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Il secondo libro de motetti a voce sola, 1636: Domine inclina coellos
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Primo libro de concerti ecclesiastici, 1618, SV 328: Sancta Maria, succure miseris
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Regole, passaggi di musica, 1594: Angelus ad pastores - Sur un contrafactum de G. P da Palestrina
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Il secondo libro de Motetti a voce sola, 1636: Pete, pete & agam
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Capricci a 2 stromenti cioè tiorba e tiorbino e per sonar solo varie sorti di balli e fantasticarie Setnoforelleb Tebedual 1622: Arpeggiata al mio modo
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Il secondo libro de motetti a voce sola, 1636: Salve Regina
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Scherzi Musicali 1632, SV 250: No. 5, Et e pur dunque vero
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Quanti Mercenarii - Sur un contrafactum de G. P da Palestrina, Selva de varii passaggi, 1620
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Sonata per due soprani e basso
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Sonata per cornetto e organo
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Sonata prima
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Iubilent Omnes
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Sonata seconda
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Susanne un jour
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Tutte le opere, 1624, SV 335: Venite, venite, sitientes ad acquas
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Canzon XII
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Ghirlanda sacra, 1625: O quam tu pulchra
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Parnassus Musicus Ferdinandaeus, 1615, SV 293: Cantate Domino
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Il secondo libro de motetti a voce sola, 1636: Domine inclina coellos
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Primo libro de concerti ecclesiastici, 1618, SV 328: Sancta Maria, succure miseris
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Canzoni da sonar con ogni sorte d'istromenti, 1625: Canzon seconda per cornetto e basson
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Regole, passaggi di musica, 1594: Angelus ad pastores - Sur un contrafactum de G. P da Palestrina
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Il secondo libro de Motetti a voce sola, 1636: Pete, pete & agam
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Il secondo libro de motetti a voce sola, 1636: Salve Regina
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Scherzi Musicali 1632, SV 250: No. 5, Et e pur dunque vero
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Quanti Mercenarii - Sur un contrafactum de G. P da Palestrina, Selva de varii passaggi, 1620
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Livre VII de Madrigaux, 1619, SV 120: O come sei gentile
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Canzonetta spiritual alla nana Curtio precipitato, Venise 1638: Or ch’e tempo di dormire
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Concerti ecclesiastici, 1620: Capriccio
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Livre VII de Madrigaux, 1619, SV 140: Ohimé, dov’il mio ben
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Scherzi Musicali,1632, SV 247: Quel sguardo, sdegnosetto
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Canzon supra Susanna
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