung, Op. 50 Act I: Schon zu Ende, schon zu Ende! (Live)
Verkündigung, Op. 50 Act I: Geh' und sag' ihr, daß sie ihn nicht heiraten darf (Live)
Verkündigung, Op. 50 Act III: Wer ist's, der seine Schritte mit den Schritten der Aussätzigen zu vermengen wagt (Live)
Verkündigung, Op. 50 Act I: He, was erzählst du mir da? (Live)
Verkündigung, Op. 50 Act IV: Ich war es, ich habe sie umgebracht! (Live)
Verkündigung, Op. 50 Act II: O meine Braut im Blumenhag, sei mir gegrüßt (Live)
Verkündigung, Op. 50 Act IV: Wie, offen? Ist daß Haus leer, dass alle Türen offenstehen? (Live)
Verkündigung, Op. 50 Act IV: Halloh, halloh! (Live)
Verkündigung, Op. 50 Act IV: Wo bin ich, und wer ist hier? (Live)
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Kyrie
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Gloria -
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Gloria: Gratias agimus -
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Gloria: Quoniam tu solus sanctus
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Credo -
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Credo: Et incarnatus -
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Credo: Et resurrexit
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Credo: Et vitam venturi
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Sanctus
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Santus: Pleni sunt coeli
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Benedictus
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Agnus Dei -
Mass No. 14 in B-Flat Major, Hob.XXII:14, "Harmoniemesse": Agnus Dei: Dona nobis