1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x771cac19948601fbada6745889656d33527816b22f6f27cfd508d09c8b3e7eaf. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/1eaeafd9-7dc1-43ce-a908-0b2f12f82b45.json and https://artists.proofprofile.net/proofs/artist/1eaeafd9-7dc1-43ce-a908-0b2f12f82b45.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Symphony No. 9 in D Minor, Op. 125 "Choral": 1. Allegro ma non troppo, un poco maestoso
Symphony No. 9 in D Minor, Op. 125 "Choral": 2. Molto vivace
Symphony No. 9 in D Minor, Op. 125 "Choral": 3. Adagio molto e cantabile
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Presto -
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. "O Freunde nicht diese Töne" -
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Allegro assai -
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Alla marcia. Allegro vivace assai -
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Andante maestoso - Adagio non troppo, ma divoto -
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Allegro energico, sempre ben marcato -
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Allegro ma non tanto
Howells: Hymnus Paradisis & A Kent Yeoman's Wooing Song
Hymnus Paradisi: III. The Lord is my Shepherd
Hymnus Paradisi: IV. Sanctus. I will lift up mine eyes
Hymnus Paradisi: V. I Heard a Voice from Heaven
Hymnus Paradisi: VI. Holy is the True Light
A Kent Yeoman's Wooing Song: II. Allegro vivo
A Kent Yeoman's Wooing Song: III. Meno mosso, con tenerezza
A Kent Yeoman's Wooing Song: IV. Allegro ritmico
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 1. Kyrie
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7d53ec375dd08a38229d14a785aa5e049e73553bc93e03ac10ccf999677cc856. Chain 2 (Bitcoin): anchored in block 953515 (2026-06-13T12:53:06Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7mHmDZHm9M6WjVWQ4ylsAs.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7mHmDZHm9M6WjVWQ4ylsAs.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2a. Gloria: Gloria
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x697d3c8bfe4df4e4425a2a248896d185798c574214aa9c21b96dfdd2578f057c. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3NKbQxbW4q6hePHNZxu6Qh.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3NKbQxbW4q6hePHNZxu6Qh.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2b. Gloria: Laudamus te
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x25d70b5364068bfad5eb1b0c132ab5e23b6f795bb0dda083d2bf40e885d4bfa1. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4lL2XmCuTmKsdoG0xVXrPY.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4lL2XmCuTmKsdoG0xVXrPY.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2c. Gloria: Gratias
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x631b32d5b00f27003bfbf3a362261ad487a527f5603ffac5fa35301b9038c15c. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1ec3xzWv3cXaE50k0LyjPf.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1ec3xzWv3cXaE50k0LyjPf.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2d. Gloria: Domine
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xee556cb4a6d570093654e3d1d58d0cf1a1b21ff52056bab8f52b79399b3b5c2b. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5libD6UgE9f0ZQJlvvxYHV.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5libD6UgE9f0ZQJlvvxYHV.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2e. Gloria: Qui tollis
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x334c534b1f96d43e741562ca833f70ae88e2f1955b3b24dedcb26b219f16277c. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/146PAWnIvHBLcRix1mA84d.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/146PAWnIvHBLcRix1mA84d.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2f. Gloria: Quoniam
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x218c8f2cfa059b94966634fd02e6ceecff15b726bcbb717884a5cafc8c0472aa. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5tpL4j7wUXAWkp3vBI3MEU.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5tpL4j7wUXAWkp3vBI3MEU.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2g. Gloria: Jesu Christe
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc1ddc1b63940819876884b33ed7b1fd9de6b7aee3809f9eb843bd1cdbea1dbfa. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6H8RMN6T24xBNv31zdlMZO.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6H8RMN6T24xBNv31zdlMZO.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2h. Gloria: Cum Sancto Spiritu
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd83d6f795078ce0a74c67ab471e449630ac134a7746e627355a9c27196b5d131. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3VxMWibH2NuOLmsIg8N5CM.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3VxMWibH2NuOLmsIg8N5CM.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 3a. Credo: Credo
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x481924ad6ac194065cefb97e3cc6c84fcca2f7b080e5aba46a560e73e1c8a4b3. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1M5LTX1FM1O9T6oVKMPD9n.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1M5LTX1FM1O9T6oVKMPD9n.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 3b. Credo: Et incarnatus est
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf35ed30e49a90e76f94a77bcd7cd946a8f144b37333e077f4dc0eee1499f3dba. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6O77aYVgUKgIqE8UwRA0S3.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6O77aYVgUKgIqE8UwRA0S3.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd2c91427045ca8f3086856d9b4d363ec71872d48955fae54a9596ccbf636255c. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3EMOiy0s8FDC8EbM6pDCRe.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3EMOiy0s8FDC8EbM6pDCRe.
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 5. Benedictus
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xdca9a9ef80f71b6390b71d7c7c49ceb43d2c8d36c5f16e892182c98182508cbc. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1e3qWefUQLgY3YcH4A2Xck.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1e3qWefUQLgY3YcH4A2Xck.
La finta semplice, K. 51, Act I: Sinfonia
La finta semplice, K. 51, Act II: Sono I padroni miei
La finta semplice, K. 51, Act III: Vieni, vieni, oh mia Ninetta
La finta semplice, K. 51, Act I: Bella cosa è far l'amore
La finta semplice, K. 51, Act II: Un marito, donne care
La finta semplice, K. 51, Act III: Io non ho gran paura
La finta semplice, K. 51, Act I: Ritiriamoci, Amici
La finta semplice, K. 51, Act II: Eh, quando sia mia sposa
La finta semplice, K. 51, Act III: Sono I amore, voglio marito
La finta semplice, K. 51, Act I: Troppa briga a prender moglie
La finta semplice, K. 51, Act II: Con certe persone
La finta semplice, K. 51, Act III: Che scompiglio, che flagello
La finta semplice, K. 51, Act I: L'un de' patroni e alzato
La finta semplice, K. 51, Act II: Non mi marito più
La finta semplice, K. 51, Act III: Che smorfie!
La finta semplice, K. 51, Act I: Marito io vorrei
La finta semplice, K. 51, Act II: Se a maritarmi arrivo
La finta semplice, K. 51, Act III: Nelle guerre d'amore
La finta semplice, K. 51, Act I: Oh, starem male insieme
La finta semplice, K. 51, Act II: Quando avrò moglie anch'io
La finta semplice, K. 51, Act I: Non c'è al Mondo altro che donne
La finta semplice, K. 51, Act II: A moretti, che ascosi qui siete
La finta semplice, K. 51, Act I: Con chi l'ha Don Cassandro?
La finta semplice, K. 51, Act II: Madama, e fatto tutto
La finta semplice, K. 51, Act I: Guarda la donna in viso
La finta semplice, K. 51, Act II: Ubriaco non son io
La finta semplice, K. 51, Act I: Eh! Ben ben, ci vedremo, e sua sorella
La finta semplice, K. 51, Act II: L'ha coll'anello ancora
La finta semplice, K. 51, Act I: Cola bocca, e non col core
La finta semplice, K. 51, Act II: Sposa cara, sposa bella
La finta semplice, K. 51, Act I: Sicché m'avete inteso
La finta semplice, K. 51, Act II: L'ho fatta grossa assai
La finta semplice, K. 51, Act I: Oh, la prendo da vero
La finta semplice, K. 51, Act II: Ho sentito a dir da tutte
La finta semplice, K. 51, Act I: Cosa ha mai la donna indosso
La finta semplice, K. 51, Act II: Sciocca e la Baronessa
La finta semplice, K. 51, Act I: Grand'uomo che son io
La finta semplice, K. 51, Act II: Cospetton, cospettonaccio
La finta semplice, K. 51, Act I: Ella vuole ed io torrei
La finta semplice, K. 51, Act II: Dove andate, signore?
La finta semplice, K. 51, Act I: Eh ben, sorella mia?
La finta semplice, K. 51, Act II: Siam quasi in porto adesso
La finta semplice, K. 51, Act I: Senti l'eco, ove t'aggiri
La finta semplice, K. 51, Act II: In vio, belle, e leggiadria
La finta semplice, K. 51, Act I: Ninetta
La finta semplice, K. 51, Act II: Come adra, Simone
La finta semplice, K. 51, Act I: Chi mi vuol bene
La finta semplice, K. 51, Act II: Finale. T'ho detto, buffone
La finta semplice, K. 51, Act I: Adesso è fatto tutto
La finta semplice, K. 51, Act I: Finale. Dove avete la creanza?
Mozart: Acis and Galatea, K. 566 (Sung in German)
Acis and Galatea, K. 566 (Sung in German): Overture
Acis and Galatea, K. 566 (Sung in German), Act II: Introduction. Larghetto
Acis and Galatea, K. 566 (Sung in German), Act I: O beglückter Schäferstand!
Acis and Galatea, K. 566 (Sung in German), Act II: Introduction. Largo
Acis and Galatea, K. 566 (Sung in German), Act I: Du grünes Feld
Acis and Galatea, K. 566 (Sung in German), Act II: Arme Hirten, furchtbar droht das Schicksal euch
Acis and Galatea, K. 566 (Sung in German), Act I: Still! Still! Du kleines Wipfelchor
Acis and Galatea, K. 566 (Sung in German), Act II: Ich rase, ich schmelz', ich brenne
Acis and Galatea, K. 566 (Sung in German), Act I: Wo such' ich sie, die holde Nymph'?
Acis and Galatea, K. 566 (Sung in German), Act II: Du röter als die Kirsche
Acis and Galatea, K. 566 (Sung in German), Act I: Bleib Schäfer, bleib!
Acis and Galatea, K. 566 (Sung in German), Act II: Schönste, was eilst du von hinnen
Acis and Galatea, K. 566 (Sung in German), Act I: Schafer, was suchst du so angstlich?
Acis and Galatea, K. 566 (Sung in German), Act II: Fleh' nicht mehr zur stolzen Schönheit
Acis and Galatea, K. 566 (Sung in German), Act I: Ach, Schäferin wend', Galatea
Acis and Galatea, K. 566 (Sung in German), Act II: Strebst du nach der zarten Schönen
Acis and Galatea, K. 566 (Sung in German), Act I: Lieb' in ihr Aug' verkrochen
Acis and Galatea, K. 566 (Sung in German), Act II: Das Ungeheuer weckt meine Wut
Acis and Galatea, K. 566 (Sung in German), Act I: O fühltest du die Qualen der Entfernung
Acis and Galatea, K. 566 (Sung in German), Act II: Die Liebe ruft, die Furcht entfliehet
Acis and Galatea, K. 566 (Sung in German), Act I: Wie's Täubchen klagt
Acis and Galatea, K. 566 (Sung in German), Act II: Bedenk doch, o Schäfer, wie flüchtig das Glück ist
Acis and Galatea, K. 566 (Sung in German), Act I: Wohl uns, wohl uns!
Acis and Galatea, K. 566 (Sung in German), Act II: Lass ab, Geliebtester
Acis and Galatea, K. 566 (Sung in German), Act II: Eh' läßt den Berg die Herde
Acis and Galatea, K. 566 (Sung in German), Act II: Hilf, Galatea!
Acis and Galatea, K. 566 (Sung in German), Act II: Trau'rt all' ihr Musen
Acis and Galatea, K. 566 (Sung in German), Act II: So ist mein Acis denn dahin
Acis and Galatea, K. 566 (Sung in German), Act II: Wohlan! So nütz' ich meine Göttermacht
Acis and Galatea, K. 566 (Sung in German), Act II: Herz, du Sitz verliebten Grams
Acis and Galatea, K. 566 (Sung in German), Act II: Galatea, klag' nicht mehr
Anthony Rolfe Johnson | Recital at La Monnaie / De Munt (Live)
A Morning Hymne, Thou Wakeful Shepherd, Z. 198 - Live
In the Black Dismal Dungeon of Despair, Z. 190 - Live
Winter Words, Op. 52: At Day-Close in November - Live
Winter Words, Op. 52: Midnight on the Great Western - Live
Winter Words, Op. 52: Wagtail and Baby - Live
Winter Words, Op. 52: The Little Old Table - Live
Winter Words, Op. 52: The Choirmaster's Burial - Live
Winter Words, Op. 52: Proud Songsters - Live
Winter Words, Op. 52: At the Railway Station Upway - Live
Winter Words, Op. 52: Before Life and After, - Live
Oliver Cromwell. Nursery Rhyme from Suffolk - Live
Stravinsky: Le Rossignol, Oedipus Rex & Renard
Stravinsky: Oedipus Rex, Act I: "Spectateurs" (Le Narrateur)
Stravinsky: Le Rossignol, Act I: Introduction
Stravinsky: Oedipus Rex, Act I: "Caedit nos pestis" (Chorus)
Stravinsky: Le Rossignol, Act I: "Porté au vent, tombant au loin" (Le Pêcheur)
Stravinsky: Oedipus Rex, Act I: "Liberi, vos liberabo" (Œdipe, Chorus, Le Narrateur)
Stravinsky: Le Rossignol, Act I: "Ah ! Ah ! Ah !" (Le Rossignol, Le Pêcheur)
Stravinsky: Oedipus Rex, Act I: "Respondit deus" (Créon)
Stravinsky: Le Rossignol, Act I: "Voici l'endroit, près de ces arbres" (La Cuisinière, Courtisans, Le Chambellan, Le Bonze, Le Rossignol)
Stravinsky: Oedipus Rex, Act I: "Non reperias vetus scelus" (Œdipe, Chorus)
Stravinsky: Le Rossignol, Act I: "Beau rossignol, incomparable oiseau" (Le Chambellan, Le Bonze, Le Rossignol, Courtisans, Le Pêcheur)
Stravinsky: Oedipus Rex, Act I: "Œdipe interroge la fontaine de vérité" (Le Narrateur, Chorus)
Stravinsky: Le Rossignol, Act II: "Des feux, des feux , bien vite" (Chœur, La Cuisinière, Le Chambellan)
Stravinsky: Oedipus Rex, Act I: "Dicere non possum, dicere non licet" (Tirésias, Œdipe)
Stravinsky: Le Rossignol, Act II: Marche chinoise - "Ô maître magnanime" (Le Chambellan)
Stravinsky: Oedipus Rex, Act I: "Invidia fortunam odit" (Œdipe)
Stravinsky: Le Rossignol, Act II: Chanson du rossignol. "Ah, joie, emplis mon coeur" (Le Rossignol, L'Empereur, Courtisans, Le Chambellan)
Stravinsky: Oedipus Rex, Act I: "Gloria, gloria, gloria!" (Chorus)
Stravinsky: Le Rossignol, Act II: "Ah coucher du soleil" (Les Envoyés japonais)
Stravinsky: Oedipus Rex, Act II: "Gloria" (Chorus)
Stravinsky: Le Rossignol, Act II: Jeu du rossignol mécanique - "Psst, psst" (Courtisans, L'Empereur, Le Chambellan, La voix du Pêcheur)
Stravinsky: Oedipus Rex, Act II: "La dispute des princes attire Jocasta" (Le Narrateur)
Stravinsky: Le Rossignol, Act III: Introduction - "Vois-nous rassemblés" (Spectres, L'Empereur)
Stravinsky: Oedipus Rex, Act II: "Nonn' erubescite, reges" (Jocasta, Chorus, Œdipe)
Stravinsky: Le Rossignol, Act III: "Ah, me voici, ô prince magnanime" (Le Rossignol, L'Empereur)
Stravinsky: Oedipus Rex, Act II: "Ego senem cecedi" (Œdipe, Jocasta)
Stravinsky: Le Rossignol, Act III: "Ah, j'aime à t'écouter" (La Mort, Le Rossignol, L'Empereur)
Stravinsky: Oedipus Rex, Act II: "Le témoin du meutre sort de l'ombre" (Le Narrateur, Chorus, Le Messager)
Stravinsky: Le Rossignol, Act III: Cortège solennel
Stravinsky: Oedipus Rex, Act II: "Oportebat tacere, nunquam loqui" (Le Berger)
Stravinsky: Le Rossignol, Act III: "Bonjour à tous" (L'Empereur, La Voix du Pêcheur)
Stravinsky: Oedipus Rex, Act II: "Nonne monstrum rescituri" (Œdipe)
Stravinsky: Renard: Marche (Entrée des acteurs)
Stravinsky: Renard: "Où ça, où ça ?" (Le Coq, Le Renard, La Chèvre, Le Chat)
Stravinsky: Oedipus Rex, Act II: "In monte reppertus est" (Le Berger, Le Messager, Œdipe, Chorus)
Stravinsky: Renard: "Ah ! mon Dieu ! mon Dieu ! il me tir'par la queue" (Le Coq, Le Renard, La Chèvre, Le Chat)
Stravinsky: Oedipus Rex, Act II: "Et maintenant, vous allez entendre" (Le Narrateur)
Stravinsky: Renard: "Je suis sur mon bâton" (Le Coq, Le Renard, La Chèvre, Le Chat)
Stravinsky: Oedipus Rex, Act II: "Divum Jocastae caput mortuum" (Le Messager, Chorus)
Stravinsky: Renard: "Ah ! mon Dieu ! mon Dieu ! il m'a pris les ch'veux" (Le Coq, Le Renard, La Chèvre, Le Chat)
Stravinsky: Renard: "Mèr' Renard, mèr' Renard, pourquoi nous quitter déjà" (Le Coq, Le Renard, La Chèvre, Le Chat)
Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace
Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto
Anthony Rolfe Johnson (tenor), René Pape (bass)
5 Shakespeare Songs, Op. 23: It was a lover and his lass
5 Shakespeare Songs, Op. 23: Take, O take those lips away
3 Shakespeare Songs, Op. 6: O mistress mine
4 Shakespeare Songs, Op. 30: How should I your true love know
2 Shakespeare Songs, Op. 32: Orpheus with his lute
The Arnold Book of Old Songs: Ca' the yowes to the knowes
The Arnold Book of Old Songs: Charlie Is my darling
The Arnold Book of Old Songs: Ye banks and braes
6 Songs, Op. 25 (text by P.B. Shelley and J. Stephens): Music when soft voices die
3 Songs, Op. 3 (text by a. Tennyson and P.B. Shelley): Love's philosophy
6 Songs, Op. 25 (Anonymous lyricist): An old carol
3 Pastoral Songs, Op. 22: I - I will go with my father a-ploughing
3 Pastoral Songs, Op. 22: Ii - Cherry valley
3 Pastoral Songs, Op. 22: Iii - I wish and I wish
5 English Love Lyrics, Op. 24 (text by e. Waller): Go, lovely rose
3 Songs, Op. 15 (Anonymous lyricist): Amaryllis at the fountain
5 Jacobean Lyrics, Op. 28: I dare not ask a kiss
3 Songs, Op. 3 (text by a. Tennyson and P.B. Shelley): Now sleeps the crimson petal
Elgar: Coronation Ode & The Spirit of England
Coronation Ode, Op. 44: I. Introduction. Crown the King (Soprano, Contralto, Tenor, Bass, Chorus)
Royal Scottish National Orchestra Chorus
Coronation Ode, Op. 44: IIa. The Queen (Chorus)
Coronation Ode, Op. 44: IIb. Daughter of Ancient Kings (Chorus)
Coronation Ode, Op. 44: III. Britain, Ask of Thyself (Bass, Chorus)
Coronation Ode, Op. 44: IVa. Hark, upon the Hallowed Air (Soprano, Tenor) - IVb. Only let the heart be pure (Soprano, Contralto, Tenor, Bass)
Coronation Ode, Op. 44: V. Peace, Gentle Peace (Soprano, Contralto, Tenor, Bass, Chorus)
Coronation Ode, Op. 44: VI. Finale. Land of Hope and Glory (Contralto, Chorus)
The Spirit of England, Op. 80: I. The Fourth of August
The Spirit of England, Op. 80: II. To Women
The Spirit of England, Op. 80: III. For the Fallen (With Proud Thanksgiving)
Vaughan Williams: On Wenlock Edge / Five Mystical Songs (English Song, Vol. 3)
4 Poems by Fredegond Shove: The Water Mill
2 English Folksongs: Searching for Lambs
3 Poems by Walt Whitman: Joy, Shipmate, Joy!
5 Mystical Songs: Easter (Version for voice and keyboard)
5 Mystical Songs: I got me flowers (Version for voice and keyboard)
5 Mystical Songs: Love bade me welcome (Version for voice and keyboard)
5 Mystical Songs: The call (Version for voice and keyboard)
5 Mystical Songs: Antiphon (Version for voice and keyboard)
On Wenlock Edge: From far, from eve and morning
On Wenlock Edge: Oh, when I was in love with you
La verità in cimento, RV 739: Sinfonia I. Allegro
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La verità in cimento, RV 739: Sinfonia II. Andante
La verità in cimento, RV 739: Sinfonia III. Allegro
La verità in cimento, RV 739: Mi fè reo l'amor d'un figlio. Mamud, aria
La verità in cimento, RV 739: Solo quella guancia bella. Rosane, aria
La verità in cimento, RV 739: Tu m'offendi. Zelim, aria
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La verità in cimento, RV 739: Se l'acquisto di quel Soglio. Damira, aria
La verità in cimento, RV 739: Fragil fior, ch'appena nasce. Rustena, aria
La verità in cimento, RV 739: Aure placide, e serene. Rosane, Zelim & Melindo, trio
La verità in cimento, RV 739: Mi vuoi tradir, lo so. Melindo, aria.
La verità in cimento, RV 739: Amato ben tu sei la mia speranza. Rosane, aria
La verità in cimento, RV 739: Un tenero affetto. Zelim, aria
La verità in cimento, RV 739: Anima mia, mio ben. Mamud, Rustena, Damira, Zelim & Melindo, quintetto
La verità in cimento, RV 739: Crudele, tu brami. Melindo, aria
La verità in cimento, RV 739: Quando serve alla ragione. Mamud, aria
La verità in cimento, RV 739: Lagrimente alle pupille. Damira, aria
La verità in cimento, RV 739: Cara sorte de chi nata. Rustena, aria
La verità in cimento, RV 739: Con cento, e cento baci. Rosane, aria
La verità in cimento, RV 739: Sia conforto alle tue piaghe. Zelim, aria
La verità in cimento, RV 739: Dopo i nembi, e le procelle. Coro
Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 1 Sonatina
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Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 2 a-d "Gottes Zeit ist die allerbeste Zeit" ... "Es ist der alte Bund"
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Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 3 a./b. "In deine Hände befehl ich meinen Geist" - "Heute wirst du mit mir"
Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 4 Chor: "Glorie, Lob, Ehr und Herrlichkeit"
O Jesu Christ, mein's Lebens Licht Motet, BWV 118
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"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 1 "Lass, Fürstin, lass noch einen Strahl"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 2 "Dein Sachsen, dein bestürztes Meißen"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 3 "Verstummt, verstummt, ihr holden Saiten"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 4 "Der Glocken bebendes Getön"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 5 "Wie starb die Heldin so vergnügt"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 6 "Ihr Leben ließ die Kunst zu Sterben"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 7 "An dir, du Fürbild großer Frauen"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 8 "Der Ewigkeit saphirnes Haus"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 9 "Was Wunder ist's?"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 10 "Doch, Königin! du stirbest nicht"
Fidelio, Op. 72, Act I: Duet. Jetzt, Schätzchen, jetzt sind wir allein
Fidelio, Op. 72, Act I: Dialogue. Der arme Jaquino dauert mich
Fidelio, Op. 72, Act I: Aria with Chorus. O wär ich schon mit dir vereint
Fidelio, Op. 72, Act I: Dialogue. Marzelline! Ist Fidelio noch nicht zurück?
Fidelio, Op. 72, Act I: Quartet. Mir ist so wunderbar
Fidelio, Op. 72, Act I: Dialogue. Höre, Fidelio
Fidelio, Op. 72, Act I: Aria. Hat man nicht auch Gold beineben
Fidelio, Op. 72, Act I: Dialogue. Ihr könnt das leicht sagen, Meister Rocco
Fidelio, Op. 72, Act I: Trio. Gut, Söhnchen, gut
Fidelio, Op. 72, Act I: Dialogue. Aber nun ist es Zeit - March
Fidelio, Op. 72, Act I: Dialogue. Ist etwas Neues vorgefallen?
Fidelio, Op. 72, Act I: Aria with Chorus. Ha! Welch ein Augenblick!
Fidelio, Op. 72, Act I: Dialogue. Hauptmann, hören Sie!
Fidelio, Op. 72, Act I: Duet. Jetzt, Alter, jetzt hat es Eile!
Fidelio, Op. 72, Act I: Recitative and Aria. Abscheulicher! Wo eilst du hin?
Fidelio, Op. 72, Act I: Dialogue. Aber Marzelline
Fidelio, Op. 72, Act I: Finale I. O welche Lust
Fidelio, Op. 72, Act I: Finale I. Nun sprecht, wie ging's?
Fidelio, Op. 72, Act I: Finale I. Ach, Vater, Vater, eilt!
Fidelio, Op. 72, Act I: Finale I. Leb wohl, du warmes Sonnenlicht
Fidelio, Op. 72, Act II: Introduction and Aria. Gott! Welch dunkel hier! - In des lebens Frühlingstagen
Fidelio, Op. 72, Act II: Melodrama and Duet. Wie kalt ist es in diesem unterirdischen Gewölbe!
Fidelio, Op. 72, Act II: Nur hurtig fort, nur frisch gegraben
Fidelio, Op. 72, Act II: Dialogue. Er erwacht!
Fidelio, Op. 72, Act II: Trio. Euch werde Lohn in bessern Welten
Fidelio, Op. 72, Act II: Dialogue. Alles ist bereit
Fidelio, Op. 72, Act II: Quartet. Er sterbe! Doch er soll erst wissen
Fidelio, Op. 72, Act II: Dialogue. Vater Rocco, der herr Minister kommt an!
Fidelio, Op. 72, Act II: Dialogue. Meine Leonore, was hast du für mich getan!
Fidelio, Op. 72, Act II: Duet. O namenlose Freude
Fidelio, Op. 72, Act II: Finale II. Heil sei dem Tag
Fidelio, Op. 72, Act II: Finale II. Des besten Königs Wink und Wille
Fidelio, Op. 72, Act II: Finale II. Recitative. Hinweg mit diesem Bösewicht!
Fidelio, Op. 72, Act II: Finale II. Wer ein holdes Weib errungen
A.E. Housman's A Shropshire Lad in Verse & Song (with Alan Bates as Reader)
A Shropshire Lad: From Far, from Eve and Morning
6 Songs from a Shropshire Lad: No. 1, Loveliest of Trees
The Land of Lost Content: IV. The Vain Desire
Bredon Hill and Other Songs: IV. On the Idle Hill of Summer
3 Songs from A Shropshire Lad: No. 3, Oh See How Thick the Goldcup Flowers
Bredon Hill and Other Songs: III. When the Lad for Longing Sighs
A Shropshire Lad: As Through the Wild Green Hills of Wyre
A Shropshire Lad: When Smoke Stood Up from Ludlow
A Shropshire Lad: The Winds Out of the West Land Blow
A Shropshire Lad: Farewell to Barn and Stack and Tree
A Shropshire Lad: On Moonlit Heath and Lonesome Bank
A Shropshire Lad: In My Own Shire, If Was Sad
A Shropshire Lad: On Your Midnight Pallet Lying
A Cycle of 7 Songs from A Shropshire Lad: No. 2, When I Watch the Living Meet
A Shropshire Lad: Shot? So Quick, So Clean an Ending?
6 Songs from A Shropshire Lad: No. 2, When I Was One-and-Twenty
5 Songs, Op. 14 No. 3: V. Because I Liked You Better
A Shropshire Lad: There Pass the Careless People
5 Songs, Op. 14 No. 3: III. He Would Not Stay for Me
6 Songs from a Shropshire Lad: No. 3, Look Not in My Eyes
A Shropshire Lad: If It Chance Your Eye Offend You
A Shropshire Lad: It Nods and Curtseys and Recovers
A Shropshire Lad: Bring, in This Timeless Grave to Throw
The Land of Lost Content: III. Goal and Wicket
A Shropshire Lad: Oh, When Was in Love with You
A Shropshire Lad: To an Athlete Dying Young
Bredon Hill and Other Songs: I. Bredon Hill
The Land of Lost Content: V. The Encounter
6 Songs from A Shropshire Lad: No. 4, Think No More, Lad
A Shropshire Lad: Say, Lad, Have You Things to Do?
A Shropshire Lad: Along the Field as We Came By
6 Songs from A Shropshire Lad: No. 5, The Lads in Their Hundreds
The Land of Lost Content: I. The Lent Lily
A Shropshire Lad: Others, Am Not the First
A Shropshire Lad: On Wenlock Edge the Wood's in Trouble
Mozart: The Great Mass in C Minor; Vesper K.321
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Kyrie
Academy of St Martin in the Fields Chorus
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Gloria: Gloria in excelsis Deo
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Gloria: Laudamus te
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Gloria: Gratias
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Gloria: Domine
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Gloria: Qui tollis
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Gloria: Quoniam
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Gloria: Jesu Christe - Cum Sancto Spiritu
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Credo: Credo in unum Deum
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Credo: Et incarnatus est
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Sanctus
Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Benedictus
Vesperae de Dominica in C, K.321: 1. Dixit (Ps. 109/110)
Vesperae de Dominica in C, K.321: 2. Confitebor (Ps. 110/111)
Vesperae de Dominica in C, K.321: 3. Beatus vir (Ps. 111/112)
Vesperae de Dominica in C, K.321: 4. Laudate pueri (Ps. 112/113)
Vesperae de Dominica in C, K.321: 5. Laudate Dominum (Ps. 116/117)
Vesperae de Dominica in C, K.321: 6. Magnificat (Luc. 1:46-55)
In Praise of Woman: 150 Years of English Female Composers
Henry King, Who Chewed Little Bits of String, and Was Early Cut Off in Dreadful Agonies
Charles Augustus Fortescue. Who Always Did What Was Right, and So Accumulated an Immense Fortune
4 Indian Love Lyrics: III. Kashmiri Song
Mozart: Great Mass in C minor; Ave Verum Corpus
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie
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Mass in C minor, K.427 "Grosse Messe": 2. Gloria: Gloria in excelsis Deo
Mass in C minor, K.427 "Grosse Messe": 3. Gloria: Laudamus te
Mass in C minor, K.427 "Grosse Messe": 4. Gloria: Gratias
Mass in C minor, K.427 "Grosse Messe": 5. Gloria: Domine
Mass in C minor, K.427 "Grosse Messe": 6. Gloria: Qui tollis
Mass in C minor, K.427 "Grosse Messe": 7. Gloria: Quoniam
Mass in C minor, K.427 "Grosse Messe": 8. Gloria: Jesu Christe - Cum Sancto Spiritu
Mass in C minor, K.427 "Grosse Messe": 9. Credo: Credo in unum Deum
Mass in C minor, K.427 "Grosse Messe": 10. Credo: Et incarnatus est
Mass in C minor, K.427 "Grosse Messe": 11. Sanctus: Sanctus
Mass in C minor, K.427 "Grosse Messe": 12. Benedictus
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Symphony No. 9 in D minor, Op. 125 - "Choral": 1. Allegro ma non troppo, un poco maestoso
Symphony No. 9 in D minor, Op. 125 - "Choral": 2. Molto vivace
Symphony No. 9 in D minor, Op. 125 - "Choral": 3. Adagio molto e cantabile
Symphony No. 9 in D minor, Op. 125 - "Choral": 4. Presto - Allegro assai
Gounod: Songs (Hyperion French Song Edition)
Où voulez-vous aller? "Barcarolle", CG 419
Biondina: No. 1, Prologo "Da qualche tempo"
Ave Maria, CG 89a (After Bach, BWV 846/1)
Biondina: No. 8, Siam iti l'altro giorno
Biondina: No. 9, E le campane hanno suonnato
A Lay of the Early Spring, CG 357a (English Version of "Chanson d'avril")
Oh Happy Home! Oh Blessed Flower!, CG 416
The Fountain Mingles with the River, CG 449 (English Version of "Aimons nous")
Ilala "Stances à la mémoire de D Livingstone", CG 391
Invocations: VI. Invocation to the Queen of Moonlight
Canticle III. Still Falls the Rain, Op. 55
Canticle IV. Journey of the Magi, Op. 86
Canticle V. The Death of Saint Narcissus, Op. 89
Don Quixote, Z. 578: Pt. 1. Let the Dreadful Engines of Eternal Will (Arr. Britten)
In the Black Dismal Dungeon of Despair, Z. 190
The Mikado, Act I: If You Want to Know Who We Are
The Mikado, Act I: Song and Chorus. A Wandering Minstrel I
The Mikado, Act I: Song. Our Great Mikado, Virtuous Man
The Mikado, Act I: Song. Young Man, Despair, Likewise Go To
The Mikado, Act I: Recitative. And Have I Journeyed for a Month
The Mikado, Act I: Behold the Lord High Executioner!
The Mikado, Act I: Song. As Some Day It May Happen "List Song"
The Mikado, Act I: Comes a Train of Little Ladies
The Mikado, Act I: Trio. Three Little Maids from School Are We
The Mikado, Act I: Quartet. So Please You, Sir, We Much Regret
The Mikado, Act I: Duet. Were You Not to Ko-Ko Plighted
The Mikado, Act I: Finale. With Aspect Stern and Gloomy Stride
The Mikado, Act II: Solo. Braid the Raven Hair
The Mikado, Act II: Song. The Sun, Whose Rays Are All Ablaze
The Mikado, Act II: Madrigal. Brightly Dawns Our Wedding Day
The Mikado, Act II: Trio. Here's a How-De-Do! If I Marry You!
The Mikado, Act II: Entrance of Mikado and Katisha. Miya Sama, Miya Sama
The Mikado, Act II: Song. A More Humane Mikado Never Did in Japan Exist
The Mikado, Act II: Trio and Chorus. The Criminal Cried As He Dropped Him Down
The Mikado, Act II: Quintet. See How the Fates Their Gifts Allot
The Mikado, Act II: Duet. The Flowers That Bloom in the Spring
The Mikado, Act II: Recitative and Song. Alone, and Yet Alive
The Mikado, Act II: Song. On a Tree by a River, a Little Tom-Tit Sang, 'Willow, Tit-Willow'
The Mikado, Act II: Duet. There Is Beauty in the Bellow of the Blast
The Mikado, Act II: Finale. For He's Gone and Married Yum-Yum
Mozart: Apollo & Hyacinthus (Complete Mozart Edition)
Apollo et Hyacinthus, K.38 / Act 2: Recitativo "Rex! de salute filii est actum"
Apollo et Hyacinthus, K.38 / Act 1: Recitativo "Amice! iam parata sunt omnia"
Apollo et Hyacinthus, K.38 / Act 2: No. 5 Aria "En! duos conspicis"
Apollo et Hyacinthus, K.38 / Act 1: No. 1 Chorus et Oebalus "Numen o Latonium!"
Apollo et Hyacinthus, K.38 / Act 2: Recitativo "Heu! Numen! ecce!"
Apollo et Hyacinthus, K.38 / Act 1: Recitativo "Heu me! perimus!"
Apollo et Hyacinthus, K.38 / Act 2: No. 6 Duetto "Discede crudelis!"
Apollo et Hyacinthus, K.38 / Act 1: No. 2 Aria "Saepe terrent Numina"
Apollo et Hyacinthus, K.38 / Act 3: Recit: Non est - Quis ergo
Apollo et Hyacinthus, K.38 / Act 1: Recitativo "Ah nate! vera loqueris"
Apollo et Hyacinthus, K.38 / Act 3: Ut navis in aequore luxuriante
Apollo et Hyacinthus, K.38 / Act 1: No. 3 Aria "Iam pastor Apollo"
Apollo et Hyacinthus, K.38 / Act 3: Quocumque me converto
Apollo et Hyacinthus, K.38 / Act 2: Recitativo "Amare numquid filia"
Apollo et Hyacinthus, K.38 / Act 3: Natus cadit
Apollo et Hyacinthus, K.38 / Act 2: No. 4 Aria "Laetari, iocari"
Apollo et Hyacinthus, K.38 / Act 3: Recit: Rex! me redire cogit
Apollo et Hyacinthus, K.38 / Act 3: Tandem post turbida fulmina
Elijah, Op. 70, MWV A25 / Part 1: Introduction: "As God the Lord of Israel liveth"
Elijah, Op. 70, MWV A25 / Part 2: "Hear ye, Israel" - "Thus saith the Lord" - "I am He that comforteth"
Elijah, Op. 70, MWV A25 / Part 1: Overture - "Help, Lord" - "The deep affords no water!"
Elijah, Op. 70, MWV A25 / Part 2: "Be not affraid, saith God the Lord"
Elijah, Op. 70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!"
Elijah, Op. 70, MWV A25 / Part 2: "The Lord hath exalted thee"
Elijah, Op. 70, MWV A25 / Part 1: "Ye people, rend your hearts" - "If with all your hearts"
Elijah, Op. 70, MWV A25 / Part 2: "Woe to him! He shall perish!"
Elijah, Op. 70, MWV A25 / Part 1: "Yet doth the Lord see it not"
Elijah, Op. 70, MWV A25 / Part 2: "Man of God, now let my words"
Elijah, Op. 70, MWV A25 / Part 1: "Elijah! Get thee hence; Elijah!"
Elijah, Op. 70, MWV A25 / Part 2: "It is enough! O Lord, now take" - "See, now he slee- peth"
Elijah, Op. 70, MWV A25 / Part 1: "For He shall give His angels charge" - "Now Cherith's brook is dried up"
Elijah, Op. 70, MWV A25 / Part 2: "Lift thine eyes to the mountains"
Elijah, Op. 70, MWV A25 / Part 1: "What have I to do with thee"
Elijah, Op. 70, MWV A25 / Part 2: "He, watching over Israel, slumbers not"
Elijah, Op. 70, MWV A25 / Part 1: "Bless'd are they who fear the Lord"
Elijah, Op. 70, MWV A25 / Part 2: "Arise, Elijah"
Elijah, Op. 70, MWV A25 / Part 1: "As God the Lord of Sabaoth liveth"
Elijah, Op. 70, MWV A25 / Part 2: "Oh rest in the Lord, wait patiently for Him"
Elijah, Op. 70, MWV A25 / Part 1: "Baal, we cry to thee"
Elijah, Op. 70, MWV A25 / Part 2: "He that shall endure to the end"
Elijah, Op. 70, MWV A25 / Part 1: "Call him louder, for he is a God!"
Elijah, Op. 70, MWV A25 / Part 2: "Night falleth round me! O Lord"
Elijah, Op. 70, MWV A25 / Part 1: "Call him louder! He heareth not"
Elijah, Op. 70, MWV A25 / Part 2: "Behold, God the Lord passed by!"
Elijah, Op. 70, MWV A25 / Part 1: "Lord God of Abraham, Isaac and Israel"
Elijah, Op. 70, MWV A25 / Part 2: "Above Him stood the Seraphim" - "Holy, holy, holy"
Elijah, Op. 70, MWV A25 / Part 1: "Cast thy burden upon the Lord"
Elijah, Op. 70, MWV A25 / Part 2: "Go return upon thy way"
Elijah, Op. 70, MWV A25 / Part 1: "O Thou, who makest Thine angels"
Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart"
Elijah, Op. 70, MWV A25 / Part 1: "Is not his word like a fire!"
Elijah, Op. 70, MWV A25 / Part 2: "Then did Elijah the prophet break forth"
Elijah, Op. 70, MWV A25 / Part 1: "Woe, woe unto them who forsake Him!"
Elijah, Op. 70, MWV A25 / Part 2: "Then shall the righteous shine"
Elijah, Op. 70, MWV A25 / Part 1: "O man of God, help thy people"
Elijah, Op. 70, MWV A25 / Part 2: "Behold, God hath sent Elijah the prophet"
Elijah, Op. 70, MWV A25 / Part 1: "Thanks be to God!"
Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one"
Elijah, Op. 70, MWV A25 / Part 2: "Oh come ev'ryone that thirsteth"
Elijah, Op. 70, MWV A25 / Part 2: "And then shall your light break forth"
Wachet auf, ruft uns die Stimme, BWV 140: VII. Chorale. Gloria sei dir gesungen
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Wachet auf, ruft uns die Stimme, BWV 140: II. Recit. Er kommt, er kommt, der Bräutigam kommt!
Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Duet). Wann kommst du, mein Heil?
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Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singen
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Wachet auf, ruft uns die Stimme, BWV 140: V. Recit. So geh herein zu mir
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Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria. Mein Freund ist mein!
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Herz und Mund und Tat und Leben, BWV 147: I. Chorus. Herz und Mund und Tat und Leben
Herz und Mund und Tat und Leben, BWV 147: II. Recit. Gebenedeiter Mund! (Tenor)
Herz und Mund und Tat und Leben, BWV 147: III. Aria. Schäme dich, o Seele nicht (Alto)
Herz und Mund und Tat und Leben, BWV 147: IV. Recit. Verstockung kann Gewaltige verblenden (Bass)
Herz und Mund und Tat und Leben, BWV 147: V. Aria. Bereite dir, Jesu (Soprano)
Herz und Mund und Tat und Leben, BWV 147: VI. Chorale. Wohl mir, dass ich Jesum habe
Herz und Mund und Tat und Leben, BWV 147: VII. Aria. Hilf, Jesu, hilf (Tenor)
Herz und Mund und Tat und Leben, BWV 147: VIII. Recit. Der höchsten Allmacht Wunderhand (Alto)
Herz und Mund und Tat und Leben, BWV 147: IX. Aria. Ich will von Jesu Wundern singen (Bass)
Herz und Mund und Tat und Leben, BWV 147: X. Chorale. Jesus bleibet meine Freude
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Bach, J.S.: Advent Cantatas BWV 61, 36 & 62
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 1 "Nun komm, der Heiden Heiland"
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 2 "Der Heiland ist gekommen"
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 3 "Komm, Jesu, komm zu deiner Kirche"
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 4 "Siehe, ich stehe vor der Tür"
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 5 "Öffne dich, mein ganzes Herze"
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 6 "Amen"
Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 1 Chorus "Schwingt freudig euch empor"
Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 2 Chorale-Duet "Nun komm, der Heiden Heiland"
Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 3 Aria "Die Liebe zieht mit sanften Schritten"
Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 4 Chorale "Zwingt die Saiten"
Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 5 Aria "Willkommen, werter Schatz"
Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 6 Chorale "Der du bist dem Vater gleich"
Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 7 Aria "Auch mit gedämpften, schwachen Stimmen"
Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 8 Chorale "Lob sei Gott, dem Vater"
"Nun komm, der Heiden Heiland", BWV 62: No. 1 Chorus "Nun komm, der Heiden Heiland"
"Nun komm, der Heiden Heiland", BWV 62: No. 2 Aria "Bewundert, o Menschen"
"Nun komm, der Heiden Heiland", BWV 62: No. 3 Recitative "So geht aus Gottes Herrlichkeit"
"Nun komm, der Heiden Heiland", BWV 62: 4. Aria "Streite, siege, starker Held"
"Nun komm, der Heiden Heiland", BWV 62: 5. Recitative "Wir ehren diese Herrlichkeit"
"Nun komm, der Heiden Heiland", BWV 62: 6. Chorale "Lob sei Gott, dem Vater"
Farewell, Thou Art Too Dear for My Possessing
When in Disgrace with Fortune and Men's Eyes
The Clown's Songs from Twelfth Night, Op. 65: No. 3, The Rain It Raineth Every Day
3 Shakespeare Songs, Op. 6: No. 1, Come Away, Death
5 Shakespeare Songs, Op. 23: No. 1, Fear No More the Heat o' the Sun
5 Shakespeare Songs, Op. 23: No. 4, Take, O Take Those Lips Away
5 Shakespeare Songs, Op. 23: No. 3, It Was a Lover and His Lass
Songs of a Wayfarer: II. When Daffodils Begin to Peer
Songs for Ariel: I. Come unto These Yellow Sands
Songs for Ariel: III. Where the Bee Sucks
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The First Day. Die Vorstellung des Chaos - Rezitativ und Chor "Im Anfange schuf Gott Himmel u
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Rezitativ. Und Gott sprach "Es bringe das Wasser" (Gabriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Arie "Auf starkem Fittiche schwinget sich" (Gabriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Rezitativ "Und Gott machte das Firmament" (Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Rezitativ "Und Gott schuf grosse Walfische" (Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Solo und Chor "Mit Staunen sieht das Wunderwerk" (Gabriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Rezitativ "Und die Engel rührten" (Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Rezitativ. Und Gott sprach "Es sammle sich das Wasser" (Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Terzett "In holder Anmut stehn" (Gabriel, Uriel, Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Arie "Rollend in schäumenden Wellen" (Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Terzett und Chor "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Rezitativ. Und Gott sprach "Es bringe die Erde Gras hervor" (Gabriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Rezitativ. Und Gott sprach "Es bringe die Erde hervor" (Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Arie "Nun beut die Flur das frische Grün" (Gabriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Rezitativ "Gleich öffnet sich der Erde Schoß" (Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Arie "Nun scheint in vollem Glanze der Himmel" (Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Rezitativ "Und Gott schuf den Menschen" (Uriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Chor "Stimmt an die Saiten, ergreift die Leier"
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Arie "Mit Würd' und Hoheit angetan" (Uriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Rezitativ. Und Gott sprach "Es sei'n Lichter an der Feste" (Uriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Rezitativ "Und Gott sah jedes Ding" (Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Rezitativ "In vollem Glanze steiget jetzt" (Uriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Chor "Vollendet ist das große Werk"
The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The Creation "Die Schöpfung" Hob XXI: 2, Part 1: Chor and Terzett "Die Himmel erzählen die Ehre Gottes - Dem kommenden Tage sagt es der Tag" (
The Creation "Die Schöpfung" Hob XXI: 2, Part 2: The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Terzett "Zu dir, o Herr, blickt alles auf" (Gabriel, Uriel, Raphael)
The Creation "Die Schöpfung" Hob XXI: 2, Part 3: The Creation "Die Schöpfung" Hob XXI: 2, Part 3: Rezitativ "Aus Rosenwolken bricht" (Uriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 3: The Creation "Die Schöpfung" Hob XXI: 2, Part 3: Duett und Chor "Von deiner Güt', o Herr und Gott" (Eva, Adam)
The Creation "Die Schöpfung" Hob XXI: 2, Part 3: The Creation "Die Schöpfung" Hob XXI: 2, Part 3: Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva)
The Creation "Die Schöpfung" Hob XXI: 2, Part 3: The Creation "Die Schöpfung" Hob XXI: 2, Part 3: Duett "Holde Gattin! dir zur Seite" (Adam, Eva)
The Creation "Die Schöpfung" Hob XXI: 2, Part 3: The Creation "Die Schöpfung" Hob XXI: 2, Part 3: Rezitativ "O gluecklich Paar, und gluecklich immerfort" (Uriel)
The Creation "Die Schöpfung" Hob XXI: 2, Part 3: The Creation "Die Schöpfung" Hob XXI: 2, Part 3: Chor "Singt dem Herren alle Stimmen!"
Otello, Act I: Una vela! Una vela! - Live in Chicago & New York, 1991
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Otello, Act III: La vedetta del porto - Live in Chicago & New York, 1991
Otello, Act I: Esultate! - Live in Chicago & New York, 1991
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Otello, Act III: Continua - Live in Chicago & New York, 1991
Otello, Act I: Roderigo, ebben che pensi? - Live in Chicago & New York, 1991
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Otello, Act III: Dio ti giocondi, o sposo - Live in Chicago & New York, 1991
Otello, Act I: Fuoco di gioia! - Live in Chicago & New York, 1991
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Otello, Act III: Esterrefatta fisso - Live in Chicago & New York, 1991
Otello, Act I: Roderigo, beviam! - Live in Chicago & New York, 1991
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Otello, Act III: Dio, mi potevi scagliar - Live in Chicago & New York, 1991
Otello, Act I: Inaffia l'ugola! Trinca, tracanna "Brindisi" - Live in Chicago & New York, 1991
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Otello, Act III: Cassio è là! - Live in Chicago & New York, 1991
Otello, Act I: Capitano, v'attende la fazione ai baluardi - Live in Chicago & New York, 1991
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Otello, Act III: Vieni; l'aula è deserta - Live in Chicago & New York, 1991
Otello, Act I: Abbasso le spade! - Live in Chicago & New York, 1991
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Otello, Act III: E intanto, giacchè non si stanca mai - Live in Chicago & New York, 1991
Otello, Act I: Già nella notte densa "Love Duet" - Live in Chicago & New York, 1991
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Otello, Act III: Quest'è il segnale - Live in Chicago & New York, 1991
Otello, Act II: Non ti crucciar - Live in Chicago & New York, 1991
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Otello, Act III: Il Doge ed il Senato salutano - Live in Chicago & New York, 1991
Otello, Act II: Vanne, la tua meta già vedo - Live in Chicago & New York, 1991
Otello, Act III: Messeri! Il Doge - Live in Chicago & New York, 1991
Otello, Act II: Credo in un Dio crudel - Live in Chicago & New York, 1991
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Otello, Act III: A terra! Si. Nel livido fango - Live in Chicago & New York, 1991
Otello, Act II: Ciò m'accora - Live in Chicago & New York, 1991
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Otello, Act III: Quell' innocente un fremito - Live in Chicago & New York, 1991
Otello, Act II: Dove guardi splendono - Live in Chicago & New York, 1991
The Metropolitan Opera Children's Chorus
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Otello, Act III: Fuggite! - Live in Chicago & New York, 1991
Otello, Act II: D'un uom che geme sotto il tuo disdegno - Live in Chicago & New York, 1991
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Otello, Act IV: Era più calmo? - Live in Chicago & New York, 1991
Otello, Act II: Se inconscia, contro te, sposo, ho peccato - Live in Chicago & New York, 1991
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Otello, Act IV: Mia madre aveva una povera ancella - Live in Chicago & New York, 1991
Otello, Act II: Desdemona rea! - Live in Chicago & New York, 1991
Otello, Act IV: Piangea cantando "Willow Song" - Live in Chicago & New York, 1991
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Otello, Act II: Tu?! Indietro! Fuggi! - Live in Chicago & New York, 1991
Otello, Act IV: Ave Maria, piena di grazia "Desdemona’s Prayer" - Live in Chicago & New York, 1991
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Otello, Act II: Ora e per sempre addio - Live in Chicago & New York, 1991
Otello, Act IV: Chi e là? Otello? - Live in Chicago & New York, 1991
Otello, Act II: Pace, signor - Live in Chicago & New York, 1991
Otello, Act IV: Diceste questa sera le vostre preci? - Live in Chicago & New York, 1991
Otello, Act II: Era la notte - Live in Chicago & New York, 1991
Otello, Act IV: Aprite! Aprite! - Live in Chicago & New York, 1991
Otello, Act II: Oh! mostruosa colpa! - Live in Chicago & New York, 1991
Otello, Act IV: Niun mi tema - Live in Chicago & New York, 1991
Otello, Act II: Si, pel ciel marmoreo giuro! - Live in Chicago & New York, 1991
Schubert: Hyperion Song Edition 6 – Schubert & the Nocturne, Vol. 1
Die Nacht, D. 534: [Bars 1-100]. Die Nacht ist dumpfig
Die Nacht, D. 534: [Bars 101-207]. Lass Wolken an Hügeln ruhn
Willkommen und Abschied, D. 767 (1st Version)
Die Sterne, D. 939 "Wie blitzen die Sterne"
Stabat Mater, Hob. XXa:1: I. Stabat Mater dolorosa
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Stabat Mater, Hob. XXa:1: II. O quam tristis et afflicta
Stabat Mater, Hob. XXa:1: III. Quis est homo, qui non fleret
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Stabat Mater, Hob. XXa:1: IV. Quis non posset contristari
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Stabat Mater, Hob. XXa:1: V. Pro peccatis suae gentis
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Stabat Mater, Hob. XXa:1: VI. Vidit suum dulcem natum
Stabat Mater, Hob. XXa:1: VII. Eja mater, fons amoris
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Stabat Mater, Hob. XXa:1: VIII. Sancta mater istud agas
Stabat Mater, Hob. XXa:1: IX. Fac me vere tecum flere
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Stabat Mater, Hob. XXa:1: X. Virgo virginium praeclara
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Stabat Mater, Hob. XXa:1: XI. Flammis orci ne succendar
Stabat Mater, Hob. XXa:1: XII. Fac me cruce custodiri
Stabat Mater, Hob. XXa:1: XIIIa. Quando corpus morietur
Stabat Mater, Hob. XXa:1: XIIIb. Paradisi gloria – Amen
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Britten: Les Illuminations; Sinfonietta; Nocturne
Les Illuminations, Op. 18: 3a. Phrase - 3b. Antique
Les Illuminations, Op. 18: 7. Being beauteous
Sinfonietta, Op. 1: 1. Poco presto ed agitato
Sinfonietta, Op. 1: 2. Variations (Andante lento)
Sinfonietta, Op. 1: 3. Tarantella (Presto vivace)
Nocturne, Op. 60: 1. On a Poet's lips I slept
Nocturne, Op. 60: 2. Below the thunders of the upper deep
Nocturne, Op. 60: 3. Encintured with a twine of leaves
Nocturne, Op. 60: 4. Midnight's bell goes ting, ting, ting
Nocturne, Op. 60: 5. But that night when on my bed I lay
Nocturne, Op. 60: 6. She sleeps on soft, last breaths
Nocturne, Op. 60: 7. What is more gentle than a wind in summer?
Nocturne, Op. 60: 8. When most I wink, then do mine eyes best see
War Requiem, Op. 66: I. Requiem aeternam
Britten: Les Illuminations, 4 Chansons Françaises & Serenade for Tenor, Horn and Strings
Les Illuminations, Op. 18: IIIb. Antique
Les Illuminations, Op. 18: VI. Interlude
Les Illuminations, Op. 18: VII. Being Beauteous
Quatre Chansons françaises: I. Nuits de Juin
Quatre Chansons françaises: III. L'Enfance
Quatre Chansons françaises: IV. Chanson d'Automne
Serenade for Tenor, Horn & Strings, Op. 31: I. Prologue
Serenade for Tenor, Horn & Strings, Op. 31: II. Pastoral
Serenade for Tenor, Horn & Strings, Op. 31: III. Nocturne
Serenade for Tenor, Horn & Strings, Op. 31: IV. Elegy
Serenade for Tenor, Horn & Strings, Op. 31: V. Dirge
Serenade for Tenor, Horn & Strings, Op. 31: VI. Hymn
Serenade for Tenor, Horn & Strings, Op. 31: VII. Sonnet
Serenade for Tenor, Horn & Strings, Op. 31: VIII. Epilogue
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen
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St. Matthew Passion, BWV 244 - Part One: "Und er kam und fand sie aber schlafend"
St. Matthew Passion, BWV 244 - Part Two: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
St. Matthew Passion, BWV 244 - Part One: "Da Jesus diese Rede vollendet hatte"
St. Matthew Passion, BWV 244 - Part One: "So ist mein Jesus nun gefangen..Sind Blitze, sind Donner"
St. Matthew Passion, BWV 244 - Part Two: "Der Landpfleger sagte"
St. Matthew Passion, BWV 244 - Part One: "Da versammelten sich die Hohenpriester"
St. Matthew Passion, BWV 244 - Part One: "Und siehe, einer aus denen"
St. Matthew Passion, BWV 244 - Part Two: "Aus Liebe will mein Heiland Sterben"
St. Matthew Passion, BWV 244 - Part One: "Da nun Jesus war zu Bethanien"
St. Matthew Passion, BWV 244 - Part One: "O Mensch, bewein dein Sünde groß"
St. Matthew Passion, BWV 244 - Part Two: "Sie schrieen aber noch mehr"
St. Matthew Passion, BWV 244 - Part One: "Da das Jesus merkete"
St. Matthew Passion, BWV 244 - Part Two: "Ach nun ist mein Jesu hin"
St. Matthew Passion, BWV 244 - Part Two: "Erbarm es Gott"
St. Matthew Passion, BWV 244 - Part One: "Du lieber Heiland du"
St. Matthew Passion, BWV 244 - Part Two: "Die aber Jesum gegriffen hatten"
St. Matthew Passion, BWV 244 - Part Two: "Können Tränen meiner Wangen"
St. Matthew Passion, BWV 244 - Part One: "Buss und Reu...Das ging hin der Zwolfen einer"
St. Matthew Passion, BWV 244 - Part Two: "Und wiewohl viel falsche Zeugen herzutraten"
St. Matthew Passion, BWV 244 - Part Two: "Da nahmen die Kriegsknechte"
St. Matthew Passion, BWV 244 / Part One: "Blute nur, du liebes Herz"
St. Matthew Passion, BWV 244 - Part Two: "Mein Jesus schweigt zu falschen Lügen stille"
St. Matthew Passion, BWV 244 - Part Two: "Ja freilich will in uns das Fleisch und Blut"
St. Matthew Passion, BWV 244 - Part One: "Aber am ersten Tage der süssen Brot"
St. Matthew Passion, BWV 244 - Part Two: "Geduld, Geduld!"
St. Matthew Passion, BWV 244 - Part Two: "Komm, süsses Kreuz"
St. Matthew Passion, BWV 244 - Part One: "Er antwortete und sprach"
St. Matthew Passion, BWV 244 - Part Two: "Petrus aber sass draussen im Palast"
St. Matthew Passion, BWV 244 - Part Two: "Und da sie an die Stätte kamen"
St. Matthew Passion, BWV 244 - Part One: "Wiewohl mein Herz in Tränen schwimmt"
St. Matthew Passion, BWV 244 - Part Two: "Wahrlich, du bist auch einer von denen"
St. Matthew Passion, BWV 244 - Part Two: "Ach Golgatha"
St. Matthew Passion, BWV 244 - Part One: "Ich will dir mein Herz schenken"
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"
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St. Matthew Passion, BWV 244 - Part Two: "Sehet, Jesus hat die Hand"
St. Matthew Passion, BWV 244 - Part One: "Und da sie den Lobgesang gesprochen hatten"
St. Matthew Passion, BWV 244 - Part Two: "Bin ich gleich von dir gewichen"
St. Matthew Passion, BWV 244 - Part Two: "Und von der sechsten Stunde an"
St. Matthew Passion, BWV 244 - Part One: "Petrus aber antwortete"
St. Matthew Passion, BWV 244 - Part Two: "Des Morgens aber hielten alle Hohepriester"
St. Matthew Passion, BWV 244 - Part One: "Da kam Jesus mit ihnen zu einem Hofe"
St. Matthew Passion, BWV 244 - Part Two: "Gebt mir meinen Jesum wieder"
St. Matthew Passion, BWV 244 - Part One: "O Schmerz! hier zittert das gequälte Herz"
St. Matthew Passion, BWV 244 - Part Two: "Sie hielten aber einen Rat"
St. Matthew Passion, BWV 244 - Part One: "Ich will bei meinem Jesu wachen"
St. Matthew Passion, BWV 244 - Part Two: "Befiel du deine Wege"
St. Matthew Passion, BWV 244 - Part One: "Der Heiland fällt vor seinem Vater nieder"
St. Matthew Passion, BWV 244 - Part One: "Gerne will ich mich bequemen"
St. Matthew Passion, BWV 244 - Part One: "Und er kam zu seinen Jüngern"
Soirées musicales: IX. La regata veneziana
23 Songs of Various Nationalities, WoO 158a: No. 23, Da brava, Catina "Canzonetta veneziana"
6 Lieder, Op. 57: No. 5, Venetianisches Gondellied, MWV K 114
Leis' rudern hier, mein Gondolier, Op. 50 No. 4
Athalia, HWV 52 / Act 1: "Blooming virgins, spotless train"
Athalia, HWV 52 / Act 1: "The rising world Jehovah crown'd"
Athalia, HWV 52 / Act 1: "Tyrants would in impious throngs"
Athalia, HWV 52 / Act 1: "When he is in his wrath reveal'd"
Athalia, HWV 52 / Act 1: "Your sacred songs awhile forbear"
Athalia, HWV 52 / Act 1: "What scenes of horror round me rise!"
Athalia, HWV 52 / Act 1: "The gods, who chosen blessings shed"
Athalia, HWV 52 / Act 1: "Cheer her, O Baal"
Athalia, HWV 52 / Act 1: "Gentle airs, melodious strains!"
Athalia, HWV 52 / Act 1: "Softest sounds no more can ease me"
Athalia, HWV 52 / Act 1: "The traitor if you there descry...My Josabeth!"
Athalia, HWV 52 / Act 1: "Faithful cares in vain extended"
Athalia, HWV 52 / Act 1: "Gloomy tyrants, we disdain"
Athalia, HWV 52 / Act 2: "The mighty pow'r"
Athalia, HWV 52 / Act 2: "Through the land so lovely blooming"
Athalia, HWV 52 / Act 2: "Ah, canst thou but prove me!"
Athalia, HWV 52 / Act 2: "Will God, whose mercies ever flow"
Athalia, HWV 52 / Act 2: "My vengeance awakes me"
Athalia, HWV 52 / Act 2: "My spirits fail, I faint, I die!"
Athalia, HWV 52 / Act 2: "Cease thy anguish, smile once more"
Athalia, HWV 52 / Act 2: "The clouded scene begins to clear"
Athalia, HWV 52 / Act 3: "What sacred horrors shake my breast!"
Athalia, HWV 52 / Act 3: "Unfold, great seer, what heav'n imparts"
Athalia, HWV 52 / Act 3: "Let harmony breathe soft around"
Athalia, HWV 52 / Act 3: "With firm united hearts"
Athalia, HWV 52 / Act 3: "Soothing tyrant, falsely smiling"
Athalia, HWV 52 / Act 3: "Around let acclamations ring"
Athalia, HWV 52 / Act 3: "Oppression, no longer I dread thee"
Athalia, HWV 52 / Act 3: "Hark! His thunders round me roll"
Athalia, HWV 52 / Act 3: "To darkness eternal"
Athalia, HWV 52 / Act 3: "Now, Josabeth, thy fears are o'er!"
Athalia, HWV 52 / Act 3: "Give glory to his awful name"
Britten: Michelangelo Sonnets & Winter Words
7 Sonnets of Michelangelo, Op. 22: I. Sonetto XVI. Sì Come nella penna e nell' inchiostro
7 Sonnets of Michelangelo, Op. 22: II. Sonetto XXXI. A che più debb'io mai l'intensa voglia
7 Sonnets of Michelangelo, Op. 22: III. Sonetto XXX. Veggio co' bei vostri occhi un dolce lume
7 Sonnets of Michelangelo, Op. 22: IV. Sonetto LV. Tu sa' ch'io so, signor mie, che tu sai
7 Sonnets of Michelangelo, Op. 22: V. Sonetto XXXVIII. Rendete a gli occhi miei
7 Sonnets of Michelangelo, Op. 22: VI. Sonetto XXXII. S'un casto amor, s'una pietà superna
7 Sonnets of Michelangelo, Op. 22: VII. Sonetto XXIV. Spirto ben nato, in cui si specchia e vede
The Trees They Grow So High (Arr. Britten)
Winter Words, Op. 52: No. 1, At Day Close in November
Winter Words, Op. 52: No. 2, Midnight on the Great Western
Winter Words, Op. 52: No. 3, Wagtail and Baby
Winter Words, Op. 52: No. 4, The Little Old Table
Winter Words, Op. 52: No. 5, The Choirmaster's Burial
Winter Words, Op. 52: No. 6, Proud Songsters
Winter Words, Op. 52: No. 7, At The Railway Station, Upway
Winter Words, Op. 52: No. 8, Before Life and After
Esther, HWV 50 / Scene 1: Ouverture..."Tis greater far to spare"
Esther, HWV 50 / Scene 1: "Pluck root and branch from out the land"
Esther, HWV 50 / Scene 1: "Shall we the God of Israel fear?"
Esther, HWV 50 / Scene 2: "Tune your harps to cheerful strains"
Esther, HWV 50 / Scene 2: "Shall we of servitude complain"
Esther, HWV 50 / Scene 2: "Praise the Lord with cheerful noise"
Esther, HWV 50 / Scene 2: "Sing songs of praise, bow down the knee"
Esther, HWV 50 / Scene 3: "Ye sons of Israel mourn"
Esther, HWV 50 / Scene 3: "O Jordan, Jordan, sacred tide"
Esther, HWV 50 / Scene 4: "Dread not, righteous Queen, the danger"
Esther, HWV 50 / Scene 4: "Tears assist me, pity moving"
Esther, HWV 50 / Scene 4: "Save us, O Lord"
Esther, HWV 50 / Scene 5: "Who dares intrude into our presence"
Esther, HWV 50 / Scene 5: "Who calls my parting soul from death?"
Esther, HWV 50 / Scene 5: "O beauteous Queen"...Recit:"If I find favour"
Esther, HWV 50 / Scene 5: "How can I stay when love invites"
Esther, HWV 50 / Scene 5: "Virtue, truth and innocence"
Esther, HWV 50 / Scene 5: "Jehovah, crown'd with glory bright"
Esther, HWV 50 / Scene 6: "Turn not, O Queen, thy face away"
Esther, HWV 50 / Scene 6: "Flatt'ring tongue, no more I hear thee!"
Esther, HWV 50 / Scene 6: "How art thou fall'n from thy height!"
Esther, HWV 50 / Scene 6: "The Lord our enemy has slain"
Solomon HWV 67 / Act 2: "My sovereign liege"
Solomon HWV 67 / Act 1: "Your harps and cymbals"
Solomon HWV 67 / Act 2: "Thou son of David " - "Words are weak"
Solomon HWV 67 / Act 1: "Praise ye the Lord"
Solomon HWV 67 / Act 2: "What says the other" - "Thy sentence, great king"
Solomon HWV 67 / Act 1: "With pious heart"
Solomon HWV 67 / Act 2: "Withhold the executing hand" - "Can I see my infant gor'd"
Solomon HWV 67 / Act 1: "Almighty Power"
Solomon HWV 67 / Act 2: "Israel' attend"
Solomon HWV 67 / Act 1: "Imperial Solomon" - "Sacred rapture"
Solomon HWV 67 / Act 2: "Thrice bless'd be the king"
Solomon HWV 67 / Act 1: "Throughout the land"
Solomon HWV 67 / Act 2: "From the east unto the west"
Solomon HWV 67 / Act 1: "Bless'd be the Lord" - "What though I trace"
Solomon HWV 67 / Act 2: "No more shall armed bands" - "Beneath the vine"
Solomon HWV 67 / Act 1: "And see my Queen"
Solomon HWV 67 / Act 2: "Swell, swell the full chorus"
Solomon HWV 67 / Act 1: "Bless'd the day"
Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba
Solomon HWV 67 / Act 1: "Thou fair inhabitant" - "Welcome as the dawn of day"
Solomon HWV 67 / Act 3: "From Arabia's spicy shores"
Solomon HWV 67 / Act 1: "My blooming fair" - "Haste, haste"
Solomon HWV 67 / Act 3: "Sweep, sweep the string" - "Music, spread thy voice"
Solomon HWV 67 / Act 1: "When thou art absent" - "With thee th'unshelter"
Solomon HWV 67 / Act 3: "Now a diff'rent measure" - "Shake the dome"
Solomon HWV 67 / Act 1: "May no rash intruder"
Solomon HWV 67 / Act 3: "Then at once from rage" - "Draw the tear"
Solomon HWV 67 / Act 2: "From the censer"
Solomon HWV 67 / Act 3: "Next the tortur'd soul" - "Thus rolling surges rises"
Solomon HWV 67 / Act 2: "Prais'd be the Lord" - "When the sun"
Solomon HWV 67 / Act 3: "Thy harmony's divine"
Solomon HWV 67 / Act 2: "Great prince" - "Thrice bless'd"
Solomon HWV 67 / Act 3: "Thrice happy king" - "Golden columns"
Solomon HWV 67 / Act 3: "May peace in Salem ever dwell" - "Will the sun for- get to streak"
Solomon HWV 67 / Act 3: "Adieu, fair queen" - "Ev'ry joy that wisdom knows"
Solomon HWV 67 / Act 3: "Praise the Lord"
Royal Scottish National Orchestra and Chorus
Coronation Ode, Op. 44: IVa. Hark, upon the Hallowed Air (Soprano, Tenor) - IVb. Only let the heart be pure (Soprano, Contralto, T
Johannes-Passion, BWV 245, Pt. 1: No. 12, Recit. Und Hannas sandte ihn gebunden (Evangelist, Servant, Peter)
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Johannes-Passion, BWV 245, Pt. 1: No. 10, Recit. Derselbige Jünger (Evangelist, Maid, Peter, Jesus, Servant)
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Die Zauberflöte, ZWEITER AUFZUG, Nr.10 Aria & Dialog: Aria con coro: O Isis und Osiris ... (Sarastro/Priester)
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Vaughan Williams: The House of Life: No. 2, Silent Noon
Ralph Vaughan Williams - The Lark Ascending; Tallis Fantasia
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The Creation, Hob.XXI:2 / Pt. 1 - Scene 4: The Heavens Are Telling The Glory Of God
The World of The Academy of Ancient Music
The Creation, Hob.XXI:2 / Pt. 1 - Scene 4: And God Said: "Let There Be Lights In The Firmament"