1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x693dad27b9f2a3e0a516c14240521bd6df6e4ce048f747b145642acc3bd93bfc. Chain 2 (Bitcoin): anchored in block 953423 (2026-06-12T21:20:00Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/c77f15cf-e935-482c-aef1-902f7bcde685.json and https://artists.proofprofile.net/proofs/artist/c77f15cf-e935-482c-aef1-902f7bcde685.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
The Carmelites, FP 159, Act I Scene 1: Where is Blanche? (Chevalier de la Force, Marquis de la Force)
The Carmelites, FP 159, Act II Scene 3: Prelude
The Carmelites, FP 159, Act I Scene 1: Blanche, your poor brother was so very impatient (Marquis, Blanche de la Force, Chevalier)
The Carmelites, FP 159, Act II Scene 3: Blanche, why do you believe like this? (Chevalier, Blanche)
The Carmelites, FP 159, Act I Scene 1: Her poor imagination always flies from one extreme to another (Marquis, Chevalier, Blanche,
The Carmelites, FP 159, Act II Scene 3: Compose yourself, Sister Blanche (Mother Marie, Blanche)
The Carmelites, FP 159, Act I Scene 1: Dear father, there is no incident so small or unimportant (Blanche, Marquis)
The Carmelites, FP 159, Act II Scene 4: My faithful daughters, I know that some among you (Chaplain, Carmelites)
The Carmelites, FP 159, Act I Scene 2: Prelude
The Carmelites, FP 159, Act II Scene 4: But what will become of you? (Blanche, Chaplain, Sister Mathilde, Constance, Mother Marie,
The Carmelites, FP 159, Act I Scene 2: Do not believe this comfortable chair is a privilege (Prioress Mme de Croissy, Blanche)
The Carmelites, FP 159, Act II Scene 4: Someone is ringing the bell (Constance, Sister Mathilde, Chaplain, Carmelites, Crowd)
The Carmelites, FP 159, Act I Scene 2: What has driven you here? (Prioress, Blanche)
The Carmelites, FP 159, Act II Scene 4: Open the door, open the door now! (Mother Marie, First Commissioner, Second Commissioner,
The Carmelites, FP 159, Act I Scene 2: My daughter, the outside world often questions (Prioress, Blanche)
The Carmelites, FP 159, Act II Scene 4: My sisters, our Reverend Mother is coming (Mother Jeanne, Blanche, Crowd)
The Carmelites, FP 159, Act I Scene 3: Prelude
The Carmelites, FP 159, Act III Scene 1: Father, speak to them (Mother Marie, Chaplain, Mother Jeanne, Sister Mathilde)
The Carmelites, FP 159, Act I Scene 3: Oh no, not more beans! (Constance, Blanche)
The Carmelites, FP 159, Act III Scene 1: There is only one vote against. That is enough (Mother Marie, Sister Mathilde, Constance,
The Carmelites, FP 159, Act I Scene 4: Prelude
The Carmelites, FP 159, Act III Scene 1: Interlude. Fellow citizens, we congratulate you all (Officer)
The Carmelites, FP 159, Act I Scene 4: Would you be so kind as to raise my pillow (Prioress, Mother Marie of the Incarnation)
The Carmelites, FP 159, Act III Scene 1: Sister Gerald, we have to warn the priest (Prioress, Mother Marie)
The Carmelites, FP 159, Act I Scene 4: You may get up my child (Prioress, Blanche, Monsieur Javelinot)
The Carmelites, FP 159, Act III Scene 2: Prelude
The Carmelites, FP 159, Act I Scene 4: Monsieur Javelinot, you must know it's customary (Prioress, Mother Marie)
The Carmelites, FP 159, Act III Scene 2: It's you! (Blanche, Mother Marie, A Woman's Voice)
The Carmelites, FP 159, Act I Scene 4: Please inform your sisters (Mother Marie, Prioress)
The Carmelites, FP 159, Act III Scene 2: My daughters, we have almost come to the end (Prioress, Mother Jeanne)
The Carmelites, FP 159, Act II Scene 1: Qui Lazarum resuscutasti a monumento foetidum (Constance, Blanche)
The Carmelites, FP 159, Act III Scene 2: And what of Sister Blanche? (Constance, Prioress, Sister Mathilde)
The Carmelites, FP 159, Act II Scene 1: What are you doing? (Mother Marie, Blanche)
The Carmelites, FP 159, Act III Scene 2: The Tribunal of the Revolution declares (Gaoler)
The Carmelites, FP 159, Act II Scene 1: Interlude. Dear Sister, I'm afraid that our cross is just a bit too big (Constance, Blanch
The Carmelites, FP 159, Act III Scene 2: My daughters, I wanted to save you (Prioress)
The Carmelites, FP 159, Act II Scene 2: My dear daughters, I don't need to remind you (Prioress Mme Lidoine, Mother Marie)
The Carmelites, FP 159, Act III Scene 2: It is done. They have been condemned (Chaplain, Mother Marie)
The Carmelites, FP 159, Act II Scene 2: Ave Maria (Mother Marie, Prioress, Carmelites)
The Carmelites, FP 159, Act III Scene 4: Prelude
The Carmelites, FP 159, Act II Scene 2: What is going on? (Prioress, Constance, Mother Marie)
The Carmelites, FP 159, Act III Scene 4: Salve Regina, Mater misericordiae (Prioress, Mother Jeanne, Sister Mathilde, Constance, C
Bainton: Three Pieces, Pavane, Idyll and Bacchanal, Golden River & Concerto fantasia
Three Pieces for Orchestra: I. Elegy. Lento, molto tranquillo (Revised 1919)
Three Pieces for Orchestra: II. Intermezzo. Vivace, molto leggiero (Revised 1919)
Three Pieces for Orchestra: III. Humoresque. Vivace con brio (Revised 1919)
Pavane, Idyll and Bacchanal: I. Pavane. Andante
Pavane, Idyll and Bacchanal: II. Idyll. Moderate, con grazia
Pavane, Idyll and Bacchanal: III. Bacchanal. Allegro, molto vivace
The Golden River, Op. 16: I. South West Wind Esquire. Molto energico (Revised 1912)
The Golden River, Op. 16: II. Little Gluck. Allegretto (Revised 1912)
The Golden River, Op. 16: III. The King of the Golden River. Allegro, all burla (Revised 1912)
The Golden River, Op. 16: IV. The Golden River. Andante, molto tranquillo (Revised 1912)
Concerto fantasia: I. Quasi cadenza - Adagio, molto espressivo
Concerto fantasia: II. Scherzo. Molto vivace
Concerto fantasia: III. Improvisation. Quasi cadenza. Lento
Concerto fantasia: IV. Finale. Allegro, molto ritmico e risoluto
Concerto fantasia: IV. Epilogue. Adagio, molto espressivo
Suite in D Major: IV. Rondo: The Prince of Denmark's March, "Trumpet Voluntary" (arr. for trumpet and organ)
Lohengrin, Act III: Wedding March (arr. for organ)
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7f4acab950592b91d0bdc1a274bc337bc1404079b2fc0b6653202e432a2e10b1. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3kAKL91BSHCCSFylA8ZfAR.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3kAKL91BSHCCSFylA8ZfAR.
Variations on an Original Theme, Op. 36, "Enigma": Variation 9: Nimrod (A. J. Jaeger)
Let the people praise thee, O God, Op. 87, "Psalm 67"
Water Music: Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
Samson, HWV 57, Act III: Let the Bright Seraphim
4 Motets sur des themes gregoriens, Op. 10: No. 1. Ubi caritas
I was glad when they said unto me, Op. 51, "Psalm 122"
A Midsummer Night's Dream, Op. 61, Act V: Wedding March (arr. for organ)
Organ Symphony No. 5 in F Minor, Op. 42, No. 1: III. Toccata: Allegro
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major
Polish National Radio Symphony Orchestra
London Suite, "London Everyday": I. Covent Garden
London Suite, "London Everyday": III. Knightsbridge
London Cameos: I. Miniature Overture, "The City"
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason"
London Cameos: II. Intermission, "St. James's Park in Spring"
London Cameos: III. Finale, "A State Ball at Buckingham Palace"
Zadok the Priest, HWV 258: And all the people rejoiced
Zadok the Priest, HWV 258: God save the king
Symphony No. 2, "A London Symphony": I. Lento - Allegro risoluto - Molto pesante
4 Divisions on popular tunes: Divisions on Greensleeves
Symphony No. 104 in D Major, Hob.I:104, "London": IV. Finale
London Landmarks: III. The Horseguards, Whitehall
Widespread World (Rediffusion London Call Sign)
Lulu, Prologue: Roll up, roll up for the menagerie (Animal tamer)
Lulu, Act II Scene 1: Delighted that you will be there this evening (Countess Geschwitz, Dr. Schön, Lulu)
Lulu, Act III Scene 1: Gentleman and Ladies! (Alwa, Lulu, Countess Geschwitz, Acrobat, Banker, Journalist, Marquis, Waiter, Servan
Lulu, Act I Scene 1: Am I trespassing? (Alwa, Dr. Schön, Lulu)
Lulu, Act II Scene 1: Why not stay here? (Lulu, Dr. Schön)
Lulu, Act III Scene 1: Get to the point and say how much you want from me (Lulu, Marquis)
Lulu, Act I Scene 1: Gnadige Frau … Frau Medizinalrat … (Painter, Lulu)
Lulu, Act II Scene 1: Thank the Lord, that at last we're … (Lulu, Schigolch, Acrobat, Schoolboy)
Lulu, Act III Scene 1: Of the countless nubile, fun-loving lasses (Lulu)
Lulu, Act I Scene 1: You are far too slow to capture me (Lulu, Painter)
Lulu, Act II Scene 1: You know it's she he really wanted to marry (Acrobat, Schigolch, Schoolboy, Lulu)
Lulu, Act III Scene 1: The magistrate will reward anyone who finds the murderess (Marquis, Lulu)
Lulu, Act I Scene 1: What's happening? (Painter, Lulu)
Lulu, Act II Scene 1: I hope you locked the windows (Schigolch, Lulu, Acrobat, Manservant, Schoolboy)
Lulu, Act III Scene 1: It's good! It's looking good! (Lulu, Alwa, Journalist, Banker, Countess Geschwitz, Acrobat, Marquis, Design
Lulu, Act I Scene 1: Open the door! (Professor of Medicine, Lulu, Painter)
Lulu, Act II Scene 1: The matinee will be lit by ultra-violet light (Alwa, Lulu, Manservant)
Lulu, Act III Scene 1: May I intrude? (Acrobat, Lulu)
Lulu, Act I Scene 1: Just wait, he'll jump right up … (Lulu)
Lulu, Act II Scene 1: Is he ill? (Alwa, Lulu, Manservant, Dr. Schön)
Lulu, Act III Scene 1: Message for the Bank Director (Waiter, Banker, Lulu)
Lulu, Act I Scene 1: Can't you help him recover his senses? (Painter, Lulu)
Lulu, Act II Scene 1: His father! (Lulu, Dr. Schön, Alwa, Acrobat)
Lulu, Act I Scene 1: You make me jealous, you lucky bastard! (Lulu)
Lulu, Act II Scene 1: And where did he go? (Dr. Schön, Lulu, Countess Geschwitz)
Lulu, Act I Scene 1: Please help me do this up (Lulu)
Lulu, Act II Scene 1: Even though men have killed themselves because of who I am (Lulu)
Lulu, Act I Scene 2: Eva! - What is it? (Painter, Lulu)
Lulu, Act II Scene 1: Kneel down, murderous bitch! (Dr. Schön, Schoolboy, Lulu, Alwa)
Lulu, Act I Scene 2: Eva! - What is it? (Painter, Lulu) [II]
Lulu, Act II Scene 1: You can't deliver me up for trial! (Lulu, Alwa, Countess Geschwitz, Schoolboy)
Lulu, Act I Scene 2: He's not quite what I imagined him to be (Schigolch, Lulu, Dr. Schön)
Lulu, Act I Scene 2: If you and I married (Dr. Schön, Lulu, Painter)
Lulu, Act II Scene 2: We're like the players waiting for a bandleader (Acrobat, Countess Geschwitz, Alwa, Schigolch)
Lulu, Act I Scene 2: So? - Your marriage has made you at least a million marks … (Painter, Dr. Schön, Lulu)
Lulu, Act II Scene 2: This way is shorter (Alwa, Acrobat, Schoolboy)
Lulu, Act I Scene 2: Don't talk so loud (Dr. Schön, Alwa, Lulu)
Lulu, Act II Scene 2: Hey, little Lulu, it's time we scarpered over the border (Schigolch, Acrobat, Lulu, Alwa)
Lulu, Act II Scene 2: You're still as ravishing and youthful as in your portrait (Alwa, Lulu)
Lulu, Act I Scene 3: I've never in my life known an audience so excited (Alwa, Lulu)
Lulu, Act II Scene 2: Beneath this dress I feel your form in harmony (Alwa, Lulu)
Lulu, Act I Scene 3: More for me, please (Lulu, Alwa)
Lulu, Act I Scene 3: That girl and her lovers (Alwa)
Lulu, Act I Scene 3: I met her first at Dr. Schön's (African Prince, Alwa)
Lulu, Act I Scene 3: She's had a sort of fainting fit (Alwa, Lulu, Dresser, Theatre Manager, African Prince)
Lulu, Act I Scene 3: What's wrong with her? (Dr. Schön, Alwa, Lulu, Dresser, Theatre Manager, Prince)
Lulu, Act I Scene 3: How dare you attempt to ruin my well-laid plans? (Dr. Schön, Lulu)
Lulu, Act I Scene 3: Take this pen and paper (Lulu, Dr. Schön)
Pergolesi: Stabat Mater: I. Stabat mater dolorosa
Puccini: Turandot, Act 1: "Signore, ascolta!" (Liù)
Dido and Aeneas, Z. 626, Act III: No. 36, When I am Laid in Earth "Dido's Lament"