Martina Borst
Genre: opera
Copyright Verification
- CopyrightID (CopyrightChains tx_hash): 0xa87c845a3ac3709ae99ae5fd1e8002743975b2cebb8fd728d3f9d98ac7d16f36
- Status: registered
- Registered: 2026-06-16T11:12:13+00:00
- Explorer: https://explorer.copyrightchains.com/tx/0xa87c845a3ac3709ae99ae5fd1e8002743975b2cebb8fd728d3f9d98ac7d16f36
- Bitcoin block (earliest attestation): 954065, 2026-06-17T08:10:43Z
- Record hash: sha256:00e16b4c99fda32cbe965e8daaacf374e6256d1e515075e0a33a82d42a08dfe3
- Anchored record: https://artists.proofprofile.net/proofs/artist/3e2a6841-252b-4b48-a2e9-662a59ab3c5d.json
- OpenTimestamps proof: https://artists.proofprofile.net/proofs/artist/3e2a6841-252b-4b48-a2e9-662a59ab3c5d.ots
- Verification result: https://artists.proofprofile.net/api/v1/bot/ots/verify/artist/3e2a6841-252b-4b48-a2e9-662a59ab3c5d
- Bitcoin block lookup: https://blockstream.info/api/block-height/954065
Top Tracks
- Der Rosenkavalier, Op. 59, TrV 227: Mir ist die Ehre widerfahren
- Didone abbandonata (3rd Version), Act III: A trionfar mi chiama un bel desio d'onore
- Didone abbandonata (3rd Version), Act III: Principessa, ove corri?
- Didone abbandonata (3rd Version), Act III: Siam tutti alfin raccolti
- Didone abbandonata (3rd Version), Act III: Per un momento il legno
- Didone abbandonata (3rd Version), Act III: Compagni invitti, a tollerare avvezzi
- Didone abbandonata (3rd Version), Act II: Infedel! Ti lascio. Addio
- Didone abbandonata (3rd Version), Act II: Didone, e che mi chiedi?
- Didone abbandonata (3rd Version), Act II: Incerta del mio fato
- Didone abbandonata (3rd Version), Act II: Ah non sai, Bella Selene
- Didone abbandonata (3rd Version), Act II: Enea, brama Didone teco parlar
- Didone abbandonata (3rd Version), Act II: Fra'l dovere, e l'affretto
- Didone abbandonata (3rd Version), Act II: Io sento vacillar la mia costanza
- Didone abbandonata (3rd Version), Act II: Come! Ancor non Pt.isti?
- Didone abbandonata (3rd Version), Act I: Non ha ragione, ingrato
- Didone abbandonata (3rd Version), Act I: Enea, falvo già sei
- Didone abbandonata (3rd Version), Act I: Siam traditi, o Regina
- Didone abbandonata (3rd Version), Act I: Ecco il rival, ne seco
- Didone abbandonata (3rd Version), Act I: Come? Da'labbri tuoi
- Didone abbandonata (3rd Version), Act I: Quando saprai chi sono
Albums (28)
- Opera Concert (2010-08-01)
- Pergolesi: Stabat mater - Salve Regina - Orfeo (2012-04-03)
- The Essentials: Great Choral Works (2016-05-27)
- Classic Moods - Pergolesi, G.B. / Bach, J.S. / Handel, G.F. / Bach, C.P.E. / Mozart, W.A. / Haydn, F.J. / Donizetti, G. / Mendelssohn, Felix (2004-01-01)
- Haydn: Die sieben letzten Worte unseres Erlösers am Kreuze (2000-01-01)
- Schubert: Mass No. 6, D. 950 (1996)
- Hasse: Attilio Regolo (2018-03-02)
- Choral Music - Bortniansky, D. / Schubert, F. / Bruckner, A. / Bruch, M. / Mendelssohn, Felix / Silcher, F. / Rheinberger, J.G. (2005-01-01)
- Rossini: La Cenerentola (2005-09-01)
- Spohr, L.: Faust [Opera] (1994-01-01)
- Strauss (Red Classics) (2015-07-14)
- Jommelli: Didone abbandonata (3rd Version) (2016-01-01)
- The Essentials: Opera, Vol. 1 (2016-09-16)
- Choral Music (Ave Maria Choruses) - Bach, J.S. / Gounod, C.-F. / Mendelssohn, Felix / Schubert, F. / Bruckner, A. / Pergolesi, G.B. (1996-01-01)
- Wagner, S.: Kobold (Der) (2007-05-29)
- Discover Opera (2006-10-31)
- Straus: Der Tapfere Soldat (2012-01-03)
- The History of German Music (100 Famous Songs) (2016-06-03)
- Goethe And Music, Vol. 1 - Beethoven, L. Van / Mendelssohn, Felix / Gounod, C.-F. / Berlioz, H. / Massenet, J. / Mahler, G. / Spohr, L. / Boito. A (1999-01-01)
- Exsultate jubilate: Dix siècles de musique sacrée (2001-10-30)
- Stimmt an die Saiten (Choral music from the Nineteenth century) (2010-12-01)
- Mendelssohn, Felix / Schumann, R. / Reger, M.: Duets (2010-03-05)
- Franz Schubert: Mass No. 6 (Bernius) (1996)
- Pergolesi, G.B.: Stabat Mater / Orfeo (1995-01-01)
- Strauss, R.: Orchestral Music / Opera Excerpts (Jubilee Edition) (1999-01-01)
- Donizetti, G.: Parafrasi Del Christus / Pergolesi, G.B.: Salve Regina in C Minor / Bonporti, F.A.: Mittite Dulces / Telemann, G.P.: Was Ist Das Herz? (1998-01-01)
- Das Beste von Richard Strauss (2014-05-01)
- Classic Masterworks - Richard Strauss (1996-01-01)
Recordings with proof (23)
- Requiem in D Minor, K. 626: Sequence: I. Dies irae; ISRC USB8U1602112; CopyrightID 0xb4978068ce233771d3c9434f04051a0d488af637730e291272d5b1ea99234838; Bitcoin block 957145; anchored record, OpenTimestamps proof, verification result
- Missa Papae Marcelli: Masses, Book 2: Missa Papae Marcelli: Kyrie; ISRC USB8U1602138; CopyrightID 0x678e3a53a33f3982a7fa3ea27cf4b3b50ef9c615404808b36f849911e39e5756; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- O sacrum convivium; ISRC USB8U1602114; CopyrightID 0x179be90e9193bbf7a048147ea3ede8bab1a5751795decf64ef5e1c0cebb9631d; Bitcoin block 957120; anchored record, OpenTimestamps proof, verification result
- Missa Bell' Amfitrit' altera: Agnus Dei; ISRC USB8U1602121; CopyrightID 0x17d6dd3fc6abe42fb5e8beafc236fe4987cd837ed22afeec954f0b04c014f082; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 3, II. Fürwahr ich sage dir. Grave e cantabile; ISRC FR10S1763788; CopyrightID 0x3020076128d4207e03f55f1845d6c5f2ac156d96e031b34d65cb0672cac174a8; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 4, III. Frau hier siehe deinen Sohn. Grave; ISRC FR10S1763789; CopyrightID 0xf951d87d989b7bceaa0847e9e4b6541e31c9f9fc201a720274509fecb00e41f0; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 5, IV. Mein Gott, mein Gott, warum hast du micht verlassen. Largo; ISRC FR10S1763790; CopyrightID 0xae39f80cad63ed314827dbbf0af313a4b3083da70ccfa04a01b69cd9c4a1f1c7; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 2, I. Vater vergieb Ihnen. Largo; ISRC FR10S1763787; CopyrightID 0x89adb0ca5e47126fa73cfa934fc9871256c0dbf3c7dcea0b06198d07827a14ad; Bitcoin block 960317; anchored record, OpenTimestamps proof, verification result
- Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 8, VI. Es ist vollbracht. Lento; ISRC FR10S1763793; CopyrightID 0x0da0e369c9e1e50366069a0a54a563df687a178ff5b6b88fd1a6b1664eac2b02; Bitcoin block 960494; anchored record, OpenTimestamps proof, verification result
- Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX/2: No. 9, VII. Vater in deine Hände empfehle. Largo; ISRC FR10S1763794; CopyrightID 0x96714085a89c20a508ccdfd7bf8006b632e9919c60ed22aaf3a0a1230c85f6ec; Bitcoin block 960403; anchored record, OpenTimestamps proof, verification result
- La Cenerentola, Act 1: Overture (Live); ISRC HKI190533301; CopyrightID 0x718b62593b5c265d8b74a936827827859d666e916e457770d71655e5cefdc92d; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- La Cenerentola, Act 1: No no no. Non v'è (Live); ISRC HKI190533302; CopyrightID 0x4f5a235868fb0ca0999b61c2d468ca06387ebf66c7f5b7f930f2c22f23179285; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- La Cenerentola, Act 1: Scegli la sposa - Come un'ape ne' giorni d'aprile (Live); ISRC HKI190533308; CopyrightID 0x0aa5fc2d0159991a3672b30d4da4700803368b171e7dfcbcf4a214cda06caa1b; Bitcoin block 960397; anchored record, OpenTimestamps proof, verification result
- Ave Maria; ISRC US2TL0919101; CopyrightID 0x14c0a5486c5ce33566591204a1ec620bf5842f7529be3fe51b945a128a293f2d; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Egmont, Op. 84: Overture; ISRC US2TL0931201; CopyrightID 0x253fdda085497cb0ed8e51d46bfb44814e72a0f12463375960a59189bb6bce78; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Faust: Faust, Act I: Le veau d'or est toujours debout; ISRC US2TL0931203; CopyrightID 0x37d16c1b353ca52151551289ab2f4fb1bb09767742a73097849687a0879e18eb; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits); ISRC US2TL0931207; CopyrightID 0x3775d54df99a8bf054852380e9ec83b50fbb4a7a2b77d2a90b5f607565b8f5f3; Bitcoin block 953528; anchored record, OpenTimestamps proof, verification result
- 6 Zweistimmige Lieder, Op. 63: No. 1. Ich wollt' meine Lieb'; ISRC USB8U1012256; CopyrightID 0x38aec0a870af1fa711fbe13a0816ec955eb52eb9d30432518e0e3dbb49147780; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- 6 Zweistimmige Lieder, Op. 63: No. 2. Abschiedslied der Zugvogel; ISRC USB8U1012257; CopyrightID 0x66b869d2c5c2e03fb52dfa53ae48f483d6162ee1000ec07984bf87aedd881bf9; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- 6 Zweistimmige Lieder, Op. 63: No. 4. Herbstlied; ISRC USB8U1012259; CopyrightID 0x14c379ca9609a057c2e86c3632b33f2e8de9036a971bbad9196dc7548e18279d; Bitcoin block 957065; anchored record, OpenTimestamps proof, verification result
- 6 Zweistimmige Lieder, Op. 63: No. 6. Maiglockchen und die Blumelein; ISRC USB8U1012261; CopyrightID 0x321b2f18e3ac3ca8a6065fca761e853862c1cbe55bc8159e670c833d5c1ce948; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- 3 Zweistimmige Lieder, Op. 43: No. 1. Wenn ich ein Voglein war; ISRC USB8U1012269; CopyrightID 0xaed3642e9d7a02b36e6e1d7f53933f30377b41779d54cc956d6a0765f22dc9f2; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- 3 Zweistimmige Lieder, Op. 43: No. 2. Herbstlied; ISRC USB8U1012270; CopyrightID 0x9aa8e5f2d371c049bc30c08508d9a073113d040ebdd9c8400215a558bb97e0d5; Bitcoin block 960455; anchored record, OpenTimestamps proof, verification result
Full machine-verifiable record (JSON-LD, dual-chain proof, every album and recording): https://artists.proofprofile.net/storage/jsonld/artists/e31e/artist-975646.json
Popularity-0 recordings of Martina Borst in everplay, described from supplier metadata.